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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.26 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
The Leaves Around Me Falling [A Minor]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393223 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393223 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #976704. Published by Anastace (A0.1393223). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in A minor to suit singers with higher voices [the melody extends from D4-D5 for a comfortable soprano range], and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in E Minor for easier playing [vocal range A3-A4]Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00
5.51 €
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Piano, Voix
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling [A Minor]
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Anastace
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SheetMusicPlus
The Leaves Around Me Falling [E Minor]
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393221 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393221 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Praise & Worship,Religious,Sacred. Score. 10 pages. Anastace #976702. Published by Anastace (A0.1393221). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in E minor to make it easier to play, and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Piano and Vocal in A Minor for higher voice [vocal range D4-D5]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00
5.51 €
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Piano, Voix
#
Stacey Plays Hymns
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Anastace
#
The Leaves Around Me Falling [E Minor]
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Anastace
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SheetMusicPlus
The Leaves Around Me Falling
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393214 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1393214 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Praise & Worship,Religious,Sacred. Score. 9 pages. Anastace #976695. Published by Anastace (A0.1393214). Here is the full piano vocal version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many comforting, beautiful funeral playlists. This version is in F minor to match the original recording, and has the exact piano accompaniment as well as full melody and lyrics for a soloist or choir. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond. Also included at the end of the file is a separate printout of both the piano and vocal parts separately for ease of practice and rehearsal.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in E Minor for easier playing [vocal range A3-A4]Piano and Vocal in A Minor for higher voice [vocal range D4-D5]Lead Sheet Version in F Minor [vocal range Bb3-Bb4] [as well as more detailed chords]Lead Sheet Version in E Minor for easier playing [vocal range A3-A4]For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$6.00
5.51 €
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Piano, Voix
#
Stacey Plays Hymns
#
Anastace
#
The Leaves Around Me Falling
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Anastace
#
SheetMusicPlus
The Leaves Around Me Falling [Lead Sheet - E Minor]
Piano Facile
C Instrument - Level 1 - Digital Download SKU: A0.1393210 By Stacey Plays Hymns. By…
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C Instrument - Level 1 - Digital Download SKU: A0.1393210 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #976690. Published by Anastace (A0.1393210). Here is the lead sheet version of “The Leaves Around Me Fallingâ€, as heard on my YouTube channel and in many funeral playlists. This version is in E minor to make it easier to play. It works well as a solo or congregational song for any autumn or funeral service, featuring the meaningful lyrics of Henry Francis Lyte reminding us of the swiftness of this life, and the hope we have for the life beyond.The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and harmonic arrangement, which can be found on all streaming platforms as well as Youtube, where lyric videos of this and other songs are readily available for church or personal use. Not just a hymn for September and October, I've found myself going back to this song often, as it captures the rich beauty and yet sadness of the autumn season, and still somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Piano and Vocal in F Minor to match the original recording [vocal range Bb3-Bb4]Piano and Vocal in E Minor for easier playing [vocal range A3-A4]Piano and Vocal in A Minor for higher voice [vocal range D4-D5Lead Sheet Version in F Minor [vocal range Bb3-Bb4] (as well as more detailed chords)For other formats including large print, different vocal ranges, or extended choral SATB versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.75 €
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Piano Facile
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling [Lead Sheet - E Minor]
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Anastace
#
SheetMusicPlus
The Leaves Around Me Falling
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1316617 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1316617 By Stacey Plays Hymns. By Henry Francis Lyte / Stacey Plays Hymns. Arranged by Anastace. Christian,Religious,Sacred,Spiritual. Lead Sheet / Fake Book. 2 pages. Anastace #905338. Published by Anastace (A0.1316617). A perfect hymn for funerals or a contemplative autumn service, reminding us of how swiftly life passes, just like the autumn leaves which are so soon gone. The original hymn was very beautiful but I thought a minor setting would be more fitting for the solemn lyrics, so I wrote an entirely new melody and choral arrangement, which can be found on all streaming platforms and Youtube, where lyric videos of this and other songs are readily available for church or personal use. All September and October long I've been going back to this song myself, as it captures the rich beauty and yet sadness of the autumn season, and somehow brings comfort amidst the fast-changing seasons of the earth and of our lives. I hope you also are blessed by this song and arrangement!For other formats including large print or special congregational versions contact me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. This is the lead sheet version, intended for personal use only. For a license to use or present in a church service, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$3.00
2.75 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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The Leaves Around Me Falling
#
Anastace
#
SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.5 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
16 Changing Meter Pieces for Tuba and/or Euphonium (Baritone)
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.792271 Composed by Davies, Ken. Arra…
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Tuba Solo - Level 4 - Digital Download SKU: A0.792271 Composed by Davies, Ken. Arranged by Davies, Ken. 20th Century,Instructional,Romantic Period. Individual part. 36 pages. Gordon Cherry #4803735. Published by Gordon Cherry (A0.792271). These pieces are intended for the serious private Tuba student at the 11th-12th grade level, though they can also be useful as remedial or preparatory material at the first year college level. Range, technique and rhythmic complexity have been minimized in order to avoid creating too many things for the student to focus on at once. For most students at this level, meter changes and interval structures within a non-tonal context are enough. Technique and range are more than adequately covered in other studies. These fine pieces are more than just studies, they are musical works with a lot of character and should be a part of every Tubist's library.
$17.50
16.07 €
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Tuba
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Davies, Ken
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Davies, Ken
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16 Changing Meter Pieces for Tuba and/or Euphonium
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Gordon Cherry
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SheetMusicPlus
16 Changing Meter Pieces for Tuba and/or Euphonium (Baritone)
Euphonium, Tuba (duo)
Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0…
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Instrumental Duet Euphonium,Instrumental Duet,Tuba - Level 4 - Digital Download SKU: A0.792164 Composed by Davies, Ken. 20th Century,Instructional. Score and parts. 36 pages. Gordon Cherry #3820411. Published by Gordon Cherry (A0.792164). These pieces are intended for the serious private Tuba student at the 11th-12th grade level, though they can also be useful as remedial or preparatory material at the first year college level. Range, technique and rhythmic complexity have been minimized in order to avoid creating too many things for the student to focus on at once. For most students at this level, meter changes and interval structures within a non-tonal context are enough. Technique and range are more than adequately covered in other studies.These fine pieces are more than just studies, they are musical works with a lot of character and should be a part of every Tubist's library.
$15.00
13.77 €
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Euphonium, Tuba (duo)
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Davies, Ken
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16 Changing Meter Pieces for Tuba and/or Euphonium
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Gordon Cherry
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SheetMusicPlus
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Orgue
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert…
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Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95
11.89 €
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Orgue
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Musik Fabrik Music Publishing
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SheetMusicPlus
LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Te…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.
$4.99
4.58 €
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Saxophone Tenor et Piano
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Joe Procopio
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the vocalist/bassist I
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LILLY'S DANCE
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JoeCopio Music LLC
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SheetMusicPlus
The Hourglass Trilogy - Piano Solo (Full Set)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.947477 Composed by Stephanie Floren…
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Piano Solo - Level 4 - Digital Download SKU: A0.947477 Composed by Stephanie Florentino. 20th Century,Celtic,Contemporary. Score. 16 pages. Stephanie Rae Florentino #6201179. Published by Stephanie Rae Florentino (A0.947477). Inspired by the changing seasons, The Hourglass Trilogy celebrates the beauty of nature and the renewal of life with each passing year. With Celtic and Impressionist elements, the listener is transported into an other-worldly setting, accompanied by original poems written by the composer to set the scene.Contents:I. Spinning Wheel (an ethereal and enigmatic glance into the coming of Autumn and the changes it brings; full of whirling colors and moments of reflection).II. Winter's Spell (a meditative experience of the calm and quiet winter often brings, with a hint of the fantastical and the hope of spring)III. The Lark and the Rowan Tree (a lilting, upbeat dance celebrating the return of spring and the renewal of life)*Also available as individual pieces.Stephanie is a piano teacher, composer and performer in north Texas. She studied piano performance at Hill College (Hillsboro, TX) and Tarleton State University (Stephenville, TX), and is also the second place winner of the 2007 Lorenzo de Medici Piano and Voice Competition in Tuscania, Italy.
$7.99
7.34 €
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Piano seul
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Stephanie Florentino
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The Hourglass Trilogy - Piano Solo
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Stephanie Rae Florentino
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SheetMusicPlus
The Giant's Tale - Beginner Timpani Solo with piano accompaniment
Accompagnement Piano
Instrumental Solo,Piano,Timpani - Level 1 - Digital Download SKU: A0.890667 Compose…
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Instrumental Solo,Piano,Timpani - Level 1 - Digital Download SKU: A0.890667 Composed by Stella ter Hart. Concert,Instructional,Standards. Score and individual part. 4 pages. Stella terHart #6210041. Published by Stella terHart (A0.890667). Timpani players have rare solo opportunities due to very little repertoire available, especially at the earliest levels. Here is a fantastic beginner's solo for any timpanist in their 1st year. The Giant's Tale highlights the necessary techniques learned in a student's first year including rolls, tunings, dynamics, drum changes and basic rhythms. Although written in F-, the performer does not need to tune any accidentals as the piano accompaniment provides all the changing harmonic tonalities.Key: F-Tempo: moderato
$3.99
3.66 €
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Accompagnement Piano
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Stella ter Hart
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The
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The Giant's Tale - Beginner Timpani Solo with piano accompaniment
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Stella terHart
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SheetMusicPlus
Oh Dear, Look at the Time!
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.966500 Composed by Stuart Sosnoski.…
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Piano Solo - Level 1 - Digital Download SKU: A0.966500 Composed by Stuart Sosnoski. Contemporary,Instructional,Standards. Score. 3 pages. Stuart Sosnoski #2869031. Published by Stuart Sosnoski (A0.966500). Oh Dear, Look at the Time, for the late elementary student, is a piece which teaches that time signatures can change frequently in a piece of music. Time's quick tempo and unusual melody, with beat one accents coming when unexpected due to the changing time signatures, make it an unorthodox piece, but a piece which receives high marks from my students. A double dotted whole note at the end foreshadows a more advanced concept of notation. In the first measures, the composer reminds students that all B's are played as flats, then students must remember the time signature. Over the years, my students have continuously commented on how much they have enjoyed the work, especially the B section. I know your students will love it too! .
$3.00
2.75 €
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Piano seul
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Stuart Sosnoski
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Oh Dear, Look at the Time!
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Stuart Sosnoski
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SheetMusicPlus
“October” from “The Seasons” op. 37b
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1306667 Composed by Peter Ilyich Tc…
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Piano Solo - Level 2 - Digital Download SKU: A0.1306667 Composed by Peter Ilyich Tchaikovsky. 19th Century,Classical,Romantic Period,Soul,Spiritual. Score. 3 pages. Polly #872925. Published by Polly (A0.1306667). Tchaikovsky: October is the tenth piece from the cycle The Seasons (Op. 37a), a set of twelve short piano pieces composed by Pyotr Ilyich Tchaikovsky. Each piece represents a different month of the year, and October is the musical depiction of the autumnal month. October, often known by its subtitle Autumn Song, is a beautiful and evocative piano piece that captures the mood and colors of the fall season. The music is characterized by its gentle and introspective melody, rich harmonies, and a sense of nostalgia. It conveys a serene and contemplative atmosphere, as if reflecting the changing leaves and the quiet beauty of autumn landscapes. The piece begins with a delicate melody played in the upper registers of the piano, accompanied by harmonies in the lower registers. The music gradually builds in intensity and emotion, allowing the listener to imagine the changing scenery of autumn. Throughout the piece, Tchaikovsky employs his signature melodic and harmonic language to create a sense of depth and emotion. October showcases Tchaikovsky's ability to convey mood and emotion through music. While the piece may not be as well-known as some of his larger works, it remains a gem within his piano repertoire, appreciated for its subtlety and the emotions it evokes. Tchaikovsky's The Seasons as a whole is a collection that captures the spirit of each month through music, and October represents his ability to translate the feelings of a season into a captivating musical experience.
$1.99
1.83 €
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Piano seul
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Peter Ilyich Tchaikovsky
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“October” from “The Seasons” op. 37b
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Polly
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SheetMusicPlus
Blame It On The Boogie
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.555276 Composed by David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer. Arranged by Nathaniel Frisque. Jazz,Pop. Score and parts. 42 pages. Nathaniel Frisque #164885. Published by Nathaniel Frisque (A0.555276). I arranged this piece at the request of my friends in the 2020-2021 Viking Jazz Ensemble at Wisconsin Lutheran High School. We hoped to do Blame it on the Boogie for that year's Prism concert, and they had asked my director to find an arrangement. He found one, but it was out of print. We were already playing an arrangement I did of Don't Start Now by Dua Lipa, so my friends turned to me and said, You can do one more, right? A year later, the 2021-2022 Jazz Ensemble performed this in front of 4 sold-out Prism concerts. This arrangement won first place in the WSMA 2022 Student Composition Project Arrangement Category- High School Division. This arrangement starts with the original melody and harmonies as presented on the original recording. The intro features bass and bari sax, the verse melody is passed to the saxophones, and the chorus is in the hands of the trumpets. I know. Scary. The second verse takes a turn, changing keys to the relative minor and changing feels into a jazz-latin groove. The melody starts in the trumpets and moves to the saxophones, while everyone else is comping on a montuno-based rhythm. The second chorus serves as a Breakdown section and transitions the piece into the solo section. The solo section is heavily inspired by the steel pan music of Trinidad and Tobago. The transition from the chorus into the solo section is stolen from Summersong, a piece of steel pan literature. The chord progression is ripped from the soca tune Pan in A Minor by Lord Kitchener. The backgrounds are traditional strum rhythms from the genre. The transition out of the solo section is a chromatic line also commonly used in steel pan music, especially pieces performed for the annual steel pan competition Panorama. The final chorus is presented in the same style and key as the original recording. Some slight changes are made in the backgrounds, and the entire band brings back the idea from the introduction to bring the piece to an end. This piece exists for one reason only: for you and the audience to have fun.
$54.99
50.5 €
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Ensemble Jazz
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David Jackson-Rich, Elmar Krohn, Hans Kampschroer, Michael Jackson-Clark, and Thomas Meyer
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Nathaniel Frisque
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Blame It On The Boogie
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Nathaniel Frisque
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SheetMusicPlus
The Polliwog (Tadpole)
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510166 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510166 Composed by words and music by Glyn Lehmann. Children,Contemporary. Octavo. 5 pages. Glyn Lehmann #3507863. Published by Glyn Lehmann (A0.510166). There's a strange creature lurking down at the waterhole!Some say it has no arms or legs, just a long tail and a big head. Others say it has long legs, a stumpy tail and big bulgy eyes. Sounds scary! Are you brave enough to find out for yourself?A fun song for children between 5 and 9 years. They will learn about the polliwog (here's a clue; it's usually called a tadpole, ssh!). Along the way there's a subtle message about facing fears and finding things out for yourself.For 2-parts (easy) or unison.The Polliwogwords and music by Glyn LehmannCHORUSHave you ever seen a polliwogHiding in the water underneath a logLurking in the shadowsGrowing every dayI hope I never see a polliwog!No I never want to see a polliwog!Verse 1Someone said they saw a polliwogDown at the waterhole chasing a dogIt had no arms and it had no legsA long swishy tail and a great big headCHORUSVerse 2Someone said they saw a polliwogDown at the waterhole chasing a dogIt had two arms and two short legsA short stumpy tail and a great big headCHORUSVerse 3Someone said they saw a polliwogDown at the waterhole chasing a dogIt had a round body and two long legsAnd big bulgy eyes on the top of its head Coda AI began to wonder about the polliwogWhy was it changing, could it chase a dog?Although I was frightenedI must be brave I really want to see a polliwogYes I really want to see a polliwog!Coda BDown at the waterhole with my dogI went looking for the polliwogWaiting by the water sitting on a logUp jumped a little green frog(spoken) And it chased my dog! Woof!© 2013 Glyn Lehmann
$1.99
1.83 €
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Chorale 2 parties
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words and music by Glyn Lehmann
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The Polliwog
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Glyn Lehmann
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SheetMusicPlus
Through The Years
Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3…
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Small Ensemble Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Flute,Horn,Trombone - Level 3 - Digital Download SKU: A0.1047346 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 43 pages. Blaze Scheuerman #651904. Published by Blaze Scheuerman (A0.1047346). Through The Years is meant to be a reflection back onto one’s childhood. Inspired by my own upbringing, it is a recollection of past events that came and mindsets experienced. It opens up with a loud and active sound to show the start of the journey. The character begins happy and energetic, going head first with no fear. The dotted quarter note theme at measure 11 then shows the young child’s state of mind. While beginning to understand concepts of anxiety and fear, he is still full of vigor and confidence. Then at measure 26, the main character begins his adolescence. Still fresh and happy, he sees the world in a simple way and that it is actively watching out for him. He is enjoying this passive time of leisure until measure 40, where he decides to actively try to seek out something. He gets carried away however, and tries to return back to his roots, seen in measure 59. Unfortunately he finds himself tainted and unable to return to his go-getting former self. He then does something peculiar in measure 77. Instead of being angered or saddened by this fact, he accepts it and takes a step back to rebuild himself, seen in the fugato section. After a long and detailed remapping, he finds himself back at his desired happy self. However at measure 127, he feels himself changing once again. So through active awareness and will, he prevents himself from changing into something he doesn’t want to be and instead stays as his desired self.
$5.99
5.5 €
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Blaze Scheuerman
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Through The Years
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Blaze Scheuerman
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SheetMusicPlus
The Ever Changing C
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.966503 Composed by Stuart Sosnoski.…
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Piano Solo - Level 2 - Digital Download SKU: A0.966503 Composed by Stuart Sosnoski. Contemporary,Instructional,Standards. Score. 3 pages. Stuart Sosnoski #2881241. Published by Stuart Sosnoski (A0.966503). The Ever Changing C is an early intermediately level piano solo which highlights several techniques. First, students will use the 8 va and 8 vb concepts, utilizing the full range of the piano throughout by crossing the hands during play. Second, an imagination of being on the sea requires students to perform the piece with a technique which produces a sound accordingly. Third, frequent dynamic changes mimic danger on the high seas as well as calm conditions. Lastly, students will reinforce their ability to count in 6/8 time. My students have enjoyed playing The Ever Changing C for many years. They enjoy the flow of the piece as well as the challenge of the cross-overs. I know your students will enjoy the piece as much as mine!
$3.00
2.75 €
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Piano seul
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Stuart Sosnoski
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The Ever Changing C
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Stuart Sosnoski
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SheetMusicPlus
Deck the Halls (solo saxophone, on a sugar buzz)
Saxophone Alto
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.1133153 Composed by Tradit…
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.1133153 Composed by Traditional. Arranged by Rick Hirsch. Blues,Christmas,Classical,Holiday,Jazz. Individual part. 3 pages. HirschMusic #733313. Published by HirschMusic (A0.1133153). This treatment of Deck the Halls is syncopated, keeps changing keys, and ends with a taste of the Blues.———It is creatively reimagined and meticulously arranged for unaccompanied saxophone by world renowned composer Rick Hirsch.———And, it’s playable by every type of saxophone (SOPRANO, ALTO, TENOR or BARITONE).———This Yuletide Single is excerpted from the 15-song collection YULETIDE IMPROVISATIONS: Holiday Music Reimagined for Saxophone, by Rick Hirsch. You can play it year after year at recitals, holiday concerts, church services, family gatherings, and much more.
$2.00
1.84 €
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Saxophone Alto
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Traditional
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Rick Hirsch
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Deck the Halls
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HirschMusic
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SheetMusicPlus
We, the Children, Lift Our Voices
Chorale Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA946 Composed by Hal H Hopson. …
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Unison/Two-part chorus - Digital Download SKU: C7.CGA946 Composed by Hal H Hopson. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA946. Published by Chorister's Guild - Digital (C7.CGA946). UPC: 749193007778.Written with flexible voicing for youth choirs, this beautiful, new anthem employs a lyrical melody to issue the challenge Jesus gave to his disciples in John 14: If you love me, keep my commandments. The tenor part is accessible for changing voices and the optional baritone part may be used for SATB choirs. Use this piece in anticipation of Pentecost or any time of year to provide choristers and congregation with an important reminder of Jesus' teachings.
$1.95
1.79 €
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Chorale Unison
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Hal H Hopson
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We, the Children, Lift Our Voices
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Chorister's Guild - Digital
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SheetMusicPlus
At the Cross (Watts and Hudson) - piano solo by Stephen R Dalrymple
Piano seul
Instrumental Solo - Level 3 - Digital Download SKU: A0.818236 By Stephen R Dalrympl…
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Instrumental Solo - Level 3 - Digital Download SKU: A0.818236 By Stephen R Dalrymple. By Ralph E Hudson & Isaac Watts. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 10 pages. Stephen R Dalrymple #3098369. Published by Stephen R Dalrymple (A0.818236). At the Cross (Watts and Hudson)♫ by Isaac Watts (lyrics – 1701, refrain added by Ralph E. Hudson / music - HUDSON by Ralph E. Hudson 1855♫ arranged for piano solo Stephen R Dalrymple♫ Isaac Watt’s lyrics have been sung to at least 4 tunes in the 300 plus years since he wrote them.♫ I used some deliberate dissonance in the piano solo arrangement to follow the mood of the text. Although ‘At the Cross’ is usually sung with gusto, I kept the first several choruses simple and quiet to contemplate the wonder of the cross and the incredible effect it has in changing lives.♫ music © 1999 (copyright registered in 'Great God of Wonders, Sacred piano Arrangements.’)♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2024 Stephen R Dalrymple ♫ performed by the arranger♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @DalrympleDesigns.
$4.50
4.13 €
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Piano seul
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Stephen R Dalrymple
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At the Cross
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Stephen R Dalrymple
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SheetMusicPlus
The Changing Year
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1422312 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1422312 By ... By Arthur H Mann. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Pop,Standards,World. 10 pages. Duration 118. J. Randolph Hall #50KZ4dMJ9aqN90K2HK2Ovu. Published by J. Randolph Hall (A0.1422312). Key: F major.Mann was a British organist, choirmaster, teacher, composerand hymnist from the later 19th to early 20th centuries. This is a good piece for New Years Day or New Years Eve. It should be played with a martial feeling. Section A and C are the verse. Section B and D are the refrain. A modulation to a new key occurs at the end of scetion B with the aid of a French augmented sixth chord. Section C then adds a descant by yours truly.
$4.00
3.67 €
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Quatuor de Cuivres
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J
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The Changing Year
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J. Randolph Hall
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SheetMusicPlus
The Word As One of Us
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008948 Composed by Maria …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1008948 Composed by Maria Lord-Kniveton. Christmas,Contemporary,Easter,Sacred. Octavo. 19 pages. MaLoMaLo Press #5718399. Published by MaLoMaLo Press (A0.1008948). The Word as One of Us was originally composed for a Lessons and Carols Service using a festive musical idiom that avoids Christmas clichés and can be performed throughout the year. The primary text is Philippians 2:5-11. Liturgical congregations would most appreciate hearing this piece during Christmas, Easter, the Ascension, and Christ the King. Non-liturgical congregations would enjoy this piece as an accompaniment to any discussion of the incarnation, humiliation, and exaltation of Christ. In a school setting, it can introduce advanced high school or university students to chant rhythm and regularly changing meters. The piece includes short sections for male or female soloist and female trio or small group. To learn more about the composer and her other works, visit marialordknivetonmusic.com.
$3.25
2.98 €
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Chorale SATB
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Maria Lord-Kniveton
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The Word As One of Us
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MaLoMaLo Press
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SheetMusicPlus
Strangers In The Night
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1307701 By Frank Sinatra. By Bert K…
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Piano Solo - Level 4 - Digital Download SKU: A0.1307701 By Frank Sinatra. By Bert Kaempfert, Charles Singleton, and Eddie Snyder. Arranged by Timothy Stapay. Film/TV,Jazz,Pop,Singer/Songwriter,Standards. Score. 3 pages. Timothy Stapay #896964. Published by Timothy Stapay (A0.1307701). Strangers in the Night is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder.  The song was made famous in 1966 by Frank Sinatra.Reaching #1 on both the Billboard Hot 100 chart and the Easy Listening chart, it was the title song for Sinatra's 1966 album Strangers in the Night, which became his most commercially successful album. The song also reached No. 1 on the UK Singles Chart.Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967.Lyrics:[Verse 1]Strangers in the night exchanging glancesWondering in the night, what were the chances?We'd be sharing love before the night was through[Verse 2]Something in your eyes was so invitingSomething in your smile was so excitingSomething in my heart told me I must have you[Chorus]Strangers in the nightTwo lonely people, we were strangers in the nightUp to the moment when we said our first hello, little did we knowLove was just a glance away, a warm embracing dance away and[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night[Bridge]Love was just a glance away, a warm embracing dance away[Verse 3]Ever since that night we've been togetherLovers at first sight, in love foreverIt turned out so right for strangers in the night [Outro]Dooby-doooby-dooDoob-dooob-doob-dee-daaDaaa-daaa-daaa-daaa-daaa.
$5.99
5.5 €
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Piano seul
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Frank Sinatra
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Timothy Stapay
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Strangers In The Night
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Timothy Stapay
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SheetMusicPlus
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