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Sad Legacy
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Greensleeves 2012
Piano seul
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.48 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Masters In This Hall (Nowell, Sing We Clear)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Public Domain, as performed and …
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Piano Solo - Advanced - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "Masters In This Hall"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContains:<br> "Masters In This Hall"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
$5.99
5.48 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Masters In This Hall
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Mainya Music Publishing
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SheetMusicPlus
Vivaldi: Sonata No. 1 for Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi…
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Flute,Piano - Level 3 - Digital Download SKU: A0.550397 Composed by Antonio Vivaldi. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Sacred. Score and part. 24 pages. Jmsgu3 #4628299. Published by jmsgu3 (A0.550397). Sonata da Chiesa in Bb for Flute & Piano by Antonio Vivaldi in Four movements.Antonio Vivaldi (1678-1741) was an Italian composer and violinist in the Baroque period who is widely considered one of the greatest composers of all time. He significantly influenced many other composers of the Baroque era, and his impact can still be felt in music today.Vivaldi's most significant contribution to music history was his development of the Sonata da Chiesa or church sonata. This composition was a variation of the Baroque sonata and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, focusing on melody and harmonic structure. Vivaldi was one of the first composers to use this form, and his works set the standard for future composers. His church sonatas were written in various keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the Sonata da Chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy shapes modern-era music.The mood of Vivaldi's Sonata No. 1 can be described as diverse, as it typically consists of multiple movements with varying emotional qualities. Vivaldi's cello sonatas, including Sonata No. 1, are known for their attractive melodies, stylistic variety, and dance-like movements, which can evoke emotions from lively and joyful to reflective and sad. The sonatas often feature a combination of slow and quick movements, reflecting the typical structure of church sonatas from the Baroque period. Therefore, the mood of Sonata No. 1 is likely to encompass a spectrum of emotional expressions characteristic of Vivaldi's compositional style.
$32.95
30.14 €
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Flûte traversière et Piano
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 1 for Flute & Piano
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jmsgu3
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SheetMusicPlus
Sweet Echo
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.879609 Composed by Healey Willan. 20…
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Choral Choir (SATB) - Digital Download SKU: A0.879609 Composed by Healey Willan. 20th Century,A Cappella. Octavo. 8 pages. Biretta Books #3518001. Published by Biretta Books (A0.879609). Sweet Echo is a lovely choral work by Healey Willan's written for SATB choir, a capella. The text is a Song from ‘Comus,’ a Masque by John Milton:Sweet Echo, sweetest nymph that liv’st unseen Within thy airy shell,By slow Meander’s margent green,And in the violet-embroidered vale,Where the love-lorn nightingale Nightly to thee her sad song mourneth well;Canst thou not tell me of a gentle pair That likest thy Narcissus are? O, if thou have Hid them in some flowery cave, Tell me but where, Sweet queen of parley, daughter of the sphere! So mayst thou be translated to the skies,And give resounding grace to all heaven’s harmonies.A piano reduction is included in the score for rehearsal use.Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$2.95
2.7 €
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Chorale SATB
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slow Meander’s margent green,
And in the violet-embroidered vale,
Where the love-lorn nightingale
N
ightly to thee her sad song mourneth well;
Canst thou not tell me of a gentle pair
That likest thy Narcissus are?
O, if thou have Hid them in some flowery cave,
Tell me but where,
Sweet queen of parley, daughter of the sphere!
So mayst thou be translated to the skies,
And give resounding grace to all heaven’s harmonies
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Healey Willan
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Sweet Echo
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Biretta Books
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SheetMusicPlus
Air from 'Rinaldo' (arr. for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1303104
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1303104 By George Frideric Handel. By George Frideric Handel. Arranged by Andrew Lamb. Opera. 19 pages. Andrew Lamb #892694. Published by Andrew Lamb (A0.1303104). Introducing Air from Rinaldo by George Frideric Handel, skillfully arranged for Brass Quintet! 🎺🎶🌟 Instrumentation:2 Trumpets 🎺French Horn 📯Trombone 🎶Tuba 🎵🎶 Level of Difficulty: Medium-Easy🎯 Potential Uses: 🎼 This arrangement is perfect for a wide range of musical settings, including: Concerts 🎤 Recitals 🎻 Educational purposes 📚 📜 About Air from Rinaldo: Air from Rinaldo is a timeless piece from the opera Rinaldo, composed by the legendary George Frideric Handel in 1711. This arrangement captures the essence of Handel's majestic composition and brings it to life with the brilliance and power of a Brass Quintet. The piece's rich history, inspired by Torquato Tasso's epic poem, Gerusalemme liberata, is a tale of love, war, and redemption set during the First Crusade.🎼 Handel's Legacy: George Frideric Handel, a German-British Baroque composer, is celebrated for his operas, oratorios, anthems, concerti grossi, and organ concertos. He was a musical genius who left an indelible mark on the world of classical music. His compositions have influenced countless musicians and composers over the centuries, including giants like Mozart, Beethoven, and Brahms.â Why Choose This Arrangement: This arrangement for Brass Quintet allows you to experience Handel's music in a new and vibrant way. The majestic brass instruments breathe life into the timeless melody, making it suitable for various musical settings and occasions. Whether you're performing on stage or teaching the next generation of musicians, this arrangement will captivate and inspire.📢 Get ready to elevate your musical repertoire with this iconic piece by George Frideric Handel. Add Air from Rinaldo for Brass Quintet to your collection today!🎵 Don't miss out on this opportunity to bring Handel's brilliance to your ensemble. Like and subscribe to stay updated on our latest arrangements and musical offerings. 🎶.
$8.00
7.32 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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George Frideric Handel
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Andrew Lamb
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Air from 'Rinaldo'
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Andrew Lamb
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SheetMusicPlus
Spring Concerto - Orchestra Parts
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 2 - Digital Download…
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Viola,Violin - Level 2 - Digital Download SKU: A0.864644 Composed by Alexander Peskanov. 20th Century,Classical. Score and parts. 73 pages. Classical Video Concepts, Inc. #2014511. Published by Classical Video Concepts, Inc. (A0.864644). The package includes: FLUTE - 1 Copy OBOE - 1 Copy CLARINET- 1 Copy BASSOON - 1 Copy VIOLIN I - 6 Copies VIOLIN II - 6 Copies VIOLA - 4 Copies CELLO/BASS - 4 Copies Concerto No. 8 is inspired by spring and the celebration of new life. There are four movements written in classical style, which are reminiscent of Beethoven's early works. The music is filled with contrasts; from joy to sadness and from exuberance to tranquility, and the architecture is transparent and easy to follow. It is a wonderful introduction to Beethoven's piano legacy.
$75.00
68.61 €
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Alexander Peskanov
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Spring Concerto - Orchestra Parts
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Classical Video Concepts, Inc.
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SheetMusicPlus
Inspired by Hope
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1013894 Composed by Stephen O'Doh…
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Concert Band - Level 3 - Digital Download SKU: A0.1013894 Composed by Stephen O'Doherty. Contemporary. Score and Parts. 49 pages. Stephen O'Doherty #6011245. Published by Stephen O'Doherty (A0.1013894). Conceived in sadness but purposed as a joyful tribute, this piece takes its shape from the emotional journey between those moments. Inspired by Hope is a loving tribute to Jeanne Hope, Associate Director of the Golden Kangaroos Hornsby Concert Band (GKs). Jeanne passed away after a long illness in January 2018 aged just 53. Written by her friend and colleague this piece is both a personal response to the loss of a friend and a tribute to her legacy. Scored for Concert Band Grade 3 - 3.5, the set includes detailed program, rehearsal and teaching notes.
$50.00
45.74 €
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Orchestre d'harmonie
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Stephen O'Doherty
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Inspired by Hope
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Stephen O'Doherty
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SheetMusicPlus
Sad Legacy
Guitare notes et tablatures
By Eric Johnson. For guitar. Pop; Rock. Guitar TAB. Guitar TAB. 18 pages. Published by Hal…
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By Eric Johnson. For guitar. Pop; Rock. Guitar TAB. Guitar TAB. 18 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.56 €
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Guitare notes et tablatures
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Eric Johnson
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Rock
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Sad Legacy
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Eric Johnson: Sad Legacy for guitar
Guitare notes et tablatures
Instantly printable sheet music by Eric Johnson for guitar (tablature) of MEDIUM skill lev…
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Instantly printable sheet music by Eric Johnson for guitar (tablature) of MEDIUM skill level. / pop,rock
$8.97
8.21 €
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Guitare notes et tablatures
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Eric Johnson
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Virtualsheetmusic
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
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