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That's How the Story Goes - A Christmas Musical for Children
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.805210 By Joanna Mills. By Joanna Mills. Arranged by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 76 pages. Joanna Mills Music #412247. Published by Joanna Mills Music (A0.805210). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes That’s How the Story Goes features five original songs written and arranged for school-aged children by Joanna Mills. The songs are all set in an accessible range for young children, and feature simple tunes which are easy to learn. This package contains two versions of each song; an easy unison version (with optional easy descant or counterpoint harmonies on the final chorus), and a 2-part choir version, which features simple, easy-to-learn harmonies. This allows you to mix and match your arrangements to suit the abilities of your singers and your rehearsal time constraints. For those students who do not read music, the lyrics are included in the script. The piano accompaniments are at an intermediate level and guitar chords are included, which allows older youth to participate as musicians (or allows experienced accompanists to learn them quickly). This complete package contains: • Director’s notes – including suggestions for staging and casting • List of props and costumes • Five songs with the following arrangements provided for each song: o Unison lyric sheets included in the script (for children who do not read music) o Unison Choir arrangement with piano accompaniment and guitar chords o 2-Part Choir arrangement with piano accompaniment and guitar chords visit www.joannamills.ca for more savings and free offers.
$4.99
4.61 €
#
Chorale 2 parties
#
Joanna Mills
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Joanna Mills
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That's How the Story Goes - A Christmas Musical for Children
#
Joanna Mills Music
#
SheetMusicPlus
When I Survey the Wondrous Cross
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac W…
(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
2.31 €
#
Chorale SATB
#
Isaac Watts / Lowell Mason
#
Robert Myers
#
When I Survey the Wondrous Cross
#
WheatMyer Music
#
SheetMusicPlus
That's How the Story Goes - A Christmas Musical for Children
Chorale Unison
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781355 Composed by Joann…
(+)
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.781355 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 74 pages. Joanna Mills Music #4887199. Published by Joanna Mills Music (A0.781355). This charming, original musical pageant retells the Christmas Story through the eyes of the angels and reminds us to always trust in God. In That’s How the Story Goes, the archangels Michael and Raphael are hosting a heavenly campfire, and all the youngest angels want to hear the Christmas Story. Happy to oblige, the other archangels take turns telling their parts of the story. Gabriel tells of visiting Mary, Uriel tells of visiting Joseph, Sealtiel & Jehudiel tell of their visit to the shepherds, and Barachiel tells of visiting the three wise men in their dreams to warn them about King Herod. The musical features a simple script with minimal memorization which allows for maximum flexibility with age-range, cast size, and rehearsal time-- the longer, adapted scripture readings may be read from a book or binder. Each part of the story is followed by an original song sung by the entire cast. Costumes, sets, and props are also minimal, and there are no scene changes, which allow this show to be staged in any space, including traditional church sanctuaries. Approximate performance time 30 minutes
$4.99
4.61 €
#
Chorale Unison
#
Joanna Mills
#
That's How the Story Goes - A Christmas Musical for Children
#
Joanna Mills Music
#
SheetMusicPlus
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.5651…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.54 €
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Piano Trio: piano, violon, violoncelle
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Sharon Wilson
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Sharon Wilson
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CELLO – G2 to A3
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Billy In The Lowground
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340605 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 4 pages. Duration 48. Heather Mueller Music #1D5t0SbHybAqQYavKCzIL1. Published by Heather Mueller Music (A0.1340605). Key: C major.Billy in the Lowground - Classic Old-Time Fiddle Tune Sheet Music Step into the heart of traditional American roots with our sheet music for Billy in the Lowground. This timeless old-time fiddle tune, rich in history and character, beckons with its spirited melodies and rustic charm. Immerse yourself in the authentic arrangement, tailor-made for fiddle players seeking a captivating piece for their repertoire. Key Features: Authentic transcription of Billy in the Lowground in its classic old-time style. Spirited and evocative melodies that resonate with the heritage of the tune. Designed for fiddle players, yet adaptable to various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a seasoned enthusiast of old-time music or a musician on a melodic instrument eager to explore the roots of this cherished tune, our sheet music captures the essence of Billy in the Lowground. Elevate your performance and share the timeless allure of this classic old-time fiddle tune with our meticulously crafted arrangement.
$3.99
3.69 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Billy In The Lowground
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Heather Mueller Music
#
SheetMusicPlus
Bird in the Bush
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340607 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340607 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 6 pages. Duration 48. Heather Mueller Music #M9rwTpm23OJTGrlrkasJD. Published by Heather Mueller Music (A0.1340607). Key: G major.Bird in the Bush - Traditional Fiddle Tune Sheet Music Delight in the lively sounds of traditional folk music with our sheet music for Bird in the Bush. This classic fiddle tune, known for its spirited melodies and infectious rhythm, takes center stage in this authentic arrangement. Immerse yourself in the timeless beauty of this tune, designed for fiddle players seeking a dynamic addition to their repertoire. Key Features: Authentic transcription of Bird in the Bush in its traditional folk glory. Playful and vibrant melodies that capture the essence of this beloved fiddle tune. Tailored for fiddle players, with adaptability for various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a seasoned folk music enthusiast or a musician on a melodic instrument eager to explore the charm of this timeless tune, our sheet music brings Bird in the Bush to life. Elevate your performance and share the joyous spirit of this classic fiddle tune with our meticulously crafted arrangement.
$3.99
3.69 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
#
Bird in the Bush
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Heather Mueller Music
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.48 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
#
Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
#
SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Synthesizer
Piano (partie séparée)
Choral - Digital Download SKU: HX.433987 By The Script and The Script feat. will.i.…
(+)
Choral - Digital Download SKU: HX.433987 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433987).
$7.00
6.47 €
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Piano (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Chorale 3 parties
(3-Part Mixed) - Digital Download SKU: HX.433991 By The Script and The Script feat.…
(+)
(3-Part Mixed) - Digital Download SKU: HX.433991 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433991).
$2.25
2.08 €
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Chorale 3 parties
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Chorale SATB
Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.433986 By The Script an…
(+)
Choral Choir,Choral,Voice (SATB) - Digital Download SKU: HX.433986 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. 12 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433986).
$2.75
2.54 €
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Chorale SATB
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Guitar
Guitare (partie séparée)
Digital Download SKU: HX.433988 By The Script and The Script feat. will.i.am. This …
(+)
Digital Download SKU: HX.433988 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433988).
$7.00
6.47 €
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Guitare (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Bass
Contrebasse (partie séparée)
Digital Download SKU: HX.433989 By The Script and The Script feat. will.i.am. This …
(+)
Digital Download SKU: HX.433989 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433989).
$7.00
6.47 €
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Contrebasse (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall Of Fame (feat. Will.I.Am) (arr. Roger Emerson)
Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.433985 By The Script and The…
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Choir,Choral,Voice (2-Part) - Digital Download SKU: HX.433985 By The Script and The Script feat. will.i.am. Arranged by Roger Emerson. This edition: scorch. Pop. Choral. 12 pages. Duration 220. Published by Hal Leonard - Digital (HX.433985).
$2.75
2.54 €
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The Script and The Script feat
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Roger Emerson
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Hall Of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Hall of Fame (feat. Will.I.Am) (arr. Roger Emerson) - Drums
Batterie (partie séparée)
Digital Download SKU: HX.433990 By The Script and The Script feat. will.i.am. This …
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Digital Download SKU: HX.433990 By The Script and The Script feat. will.i.am. This edition: scorch. Pop. Choral Instrumental Pak. 2 pages. Duration 220. Hal Leonard - Digital #227361. Published by Hal Leonard - Digital (HX.433990).
$7.00
6.47 €
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Batterie (partie séparée)
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The Script and The Script feat
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Hall of Fame
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Hal Leonard - Digital
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SheetMusicPlus
Bottom Of The Punchbowl
Violon et Piano
Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By …
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Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1340620 By Traditional Fiddle Tunes. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #41ItqlOMMAH72Rrn5cXCT3. Published by Heather Mueller Music (A0.1340620). Key: D major.Bottom of the Punchbowl - Traditional Irish Reel Sheet Music Immerse yourself in the spirited world of Irish music with our sheet music for Bottom of the Punchbowl. This traditional Irish reel, known for its lively and infectious rhythms, is skillfully transcribed to capture the essence of its joyful character. Designed for musicians eager to embrace the tradition, this sheet music is tailored for fiddle players seeking an engaging addition to their repertoire. Key Features: Authentic transcription of Bottom of the Punchbowl in its traditional Irish charm. Playful and rhythmic melodies that embody the lively spirit of the reel. Crafted for fiddle players, with adaptability for various melodic instruments. Chord symbols included for optional accompaniment. Whether you're a dedicated fan of Irish music or a musician on a melodic instrument looking to explore the magic of this traditional reel, our sheet music invites you to revel in the joyous energy of Bottom of the Punchbowl. Elevate your performance and share the lively spirit of this classic Irish tune with our meticulously crafted arrangement.
$3.99
3.69 €
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Violon et Piano
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Traditional Fiddle Tunes
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Heather M Music
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Bottom Of The Punchbowl
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Heather Mueller Music
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SheetMusicPlus
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
Orgue
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido…
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
3.69 €
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Orgue
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Guido Menestrina
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SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.47 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
I Need Thee Every Hour - Piano and Organ Arrangement
Orgue
Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged…
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Organ,Piano - Digital Download SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
1.84 €
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Orgue
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano and Organ Arrangement
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Jasberger Music
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SheetMusicPlus
Hall Of Fame (feat. Will.i.am)
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1093540 By The Scri…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1093540 By The Script. By Daniel John O'Donoghue, James Barry, Mark Anthony Sheehan, and William Adams. Arranged by Jack Phillipson. A Cappella,Pop. Octavo. 12 pages. Jack Phillipson #697604. Published by Jack Phillipson (A0.1093540).
$1.99
1.84 €
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Chorale SATB
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The Script
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Jack Phillipson
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Hall Of Fame
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Jack Phillipson
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SheetMusicPlus
The Prodigal Son: the musical (Piano/Vocal Score)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.611387 Composed by Stephen…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.611387 Composed by Stephen DeCesare. Christian,Easter,Musical/Show,Sacred. Octavo. 104 pages. Exultet Music #10505. Published by Exultet Music (A0.611387). Fun musical-theatre version of the Parable of the Prodigal Son which features many familiar classical tunes sung to popular upbeat tempos. Scored for various solos , SATB, with Piano accompaniment. The script is NOT included. To purchase the rights and to obtain accompaniment tracks, please visit: www.mtapublishing.comVideo Review: https://www.youtube.com/watch?v=QMg91ktRbuU
$35.00
32.36 €
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Chorale SATB
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Stephen DeCesare
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Scored
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The Prodigal Son: the musical
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Exultet Music
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.54 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.49 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (violin solo part – violin and piano)
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor.…
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Piano,Violin - Level 5 - Digital Download SKU: A0.861952 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 23 pages. Mark O'Connor Musik International #6209125. Published by Mark O'Connor Musik International (A0.861952). The Fiddle Concerto (piano score – violin and piano) MO119BViolin Solo Part - adapted for violin and piano (piano reduction)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
13.87 €
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Violon et Piano
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (piano score – violin and piano)
Violon et Piano
Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor.…
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Piano,Violin - Level 5 - Digital Download SKU: A0.861950 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 56 pages. Mark O'Connor Musik International #6209121. Published by Mark O'Connor Musik International (A0.861950). The Fiddle Concerto (piano score – violin and piano) MO119APiano Score adapted for violin and piano (piano reduction)Music by Mark O’Connor52 pages - 45:00 minutes in length The FIDDLE CONCERTO adapted for violin and piano is from Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. O’Connor has prepared this adaption for violin and piano from his score. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO119ACopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.49 €
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Violon et Piano
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (string parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.35 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
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