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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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The Face I Love
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Lovely Day
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. A…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here's how to play "Lovely Day" by Bill Withers on piano!<br> <br> With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".<br> It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!<br> <br> "Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".<br> <br> Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.<br> <br> Here are the full lyrics to "Lovely Day":<br> <br> When I wake up in the morning, love<br> And the sunlight hurts my eyes<br> And something without warning, love<br> Bears heavy on my mind<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely dayHere's how to play "Lovely Day" by Bill Withers on piano!<br> <br> With this piano sheet music, you can play Bill Withers' famous song "Lovely Day".<br> It's a beautiful and accurate piano arrangement which is not too hard to play, and sounds fantastic!<br> <br> The whole melody is included in the piano part, so it sounds great as an instrumental (piano solo) version. However, you can also use these sheets to accompany a singer, or sing along yourself - the full lyrics and chords are included!<br> <br> "Lovely Day" was written by Bill Withers and Skip Scarborough, released as a single in 1977, and later included on Withers' album "Menagerie".<br> <br> Over the years, it has been covered by countless other artists, including Kirk Franklin, Luther Vandross, Diana Ross, Jill Scott, Justin Timberlake, and Maroon 5.<br> <br> Here are the full lyrics to "Lovely Day":<br> <br> When I wake up in the morning, love<br> And the sunlight hurts my eyes<br> And something without warning, love<br> Bears heavy on my mind<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day<br> When the day that lies ahead of me<br> Seems impossible to face<br> When someone else instead of me<br> Always seems to know the way<br> Then I look at you<br> And the world's alright with me<br> Just one look at you<br> And I know it's gonna be<br> A lovely day<br> A lovely day
$4.99
4.56 €
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Piano, Voix
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Bill Withers
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Mario Stallbaumer
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Lovely Day
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Mario Stallbaumer
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SheetMusicPlus
Where Two or Three are Gathered
Choral Choir - Level 1 - Digital Download SKU: A0.1253675 Composed by Bernard Sexto…
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Choral Choir - Level 1 - Digital Download SKU: A0.1253675 Composed by Bernard Sexton. Celtic,Christian,Contemporary,Easter,Irish,Praise & Worship. Octavo. 6 pages. Trinity Music Press #847302. Published by Trinity Music Press (A0.1253675). Where Two or Three are GatheredBased on Matthew 18; 15-20 and Ubi Caritas for assembly/ unison or assembly+ SATB . There is also C instrument part. Use: Holy Thursday/ Mandatum/ Communion Where two three are gathered, gathered in my nameThere am I among them, there am I with themWhere charity and love are, God is always thereIn Christ’s name we gather, united by his loveWe exult in God’s presence and in him we find great joyLet us pay him homage, let us love the living GodThough united as one body, may we too be of one mindMay we turn from evil, may God be in our midstMay we see your face in glory, with the saints, O Christ, our GodBoundless is your goodness that endures from age to ageÂ
$1.99
1.82 €
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Bernard Sexton
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Where Two or Three are Gathered
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Trinity Music Press
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SheetMusicPlus
I Will Plead Your Cause, sacred music for alto and tenor duet
Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Comp…
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Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #894741. Published by Kevin G. Pace (A0.1305303). A stunningly beautiful vocal duet for alto and tenor.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Text inspired by the the verse in Doctrine and Covenants 29:5 I am your advocate with the Father.Text:I Will Plead Your Cause “. . . (I) am your advocate with the Father; . . .†- Doctrine and Covenants 29:5Alto: I have sinned and cannot be restoredTo Father’s sight, to Father’s heavn’ly door.I am stopped, but there is One whose lifeWas giv’n for me so I would not know strife.Tenor: I am Christ, and I will plead your cause.For this I bled so you would not be lost.I am Christ, who died on CalvaryTo show my love to you explicitly.Tenor: Those who will confess my Name to all,To those will I confess when Father calls.But if they deny my Name to men,They, too, will I deny to Father then.Alto: I have sinned, but I have faith in Thee;To be my advocate, will Thou now be?As I plead for mercy and thy grace,Will Thou help me discover Father’s face?Both sing at the same time:Alto: I have sinned; O will Thou plead my causeBefore my Father’s face, or I’ll be lost?Thou art Christ, who died on CalvaryTo show thy love to me explicitly.Thou art Christ, who died to save my soul.Thou art Christ. Thou died to make me whole.Tenor: I am Christ, and I will plead your causeBefore my Father’s face so you’re not lost.I am Christ, who died on CalvaryTo show my love to you explicitly.I am Christ, who died to save your soul.I am Christ. I died to make you whole.
$3.99
3.65 €
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Kevin G
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I Will Plead Your Cause, sacred music for alto and tenor duet
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Kevin G. Pace
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SheetMusicPlus
Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #934234. Published by Kevin G. Pace (A0.1349477). An epically beautiful, sacred choral work with baritone soloist.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .† (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
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Kevin G. Pace
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SheetMusicPlus
Shouldest Not the Heavens Weep? a sacred hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321618 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321618 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #910095. Published by Kevin G. Pace (A0.1321618). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .â€Â (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep? a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
The Face I Love
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871833 By Astrud Gilberto.…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.871833 By Astrud Gilberto. By G. Pingarilno, Marcos Valle, Paulo Valle, and Ray Gilbert. Arranged by Walter Latzko. Jazz. Octavo. 2 pages. Latzko Muzic #5372201. Published by Latzko Muzic (A0.871833). WONDERFUL ARRANGEMENT OF A BEAUTIFUL LOVE BALLAD.
$5.99
5.48 €
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Chorale TTBB
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Astrud Gilberto
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Walter Latzko
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The Face I Love
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Latzko Muzic
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
32.91 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Paper Faces, Plastic Smiles
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.979430 Composed by Jo…
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Guitar,Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.979430 Composed by John Christopher Yount. Arranged by John Christopher Yount. 20th Century,Christian,Graduation,Holiday,Instructional,Love. Score. 9 pages. John Christopher Yount #4783719. Published by John Christopher Yount (A0.979430). PF, PS intro music is a gift for Mary, Mother of Jesus. I first conceived of this poem and melody while an undergraduate at Duke Univ, sharing it with a friend who enjoyed the jazz reggae syncopation and melody line as we sang bits of the poem together. The poem is a long popular song, and it took me some time to perfect the intro as it is today. I am very proud of this work, as I believe it is a most original P/V intro to reggae melodies as we know them today. I write this song in honor of Mary, because she is such a genuine Goddess of Creation, the majestic and pure Mother of Jesus who always interacted with others in a straightforward and genuine manner. This song is about perseverance in the face of interpersonal superficiality, and it will take me some more time and effort to differentially cut and paste the strophic nature of the music on Finale. Enjoy!PS The title page and introduction to Puddle Jumpin' were written many years ago, and map out my dream of writing the Puddle Jumpin' Songbook Collection, Songs for Children of All Ages. Come Sweet Jesus, and save us from ourselves!!! One Family in Christ, JCY
$4.99
4.56 €
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Piano, Voix et Guitare
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John Christopher Yount
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John Christopher Yount
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Paper Faces, Plastic Smiles
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John Christopher Yount
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SheetMusicPlus
My Baby (A Mother's Lullaby) - solo and piano
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801629 Composed by Co…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801629 Composed by Connie Boss. Children,Country,Folk,Holiday,Pop. Score. 4 pages. Connie Boss #6329711. Published by Connie Boss (A0.801629). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did. There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby (A Mother’s Lullaby) Composed by Connie Boss Refrain: My baby, your eyes, twinkle and they sparkle My baby, just like sunlight on the water Verses: I fell in Love with you when I saw your face You are my baby, no one can take your place Refrain: I count your fingers and then your little toes Each time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resist To kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-boo These are all the things that you love to do We snuggle close. Rock you to sleep And lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Piano, Voix et Guitare
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - violin duet and piano
String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss…
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String Ensemble - Level 2 - Digital Download SKU: A0.801631 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331181. Published by Connie Boss (A0.801631). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - duet and piano
Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Compo…
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Small Ensemble Guitar,Piano,Voice - Level 2 - Digital Download SKU: A0.801630 Composed by Connie Boss. Children,Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6330861. Published by Connie Boss (A0.801630). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is a piano accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
My Baby (A Mother's Lullaby) - cello and violin duet and piano
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801632 Composed by Connie Boss. Folk,Holiday,Pop,Wedding. Score and parts. 3 pages. Connie Boss #6331183. Published by Connie Boss (A0.801632). As I sat one morning by the water, I noticed the sunlight twinkling and sparkling as it reflected off of it. It was so peaceful and beautiful. I wondered about a song that I might reference it. I decided to compose a lullaby for a mother singing to her baby. I think of eyes that twinkle and sparkle and your child definitely has eyes that reflect that. At least I know mine did.There is an accompaniment mp3 for sale if you don't play.cdboss@cvalley.netLyrics:My Baby(A Mother’s Lullaby)Composed by Connie Boss Refrain:My baby, your eyes, twinkle and they sparkleMy baby, just like sunlight on the water Verses: I fell in Love with you when I saw your faceYou are my baby, no one can take your place Refrain: I count your fingers and then your little toesEach time I look at you, my love for you grows Refrain: Your cheeks were made to kiss and I just can’t resistTo kiss your little nose and your little toes Refrain: Bridge: We play pat-a-cake and play peek-a-booThese are all the things that you love to doWe snuggle close. Rock you to sleepAnd lay you down without a peep Refrain: Ending: My baby, My baby
$5.00
4.57 €
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Connie Boss
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My Baby
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Connie Boss
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.49 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Dan Cutchen
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
The First Vision Guitar Minus Vocal
Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Po…
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Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
1.82 €
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Steven H
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The First Vision Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
The First Vision TAB
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Ch…
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Guitar - Level 3 - Digital Download SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
3.65 €
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Guitare notes et tablatures
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Steven H
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The First Vision TAB
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Boothe Publishing
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SheetMusicPlus
The First Vision Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069995 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Sacred. Accompaniment. Duration 231. Boothe Publishing #5984125. Published by Boothe Publishing (A0.1069995). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
1.82 €
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Piano seul
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Steven H
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Ashley Ivers
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The First Vision Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.38 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Here, O My Lord, I See Thee Face to Face
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247992 By Geneva Pre…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1247992 By Geneva Presbyterian Church. By Words: Horatius Bonar / Music: Edward Dearle. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #842556. Published by Leatherman Music Services (A0.1247992). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.73 €
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Piano, Voix et Guitare
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Geneva Presbyterian Church
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Lyndell Leatherman
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some were not
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Here, O My Lord, I See Thee Face to Face
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Leatherman Music Services
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SheetMusicPlus
Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Ts…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
36.56 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Brass Quintet in my stores
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Bulgarian National Anthem
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Keith Terrett
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Lord, Let Your Face Shine (Ps. 4) [P/G/V]
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1317262 By Cher & Gen…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1317262 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 10 pages. Cher & Gene Klosner #905922. Published by Cher & Gene Klosner (A0.1317262). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.†Or “Lord, let your face shine on me.â€Â Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - P/G/V (for piano accompanist, vocalist) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.
$4.99
4.56 €
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Piano, Voix et Guitare
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Cher & Gene Klosner
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Gene Klosner
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Ps 4:2-9
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Lord, Let Your Face Shine
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Cher & Gene Klosner
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SheetMusicPlus
Lord, Let Your Face Shine (Ps. 4) [Lead Sheet]
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 2 - Digital Download SKU: A0.1317267 By Cher & Gene Klosner. B…
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C Instrument - Level 2 - Digital Download SKU: A0.1317267 By Cher & Gene Klosner. By Gene Klosner. Arranged by Gene Klosner. Christian,Contemporary,Easter,Praise & Worship,Religious. Lead Sheet / Fake Book. 8 pages. Cher & Gene Klosner #905927. Published by Cher & Gene Klosner (A0.1317267). Contemporary setting of Psalm 4. Responsorial Psalm, paraphrased refrain and verses.Official Liturgical text: “Lord, let your face shine on us.†Or “Lord, let your face shine on me.â€Â Use for 3rd Sunday of Easter, Year B (east3B) and the three weekday masses listed below,or any opening/closing, especially for: Lent 2CEaster 3B, 6COrdinary Time 3A, 20A, 23C, 27ATuesday of the 10th Week in Ordinary Time (I) (ord10TuI)Tuesday of the 10th Week in Ordinary Time (II) (ord10TuII)Saturday of the 26th Week in Ordinary Time (II) (ord26SaII)Baccalaureate/GraduationThemes:Face Shine on Us/Darkness into Light/Lamplight/Shelter/Safe/Seeking/God's Wonders/Call on God/God Listens/Hear My Prayer/Love of God/JoyScriptural Passages:Num 6:25; Ps 4:2-9; Ps 18:28; Ps 27:1, 4, 7-8; Ps 31:16; Ps 67:1; Ps 80:3, 7, 19; Ps 119:135. This PDF contains the following versions: - Lead Sheet (for lead tenor, guitar accompanist, piano chorders - similar to fake books) - Assembly (for director, worship aid makers)...with descriptions and tips for the director and musiciansAvailable separately in Lead Sheet and PGV formats and Full Octavo Package.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner.
$3.99
3.65 €
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Ligne De Mélodie, (Paroles) et Accords
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Cher & Gene Klosner
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Gene Klosner
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Ps 4:2-9
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Lord, Let Your Face Shine
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Cher & Gene Klosner
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SheetMusicPlus
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