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Theme and Variations in A Minor
Partitions à imprimer
232 partitions trouvées
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Theme (Theme and Variations in F Minor, Hob. XVII:6, Excerpt)
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.6…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.691420 Composed by Franz Joseph Haydn. Arranged by Mark Phillips. Classical. Score and parts. 2 pages. A. J. Cornell Publications #3434761. Published by A. J. Cornell Publications (A0.691420). Haydn's Theme (Theme and Variations in F Minor, Hob. XVII:6, Excerpt) for flute and guitar (in standard notation and tablature)
$4.99
4.48 €
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Flûte et Guitare
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Franz Joseph Haydn
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Mark Phillips
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Theme
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A. J. Cornell Publications
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SheetMusicPlus
Theme and Variations in A Minor
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.974119 Composed by Ronna Zallman Ho…
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Piano Solo - Level 3 - Digital Download SKU: A0.974119 Composed by Ronna Zallman Honigman. Concert,Instructional,Jewish. Score. 6 pages. Ronna Honigman #5754189. Published by Ronna Honigman (A0.974119). Theme and 5 variations for solo piano based on an original niggun (a Jewish song, often improvised, that uses repetitive syllables like ai,ai,ai instead of lyrics). Intermediate. Wonderful recital piece. Performance time 5 minutes. Terrific introduction to the form of theme and variations.
$5.99
5.38 €
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Piano seul
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Ronna Zallman Honigman
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Theme and Variations in A Minor
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Ronna Honigman
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SheetMusicPlus
Ode to Joy - Theme and Variations (Easy Piano)
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.829765 Composed by Ludwig van Beeth…
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Easy Piano - Level 1 - Digital Download SKU: A0.829765 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Christmas,Easter,Romantic Period,Sacred,Standards. Score. 4 pages. Amanda Dills #5287557. Published by Amanda Dills (A0.829765). One of the most famous musical themes in the world has been arranged for easy piano, arranged here in a series of 4 short pieces. The theme and three variations can each be played or taught separately, or in any combination, for a wide variety of settings or players. 1. THEME - In middle C position, the theme is simple, straightforward and fun for beginning players.2. VARIATION 1 (Carousel) - This variation is in C position and 3/4 time, with opportunities for phrasing and finger crossing.3. VARIATION 2 (Rainy Day) - This variation is in A minor, with the melody in the left hand - great for expanding note reading and hand independence.4. VARIATION 3 (Finale) - The final variation is in D Major, and played very quickly and rhythmically, with a fun octave jump a for both hands at the end.
$1.99
1.79 €
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Piano Facile
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Ludwig van Beethoven
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Amanda Dills
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Ode to Joy - Theme and Variations
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Amanda Dills
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SheetMusicPlus
Theme and Variations in F Minor
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.103…
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String Ensemble,String Trio Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1031793 Composed by Jordan C Warren. Instructional,Romantic Period,Standards. Score and parts. 14 pages. Jordan Warren #3563613. Published by Jordan Warren (A0.1031793). I wrote this piece my senior year of high school for a music class. It was well received by my teachers and peers so I thought why not share it!The duration of this piece is about 4:30 minutes.The piece was written using certain methods of Brahms and the general Romantic period. There isn't really a certain place to play this other than just concert repertoire. Note: there isn't a second violin or bass part, I'd be up for writing them so just email me a request for them!!
$3.99
3.58 €
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Trio à Cordes: violon, alto, violoncelle
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Jordan C Warren
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Theme and Variations in F Minor
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Jordan Warren
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SheetMusicPlus
Theme and Variations in E Minor
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1247960 Composed by Matthew Sperlin…
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Piano Solo - Level 3 - Digital Download SKU: A0.1247960 Composed by Matthew Sperling. 21st Century,Classical. Score. 5 pages. Matthew Sperling #842528. Published by Matthew Sperling (A0.1247960). A stunning theme and variations exploring different keys and rythmic structers throughout.
$5.99
5.38 €
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Piano seul
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Matthew Sperling
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Theme and Variations in E Minor
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Matthew Sperling
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SheetMusicPlus
Theme and Variations in C major for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.996522 Composed by James Mayhew. Cl…
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Piano Solo - Level 5 - Digital Download SKU: A0.996522 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 7 pages. James Mayhew #6234441. Published by James Mayhew (A0.996522). This is a set of 8 variations on a theme in C major, which begin as Classical sounding variations on the Mozartian theme, Nos 1 and 2 of which sound quite like short Czerny studies, before a variation of many repeated notes embedded in broken chord figurations, until a frantic ending disrupts the traditional Classical harmony with plenty of chromaticism and a slightly bluesy ending. The next variation is in 12/8 with a lilting feel, while the 6th variations is a C minor one which begins in a stately march feel before merging into freer, slightly jazzier material. Variation 7 returns to C major for a jolly outburst while the finale that is Variation 8 pours cascades of chords and gymnastical passages all over the place (including a black-key octave glissando in the right hand with a white-key gliss in the left at the same time), with an unexpected ending.
$4.99
4.48 €
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Piano seul
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James Mayhew
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Theme and Variations in C major for Piano
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James Mayhew
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SheetMusicPlus
Theme and Variations on a Purim Song
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.818095 Arranged by Shoshana Michel.…
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Piano Solo - Level 4 - Digital Download SKU: A0.818095 Arranged by Shoshana Michel. Concert,Jewish,Standards,World. Score. 14 pages. Shoshana Michel #3422649. Published by Shoshana Michel (A0.818095). Shoshana Michel’s arrangement of her Theme and Variations on a Purim Song, based on the song Vayehi Bimei Achashverosh(In The Days of Achashveiroish). It is a fun piece that modulates to different keys and different styles including, classical, ragtime, music box, Baroque and boogie-woogie.You can reference the original video at https://www.youtube.com/watch?v=aBrecihr7N8This sheet music is very close to how it is played on the video but is not note-for-note as minor changes were made to make the piece smoother and cleaner.Level: 7 – Late IntermediateKey Signature: C minor (3 flats), D minor (1 flat), E minor (1 sharp), F minor (4 flats), G minor (2 flats), A minor (no flats or sharps), Bb minor (5 flats)Length: 14 pages (Including title and intro page)Shoshana Michel is an award winning composer/pianist. You can learn more about her and her music at www.ShoshanaMusic.com
$5.95
5.34 €
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Piano seul
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Shoshana Michel
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Theme and Variations on a Purim Song
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Shoshana Michel
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SheetMusicPlus
Variations on a Theme by Handel
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.876610 Composed by Aaron Robinson. …
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Piano Solo - Level 5 - Digital Download SKU: A0.876610 Composed by Aaron Robinson. 20th Century,Contemporary,Romantic Period. Score. 34 pages. Music at Immanuel #6213245. Published by Music at Immanuel (A0.876610). VARIATIONS ON A THEME BY HANDEL for piano by American composer Aaron Robinson, based on a theme by George Frederic Handel: Suite in D Minor (HVW 437) IV: Sarabande. These set of variations not only reflect the style, nuance and voice of the composer; overall, they reference, and even borrow at times the unique characteristics found within the standard literature of such composers as Chopin, Rachmaninoff, Schumann, Liszt, Kabalevsky, Ives, Copland, etc. All the while displaying a quality of humorous air throughout the demanding pianistic virtuosity.
$4.99
4.48 €
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Piano seul
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Aaron Robinson
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Variations on a Theme by Handel
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Music at Immanuel
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.52 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.52 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
The Raymond Variations for Piano (Set 1)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20t…
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Piano Solo - Level 4 - Digital Download SKU: A0.499760 Composed by S. G. Potts. 20th Century,Contemporary,Romantic Period,Standards. Score. 18 pages. S. G. Potts #3512109. Published by S. G. Potts (A0.499760). The Raymond Variations for Piano (Set 1), received its world premiere on 2nd December 2015 at the 1901 Arts Club London, performed by Lorraine Womack-Banning as part of a memorial tribute concert to her late husband Raymond Banning (former professor of pianoforte at Trinity College London). The Variations are based on the three Andantino themes which form a central part of the ‘Raymond Overture’ written in 1851 by French composer Ambroise Thomas: 1811-1896. There are nine piano variations in total; these include a mix of both full and short partial variations (including a very short declamatory two chord introductory variation). The variations are not numbered or set-apart in a conventional manner, rather they form part of a continuous whole, and are separated only by bridge passages and/or cadence points; they last a little under eight minutes in duration, and strongly exploit the passionate elements of Thomas’s themes. They have been written for the most part in an accessible tonal style (with a passing nod to Messrs. Beethoven and J.S. Bach) and are based predominately in the home key of D minor, but they do also take advantage of many 20th and 21st century harmonic techniques where deemed appropriate: e.g. added note chords; cluster chords; percussive chords, and melodic deflection. In particular, the interval of the major 7th and its enharmonic equivalent(s) (the most distinctive interval in the main andantino theme from the overture) is heard in various different guises throughout the variations: this includes its inversion the minor 2nd which has a very distinctive sharp dissonant quality. Much play is made of these intervals – to somewhat humorous effect in variation 8 (the joker in the pack) heard some three quarters into the set, here the dissonant interval is pounded out double forte before hastily leading into some boisterous cluster harmonic instability; then quietly begins variation 9 which duly brings the set to a close. Look out for the sting in the tail!
$9.99
8.97 €
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Piano seul
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S
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these include a
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The Raymond Variations for Piano
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S. G. Potts
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SheetMusicPlus
Movement IV from Piano Sonata No. 1 in A minor
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.834354 Composed by Steve Shade. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.834354 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 28 pages. Steve Shade #4639523. Published by Steve Shade (A0.834354). This is the fourth and final movement to my Piano Sonata No. 1 in A minor. This piece is written in rondo form and features a dramatic opening that propels the piece to the restless A section. A lyrical B section contrasts the intensity of the A section, but that serenity is cut short as the section has an aggressive closing theme that drives back to the A section. An enigmatic and omenous C section is introduced, experimenting with different themes and keys before concluding with a heroic theme in C# major. The A and B sections return, this time with variations, and the piece concludes with a furious coda that brings the sonata to a dramatic close. This piece is written in a neo-classical/-romantic style and would be a great stand-alone piece in a recital.This piece is for advanced pianist, and contains 28 pages of music. .
$14.99
13.46 €
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Piano seul
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Steve Shade
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Movement IV from Piano Sonata No. 1 in A minor
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Steve Shade
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SheetMusicPlus
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.750863 Composed by Brendan Ellige…
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Concert Band - Level 3 - Digital Download SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
$30.00
26.93 €
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Orchestre d'harmonie
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Brendan Elliget MAGA 537
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Shades of Eltham
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BJE Music
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SheetMusicPlus
Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1094241 By Joseph Alessi, Christian Lindberg. By Arthur Willard Pryor. Arranged by Aaron Hettinga. 20th Century,Classical,Contest,Festival,Patriotic,Traditional. Score and parts. 24 pages. Aaron Hettinga #698344. Published by Aaron Hettinga (A0.1094241). Arthur Pryor’s famous theme and variations on “The Blue Bells of Scotland†has been a showcase for trombonists with strong technique and agility for well over a century. While this work is most commonly performed as accompanied by a wind band or with piano, in this arrangement the soloist is supported by a standard brass quintet. The solo part is unchanged from Pryor’s original, though there are some minor tweaks to suggested slide positions and other notations throughout. While each of the accompanying quintet parts do feature some small technical requirements, they remain at an intermediate level where even less-experienced players should be able to pull them off. Performance suggestion: as an option, it’s recommended to utilize Cornets and Euphonium in place of the Trumpet and Trombone parts in the accompanying quintet to more faithfully emulate the sounds of the conical-bore instruments of the period and to better separate the tonality of the accompaniment from the soloist. This arrangement is a great vehicle to showcase a talented trombonist on this classic piece of standard trombone literature!
$29.99
26.92 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Joseph Alessi, Christian Lindberg
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Aaron Hettinga
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Blue Bells of Scotland - Trombone Solo with Brass Quintet Accompaniment
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Aaron Hettinga
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SheetMusicPlus
Variations on a Theme in D Flat
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
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Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
8.98 €
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Orchestre d'harmonie
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Kendra Brown
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Variations on a Theme in D Flat
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Kendra Brown
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SheetMusicPlus
Trio for Violin, Viola and Piano, op. 32a
Piano Trio: Violon, Alto, Piano
Piano Trio,String Ensemble Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004…
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Piano Trio,String Ensemble Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1004698 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 56 pages. Adrian Gagiu #4298331. Published by Adrian Gagiu (A0.1004698). Trio for violin, viola and piano in E minor is an arrangement of the String Trio, op. 32, a Neo-classical, cyclical, half serious, half tongue in cheek composition. The movements: Andante-Allegro vivace (nostalgic and dramatic), Andante con moto (a slow fugue), and Allegro scherzoso (treated in humorous variations; note the Minore variation, a well fit fugato on Henry Mancini's famous Pink Panther theme). The mp3 audio clip is the final movement. Total duration: 18 min.
$44.00
39.5 €
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Piano Trio: Violon, Alto, Piano
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Adrian Gagiu
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Trio for Violin, Viola and Piano, op. 32a
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.53 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
188.53 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Canon in D
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1276116 By Michael Swedberg. By Joh…
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Piano Solo - Level 3 - Digital Download SKU: A0.1276116 By Michael Swedberg. By Johann Pachelbel. Arranged by Terrence Niska. 21st Century,Classical,New Age,Pop. Score. 8 pages. Niska Music Publishing #867876. Published by Niska Music Publishing (A0.1276116). One of the earliest CDs I bought was a CBS Great Performances disc entitled “Pachelbel’s Canon: Baroque Favorites.†I can recall listening to it over and over. Among my favorites were Handel’s “The Arrival of the Queen of Sheba,†Mouret’s “Rondeau,†Albinoni’s “Adagio for Strings and Organ in G minor (which I later discovered was actually written by Remo Giazotto in 1958), and, of course, Pachelbel’s Canon in D.The Canon has been a source of musical inspiration to a great number of artists over the years including Maroon 5’s “Memories†in 2019 and George Winston’s “Variations on the Kanon by Johann Pachelebel†from his 1982 album December.My arrangement is a series of variations starting with a simple statement of the chord progression and gradually making use of the themes as the piece progresses. In this respect, it is more of a chaconne than a true canon. (A chaconne being a type of musical composition which uses a repeated short harmonic progression as a vehicle for variations and melodic invention). It eventually works its way to a section of forte chords based on the rhythm of the second theme before gradually returning to a simpler use of the chords and bass line from the opening.
$3.99
3.58 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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Canon in D
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Niska Music Publishing
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SheetMusicPlus
Once In Royal David's City variations for two pianos
2 Pianos, 4 mains
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by…
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2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
4.48 €
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2 Pianos, 4 mains
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City variations for two pianos
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James Mayhew
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SheetMusicPlus
Twinkle Twinkle Little Star Variations
Guitare notes et tablatures
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1208428 Composed by Tra…
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1208428 Composed by Traditional French Folk Song. Arranged by André Nusa. Chamber,Children,Folk,Traditional. Tablature. 9 pages. Andre_Nusa #806539. Published by Andre_Nusa (A0.1208428). Easy guitar duo variations on the theme Twinkle Twinkle Little Star, very fun for beginners to play. There are four variations (in octaves, with alternate notes, with different values of notes, in a minor key and a little canon. The sheet music includes standard notation and tablature.
$7.99
7.17 €
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Guitare notes et tablatures
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Traditional French Folk Song
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André Nusa
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Twinkle Twinkle Little Star Variations
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Andre_Nusa
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SheetMusicPlus
Passacaglia and Fugue in C minor
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music #6210525. Published by Dorm 40 Music (A0.740280). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.Passacaglia and Fugue in C minor (BWV 582) is an organ work composed by Bach early in his career. It is arguably one of his greatest and most important works. The passacaglia starts with an ostinato theme, followed by 20 variations. Immediately after the passacaglia, without break, is a double fugue based on the ostinato theme. This arrangement pays homage to the great transcriptions of Stokowski and Ormandy, by weaving the colors of brass, organ and percussion into symphonic textures. Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet, organ and a single percussionist (timpani, snare drum, suspended cymbal). Due to the range of the first trumpet (to C6), parts are provided for trumpet in C, E-flat and doubling on B-flat trumpet/B-flat piccolo (select whichever part works best for you). Performance time is about 14 minutes. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
22.44 €
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Ensemble de cuivres
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Johann Sebastian Bach
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Craig Garner
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Passacaglia and Fugue in C minor
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Dorm 40 Music
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SheetMusicPlus
Aria variata (alla maniera italiana) in A Minor, BWV 989 (COMPLETE) as played by Víkingur Ólafsson
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1150594 By Johann Sebastian Bach an…
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Piano Solo - Level 4 - Digital Download SKU: A0.1150594 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Sacred. Score. 9 pages. FRC Music #750772. Published by FRC Music (A0.1150594). Bach: Aria variata (alla maniera italiana) in A Minor, BWV 989 (COMPLETE) as played by VÃkingur Ólafsson. Aria variata alla maniera italiana in A minor, BWV 989 is a keyboard work by Johann Sebastian Bach from around 1709, recorded in the Andreas Bach Book. It consists of a theme and 10 virtuoso variations, each of them in binary form (two sections, both repeated). The work was probably created for a harpsichord, but there are numerous recordings with other instruments, notably with piano and organ. It shares many formal similarities with the later Goldberg Variations. Advanced Intermediate.Format: Concert, 9 x 12 inches.9 pages.
$5.99
5.38 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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Aria variata
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FRC Music
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SheetMusicPlus
Liszt Grandes études de Paganini S.141 No.6 in A Minor Theme and Variations Original With Fingered
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1304447 Composed by Franz Liszt. Ar…
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Piano Solo - Level 5 - Digital Download SKU: A0.1304447 Composed by Franz Liszt. Arranged by poon. Classical. Score. 13 pages. Poon #893939. Published by poon (A0.1304447). Liszt - Grandes études de Paganini - S.141 No.6 in A Minor Theme and Variations - For Piano Solo Original With Fingered.
$1.99
1.79 €
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Piano seul
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Franz Liszt
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poon
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Liszt Grandes études de Paganini S.141 No.6 in A Minor Theme and Variations Original With Fingered
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poon
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SheetMusicPlus
Melody and Variations for flute and piano
Flûte traversière et Piano
Flute,Piano - Level 5 - Digital Download SKU: A0.996520 Composed by James Mayhew. C…
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Flute,Piano - Level 5 - Digital Download SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew #5857157. Published by James Mayhew (A0.996520). *Includes the flute part on its own at the end of the file*This is a set of theme and variations in C minor (although it ends in C major) for flute and piano. The theme is a simple, melancholy melody with the first three variations on it being in C minor (and it is worth noting that the piano accompaniment is just chords for these first three variations), the fourth variation in Eb major while the fifth is the finale which includes numerous diversions from the theme and many contrasting passages of rich material, although the theme does appear in a fugato section and in another short, jig-like variation section, before it is played a couple of times near the end in the form of triumphant returns. Many passages are of an advanced level, particularly towards the end.
$4.99
4.48 €
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Flûte traversière et Piano
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James Mayhew
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Melody and Variations for flute and piano
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James Mayhew
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SheetMusicPlus
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