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Quatuor de Clarinettes: 4 clarinettes
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The Can Can for Clarinet Quartet
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1976
El Grillo for clarinet quartet (mp3)
Quatuor de Clarinettes: 4 clarinettes
B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 B…
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B-Flat Bass Clarinet,B-Flat Clarinet - Level 4 - Digital Download SKU: A0.1330458 By Budapest Scoring Clarinet Ensemble. By Josquin des Prez. Arranged by David Warin Solomons. Renaissance. Full Performance. Duration 115. David Warin Solomons #918326. Published by David Warin Solomons (A0.1330458). There is a theory that El grillo refers to Carlo Frillo, a singer who worked for the same patron as Josquin, Cardinal Galeazzo Sforza, and that it was intended to remind the prelate that his musicians’ salaries were overdue. The Sforzas were apparently notoriously mean to their employees, in spite of (or possibly because of) the fact that one of them was happy to pay a large sum of money for a parrot that could recite the Creed. Certainly the words of this little piece, with their reference to the cricket who sings for love, seem to have a good deal more impact in this sardonic light. Although the piece is similar in form to many other frottole, it is really quite unlike most such works, especially the way the repeated notes are used for comic effect.  In this instrumental arrangement I have add several decorations and divisions, to illustrate the words behind it, and also just for fun.El grillo è buon cantoreche tiene lungo verso.Dalle beve grillo canta.Ma non fa come gli altri uccelli,come li han cantato un pocovan' de fatto in altro loco,  sempre el grillo sta pur saldoQuando la maggior è l' caldoalhor canta sol per amore.[suggested English paraphrase]The cricket is a good singerand he sings for a long timeGive him a drink so he can go on singingBut he doesn't do what the other birds doWho after singing a littleJust go elsewhere.  The cricket is always steadfastWhen the weather is hottest,   then he sings just for lovePerformed by The Budapest Scoring Clarinet Ensemble.
$5.00
4.61 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Budapest Scoring Clarinet Ensemble
#
David Warin Solomons
#
El Grillo for clarinet quartet
#
David Warin Solomons
#
SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.113784…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.47 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Clarinet Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Bach: Wachet auf for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.549861 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 18 pages. Jmsgu3 #3557469. Published by jmsgu3 (A0.549861). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore. Instrumentation: 2 Bb clarinets, 1 alto clarinet, 1 bass clarinet.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbrevia.
$39.95
36.8 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Johann Sebastian Bach
#
James M
#
#
Bach: Wachet auf for Clarinet Quartet
#
jmsgu3
#
SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.47 €
#
Flûte, Hautbois, Clarinette, Basson
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Woodwind Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
Infernal Galop (Can Can) for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527617…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.527617 Composed by Jacques Offenbach. Arranged by Diego Marani. Classical,Holiday,Instructional,Opera,Standards. 19 pages. Diego Marani #3029389. Published by Diego Marani (A0.527617). Orphée aux enfers, whose title translates from the French as Orpheus in the Underworld, is an opéra bouffe (a form of operetta), or opéra féerie in its revised version. Its score was composed by Jacques Offenbach to a French text written by Ludovic Halévy and later revised by Hector-Jonathan Crémieux.The work, first performed in 1858, is said to be the first classical full-length operetta. Offenbach's earlier operettas were small-scale one-act works, since the law in France did not allow full-length works of certain genres. Orpheus was not only longer, but more musically adventurous than Offenbach's earlier pieces.This also marked the first time that Offenbach used Greek mythology as a background for one of his pieces. The operetta is an irreverent parody and scathing satire on Gluck and his Orfeo ed Euridice and culminates in the risqué Galop infernal (Infernal Galop) that shocked some in the audience at the premiere. Other targets of satire, as would become typical in Offenbach's burlesques, are the stilted performances of classical drama at the Comédie-Française and the scandals in society and politics of the Second French Empire.The Infernal Galop from Act 2, Scene 2, is famous outside classical circles as the music for the can-can (to the extent that the tune is widely, but erroneously, called can-can).This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$16.90
15.57 €
#
Quatuor de Clarinettes: 4 clarinettes
#
Jacques Offenbach
#
Diego Marani
#
Infernal Galop
#
Diego Marani
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by …
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Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.549204 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 56 pages. Jmsgu3 #3461855. Published by jmsgu3 (A0.549204). Instrumentation: 2 Eb clarinets, 4 Bb clarinets, 2 bass clarinets. Arranged as a double quartet. Includes Full Score: 28 pg. Study Score: 14 pg. and instrumental parts: 2 pg. Duration: ca. 3:00. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.17 €
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Ensemble de Clarinettes
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Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni Ch 172 for Clarinet Choir
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jmsgu3
#
SheetMusicPlus
Turkish March by Beethoven for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.114352…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1143527 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 10 pages. Woods Only, Arrangements #743843. Published by Woods Only, Arrangements (A0.1143527). This arrangement adapted for clarinet quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
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Quatuor de Clarinettes: 4 clarinettes
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Clarinet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
Intermezzo from "Cavalleria rusticana" (Mascagni) - Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1325229 Composed by Pietro Mascagni. Arranged by Rob Bushnell. Classical,Easter,Film/TV,Opera,Romantic Period. 15 pages. RBMusic #913462. Published by RBMusic (A0.1325229). In 1889, a struggling composer called Pietro Mascagni heard about a sponsored competition for one-act operas, specifically for young Italian composers who had not yet had an opera performed, only two months before the deadline. With little time, he selected the subject for his opera and asked his childhood friend, Giovanni Targioni-Tozzetti (who was helped by Guido Menasci), to write a libretto for him. Mascagni selected a story that he had seen as a play in Milan in early 1884 by realist writer Giovanni Verga, “Rustic Chivalryâ€, or Cavalleria rusticana. A passionate love tragedy featuring seduction, adultery, revenge and murder, it is surprising set on Easter morning.Mascagni received only a few verses at a time from his librettists, but he was not worried because he had the opera clear in his mind: “I identified with the drama to such an extent that I felt it within myself in terms of music.†After two months’ of work, the music for Cavalleria rusticana was finished but he feared the opera would fail and put the music in a draw. Fortunately, his wife sent it off, he unanimously won the competition and was soon the talk of Europe. (At the premiere in May 1890 in Rome, Mascagni received no fewer than 60 curtain calls.) Unfortunately, it was a one-hit wonder with Mascagni unable to repeat its success, saying towards the end of his life that “it is a pity I wrote Cavalleria first for I was crowned before I became king.†He died, penniless, in 1945.Today, few people have heard of Mascagni’s name, and, if they have, it is rarely in relation to anything but one piece from Cavalleria rusticana, the Intermezzo. A short piece of purely orchestral music that is uses to denote the passage of time, the orchestration is very simple but it is such an indulgently beautiful melody (based on a hymn heard earlier in the short opera) that perfectly captures the peace of country living in Sicily against the intense feelings of the main characters and the looming tragedy to come.The piece is so popular that (along with the “Easter Hymn†from the same opera), it is the only reason Mascagni features in the Classic FM’s Hall of Fame.The piece was used in the 1980 film Raging Bull and the 1990 film The Godfather Part III.This arrangement includes alternative parts for clarinet in E-flat and alto clarinet in E-flat. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=Kgr-I1y1_2M.Other searchable terms: Italy, Martin Scorsese, Robert De Niro, Joe Pesci, Cathy Moriarty, Nicholas Colasanto, Theresa Saldana, Frank Vincent, Al Pacino, Diane Keaton, Talia Shire, Andy GarcÃa, Eli Wallach, Joe Mantegna, Bridget Fonda, George Hamilton, Sofia Coppola.
$15.99
14.73 €
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Quatuor de Clarinettes: 4 clarinettes
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Pietro Mascagni
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Rob Bushnell
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Intermezzo from "Cavalleria rusticana"
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RBMusic
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SheetMusicPlus
Two Brahms Quartets for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.949373 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 47 pages. Adam Lenhart #5289711. Published by Adam Lenhart (A0.949373). In this arrangement, two of Brahms most famous and beautiful quartets have been set to clarinet quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a third Bb Clarinet part, which can be used in the absence or substitution of an Eb Alto Clarinet.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
9.2 €
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Quatuor de Clarinettes: 4 clarinettes
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Clarinet Quartet
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Adam Lenhart
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SheetMusicPlus
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Downl…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - Digital Download SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
69.05 €
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Quatuor de Clarinettes: 4 clarinettes
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Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
46.02 €
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Quatuor de Clarinettes: 4 clarinettes
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Guillaume de Machaut, 1300-1377
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James M
#
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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jmsgu3
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua H…
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Bass Clarinet Solo - Level 3 - Digital Download SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Quatuor de Clarinettes: 4 clarinettes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Slide Ride
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser…
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Clarinet Solo - Level 3 - Digital Download SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Quatuor de Clarinettes: 4 clarinettes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
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Slide Ride
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SheetMusicPlus
Ode to Joy by Beethoven for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.114079…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1140794 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 12 pages. Woods Only, Arrangements #741050. Published by Woods Only, Arrangements (A0.1140794). This arrangement adapted for clarinet quartet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions. Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..
$7.99
7.36 €
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Quatuor de Clarinettes: 4 clarinettes
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Ludwig van Beethoven
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Ander
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Ode to Joy by Beethoven for Clarinet Quartet
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Woods Only, Arrangements
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SheetMusicPlus
16 Favourite Easter Hymns for Clarinet Quartet or Choir
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.587859…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.587859 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. 80 pages. David McKeown #5031033. Published by David McKeown (A0.587859). 16 Favourite Easter Hymns for Clarinet Quartet or Choir is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Bb Clarinets and one Bass Clarinet. Separate parts are included with the score in one single pdf file. Alternative parts 1 and 3 for Eb Soprano Clarinet and Eb Alto Clarinet are also included. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above.16 Favourite Easter Hymns for Clarinet Quartet or Choir are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Clarinet Quartet or Choir useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
9.2 €
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Quatuor de Clarinettes: 4 clarinettes
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Various
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David McKeown
#
#
16 Favourite Easter Hymns for Clarinet Quartet or Choir
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David McKeown
#
SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.78…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.784344 Composed by Joshua Hauser. Instructional. Score and parts. 182 pages. Slide Ride #5288695. Published by Slide Ride (A0.784344). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$17.50
16.12 €
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t Step in the Holes! – Woodwind Quartet or Quintet
#
Slide Ride
#
SheetMusicPlus
Joplin: Bethena Concert Waltz for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914232…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - Digital Download SKU: A0.914232 Composed by Scott Joplin. Arranged by Dr. Craig Buying. 20th Century,Concert,Folk,Ragtime,Traditional. 13 pages. No Squeak Publishing #4323703. Published by No Squeak Publishing (A0.914232). Unlike Joplin's characteristic rags, Bethena captures the sentimental side of the composer. Dedicated to his late wife, Freddie, the Bethena Concert Waltz is mournful while capturing the joy of their brief marriage. This arrangement is suitable for professional recitals, but can be performed by younger musicians as well. Optional lower octave notes are included in the 1st clarinet part, which goes up to a high F briefly but is not necessary. The first and second clarinet parts are of equal difficulty, with the third and bass part being slightly easier. A bass clarinet with extension below Eb is not necessary, but in a few measures optional low notes are included. A great addition to a recital, wedding, or program focusing on African American or American composers. Total length is approximately 4:30. A real crowd pleaser!
$4.99
4.6 €
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Quatuor de Clarinettes: 4 clarinettes
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Scott Joplin
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Dr
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Joplin: Bethena Concert Waltz for Clarinet Quartet
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No Squeak Publishing
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Flûte, Hautbois, Clarinette, Basson
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00
13.82 €
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Flûte, Hautbois, Clarinette, Basson
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Slide Ride
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SheetMusicPlus
Solage: Le basile for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Downl…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1266048 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Medieval,Traditional. 8 pages. Jmsgu3 #858782. Published by jmsgu3 (A0.1266048). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.35 €
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Quatuor de Clarinettes: 4 clarinettes
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Solage
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James M
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Solage: Le basile for Clarinet Quartet
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jmsgu3
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SheetMusicPlus
Turkish March by Beethoven for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1143522 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1143522 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #743838. Published by Woods Only, Arrangements (A0.1143522). This arrangement adapted for woodwind quartet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$7.99
7.36 €
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Flûte, Hautbois, Clarinette, Basson
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for Woodwind Quartet
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Woods Only, Arrangements
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SheetMusicPlus
JASMINE - Traditional Chinese Folk Song, Quartet for 3 treble and 1 bass instrument, Intermediate Le
Hautbois, Clarinette, Basson (trio d'anches)
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.521622 Composed by Traditional Chinese Folk Song. Arranged by Sherry Lewis Publishing. Classical,Holiday,Multicultural,Wedding,World. 15 pages. Sherry Lewis Publishing #6253811. Published by Sherry Lewis Publishing (A0.521622). JASMINE FLOWER Quartet for any 3 treble and one bass instrumentIntermediate LevelScore: 5 pagesParts: 4 pages Time: 2'30MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$6.50
5.99 €
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Hautbois, Clarinette, Basson (trio d'anches)
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Traditional Chinese Folk Song
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Sherry Lewis Publishing
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JASMINE - Traditional Chinese Folk Song, Quartet for 3 treble and 1 bass instrument, Intermediate Le
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Sherry Lewis Publishing
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SheetMusicPlus
THE PINK PANTHER for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Clarinet, Woodwind Quartet - Intermediate - Digital Download By Henry Mancini. Arrang…
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Clarinet, Woodwind Quartet - Intermediate - Digital Download By Henry Mancini. Arranged by Oliver König. Set of Parts. 18 pages. Published by Oliver Koenig
This is the most famous Windwood Soundtrack and brings always much fun to the players and the audience.<br> The arrangement for 3 Bb Clarinets and 1 Bb Bass Clarinet starts with a impressive tutti and goes on with a funny Bass Clarinet Walking.<br> It´s an easy arrangement for intermediate skilled players, but even the most advanced players will enjoy it while they can show their skills in the solo part. This theme lives from precise ensemble phrazing. You will enjoy the jazzy voicings.<br> We added an optionbal Jazzguitar part. If you need other instrumentations please ask at smparrangements@gmail.com
$22.99
21.18 €
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Quatuor de Clarinettes: 4 clarinettes
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Henry Mancini
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Oliver König
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THE PINK PANTHER for Clarinet Quartet
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Oliver Koenig
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SheetMusicPlus
Noël Français (for Clarinet Quartet)
Quatuor de Clarinettes: 4 clarinettes
Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1…
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Clarinet Quartet,Woodwind Ensemble Bass Clarinet - Level 2 - Digital Download SKU: A0.1274430 Composed by Gustave Doret. Arranged by Andrew Lamb. 20th Century,Christmas,Praise & Worship. 21 pages. Andrew Lamb #866574. Published by Andrew Lamb (A0.1274430). Introducing Noël Français, an enchanting arrangement for Clarinet Quartet that brings the spirit of Christmas to life. Originally composed by the talented Frenchman Gustave Doret, this piece intertwines the joy of a carol with the depth of religious devotion.Carefully arranged for 3 Clarinets in Bb and 1 Bass Clarinet, this quartet showcases the distinct voices of each instrument, creating a harmonious blend of tones. The intermediate level of difficulty ensures that both aspiring and seasoned clarinetists can enjoy playing this piece with passion and ease.Noël Français is the perfect addition to your Christmas repertoire, as it infuses the air with the warmth the holiday season. Whether performed at festive gatherings, church services, or intimate concerts, this arrangement sets the ideal ambiance for celebrating the Christmas spirit.Let the captivating melodies of Noël Français delight your audience and transport them to a world of cherished traditions and heartfelt reverence. Embrace the magic of the season with this exceptional clarinet quartet arrangement and make your Christmas performances truly memorable.
$4.00
3.68 €
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Quatuor de Clarinettes: 4 clarinettes
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Gustave Doret
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Andrew Lamb
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Noël Français
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Andrew Lamb
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SheetMusicPlus
Two Brahms Quartets for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Ten…
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.949374 Composed by Johannes Brahms. Arranged by Adam Lenhart. Romantic Period. 46 pages. Adam Lenhart #5289713. Published by Adam Lenhart (A0.949374). In this arrangement, two of Brahms most famous and beautiful quartets have been set to saxophone quartet with piano or organ accompaniment. Included is Wie lieblich sind deine Wohnungen (How lovely are thy dwellings), the fourth movement from A German Requiem, to words of the Holy Scriptures, Op. 45, and Der Gang zum Liebchen (Journey to thy beloved) from Three Quartets, Op. 31. These quartets have been arranged to be performed by all levels of musicians in a variety of settings. Includes full score and individual parts for both quartets.*Included is a second Alto Saxophone part, which can be used in the absence or substitution of a Soprano Saxophone.This set of quartets is also available for the following chamber ensembles:Flute Quartet (4 Flutes with opt. Piccolo)Flute Choir (Piccolo, Concert, Alto and Bass Flute)Oboe Quartet (Oboe, Violin, Viola and Cello)Clarinet Quartet (2 Bb Clarinets, Alto and Bass Clarinet; or 3 Bb Clarinets and Bass Clarinet)Saxophone Quartet (Soprano, Alto, Tenor and Baritone Saxophone; or 2 Alto Saxophones, Tenor and Baritone Saxophone)Brass Quartet (2 Bb Trumpets, F Horn and Trombone)Woodwind Quartet (Flute, Oboe, Bb Clarinet and Bassoon)String Quartet (2 Violins, Viola and Cello)---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$9.99
9.2 €
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Quatuor de Saxophones: 4 saxophones
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Johannes Brahms
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Adam Lenhart
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Two Brahms Quartets for Saxophone Quartet
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Adam Lenhart
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SheetMusicPlus
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