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Piano seul
3093
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1458
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960
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579
Piano, Voix et Guitare
284
Instruments en Do
206
1 Piano, 4 mains
119
Accompagnement Piano
108
Piano Trio: piano, violon, violoncelle
74
Accordéon
47
2 Pianos, 4 mains
35
Piano Quatuor: piano, violon, alto, violoncelle
20
Piano grosses notes
15
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Piano (partie séparée)
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Orgue, Trompette (duo)
7
Orgue, Piano (duo)
4
2 Pianos, 8 mains
4
Clavecin
3
Clavier
1
1 Piano, 6 mains
1
Ensemble d'Accordéons
1
Ensemble de Pianos
1
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GUITARES
Guitare notes et tablatures
276
Guitare
178
Ligne De Mélodie, (Paroles) et Accords
94
Ukulele
76
Mandoline
56
2 Guitares (duo)
45
Basse electrique
26
4 Guitares (Quatuor)
25
Guitare (partie séparée)
18
Piano, Guitare (duo)
13
3 Guitares (trio)
9
Banjo
8
Paroles et Accords
6
Ensemble de guitares
6
Dulcimer
5
2 Ukuleles
3
Mandoline, Piano (duo)
3
Orchestre à Plectres
1
2 Mandolines (duo)
1
Ukulele Baryton
1
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VOIX
Chorale SATB
1435
Chorale 3 parties
380
Chorale 2 parties
268
Chorale Unison
137
Chorale TTBB
96
Chorale SSAA
83
Voix Soprano, Piano
65
Voix duo, Piano
44
Chorale
29
Voix Alto, Piano
28
Voix Baryton, Piano
24
Voix Tenor, Piano
21
Voix duo
21
Voix seule
19
Voix haute
8
Voix Tenor
6
Chorale SSATTB
5
Voix moyenne, Piano
5
Chorale SSAATTBB
3
Chorale SSATB
3
Voix Mezzo-Soprano, Piano
2
Soli, choeur mixte et accompagnement
1
Voix Soprano
1
Voix basse
1
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VENTS
Clarinette et Piano
675
Flûte traversière et Piano
636
Hautbois, Piano (duo)
610
2 Saxophones (duo)
511
Saxophone Alto et Piano
425
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
385
Clarinette
356
Quatuor de Saxophones: 4 saxophones
343
Flûte traversière
322
2 Flûtes traversières (duo)
318
Flûte à bec Soprano
318
Flûte, Hautbois, Clarinette, Basson
314
Ocarina
284
Quintette de Saxophone: 5 saxophones
255
Saxophone Tenor et Piano
241
Saxophone Soprano et Piano
216
Saxophone Alto
207
Flûte à bec Alto
202
2 Clarinettes (duo)
192
Saxophone (partie séparée)
177
Hautbois (partie séparée)
166
Quatuor de Clarinettes: 4 clarinettes
148
Saxophone, Clarinette (duo)
139
Saxophone Baryton, Piano
139
Flûte, Clarinette (duo)
131
Saxophone Tenor
128
Quatuor de Flûtes : 4 flûtes
120
2 Hautbois (duo)
109
Clarinette, Violon (duo)
102
Ensemble de saxophones
100
Hautbois, Basson (duo)
91
3 Saxophones (trio)
89
Cor anglais, Piano
87
Trio de Flûtes: 3 flûtes
83
Hautbois
79
Clarinette, Trompette (duo)
75
Ensemble de Clarinettes
75
Flûte, Violon
70
Hautbois, Clarinette (duo)
68
3 Clarinettes (trio)
59
Hautbois, Flûte
59
Clarinette et Alto
56
2 Flûte à bec (duo)
53
Flûte, Violoncelle
52
Hautbois, Violoncelle
50
Ensemble de Flûtes
49
Clarinette, Violoncelle (duo)
48
Flûte, Saxophone (duo)
47
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47
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46
Flûte à bec Alto, Piano
44
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40
Flûte irlandaise
40
Harmonica
39
Saxophone Baryton
38
Saxophone Soprano
37
Flûte, Hautbois, Clarinette (trio)
37
Quintette de Flûte : 5 flûtes
35
Clarinette (partie séparée)
34
Quintette de Clarinettes: 5 clarinettes
33
Cor Anglais
32
Flûte et Guitare
31
Flûte à Bec
30
Flute (partie séparée)
30
Clarinette Basse, Piano
28
Flûte, Violon, Piano
26
Quatuor de Flûtes à bec
26
Flûte, Clarinette et Basson
24
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22
Flûte, Clarinette, Piano (trio)
19
Flûte, Hautbois, Basson
19
2 Flûtes traversières, Piano
19
Flûte à bec Tenor
18
Flûte, Basson et Piano
18
Clarinette, Violoncelle, Piano (trio)
18
2 Saxophones, Piano
17
Flûte, Alto et Piano
16
Flûte, Hautbois, Piano (trio)
16
Hautbois et alto (duo)
14
Hautbois, Clarinette, Basson (trio d'anches)
14
Hautbois, violon (duo)
14
5 Flûtes à bec
13
Flûte, Hautbois (duo)
12
Flûte, Trombone (duo)
12
3 Flûtes à bec (trio)
12
2 Clarinettes, Piano
11
Ensemble De Flûte à bec
11
Flûte, Violon et Violoncelle
11
Piccolo, Piano
10
Clarinette, Basson, Piano (trio)
10
Flûte à bec Soprano, Piano
10
Clarinette, Guitare (duo)
9
Flûte, Harpe et Violoncelle
8
Clarinette, Alto et Piano (trio)
8
Clarinette, Trombone (duo)
8
Clarinette, Harpe (duo)
7
Flûte, trombone et piano
6
Piccolo
6
Saxophone et Harpe
6
Flûte à Bec, Piano
6
Clarinette, trompette et piano
5
Clarinette Basse
5
Hautbois, Violon, Piano
5
Hautbois, trombone (duo)
5
Flute, harpe et violon
4
Flûte, Tuba (duo)
4
Clarinette, Tuba
4
4 Hautbois
4
Hautbois, Basson et Piano
4
Hautbois, Clarinette et Piano (Trio)
4
Hautbois, Harpe
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Clarinette, Contrebasse (duo)
4
2 Hautbois et Basson
3
Hautbois, Guitare (duo)
3
Hautbois, Trompette (duo)
3
Ensemble à vent
3
2 Flûtes à bec, Piano
3
Hautbois, Violoncelle et Piano
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte et Trio à cordes
2
Ensemble de Hautbois
2
Saxophone et Guitare
2
Saxophone et Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Clarinettes, Basson
2
Flûte traversière, Orgue (duo)
2
Cornemuse
2
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2
3 Hautbois
1
Saxophone et Orgue
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Flûte à bec Alto, Basse continue
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Cor anglais, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
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Flûte de Pan
1
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1
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CUIVRES
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454
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426
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387
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188
Cor
187
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186
2 Trompettes (duo)
138
Quatuor de Cuivres: 2 trompettes, Cor, trombone
132
2 Trombones (duo)
132
2 Cors (duo)
101
Trompette (partie séparée)
97
Trompette, Saxophone (duo)
96
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95
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91
Cor anglais, Piano
87
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82
Quatuor de Cuivres
74
Quatuor de cuivres: 4 trombones
46
Ensemble de Trombones
40
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39
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37
2 Tubas (duo)
36
Quatuor de cuivres: 4 cors
36
Cor Anglais
32
Cor (partie séparée)
30
Trompette, Cor (duo)
27
Euphonium
24
Tuba et Orgue
21
Cor, Violoncelle (duo)
19
Tuba (partie séparée)
18
3 Trompettes (trio)
16
Trio de Cuivres
15
3 Trombones (trio)
14
Trompette, Violoncelle (duo)
14
Trompette, Basson (duo)
11
Ensemble de Cors
10
Cor et Basson (duo)
9
Trombone, Cor (duo)
9
Trombone, Tuba (duo)
8
2 Euphoniums (duo)
8
Trompette, Tuba (duo)
7
Quatuor de cuivres: 2 trompettes, 2 trombones
7
Euphonium, Tuba (duo)
7
4 Tubas
7
Cor et Harpe
6
Trompette, Trombone, Piano
6
Trombone basse
5
Trompette, Violoncelle et Piano
5
3 Tubas (trio)
5
Cor, Tuba (duo)
5
3 Cors (trio)
5
Trombone basse et Piano
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums et 2 Tubas
3
3 Euphoniums
2
Trompette et Guitare
2
Ensemble de Tubas
2
Trompette, violon (duo)
2
Trompette, Harpe
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Trombone, Violon (duo)
2
Bass Clef Instruments
2
Instruments en Sib
2
Trombone, Orgue
1
Cor anglais, Guitare (duo)
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Instruments en Fa
1
2 Trompettes, Clavier (piano ou orgue)
1
4 Euphoniums
1
Clarinette, Cor (duo)
1
2 Trombones, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
857
Violon et Piano
766
Alto, Piano
623
Violoncelle, Piano
608
Violon
434
Violoncelle
323
Harpe
275
2 Violons (duo)
236
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230
Alto seul
221
Trio à Cordes: violon, alto, violoncelle
217
Contrebasse, Piano (duo)
181
Contre Basse
140
Violon, Alto (duo)
140
2 Violoncelles (duo)
137
2 Altos (duo)
135
Quintette à cordes: 2 violons, alto, violoncelle, basse
121
Violon (partie séparée)
86
Alto (partie séparée)
76
2 Harpes (duo)
66
Alto, Violoncelle (duo)
62
Violon, Basson (duo)
48
Contrebasse (partie séparée)
44
Trio à Cordes: 2 violons, violoncelle
43
Trio à cordes: 3 violins
41
4 Violoncelles
33
Violoncelle, Contrebasse (duo)
31
Piano Trio: Violon, Alto, Piano
28
2 Contrebasses (duo)
25
Alto et Basson
21
Ensemble de Violons
20
Trio à Cordes: 3 violoncelles
19
Quatuor à cordes: 4 violons
19
Violoncelle (partie séparée)
18
Ensemble d'Altos
18
Violon, Guitare (duo)
16
Quatuor à cordes : 4 altos
14
Harpe, Flûte (duo)
13
Trio à Cordes: 2 violons, alto
12
Violon, Clarinette, Piano (trio)
12
Harpe, Violon (duo)
11
Harpe, Violoncelle (duo)
9
Trio à cordes: 3 altos
9
Quintette à cordes : 2 violons, alto et 2 violoncelles
8
Harpe, Voix
7
Harpe, Violon, Violoncelle
7
Violoncelle , Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Flûte, Contrebasse (duo)
5
2 Violoncelles, Piano
5
Alto et Harpe
4
Alto, Guitare (duo)
3
Violon, Tuba (duo)
3
4 Harpes
3
5 Harpes
2
Ensemble de Violoncelles
2
2 Violons, Piano
2
Violon, Trompette et Piano
2
Violon, Violoncelle, Clarinette
2
3 Harpes
2
Trio à cordes
2
4 Contrebasses
1
Autoharp
1
Harpe et Piano
1
Harpe, Trombone (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1959
Orchestre à Cordes
575
Orchestre
256
Ensemble Jazz
235
Cloches
192
Ensemble de cuivres
108
Orchestre de chambre
61
Batterie
47
Ensemble de Percussions
43
Jazz combo
28
Marimba
26
Percussion (partie séparée)
25
Xylophone, Piano
23
Fanfare
22
Xylophone
8
Batterie (partie séparée)
8
Vibraphone
7
2 Xylophones
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Percussion
3
Big band
3
Orchestre, Violon
2
Quintette à Vent
2
Ensemble d'École
1
Marimba, Piano (duo)
1
2 Caisses Claires (duo)
1
Timbales
1
Timbales (partie séparée)
1
Instrumentation Flexible
1
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AUTRES
Vous avez sélectionné:
The Joy of Music
Partitions à imprimer
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9976
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.85 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Gathered in God's Love
Chorale SATB
SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5466L…
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SATB choir, Piano (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5466L Composed by Stan Pethel. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5466L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5466L). ISBN 9780787770686.Gathered in God's love, assembled now in praise is the theme of Stan Pethel's grateful anthem describing the joy of meeting with other believers for worship. Into His presence we have come, and here we stand amazed. His glory fills this temple like that of heaven above; with joyful hearts we worship as we gather in God's love..
$2.50
2.29 €
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Chorale SATB
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Stan Pethel
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Gathered in God's Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
When the Saints Go Marching In (Mixed Level, 2 Pianos, 4 Hands Duet)
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon W…
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2 Pianos,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.565178 By Sharon Wilson. By African-American Spiritual. Arranged by Sharon Wilson Music. Children,Folk,Jazz,Sacred,Spiritual. Score. 12 pages. Sharon Wilson #3519273. Published by Sharon Wilson (A0.565178). This arrangement of the traditional spiritual When the Saints Go Marching In is presented here as a mixed level duet for two pianos, four hands. The PIANO 1 is the easier part (early-intermediate) and the PIANO 2 is slightly more challenging, though still only at the intermediate level. Both PIANO parts carry the melody at times beginning with PIANO 1 for the verse. Quick-paced and bright, this dual piano duet is an ideal selection for a church setting.The purchase price includes a 5-page score with combined PIANO 1 and PIANO 2 parts on each page (the grand staff) plus an alternate format with the PIANO 1 and PIANO 2 parts on separate pages (3 pages each). Duration is just under 1-1/2 minutes. This arrangement is one of the 5 spirituals in the collection Five Joyful Tunes for Two Pianos.This song has numerous verses and varying lyrics, most of which reference the joy of marching into heaven at Jesus' second coming. Bible verses from which the lyrics were gleaned include the following:Â . . .Yahweh's ransomed ones will return, and come with singing to Zion; and everlasting joy will be on their heads. They will obtain gladness and joy, and sorrow and sighing will flee away. Isaiah 35:10 WEBFor the Lord himself will descend from heaven with a shout, with the voice of the archangel, and with God's trumpet. The dead in Christ will rise first, then we who are alive, who are left, will be caught up together with them in the clouds, to meet the Lord in the air. So we will be with the Lord forever. Therefore comfort one another with these words. 1 Thessalonians 4:16-18 WEBBlessed are those who do his commandments, that they may have the right to the tree of life, and may enter in by the gates into the city. Revelation 22:14 WEBLyrics for my favorite 3 verses:O when the saints go marching in,O when the saints go marching in,O Lord I want to be in that number,When the saints go marching in.O when the trumpet sounds its call,O when the trumpet sounds its call,O Lord I want to be in that number,When the trumpet sounds its call.O when they crown him Lord of all,O when they crown him Lord of all,O Lord I want to be in that numberWhen they crown him Lord of all.
$5.99
5.48 €
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2 Pianos, 4 mains
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Sharon Wilson
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Sharon Wilson Music
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When the Saints Go Marching In
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Sharon Wilson
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SheetMusicPlus
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
Violon, Clarinette, Piano (trio)
B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed …
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B-Flat Clarinet,Piano,Violin - Level 5 - Digital Download SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
13.7 €
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Violon, Clarinette, Piano (trio)
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Adam Lenhart
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Two Scenes from The Rubáiyát of Omar Khayyám
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Adam Lenhart
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SheetMusicPlus
Rakes of Kildare
Violon et Piano
Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397655 By …
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Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397655 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #1XAqqdCcPOvne8LGsK8DzN. Published by Heather Mueller Music (A0.1397655). Key: G major.Title: Rakes of Kildare Type/Genre: Traditional Fiddle Tune - Jig (Irish) Availability: Sheet Music for Sale Embark on a spirited musical journey with Rakes of Kildare, a lively jig that encapsulates the vibrant energy of Irish tradition. Key Features: Interactive Sheet Music: Customize tempo and key adjustments using interactive sheet music, allowing for personalized renditions of Rakes of Kildare. Tailor the tune to suit your playing style, facilitating enjoyable practice sessions and confident performances. Authentic Irish Flavor: Rakes of Kildare is deeply rooted in the rich tapestry of Irish music, reflecting the lively rhythms and melodic motifs that define the jig genre. Immerse yourself in the vibrant spirit of Celtic tradition as you explore this beloved tune. Technique Enhancement: Elevate your fiddling skills with targeted exercises inspired by Rakes of Kildare. Delve into scales, bowing techniques, and rhythmic patterns derived from this spirited melody, honing your mastery of Irish fiddling techniques with each practice session. Cultural Connection: Connect with the cultural heritage of Ireland as you explore Rakes of Kildare. Let the music transport you to the lively gatherings and festive celebrations where Irish musicians have long celebrated the joy of music and dance. Whether you're a seasoned performer or a newcomer to Irish music, Rakes of Kildare offers an exhilarating musical experience that celebrates the rich tapestry of Celtic culture. Join in the celebration of Irish tradition and let the music inspire your own musical journey.
$2.99
2.73 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Rakes of Kildare
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Heather Mueller Music
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SheetMusicPlus
The Joy of Music - Volume 2
Orgue
Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Public…
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Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0938. Published by Fred Bock Music Company (HL.8738406). ISBN 9780634003592. UPC: 073999384062. 9.0x12.0x0.113 inches.Moderately easy to play, with Diane's distinctive stylings, these selections are suitable for church or home use. Titles include: All Things Bright and Beautiful * Hark! Ten Thousand Harps and Voice * I Will Sing of My Redeemer * A New Name in Glory * On Jordan's Stormy Banks * Savior Like a Shepherd Lead Us * When We All Get to Heaven.
Song List: On Jordan's Stormy Banks All Things Bright and Beautiful Hark! Ten Thousand Harps and Voices (L. Mason) I Will Sing of My Redeemer (J. Mcgranahan) When We All Get to Heaven (E. Wilson) A New Name in Glory (C. Miles) Savior, Like A Shepherd Lead Us (W. Bradbury)
Song List
: On Jordan's Stormy Banks All Things Bright and Beautiful Hark! Ten Thousand Harps and Voices (L. Mason) I Will Sing of My Redeemer (J. Mcgranahan) When We All Get to Heaven (E. Wilson) A New Name in Glory (C. Miles) Savior, Like A Shepherd Lead Us (W. Bradbury)
$14.99
13.7 €
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Orgue
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Bish Diane
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The Joy of Music - Volume 2
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Fred Bock Music Company
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.61 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.comContains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.48 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Now & Then
Choir Sacred - Digital Download SKU: JX.00-36964 Songs for All Seasons / Songs f…
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Choir Sacred - Digital Download SKU: JX.00-36964 Songs for All Seasons / Songs from the Mountain (Orchestration). Arranged by Sheldon Curry. This edition: Orchestration. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Sacred. Part(s); Score. 367 pages. Jubilate Music Group - Digital #00-36964. Published by Jubilate Music Group - Digital (JX.00-36964). English.Now & Then is an Appalachian collection of old and new hymns and spiritual songs, each created for a specific liturgical calendar purpose, scored for SATB, Appalachian instruments, and strings. The rhythm instrumentation is authentic and Nashville style number chord charts are provided. Optional strings are available to add depth to the worship experience. Curry creates a musically satisfying way to include non-traditionally trained musicians to the community's worship. From the longing of Great Jehovah to the unbridled joy of Resurrection Jubilee, this is a journey you don't want to miss. Titles: Come Thou, Long Expected Jesus * Appalachian Cradle Song * Great Jehovah * Resurrection Jubilee * We Gather to Recall the Night * Come Holy Spirit, Heavenly Dove. Curry, as eclectic a choral writer as they come, sets six anthems, suitable for various seasons in the church year (including Come, Thou Long-Expected Jesus for Advent and Resurrection Jubilee for Easter), in a style that would be right at home on a T-Bone Burnett roots-music album. And like Burnett, Curry expertly crafts the vocal score and accompaniments to be earthy yet polished, so that even those who aren't fans of this genre will find something to enjoy here. -Warren Anderson, Worship Leader magazine
$250.00
228.56 €
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Sheldon Curry
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Choral Worship Cantata
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Now & Then
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Jubilate Music Group - Digital
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SheetMusicPlus
Life is Beautiful
Piano seul
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century,…
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.Healing Hearts 3<br> Louis Landon<br> 2016 / Landon Creative, Inc.<br> 63 minutes<br> Review by Kathy Parsons<br> Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.<br> <br> It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.<br> <br> Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!<br> <br> I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!<br> November 4, 2016<br> <br> Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.<br> <br> Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ<br> <br> <br> <br> Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.<br> <br> Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.<br> <br> For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.<br> <br> Louis Landon mission:<br> <br> To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.<br> <br> Reviews:<br> <br> “While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com<br> <br> "He has a gift for composition that is second to none." Zone Music Reporter<br> <br> "… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine<br> <br> Recognition:<br> <br> Louis Landon's music has had over 140 million streams on Pandora radio!<br> <br> Louis Landon's music has had over 34 million streams on Spotify!<br> <br> Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.<br> <br> Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.<br> <br> Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.<br> <br> Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.<br> <br> Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.<br> <br> Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.<br> <br> Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.<br> <br> unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.<br> <br> Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25
4.8 €
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Piano seul
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Chorale SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.82…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
2.06 €
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Chorale SATB
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Anthony Antolini and Pavel Grigorievich Chesnokov
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Anthony Antolini
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For Us There Is No Other Help but Thee
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bethlehem Angel and The First Noel
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
4.56 €
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Ginny Saltzman
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Bethlehem Angel and The First Noel
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Ginny's House of Music
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SheetMusicPlus
Robe Yourself with Joy and Gladness (4-part hymn-style)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words:…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1245807 Composed by Words: Johann Franck, tr. Catherine Winkworth / Music: Lyndell Leatherman. Arranged by Lyndell Leatherman. Advent,Christian,Religious,Sacred. Octavo. 1 pages. Leatherman Music Services #840637. Published by Leatherman Music Services (A0.1245807). This is the four-part hymn-style edition of this Eucharistic hymn, to facilitate congregational singing. As far as I am concerned, you may purchase the minimum amount of copies that SheetMusicPlus will allow, and then freely duplicate the song sheet for inclusion in worship bulletins. Other editions are available:A FESTIVAL CHOIR arrangement of this hymn is available here: https://www.arrangeme.com/title/436143A PIANO/ORGAN Duet of the hymn is available here: https://www.arrangeme.com/title/436144Here are some program notes: Johann Franck (1618-1677) was born in Guben, Germany, the son of a lawyer. Like his father, Johann studied law at the University of Konigsburg, where–in addition to his studies–he developed a warm friendship with a group of hymnists and poets. Returning home, he began his law practice and eventually became mayor of Guben. As an avocation, the Lutheran politician wrote poems–and soonbecame known as one of the leading hymnists of his time, ranked only behind Gerhard. He is credited for the creation of a group of so-called Jesus hymns, building the foundation for the pietistic hymn movement that would later sweep through Europe. Franck once wrote that poetry should be the nurse of piety, the herald of immortality, the promoter of cheerfulness, the conqueror of sadness, and a foretaste of heavenly glory. Indeed, his hymns echoed his own spirit of encouragement.Lyndell Leatherman (b. 1953) was born into a Nazarene parsonage in southeast Kansas. After studying church music and composition at Olivet Nazarene University (Kankakee, Illinois) and Illinois State University (Bloomington-Normal, Illinois), he launched into a life of music ministry. Since 1977 he has enjoyed a diverse career as church musician, editor, accompanist, composer, and arranger. In 1998 he became aware of Franck’s eucharistic / Advent hymn, translated either Deck Thyself with Joy and Gladness (Mattes) or Deck Thyself, My Soul, with Gladness (Winkworth). Because the text was unique in its unusually exultant treatment of the sacrament of holy communion, Lyndell felt that the hymn was worthy of renewed consideration in the third millennium of Christian worship. So he updated the language and gave it the new musical setting used here. ************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$1.99
1.82 €
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Chorale SATB
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Words: Johann Franck, tr
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Lyndell Leatherman
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some were not
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Robe Yourself with Joy and Gladness
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Leatherman Music Services
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SheetMusicPlus
Miracle of Love
Chorale SATB
SATB choir - Digital Download SKU: LX.65-1881L The Birth of Christ in Glorious S…
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SATB choir - Digital Download SKU: LX.65-1881L The Birth of Christ in Glorious Song. Composed by Stan Pethel. Choral Cantatas. Christmas. 64 pages. Lorenz Publishing - Digital Sheet Music #e65/1881L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1881L). UPC: 000308041132.Two Editions: SATB and SAB Christmas The ultimate miracle of love is the Christmas story itself, celebrated here with familiar carols and original music connected by poignant, thought-provoking narratives. Miracle of Love uses a narrator as the contemporary link to Biblical times, setting the scene and asking questions The work incorporates from 7 to 22 different characters or readers - some anonymous, some named - to tell the Christmas story through the eyes of those witnessing the birth of Christ. These brief narratives, created by Mark Cabaniss, may be either spoken from a lectern or performed on a stage as vignettes, or in combination of the two. The music varies from quiet introspection to exuberant joy; from the comfortably familiar to the refreshingly original. Always tuneful and creatively set in the composerAEs well-known style, the message and the melodies of this musical carry the listener to the final exultant chorus: Miracle of Love..
Song List: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
Song List
: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
$9.95
9.1 €
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Chorale SATB
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Stan Pethel
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Miracle of Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Miracle of Love
Chorale 3 parties
SAB choir - Digital Download SKU: LX.65-1882L The Birth of Christ in Glorious So…
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SAB choir - Digital Download SKU: LX.65-1882L The Birth of Christ in Glorious Song. Composed by Stan Pethel. Choral Cantatas. Christmas. 64 pages. Lorenz Publishing - Digital Sheet Music #e65/1882L. Published by Lorenz Publishing - Digital Sheet Music (LX.65-1882L). UPC: 000308041125.Two Editions: SATB and SAB Christmas The ultimate miracle of love is the Christmas story itself, celebrated here with familiar carols and original music connected by poignant, thought-provoking narratives. Miracle of Love uses a narrator as the contemporary link to Biblical times, setting the scene and asking questions The work incorporates from 7 to 22 different characters or readers - some anonymous, some named - to tell the Christmas story through the eyes of those witnessing the birth of Christ. These brief narratives, created by Mark Cabaniss, may be either spoken from a lectern or performed on a stage as vignettes, or in combination of the two. The music varies from quiet introspection to exuberant joy; from the comfortably familiar to the refreshingly original. Always tuneful and creatively set in the composerAEs well-known style, the message and the melodies of this musical carry the listener to the final exultant chorus: Miracle of Love..
Song List: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
Song List
: Gentle Mary He Is Born Miracle Of Love Miracle Of Love Reprise Rejoice And Sing The Fathers Love The Promise What Child Is This
$9.95
9.1 €
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Chorale 3 parties
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Stan Pethel
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Miracle of Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Joy of Music - Discoveries from the Schott Archives
Violoncelle, Piano
Cello and piano - intermediate to advanced - Digital Download Virtuoso and Entertaini…
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Cello and piano - intermediate to advanced - Digital Download Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. Virtuoso instrumental music, Violoncello, Cello, Anthology. Copyright 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 161 pages. Schott Music - Digital #Q53332. Published by Schott Music - Digital
English - German.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced cellists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.English - German.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced cellists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
$23.99
21.93 €
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Violoncelle, Piano
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Various
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Co
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Joy of Music - Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
Joy of Music - Discoveries from the Schott Archives
Clarinette et Piano
Clarinet and piano - intermediate to advanced - Digital Download Virtuoso and Enterta…
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Clarinet and piano - intermediate to advanced - Digital Download Virtuoso and Entertaining Pieces for Clarinet and Piano. Composed by Various. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. Virtuoso instrumental music, Clarinet, Anthology. Copyright 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 176 pages. Schott Music - Digital #Q53330. Published by Schott Music - Digital
German - Danish.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced clarinetists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.German - Danish.<br> <br> To mark .the 250th anniversary of Schott Music, these treasures have been uncovered from the archives, reedited and presented in these beautiful editions. .This anthology is aimed at intermediate to advanced clarinetists looking for some .interesting new discoveries .away from the .standard repertoire. Containing works largely from the Romantic era, these are virtuoso pieces de resistance and encores, expressive character pieces, gems of salon music .and elaborate arrangements of well-known melodies and themes. Many of the original compositions and arrangements were written by major instrumentalists of the 19th century.
$23.99
21.93 €
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Clarinette et Piano
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Various
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Co
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Joy of Music - Discoveries from the Schott Archives
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Schott Music - Digital
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SheetMusicPlus
The Joy of Christmas
Orgue
Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-1848L Six Spar…
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Organ 3-staff - Moderately Advanced - Digital Download SKU: LX.70-1848L Six Sparkling Carol Settings for Worship or Recital. Arranged by Diane Bish. Sacred, Christmas. Organ. 36 pages. Lorenz Publishing - Digital Sheet Music #e70/1848L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-1848L). ISBN 9781429131445.World-renowned organist Diane Bish presents this thrilling volume of Christmas carol settings. The many moods of the season are vividly displayed in these magnificent works as the words of these timeless carols come alive with deep musical meaning, creating inspirational and moving experiences for the listener.
Song List: Away In A Manger God Rest You Merry, Gentlemen I Saw Three Ships It Came Upon the Midnight Clear Joy To The World Sing We Now of Christmas
Song List
: Away In A Manger God Rest You Merry, Gentlemen I Saw Three Ships It Came Upon the Midnight Clear Joy To The World Sing We Now of Christmas
$21.00
19.2 €
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Orgue
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Diane Bish
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The Joy of Christmas
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Of the Father's Love Begotten
Chorale 3 parties
SAB choir - Intermediate - Digital Download SKU: LX.65-1929S Composed by Gilbert M.…
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SAB choir - Intermediate - Digital Download SKU: LX.65-1929S Composed by Gilbert M. Martin. Choral Cantatas. Christmas. 44 pages. Sacred Music Press #e65/1929S. Published by Sacred Music Press (LX.65-1929S). UPC: 000308060195. Text: Stephen Andrews.The radiance, joy, and majesty of the Christmas season is all captured herein this remarkable work. Familiar and favorite texts are re-clothed in colorful and varied musical styles, typical of this composer, and the sensitive narration of Stephen Andrews creates a magical mood. Along with a haunting setting of the cantata's title, there are fresh and skillful arrangements of Messiah Comes, Emmanuel, What Child Is This?, Angels We Have Heard On High, and two breathtaking original compositions entitled One Holy Night and Manger Lullaby. This vibrant work is sure to be the highlight of the season in your church. Performance time: 30 minutes.
Song List: Angels We Have Heard On High Manger Lullaby Messiah Comes Emmanuel Of The Fathers Love Begotten Of The Fathers Love Begotten Reprise One Holy Night What Child Is This
Song List
: Angels We Have Heard On High Manger Lullaby Messiah Comes Emmanuel Of The Fathers Love Begotten Of The Fathers Love Begotten Reprise One Holy Night What Child Is This
$8.95
8.18 €
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Chorale 3 parties
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Gilbert M
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Of the Father's Love Begotten
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Sacred Music Press
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SheetMusicPlus
Theme from "Ice Castles" (Through the Eyes of Love)
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through t…
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Piano/Vocal/Chords - Digital Download Theme from "Ice Castles" - (Through the Eyes of Love). Composed by Marvin Hamlisch. Pop/Rock. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0015689. Published by Alfred Music - Digital Sheet Music
ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.ISBN 9780739096109. Carole Bayer Sager.<br> <br> Music makers looking for a wide variety of musical styles to play will find unlimited enjoyment in this big collection of sheet music for 45 of the world's most recognizable popular songs and movie themes! The titles in this book are proven favorites that can be enjoyed by players of all ages. From pop hits through the ages to epic movie music by renowned composers like Howard Shore, John Williams, Hans Zimmer, and more, the arrangements in this collection will delight players and audiences alike. Titles: Africa (Toto) * At Last (Etta James) * The Big Bang Theory (Main Title Theme) * Bridge Over Troubled Water (Simon and Garfunkel) * Can You Feel the Love Tonight (The Lion King) * Concerning Hobbits (The Lord of the Rings: The Fellowship of the Ring) * Count on Me (Bruno Mars) * Dancing Queen (Mamma Mia!) * The Dark Knight Overture (The Dark Knight) * Discombobulate (Sherlock Holmes) * Don't Stop Believin' (Journey) * Dynamite (Taio Cruz) * Empire State of Mind (Jay-Z and Alicia Keys) * Falling Slowly (Once) * Forget You (Cee Lo Green) * Girl on Fire (Alicia Keys) * Gonna Fly Now (Rocky) * Greatest Love of All (Whitney Houston) * Harry's Wondrous World (Harry Potter and the Sorcerer's Stone) * Hedwig's Theme (Harry Potter and the Sorcerer's Stone) * I Don't Want to Miss a Thing (Armageddon) * I Saw Her Standing There (The Beatles) * Theme from Ice Castles * If I Die Young (The Band Perry) * Into the West (The Lord of the Rings: The Return of the King) * James Bond Theme (Dr. No) * Kiss from a Rose (Seal) * Lily's Theme (Harry Potter and the Deathly Hallows, Part. 2) * Theme from Love Affair * Make You Feel My Love (Adele) * The Notebook (Main Title) * Out Here on My Own (Fame) * Over the Rainbow (The Wizard of Oz) * The Pink Panther * The Prayer (Celine Dion and Andrea Bocelli) * Song of the Lonely Mountain (The Hobbit: An Unexpected Journey) * Stairway to Heaven.
$3.99
3.65 €
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Piano, Voix et Guitare
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Marvin Hamlisch
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Theme from "Ice Castles"
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Finnish National Anthem for String Orchestra
String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik P…
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String Orchestra - Level 3 - Digital Download SKU: A0.1511019 Composed by Fredrik Pacius(1809-1891). Arranged by Keith Terrett. Instructional,Multicultural,Patriotic,Praise & Worship,Traditional,World. 8 pages. Keith Terrett #811977. Published by Keith Terrett (A0.1511019). An arrangement for String Orchestra of the national anthem of Finland. There are also versions for Brass Quintet & Symphony Orchestra in my two stores.Maamme (Finnish: [ˈmɑːmːe]) or Vårt land (Finland Swedish: [ˈvoːrt ˈlɑnːd]; both meaning Our Land) is Finland's national anthem. The music was composed by the German immigrant Fredrik Pacius, with (original Swedish) words by Johan Ludvig Runeberg, and with this music it was performed for the first time on 13 May 1848. Originally it was written for the 500th anniversary of Porvoo and for that occasion it was Runeberg himself who wrote the music.The poem has been influenced by the Szózat (Appeal) of Mihály Vörösmarty, both in style and content.[The melody of Maamme is also used for the national anthem of Estonia with a similarly themed text, Mu isamaa, mu õnn ja rõõm (My Fatherland, My Happiness and Joy, 1869).It is also considered to be the ethnic anthem for the Livonians as Min izāmō (My Fatherland).The original poem, written in 1846 but not printed until 1848, had 11 stanzas and formed the prologue to the verse cycle The Tales of Ensign Stål (Fänrik Ståhls Sägner), a classic example of Romantic nationalism. The current Finnish language text is usually attributed to the 1889 translation of Ensign Stål by Paavo Cajander, but in fact originates from the 1867 translation by Julius Krohn.The Tales of Ensign Stål were much appreciated throughout all of Scandinavia. Up until the time of Finland's independence in 1917 and 1918, when the song began to be recognized as specifically applying to Finland, Pacius's tune and Runeberg's text were often also sung in Denmark, Norway, and Sweden. Note that in the original Swedish text there is no reference to Finland (except for in verses 4 and 10, which are rarely sung), only to a country in the north, but the Finnish text explicitly refers to Finland. The poem's theme is, furthermore, remarkably similar to that of the national anthems of Sweden (Du gamla, Du fria) and Norway (Ja, vi elsker dette landet).[citation needed]There is no law regarding an official national anthem in Finland, in the way the coat of arms and flag of Finland are legally defined. Instead its position has been established gradually by convention over the years.Today, Maamme is firmly established by convention. Children learn it in school; in formal occasions it is sung both in Finnish and in Swedish. It is played at sporting events, such as the Olympics. In the 1880s and in the 1920s there were more attempts to replace it with a Finnish language version but these ceased by the 1930s. Some Finns have proposed that the Finnish national anthem be changed to Finlandia by Jean Sibelius, with lyrics by V.A. Koskenniemi (Finnish) and Joel Rundt (Swedish). There are also those who simply prefer Finlandia as a musical piece, although critics claim that it is difficult to sing.[citation needed]It is said that Pacius composed the tune in four days. It was popular throughout the 19th century, but established as national anthem only after Pacius' death.The melody of Maamme has similarities with the German drinking song Papst und Sultan. Many believe that Fredrik Pacius intentionally or unintentionally copied parts of the tune. Another Finnish patriotic song, Sotilaspoika, composed by Pacius, also includes similarities with Papst und Sultan.[citation needed]During 1993, an instrumental version of Maamme was used as Finnish professional wrestler Tony Halme's (under the ring name Ludvig Borga) entrance theme Love anthems, then join me on twitter, facebook, instagram & soundcloud for updates.
$8.99
8.22 €
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Fredrik Pacius(1809-1891)
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Keith Terrett
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Finnish National Anthem for String Orchestra
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Keith Terrett
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SheetMusicPlus
Under The Sea
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1349167 Composed by Alan Menken and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933907. Published by Catherine Wilson (A0.1349167). Under the Sea from The Little Mermaid is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
4.56 €
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Piano Facile
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Alan Menken and Howard Ashman
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Catherine Wilson
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Under The Sea
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Catherine Wilson
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SheetMusicPlus
Just Around The Riverbend
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1349152 Composed by Alan Menken and…
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Easy Piano - Level 1 - Digital Download SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933892. Published by Catherine Wilson (A0.1349152). Just Around the Riverbend from Pocahontas is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
4.56 €
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Piano Facile
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Alan Menken and Stephen Schwartz
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Catherine Wilson
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Just Around The Riverbend
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Catherine Wilson
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SheetMusicPlus
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