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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Too Close: Tuba
Partitions à imprimer
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Too Close: Tuba
Tuba (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016474_TB1 Tuba. Composed by…
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Marching Band - Digital Download SKU: AX.00-PC-0016474_TB1 Tuba. Composed by Alex Claire and Jim Duguid. Arranged by Jerry Burns. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016474_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016474_TB1). UPC: 038081475806.Alex Clare's soulful alternative rock tune is the basis for this solidly scored arrangement. Jerry Burns gives us a big sounding chart that will be ready to perform today! (1:20).
$3.00
2.79 €
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Tuba (partie séparée)
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Alex Claire and Jim Duguid
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Jerry Burns
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Too Close: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry S…
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Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.26 €
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Tuba
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
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Benjamin Sajo
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Tuba Quartet
4 Tubas
Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed …
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Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 9 pages. Www.dalsegno.eu #5299393. Published by www.dalsegno.eu (A0.770442). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger brass players to the polite and light style of Mozart.Complete set with score and parts: Euphonium 1 (Bass Clef and Treble Clef), Euphonium 2 (Bass Clef and Treble Clef), Tuba 1, Tuba 2. Ideal for larger ensembles too.Duration: approx. 3 mins., 9 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.78 €
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4 Tubas
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Too Good At Goodbyes
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Te…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.6 €
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
I Sit Here on the Barren Hill
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1419806 By Fiona Alice Hickie. By Fiona Alice Hickie. Arranged by Fiona Alice Hickie. 21st Century,Chamber,Classical,Latin. 17 pages. Fiona Alice Hickie #1001228. Published by Fiona Alice Hickie (A0.1419806). A piece for brass quintet based on the poem by the same name. It is a slow piece is a South American style.Based on the poem: Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives. Dedicated to Ben van den Akker.
$13.99
13.02 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Fiona Alice Hickie
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Fiona Alice Hickie
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I Sit Here on the Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Take Me Home, Country Roads
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A…
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1071671 By John Denver. By Bill Danoff, John Denver, and Taffy Nivert. Arranged by Rebecca K A Pepper. Country,Pop,Wedding. Score and parts. 32 pages. Rebecca K A Pepper #675355. Published by Rebecca K A Pepper (A0.1071671). A fun brass quintet arrangement of the classic country song! Close to the original song, you can get your audience feeling nostalgic and singing along. Parts are intermediate/advanced level, so not too hard for youth groups and flexible parts are included (Trumpet in Bb/C, Horn in F/Eb, Trombone and Euphonium in bass/treble and Tuba/Bb Bass/Eb Bass).
$13.99
13.02 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Denver
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Rebecca K A Pepper
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Take Me Home, Country Roads
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Rebecca K A Pepper
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SheetMusicPlus
The Dauntless Battalion
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302282
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302282 Composed by John Philip Sousa. Arranged by Betsy Bright. 20th Century,March,Patriotic,Standards. 16 pages. Bright Music Company #891894. Published by Bright Music Company (A0.1302282). This John Philip Sousa march is just as exciting as his more famous marches, but it seems to be less well-known. A great way to include a Sousa march on a program while also playing music the audience may not have heard before. Â Conveniently, this march is less than 2 minutes long, so you can close out your program with a march without taking up too much of the program time.As with all Bright Music Company arrangements, this march has plenty of rest for the higher brass.Duration: 1.5 minutesDifficulty level: 4 (advanced intermediate).
$15.00
13.95 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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John Philip Sousa
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Betsy Bright
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The Dauntless Battalion
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Bright Music Company
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SheetMusicPlus
You Said Something When You Said "Dixie"
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.775228 Composed by Cliff Friend,…
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Brass Quintet - Level 2 - Digital Download SKU: A0.775228 Composed by Cliff Friend, Sam Landres, and Sidney Claire. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #4356505. Published by Alexander Wilson (A0.775228). Tin Pan Alley composer Cliff Friend partnered with lyricists Sidney Claire and Sam Landres to write You Said Something When You Said 'Dixie' in 1923. This tune is very close to standard Tin Pan Alley fare, but Friend introduces some slightly unexpected transitional harmonies into the tune. Friend is far better known for writing The Merry-Go-Round Broke Down, used as the theme for the Looney Tunes and Merry Melodies cartoon series for over 30 years. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:20. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
3.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Cliff Friend, Sam Landres, and Sidney Claire
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Bill Wilson
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You Said Something When You Said "Dixie"
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Alexander Wilson
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SheetMusicPlus
Nice Weather for Doctors
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1387383
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1387383 By Jacob R Boseley. By Jacob R Boseley. Arranged by Jacob R Boseley. 20th Century,21st Century,Jazz,Latin. 12 pages. Jacob Boseley #971237. Published by Jacob Boseley (A0.1387383). This is a cute little piece I composed to use as an easy and fun closer/encore for brass quintet concerts. Fun to play and engaging, it's been a hit with every group that has played it thus far and will certainly be staying in my concert programs. I hope you all enjoy it too!This piece is an Intermediate-Advanced brass quintet.
$3.99
3.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Jacob R Boseley
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Jacob R Boseley
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Nice Weather for Doctors
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Jacob Boseley
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SheetMusicPlus
Jesus Loves Me
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220936
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220936 By Ron Flintjer. By William B. Bradbury 1862. Arranged by Ron Flintjer. Christian,Praise & Worship,Religious,Sacred. 9 pages. Ron Flintjer #817277. Published by Ron Flintjer (A0.1220936). Jesus Loves Me is one of the most well known and beloved hymns in the Christian faith. This is a hymn that we all learned at a very early age, perhaps in Sunday School, Bible School or Junior Church. It has been with us since 1862. The lyrics were originally written in 1860 as a poem by Anna B. Warner. Then in 1862, the poem was put to music by William Bradbury. This beautiful hymn has withstood the test of time like Amazing Grace, The Old Rugged Cross and so many more.This arrangement is written for Brass Quintet and has three verses and choruses. The first version closely follows the original harmonic structure without any deviations. The second version utilizes a different harmonic sequence and includes some rhymic changes in a few spots. Finally, the third version again includes a different harmonic sequence, modulates to a different key and contains an extended ending. This wonderful piece can be played as special music for your church service, or offertory.
$12.00
11.16 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Ron Flintjer
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Ron Flintjer
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Jesus Loves Me
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Ron Flintjer
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SheetMusicPlus
Goodbye! So Long! I'm Headin' Home!: A Medley
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. …
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Composed by F. Leslie Smith. Ragtime, Old-time, Americana. Score, Set of Parts. 48 pages. Published by Sweetwater Brass Press (S0.86305). - Score,Set of Parts - Ragtime,Old-time,Americana - Sweetwater Brass Press
This novelty is great as either a featured number or as an encore. It is upbeat, a medley of turn-of-the-last-century tunes that, in the tradition of Haydn?s "Farewell" Symphony (No. 45 in F-sharp minor), provides opportunity for four musicians to leave, one by one, until only Tuba remains. It opens at a fast clip with a statement of ?Good-Night, Ladies? followed by a four-measure vamp that is subsequently repeated after nearly every section. First, horn and tuba perform ?There is a Tavern in the Town.? Second, trombone and trumpets combine to ask, ?Bill Bailey, Won?t You Please Come Home.? Third is a close-harmony, ensemble version of ?Goin? Home.? Fourth features exchanges between trumpets and low brass in ?Toot, Toot, Tootsie!? Fifth is an amalgam of all the tunes; this is played four times, each time featuring a different instrument, which then drops out for the rest of the number. The tuba ends the piece and takes a bow. This arrangement was completed in 2014, and performance time runs about 3 minutes, 56 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
$4.00
3.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Goodbye! So Long! I'm Headin' Home!: A Medley
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Sweetwater Brass Press
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SheetMusicPlus
WER GUTES TUT (Silcher) - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silc…
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Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silcher. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #5221643. Published by www.dalsegno.eu (A0.770427). Finally THE definitive transcription of this beloved round by Friedrich Silcher for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Euphonium TC and BC, Tuba).Duration ad lib. (about 45'' for the three entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.32 €
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Orchestre d'harmonie
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Friedrich Silcher
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Ivan Marini
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WER GUTES TUT
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www.dalsegno.eu
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SheetMusicPlus
Wo der perlende Wein... (Mozart) - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amade…
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Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #3820009. Published by www.dalsegno.eu (A0.770357). Finally THE definitive transcription of this beloved round by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! You can develop stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C and Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Baritone/Euphonium TC and BC, Tuba).Duration ad lib. (min. 1'20'' for the six entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.32 €
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Orchestre d'harmonie
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Wolfgang Amadeus Mozart
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Ivan Marini
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Wo der perlende Wein...
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www.dalsegno.eu
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SheetMusicPlus
Kind of Mozart - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. C…
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Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. Classical,Instructional,Sacred. Score and parts. 42 pages. Www.dalsegno.eu #3580247. Published by www.dalsegno.eu (A0.770351). Easy round inspired by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc. Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:- Recorders (Sopranino, Soprano, Alto, Tenor, Bass)- Flutes (Piccolo, C flute, G Alto flute, C Bass flute)- Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)- Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)- Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)- Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)- Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)- Low Brass (Trombone, Euphonium TC and BC, Tuba). Duration ad lib. (min. 1 minute for the three entrances), 41 pages and foldable cover. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.32 €
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Orchestre d'harmonie
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Ivan Marini
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Kind of Mozart - Every combination of Winds
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www.dalsegno.eu
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
69.77 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208
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Brass Band Bass Trombone,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.549208 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3464513. Published by jmsgu3 (A0.549208). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 trumpets, 3 French Horns, 2 tenor trombones, 1 bass trombone, 1 tuba. Arranged in two antiphonal choirs. Suggested instrumentation: 8 trumpets, 9 Horns, 6 Tenor Trombones, 2 Bass Trombone, 4 Tubas. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.61 €
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Brass Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
Trompette, Trombone (duo)
Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Compo…
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Brass Band Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.61 €
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Trompette, Trombone (duo)
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Giovanni Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir
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jmsgu3
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SheetMusicPlus
Time Warp
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download S…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1075081 Composed by Richard O'brien. Arranged by Rebecca K A Pepper. Broadway,Film/TV,Holiday,Musical/Show,Pop,Rock. Score and parts. 29 pages. Rebecca K A Pepper #679355. Published by Rebecca K A Pepper (A0.1075081). A fun brass quintet arrangement of the classic Rocky Horror Picture Show hit! Close to the original song, you can get your audience up and dancing and singing along. Perfect for Halloween concerts and events. Parts are intermediate to advanced level, so not too hard for youth groups and flexible parts are included (Trumpet in Bb/C, Horn in F/Eb, Trombone and Euphonium in bass/treble and Tuba/Bb Bass/Eb Bass).
$13.99
13.02 €
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Richard O'brien
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Rebecca K A Pepper
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Time Warp
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Rebecca K A Pepper
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SheetMusicPlus
Prelude
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1177266 Composed by Bernard Herrm…
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Concert Band - Level 4 - Digital Download SKU: A0.1177266 Composed by Bernard Herrmann. Arranged by F. Gilfaut. 20th Century,Classical,Film/TV,Thriller. Score and Parts. 56 pages. FG #777274. Published by FG (A0.1177266). The Prelude from 'The Man Who Knew Too Much' is a powerful opening piece by Bernard Herrmann. Written for the film directed by the master of suspense Alfred Hitchcock, the Prelude immediately establishes a high level of tension from the very start of the movie. With its thundering notes, the Prelude sets the stage for the suspenseful events to come.This arrangement has been carefully orchestrated to stay as close as possible to the original. Instrumentation Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn (optionnal) Bassoon 1 Bassoon 2 Bb Clarinet 1 Bb Clarinet 2 Bb Clarinet 3 Bb Bass Clarinet Eb Alto Saxophone 1 Eb Alto Saxophone 2 Eb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 F Horn 3 F Horn 4 Trombone 1 Trombone 2 Trombone 3 Baritone/Euphonium Tuba Double Bass Piano (optionnal) Harp Timpani Percussion 1Â Percussion 2 Percussion 3 Mallets 1 Mallets 2 Parts for Europe Eb Horn 1 Eb Horn 2 Eb Horn 3 Eb Horn 4 Bb Trombone 1Â Bb Trombone 2Â Bb Trombone 3 Bb Baritone B.C Bb Baritone T.C. Bb Tuba B.C.
$65.00
60.47 €
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Orchestre d'harmonie
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Bernard Herrmann
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F
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Prelude
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FG
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SheetMusicPlus
Reach
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.846740 By S Club 7. By Andrew T…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.846740 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Becky K Pepper. Pop. Score and parts. 38 pages. Rebecca K A Pepper #453429. Published by Rebecca K A Pepper (A0.846740). A fun brass quintet arrangement of the classic S Club 7 Party hit! Close to the original song, you can get your audience feeling nostalgic and singing along. Parts are intermediate level, so not too hard for youth groups and flexible parts are included (Trumpet in Bb/C, Horn in F/Eb, Trombone and Euphonium in bass/treble and Tuba/Bb Bass/Eb Bass).
$14.99
13.95 €
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Ensemble de cuivres
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S Club 7
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Becky K Pepper
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Reach
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Rebecca K A Pepper
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SheetMusicPlus
Life's A Happy Song
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1131635 Composed by Bret McKenzie. Arranged by Adrian Horn. Film/TV. Brass Band. 73 pages. AJH Brass #731857. Published by AJH Brass (A0.1131635). From the hit 2011 film 'The Muppets', this arrangement for British style Brass Band captures the fun and frolics of 'Life's A Happy Song' - the tune regularly heard at the start of Sara Cox's Radio 2 'DriveTime' show. This version features many members of the band, with 'Standing' sections written for nearly all the players at various points and culminating in the whole band stood up at the big finish. A great way to close the 1st half of a concert! PDF Download includes: Full Score Soprano Cornet (Eb) Solo Cornets (Bb) Repiano Cornet (Bb) 2nd Cornets (Bb) 3rd Cornets (Bb) Flugel Horn (Bb) Solo Tenor Horn (Eb) 1st Tenor Horn (Eb) 2nd Tenor Horn (Eb) 1st Baritone (Bb) 2nd Baritone (Bb) 1st Trombone (Bb) 2nd Trombone (Bb) Bass Trombone (C) Euphoniums (Bb) EEb Basses BBb Basses Drum Kit Percussion.
$24.99
23.25 €
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Bret McKenzie
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Adrian Horn
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Life's A Happy Song
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AJH Brass
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SheetMusicPlus
Tirolean-Walzer - Oktoberfest
Small Ensemble Accordion,B-Flat Clarinet,B-Flat Trumpet,Double Bass,Drum Set,Tenor Saxopho…
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Small Ensemble Accordion,B-Flat Clarinet,B-Flat Trumpet,Double Bass,Drum Set,Tenor Saxophone,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1087303 Composed by Traditional. Arranged by Dennis Ruello. Folk,Multicultural,Traditional,World. Score and parts. 27 pages. Chicory Music #691510. Published by Chicory Music (A0.1087303). A dance credited with influencing the modern waltz is the “Walzer.†The word “Walzer†was developed from the Latin word “Volvere,†which means to turn in a rotating motion. During the Eighteenth Century (more specifically around 1750) peasants in Tyrol, Bavaria, and Styria began practicing this country-dance. And while noblemen of the region initially scorned the close, intimate dance, soon its popularity overtook that of the conventionally practiced social dance known as the minuet. This arrangement for German Band, at the Intermediate Level includes the following parts: Full Score, 1st and 2nd Clarinets, Tenor Sax (2nd Clarinet Sub. Part), Trumpet, Trombone, Tuba, Accordion/Piano, Acoustic Bass (Tuba Sub. Part) and Drum Set. Performance Time Approx. 2:40 min./sec.
$19.99
18.6 €
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Traditional
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Dennis Ruello
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Tirolean-Walzer - Oktoberfest
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Chicory Music
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Trombone Quartet
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wol…
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 7 pages. Www.dalsegno.eu #5299371. Published by www.dalsegno.eu (A0.770439). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger trombonists to the polite and light style of Mozart.Complete set with score and parts: Trombone 1 (up to high Ab, notated in Bass Clef), Trombone 2, Trombone 3, Trombone 4 (bass) or Tuba. Ideal for larger ensembles too.Duration: approx. 3 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.78 €
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Quatuor de cuivres: 4 trombones
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
California Soul
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.792025 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.792025 Composed by Marlena Shaw. Arranged by Musicscorz. Hip-Hop,Pop,R & B. Score and parts. 100 pages. Musiscorz #399205. Published by Musiscorz (A0.792025). An amazing Soulful song by Marlena Shaw which my band has performed for 10 years and the most recent arrangement done in 2021. Rhythm section parts are transcribed for those that find it difficult to comp/read chords and improvise. To recreate the original track as closely as possible there are 4 keyboard parts that cover much of the production on the original. With Hammond organ, electric piano and a keyboard strings part. In addition this arrangement has my line up using saxophones but I have re-arranged those parts for Brass too. There is also parts for live strings in a quartet format with a score and can be expanded to a large ensemble giving a full sound. Also included is a score for lead vocals and backing and piano for rehearsal purposes. Band Lineup: Solo Vocal & 3 BV's, 3 Alto Saxophones, 2x Tenor Saxophones, Bari Saxophone, Trumpets x 3, French Horn, Trombone, Tuba, Keys 1 - Organ/Electric Piano , Keys 2 - Organ/Electric Piano, Nord Electric - Strings, Micro Korg - Fender Rhodes & Hammond Organ, Electric Guitar, Electric Bass, Drums, Tambourine, Hand Claps, String section.
$49.99
46.51 €
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Ensemble Jazz
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Marlena Shaw
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Musicscorz
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California Soul
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Musiscorz
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.61 €
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Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
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SheetMusicPlus
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