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PIANO & CLAVIERS
Piano seul
2129
Piano Facile
1314
Piano, Voix
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Piano, Voix et Guitare
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Orgue
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Instruments en Do
117
Accompagnement Piano
86
1 Piano, 4 mains
66
Piano grosses notes
52
Piano (partie séparée)
20
Piano Trio: piano, violon, violoncelle
19
Accordéon
19
Clavecin
15
2 Pianos, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Piano (duo)
4
1 Piano, 6 mains
3
Clavier
3
2 Pianos, 8 mains
3
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470
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250
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44
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26
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17
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31
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22
Voix duo, Piano
20
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17
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9
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7
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6
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6
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2
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VENTS
Flûte traversière et Piano
298
Hautbois, Piano (duo)
273
Clarinette et Piano
267
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208
Saxophone Alto et Piano
200
Saxophone (partie séparée)
199
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
198
Saxophone Tenor et Piano
174
Flûte, Hautbois, Clarinette, Basson
147
Flûte traversière
129
Quintette de Saxophone: 5 saxophones
125
Clarinette
117
2 Saxophones (duo)
111
Quatuor de Clarinettes: 4 clarinettes
76
Saxophone Alto
75
2 Flûtes traversières (duo)
68
Saxophone Tenor
67
Hautbois (partie séparée)
61
Clarinette (partie séparée)
54
2 Clarinettes (duo)
51
Quatuor de Flûtes : 4 flûtes
40
Ensemble de Clarinettes
40
Saxophone
39
Saxophone Soprano et Piano
39
3 Clarinettes (trio)
34
Quintette de Clarinettes: 5 clarinettes
33
Flute (partie séparée)
33
Ensemble de Flûtes
30
Trio de Flûtes: 3 flûtes
29
Ensemble de saxophones
27
3 Saxophones (trio)
27
Flûte à Bec
26
Ocarina
23
2 Flûte à bec (duo)
22
Saxophone Baryton, Piano
20
Flûte, Clarinette (duo)
20
Flûte et Guitare
20
Quintette de Flûte : 5 flûtes
19
Flûte à bec Soprano
17
Saxophone, Clarinette (duo)
16
Hautbois
15
Harmonica
15
Flûte, Clarinette et Basson
15
2 Hautbois (duo)
14
Flûte, Hautbois, Basson
14
Hautbois, Basson (duo)
14
Clarinette, Violon (duo)
13
Clarinette, Basson (duo)
11
Flûte, Trombone (duo)
11
Hautbois, Violoncelle
11
Clarinette et Alto
11
Flûte, Violon
11
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11
Hautbois, Clarinette (duo)
10
Flûte, Violoncelle
10
Clarinette, Trompette (duo)
9
Clarinette, Violoncelle (duo)
9
Flûte à bec Alto
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Cor anglais, Piano
8
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7
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6
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6
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6
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5
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5
Clarinette Basse, Piano
5
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5
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5
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5
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4
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4
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4
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4
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3
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3
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3
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
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Cornemuse
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1
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1
Flûte et Trio à cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
Cor anglais, Guitare (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
228
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202
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197
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158
Trombone (partie séparée)
145
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138
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103
Quatuor de Cuivres
81
Trombone
81
Cor
56
Cor (partie séparée)
47
Cor et Piano
46
Tuba (partie séparée)
32
2 Trombones (duo)
31
2 Trompettes (duo)
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Tuba
23
Tuba et Piano
21
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19
Euphonium, Piano (duo)
18
Trompette, Saxophone (duo)
18
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18
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17
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16
3 Trombones (trio)
11
2 Cors (duo)
9
Cor anglais, Piano
8
Trio de Cuivres
8
2 Euphoniums et 2 Tubas
8
Trompette, Violoncelle (duo)
8
Euphonium
8
2 Tubas (duo)
7
Ensemble de Cors
6
Quatuor de cuivres: 4 cors
6
Cor Anglais
5
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4
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4
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4
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3
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3
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3
3 Trompettes (trio)
3
Cor et Basson (duo)
2
Cor et Harpe
2
Instruments en Sib
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4 Tubas
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
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1
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Tuba ou Euphonium ou Saxhorn
1
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1
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1
Euphonium, Tuba (duo)
1
Cor anglais, Guitare (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
478
Violon et Piano
301
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261
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241
Harpe
215
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188
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141
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98
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93
Alto seul
88
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66
Trio à Cordes: violon, alto, violoncelle
60
2 Violons (duo)
59
2 Harpes (duo)
57
Contrebasse (partie séparée)
55
2 Violoncelles (duo)
43
Alto (partie séparée)
37
Trio à Cordes: 2 violons, violoncelle
30
Contre Basse
29
Violon, Alto (duo)
26
Violoncelle (partie séparée)
21
2 Altos (duo)
21
Contrebasse, Piano (duo)
20
4 Violoncelles
13
Trio à cordes: 3 violins
12
Harpe, Flûte (duo)
11
Alto, Violoncelle (duo)
10
Violon, Guitare (duo)
9
Trio à Cordes: 3 violoncelles
8
Violon, Basson (duo)
7
2 Contrebasses (duo)
7
Trio à Cordes: 2 violons, alto
7
Piano Trio: Violon, Alto, Piano
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Ensemble de Violons
4
Alto et Basson
4
Harpe, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
4
Violoncelle, Contrebasse (duo)
3
Alto, Guitare (duo)
3
Ensemble d'Altos
3
Harpe, Voix
3
4 Harpes
3
Alto et Harpe
3
Harpe, Violon (duo)
3
2 Violons, Piano
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 altos
2
Violoncelle, Basse continue
2
Harpe, Violon, Violoncelle
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Violoncelle, Orchestre
1
Harpe et Orgue
1
Violon, Trompette et Piano
1
3 Harpes
1
Harpe et Piano
1
2 Violoncelles, Piano
1
Flûte, Contrebasse (duo)
1
Harpe, Trombone (duo)
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2449
Orchestre à Cordes
424
Orchestre
271
Ensemble Jazz
210
Cloches
147
Orchestre de chambre
93
Ensemble de cuivres
89
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67
Fanfare
65
Percussion (partie séparée)
50
Ensemble de Percussions
30
Batterie
26
Jazz combo
21
Marimba
10
Instrumentation Flexible
6
Percussion
5
Xylophone, Piano
4
Piano et Orchestre
4
Vibraphone
3
Timbales
3
Timbales (partie séparée)
2
Quatuor à Vent : 4 instruments à vents
2
Xylophone
2
Quintette à Vent
2
Cajon
2
Quintette de Cuivres: autres combinaisons
1
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AUTRES
Formation musicale - Solfège
1
Vous avez sélectionné:
The Sound of Music
Piano seul
Partitions à imprimer
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The Sound Of Silence
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By P…
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Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]
$8.00
7.16 €
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Piano seul
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Simon And Garfunkel
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Academia Unimusica
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Garfunkel
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The Sound Of Silence
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Unimusic Academy
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SheetMusicPlus
En Face Du Miroir (Facing The Mirror)
Piano seul
Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, …
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Piano Solo - Advanced - Digital Download Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:<br> "En Face Du Miroir (Facing The Mirror)"<br> - taken from the Isadar solo piano complete collection, "Red" (also available on SMP)<br> <br> Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album & Songbook Review by: Kathy Parsons<br> <br> Red is pianist/composer Isadar’s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar’s best piano pieces; O Christmas, Isadar’s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.<br> <br> I have been reviewing and thoroughly enjoying Isadar’s releases since his second piano album, 1999’s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar’s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.<br> <br> Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar’s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.<br> <br> Red opens with “Broken Valentine,” a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. “The Man Who Broke My Heart” is energetic and in constant swirling motion - also very free and from deep within. “The Stairwell” is darker and much more mysterious, overflowing with Isadar’s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute “Letting Go,” a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! “En Face Du Miroir (Facing the Mirror)” is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with “Blood ... Thicker Than Water,” again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.<br> <br> Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!<br> <br> Isadar’s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar’s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.<br> <br> Isadar is an amazing pianist with a style all his own, so this isn’t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.<br> <br> Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9”x12” format with a stapled binding.<br> <br> If you enjoy listening to Isadar’s music, I’m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!<br> <br> The songs with their key signatures and the number of pages is listed below:<br> <br> Broken Valentine - C minor (3 flats) - 4 pages<br> Red - A minor (0 sharps or flats) - 5 pages<br> The Man Who Broke My Heart - A minor - 6 pages<br> The Stairwell - F# minor (3 sharps) - 7 pages<br> Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages<br> En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages<br> Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$5.99
5.36 €
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Piano seul
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.88 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
34.88 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sacred Sounds From George Shearing
Piano seul
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Song List (18) (Middlebury) So Fades the Lovely Blooming Flower Once More, My Soul Jerusalem, My Happy Home I Love Thee, My Lord I Know That My Redeemer Lives Come, Ye Sinners, Poor And Needy Come Away To The Skies There Is a Happy Land (New Britain) (Land of Rest) (I Love Thee) (Happy Land) (Distress) (Consolation) (Antioch) Amazing Grace! How Sweet The Sound (Restoration) Reviews Don't miss out! Access exclusive content and coupons, and be the first to know about new releases
Song List: (Middlebury) So Fades the Lovely Blooming Flower Once More, My Soul Jerusalem, My Happy Home I Love Thee, My Lord I Know That My Redeemer Lives Come, Ye Sinners, Poor And Needy Come Away To The Skies There Is a Happy Land (New Britain) (Land of Rest) (I Love Thee) (Happy Land) (Distress) (Consolation) (Antioch) Amazing Grace! How Sweet The Sound (Restoration)
$22.95
20.55 €
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Piano seul
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Sacred Sounds From George Shearing
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SheetMusicPlus
The Lonely Goatherd
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.954772 Composed by Richard Rodgers.…
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Piano Solo - Level 2 - Digital Download SKU: A0.954772 Composed by Richard Rodgers. Arranged by Brent Olstad, ASCAP. Broadway,Contemporary,Film/TV,Musical/Show. Score. 4 pages. Brent Olstad #6306607. Published by Brent Olstad (A0.954772). This arrangement is easily accessible to the intermediate pianist or the advance beginner, and features fresh harmonies and rhythms to the classic song from The Sound of Music. It is the perfect arrangement for recitals or just for your own enjoyment.Brent Olstad is a member of ASCAP and you can find him at www.brentolstadmusic.com. Look for Brent Olstad Music on Facebook, Instagram,YouTube and Twitter.
$4.99
4.47 €
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Piano seul
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Richard Rodgers
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Brent Olstad, ASCAP
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The Lonely Goatherd
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Brent Olstad
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SheetMusicPlus
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Piano seul
Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 …
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - Digital Download SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00
23.28 €
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Piano seul
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Clay Boland, Jr
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Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Son of Pharaoh
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.693005 Composed by Ben Dockery. Afr…
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Piano Solo - Level 3 - Digital Download SKU: A0.693005 Composed by Ben Dockery. African,Contemporary,Latin,Standards,World. Score. 4 pages. Ben Dockery #3216651. Published by Ben Dockery (A0.693005). This short piece (1 min, 50 sec) for piano is the fifth in my series of impromptus inspired by the sounds of childhood, namely the theme music from early nineties video game systems like Nintendo. The exotic sounds found throughout this arrangement would be described by many as sounding Spanish, Flamenco, or Egyptian. Impressions of these musical traditions are often characterized by the augmented second melodic interval and the use of modal rather than tonal organization. In the minds of many composers, these musical locales once represented the edge of western civilization or the known world. As such, they serve as creative jumping-off-points to imagine new worlds.The introduction section must be played with a far greater sense of rubato than the playback recording. At the new tempo, interpretation is more straight-forward. One technical and fingering challenge lies in the melodic figures in the right-hand that are frequently harmonized in parallel thirds. The bass ostinato pattern must be played steadily, but the dynamics should still be subservient to the primary melody in the right-hand. Follow my work at www.bendockery.com. There you can join my email list to get updates and tons of free music!
$2.99
2.68 €
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Piano seul
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Ben Dockery
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Son of Pharaoh
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Ben Dockery
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SheetMusicPlus
Super Mareio World 2: Yoshi's Island Ground Theme
Piano seul
Piano - Digital Download SKU: AX.00-PS-0015327 Super Mareio World 2: Yoshi's …
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Piano - Digital Download SKU: AX.00-PS-0015327 Super Mareio World 2: Yoshi's Island - Ground Theme. By Nintendo®. By Koji Kondo. Arranged by Sakiko Masuda. Jazz. 2 pages. Alfred Music - Digital Sheet Music #00-PS-0015327. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015327). ISBN 9780739082980. UPC: 038081427775.The globally beloved musical themes of Nintendo's Super Mario video games sound great when they're played on the piano, and these new jazzy renditions make them more fun than ever! Each arrangement in this collection was crafted under direct supervision by Nintendo and renowned video game composer Koji Kondo, so each theme retains its musical integrity -- but with a unique and lighthearted twist that's guaranteed to entertain. Pianists will enjoy the challenge of these 15 intermediate to early advanced arrangements, and audiences of all ages will be impressed and delighted to hear them.Titles: Super Mario Bros. Ground Theme * Super Mario Bros. Underground Theme * Super Mario Bros. Underwater Theme * Super Mario Bros.: The Lost Levels Ending * Super Mario Bros. 3 Ground Theme * Super Mario World Title * Super Mario World Athletic Theme * Super Mario Kart Mario Circuit * Super Mario World 2 Yoshi's Island Ground Theme * Super Mario 64 Main Theme * New Super Mario Bros. Battle Theme 2 * Mario Kart Wii Rainbow Road * New Super Mario Bros. Wii Title * New Super Mario Bros. Wii Ground Theme * Super Mario Galaxy 2 Yoster.
$3.99
3.57 €
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Piano seul
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Nintendo®
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Sakiko Masuda
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Super Mareio World 2: Yoshi's Island Ground Theme
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Sound Of Music
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.954773 Composed by Richard Rodgers.…
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Piano Solo - Level 2 - Digital Download SKU: A0.954773 Composed by Richard Rodgers. Arranged by Brent Olstad, ASCAP. Broadway,Contemporary,Film/TV,Musical/Show. Score. 5 pages. Brent Olstad #6307337. Published by Brent Olstad (A0.954773). This arrangement is easily accessible to the intermediate pianist or the advance beginner, and features fresh harmonies and rhythms to the theme song to The Sound of Music. It is the perfect arrangement for recitals or just for your own enjoyment. Brent Olstad is a member of ASCAP and you can find him at www.brentolstadmusic.com. Look for Brent Olstad Music on Facebook, Instagram,YouTube and Twitter.
$4.99
4.47 €
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Piano seul
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Richard Rodgers
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Brent Olstad, ASCAP
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The Sound Of Music
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Brent Olstad
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SheetMusicPlus
The Lonely Goatherd [Jazz version] (from The Sound Of Music)
Piano seul
Composed by Rodgers & Hammerstein. This edition: scorch. Broadway, Film/TV, Jazz…
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Composed by Rodgers & Hammerstein. This edition: scorch. Broadway, Film/TV, Jazz, Musical/Show. Score. 6 pages. Hal Leonard - Digital #488107. Published by Hal Leonard - Digital
$4.99
4.47 €
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Piano seul
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Rodgers & Hammerstein
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Hammerstein
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The Lonely Goatherd [Jazz version]
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Hal Leonard - Digital
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SheetMusicPlus
This Is My Father's World (Downloadable)
Piano seul
Piano - Medium - Digital Download SKU: MQ.15-751-5E Composed by Nicholas Palmer. Th…
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Piano - Medium - Digital Download SKU: MQ.15-751-5E Composed by Nicholas Palmer. Thanksgiving. 3 pages. MorningStar Music Publishers - Digital Sheet Music #15-751-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.15-751-5E). Whether planning a special service centered on the Care of the Earth, or looking for unique treatments of cherished Creation hymns, these nine arrangements by Nicholas Palmer are a superb addition to the repertoire. The music is expressive and original, at times taking unexpected yet logical turns, and will cause both player and listener to ponder the hymns in a new light. The arranging is pianistic, making good use of pedaling, higher/lower registers, accents, etc., to create a sometimes playful, sometimes plaintive, sound. Tunes include: The Ash Grove, Cantad al Señor, Dix, Lasst uns erfreuen, and others.An index of hymn texts on the theme of Care of the Earth that are commonly paired with these tunes is included. .
$5.00
4.48 €
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Piano seul
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Nicholas Palmer
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This Is My Father's World
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Neither do they spin (variation 3)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1001284 Composed by Edigles Guedes.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1001284 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 4 pages. Edigles Guedes #6459049. Published by Edigles Guedes (A0.1001284). The present musical piece is a compositional study. Don't listen to the sound of the piano, just float between the musical notes and navigate the world beyond. Let your imagination run free. Duration of work: 3:47 min. Inspired by the biblical verse: And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin. (Matthew 6:28 - KJV).
$3.99
3.57 €
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Piano seul
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Edigles Guedes
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Neither do they spin
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Edigles Guedes
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SheetMusicPlus
Neither do they spin (variation 2)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001283 Composed by Edigles Guedes.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001283 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Guedes #6459017. Published by Edigles Guedes (A0.1001283). The present musical piece is a compositional study. Don't listen to the sound of the piano, just float between the musical notes and navigate the world beyond. Let your imagination run free. Duration of work: 3:49 min. Inspired by the biblical verse: And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin. (Matthew 6:28 - KJV).
$2.99
2.68 €
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Piano seul
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Edigles Guedes
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Neither do they spin
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Edigles Guedes
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SheetMusicPlus
Neither do they spin (variation 1)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001282 Composed by Edigles Guedes.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001282 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Guedes #6456799. Published by Edigles Guedes (A0.1001282). The present musical piece is a compositional study. Don't listen to the sound of the piano, just float between the musical notes and navigate the world beyond. Inspired by the biblical verse: And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin. (Matthew 6:28 - KJV).
$3.99
3.57 €
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Piano seul
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Edigles Guedes
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Neither do they spin
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Edigles Guedes
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SheetMusicPlus
The Little Drummer Boy
Piano seul
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.612458 By Josh Groban …
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.612458 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, Katherine K Davis, and Katherine K. Davis. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Sacred. Score and individual part. 14 pages. Exultet Music #5869647. Published by Exultet Music (A0.612458). The popular Christmas song which was recorded in 1951 by the Trapp Family (the famous family that is featured in the Sound of Music) and also the subject of a 1968 Rankin/Bass animated television Christmas special, has now been arranged for a Flute or Violin solo, Snare Drum, and Piano. Accessible and appropriate for any school, church or concert venue. .
$4.99
4.47 €
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Piano seul
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Josh Groban Featuring Andy Mckee
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Stephen DeCesare
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The Little Drummer Boy
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Exultet Music
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SheetMusicPlus
Greensleeves 2012
Piano seul
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. …
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:<br> "Greensleeves 2012"<br> - taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)<br> <br> Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.<br> <br> Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.<br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Album review by: Michael Diamond (http://michaeldiamondmusic.com):<br> <br> Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”<br> One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.<br> <br> The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.<br> <br> A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.<br> <br> Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.<br> <br> “O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99
5.36 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Air on the G String (HARD PIANO) from Suite No. 3 (BWV 1068) [Johann Sebastian Bach]
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastia…
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Piano Solo - Level 4 - Digital Download SKU: A0.1257386 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 4 pages. Darek #850720. Published by Darek (A0.1257386). Embark on an exhilarating musical expedition with the Air on the G String, an awe-inspiring composition from Suite No. 3 (BWV 1068) by the legendary Johann Sebastian Bach. Prepare to be spellbound as you immerse yourself in the intricate melodies and technical challenges of this hard difficulty piano arrangement, crafted for pianists who crave a formidable musical adventure.Designed for seasoned pianists seeking to push their boundaries, this hard difficulty piano sheet music unlocks the full potential of Bach's masterwork. Explore the complexities of this iconic composition, from the lightning-fast passages to the demanding fingerings, as you showcase your virtuosity and command over the instrument.The Air on the G String stands alone in its ability to evoke a profound range of emotions, from gentle introspection to triumphant grandeur. Its timeless beauty and ethereal charm mesmerize listeners, drawing them into a captivating story told through every resounding note and nuanced phrase.Unleash your passion and dive into the captivating narrative as you breathe life into this formidable masterpiece. Let your fingers dance across the keys, interpreting the cascading melodies and expressive harmonies with the utmost precision and artistry, capturing the hearts and imaginations of your audience.Whether you're preparing for a demanding performance or simply seeking to conquer a musical Everest, this hard difficulty piano sheet music will challenge and inspire you. Embrace the exhilarating journey that awaits, and revel in the satisfaction of conquering Bach's magnificent creation.Keywords: Air on the G String, hard difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, exhilarating, musical expedition, intricate melodies, technical challenges, formidable musical adventure, seasoned pianists, push boundaries, full potential, lightning-fast passages, demanding fingerings, virtuosity, command over the instrument, timeless beauty, ethereal charm, profound range of emotions, gentle introspection, triumphant grandeur, captivating story, resounding note, nuanced phrase, passion, formidable masterpiece, breathe life, precision, artistry, hearts and imaginations, demanding performance, musical Everest, challenge, inspire, exhilarating journey.
$5.00
4.48 €
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Piano seul
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Johann Sebastian Bach
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Darek
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Air on the G String
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Darek
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SheetMusicPlus
The Sound Of Music
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1487760 Composed by Oscar Hammerste…
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Piano Solo - Level 5 - Digital Download SKU: A0.1487760 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Pablo Garcia. 21st Century,A Cappella,Contemporary,Contest,Festival,Pop. Score. 7 pages. Clem & Jun Bascar #1064698. Published by Clem & Jun Bascar (A0.1487760). Perhaps one of the beautiful sounds you'll ever play or hear. From The Sound of Music.
$5.99
5.36 €
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Piano seul
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Oscar Hammerstein and Richard Rodgers
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Pablo Garcia
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The Sound Of Music
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Clem & Jun Bascar
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SheetMusicPlus
How they grow (variation 1)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001276 Composed by Edigles Guedes.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001276 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Guedes #6452269. Published by Edigles Guedes (A0.1001276). The present musical piece is a compositional study. Don't listen to the sound of the piano, just float between the musical notes and navigate the world beyond. Let your imagination run free. Duration of work: 4 min. Inspired by the biblical verse: And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin. (Matthew 6:28 - KJV).
$2.99
2.68 €
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Piano seul
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Edigles Guedes
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How they grow
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Edigles Guedes
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SheetMusicPlus
They toil not (variation 1)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1001279 Composed by Edigles Guedes.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1001279 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Guedes #6454669. Published by Edigles Guedes (A0.1001279). The present musical piece is a compositional study. Don't listen to the sound of the piano, just float between the musical notes and navigate the world beyond. Let your imagination run free. Inspired by the biblical verse: And why take ye thought for raiment? Consider the lilies of the field, how they grow; they toil not, neither do they spin. (Matthew 6:28 - KJV).
$3.99
3.57 €
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Piano seul
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Edigles Guedes
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They toil not
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Edigles Guedes
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SheetMusicPlus
The Sound Of Music
Piano seul
Piano Solo - Digital Download SKU: A0.884412 Composed by Richard Rodgers. Arranged …
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Piano Solo - Digital Download SKU: A0.884412 Composed by Richard Rodgers. Arranged by Betty May Hansen. Contemporary. Score. 3 pages. The Betty May Hansen Collection #4719721. Published by The Betty May Hansen Collection (A0.884412). Popular Theme to the Musical.
$4.99
4.47 €
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Piano seul
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Richard Rodgers
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Betty May Hansen
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The Sound Of Music
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The Betty May Hansen Collection
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SheetMusicPlus
ISADAR - In Search For The Meaning Of Christmas (complete collection)
Piano seul
Piano Solo, Collection / Songbook - Advanced Intermediate - Digital Download Compos…
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Piano Solo, Collection / Songbook - Advanced Intermediate - Digital Download Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Neo-Classical, Christmas, Children's Music, Recital, New Age. 50 pages. Published by Mainya Music Publishing (BMI)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story's "The Gift", George Winston's "December", early Windham Hill solo piano artists, and "A Winter's Solstice" compilations.<br> <br> <br> Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording<br> <br> Contents:<br> 1. Bring A Torch (Bring A Torch, Jeanette, Isabella)<br> 2. Children Go Where I Send Thee / The Holly & The Ivy<br> 3. Star Of Wonder (We Three Kings of Orient Are)<br> 4. Silent (Silent Night, Holy Night)<br> 5. Midnight (It Came Upon the Midnight Clear)<br> 6. What Child Is This?<br> 7. Greensleeves (homage to Liz Story)<br> 8. Three Ships (I Saw Three Ships, Come Sailing In)<br> 9. The Coventry Carol (Lully, Lulla, Lullay)<br> 10. Sing We Now Of Christmas (Noël Nouvelet)<br> 11. Carol Of The Bells<br> <br> Album & Songbook review by: Kathy Parsons (MainlyPiano.com):<br> <br> I have discovered a real wealth of great solo piano Christmas CDs this year! Isadar’s In Search For the Meaning of Christmas definitely falls into this category! Thoughtful, introspective, and a bit moody, Isadar’s arrangements are true to the carols (with some small melody changes in “Bring a Torch” and “Carol of the Bells” that bother me just a little) and still seem very personal. “Bring a Torch”, “The Holly and the Ivy”, and “I Saw Three Ships” are given a lighthearted, joyful treatment. “Star of Wonder (We Three Kings)”, “What Child Is This?”, “The Coventry Carol”, and “Sing We Now of Christmas” are all minor, somber, reverent pieces, and all four are given loving arrangements that keep the dark, mysterious nature of the songs and reflect Isadar’s own sensibilities. “Carol of the Bells” and Isadar's take on Liz Story’s arrangement of “Greensleeves” are energetic without losing all abandon. “Silent Night” and “It Came Upon a Midnight Clear” present us with a very cold, deep solitude - both feel like late night with moonlight reflecting off the snow. Both are moody, but very beautifully so. George Winston’s “December” is one of my all-time favorite holiday albums, and I feel In Search For the Meaning of Christmas holds up exceptionally well next to it. This is an excellent collection of Christmas music, and I highly recommend it!<br> <br> In Search For the Meaning of Christmas is the companion songbook to Isadar’s 1999 solo piano release by the same name. Meticulously transcribed note-for-note by David Shenton of New York Music Publishing, the music is faithful to the recording in every way (except for the pianist - YOU!). The scores are clear, concise, and easy to read, and also include chord indications for improvisation or the use of instruments other than or in addition to the piano. Isadar’s arrangements cover a whole range of emotions, from very dark and somber to joyful and buoyant. All of the pieces from the CD are here, including Isadar’s homage to Liz Story and her beautiful version of “Greensleeves.” My personal favorites of the eleven songs in this book are the bright and cheerful “Bring A Torch,” “What Child Is This?”, “Greensleeves,” the darkly gorgeous “The Coventry Carol,” and “Sing We Now of Christmas.” Other titles that I really like are “Children Go Where I Send Thee/The Holly and the Ivy,” “Star of Wonder (We Three Kings)," “Carol of the Bells,” and the effervescent “Three Ships.” “Silent” (Silent Night) and “Midnight” (It Came Upon a Midnight Clear) are a bit too dark for my own holiday tastes, but are interesting and very personal arrangements. This book will make a great addition to your holiday sheet music collection and is available from isadar.com and amazon.com.<br> <br> Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...<br> <br> Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.<br> <br> For more information, visit his website at: http://www.isadar.com
$49.99
44.77 €
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Piano seul
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Public Domain, as performed and recorded by Isadar
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Isadar
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ISADAR - In Search For The Meaning Of Christmas
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SheetMusicPlus
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