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Trombone Insights
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Vous avez sélectionné:
Trombone Insights
Partitions à imprimer
6 partitions trouvées
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Trombone Insights
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Trombone
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Trombone Insights
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Cimarron Music Press
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SheetMusicPlus
By F. Darmiento. For Trombone Solo (unaccompanied). Solo music. Solo part. Published by Cimarron Music Press ...
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By F. Darmiento. For Trombone Solo (unaccompanied). Solo music. Solo part. Published by Cimarron Music Press
$18.00
Danny Boy, for Trombone Choir
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Ensemble de Trombones
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INTERMÉDIAIRE
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Contemporain
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Traditional
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Harry Watters
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Danny Boy, for Trombone Choir
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Harry Watters Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.925422 Composed by Traditional. Arranged by Harry Watters. 20th Century. Score and parts. 14 pages. Harry Wa...
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Brass Ensemble Trombone - Level 3 - SKU: A0.925422 Composed by Traditional. Arranged by Harry Watters. 20th Century. Score and parts. 14 pages. Harry Watters Music #4884131. Published by Harry Watters Music (A0.925422). This was conceived as a trombone/low brass section feature to be programmed as part of a school band concert. The trombones can walk out in front of the concert band to perform, while your other band members rest their chops...it breaks things up nicely.This can also be done as a quartet, without the solo part. I encourage you to feature soloist(s) however, when possible.You can assign more than one to a part on everything except the improvised jazz solo segments with chord changes. The written out jazz solo can have more than one player, provided that you have balance throughout your section.If portions of the upper melody go too high for your trombonists, feel free to adjust and drop the octaves when needed.Everyone should adopt a fluid, relaxed approach throughout...make it sound easy :)Finally, I wish to thank Mr. Paul Murtha for his encouragement, insights and wise counsel and Mr. Nathan Pereda for his fine engraving skills.With best wishes,~Harry WattersHarryFrankWatters@gmail.com571-251-9041
$10.00
Solage: Le basile for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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Solage
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James M
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Solage: Le basile for Trombone
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jmsgu3
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SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
Guthrie: Canzona a6 for Brass Sextet
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James M
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Guthrie: Canzona a6 for Brass
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jmsgu3
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SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 ...
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 4 - SKU: A0.1324834 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary. 105 pages. Jmsgu3 #913046. Published by jmsgu3 (A0.1324834). The Brass Canzona holds significant importance in music history as it influenced the development of instrumental music and later musical genres. The Canzona, derived from the Franco-Flemish and Parisian chansons, was an instrumental form characterized by livelier, rhythmic material and distinct sections. Brass canzonas, such as Giovanni Gabrieli's La Spiritata, were composed to maximize the resonance of instruments and the performance space, often performed by various combinations of trombones and trumpets. These canzonas influenced the evolution of the fugue in the Baroque era and were direct ancestors of the 17th-century sonata da chiesa. Additionally, the ensemble canzonas of Gabrieli and Girolamo Frescobaldi led the way to the trio sonata, a dominant chamber genre of the Baroque era. Therefore, the Brass Canzona's significance lies in its influence on the evolution of instrumental music and its contribution to the development of later musical forms. While modern renditions may encounter challenges related to the range of parts and achieving a balanced sound with the organ or other instruments, they continue to provide valuable insights into Canzona's historical context and musical qualities. Therefore, modern Brass Canzonas are essential for preserving and interpreting this influential musical form, contributing to the development of instrumental music and later musical genres.
$39.95
Solage: Le basile for Brass Quartet
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Qu
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jmsgu3
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SheetMusicPlus
Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Earl...
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Brass Quartet Cornet,Horn,Trombone - Level 2 - SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
Animals
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Orchestre d'harmonie
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FACILE
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Martin Garrix
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Scaver
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Animals
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Scaver
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts....
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Concert Band - Level 2 - SKU: A0.1235675 By Martin Garrix. By Martijn Garritsen. Arranged by Scaver. 21st Century,Disco,Pop,Video Game. Score and Parts. 41 pages. Scaver #831187. Published by Scaver (A0.1235675). Scaver Music, a renowned concert band arranger, has recently unveiled their latest project: a concert band version of the hit song Animals by Martin Garrix. Originally released as a digital download on iTunes on June 17, 2013, Animals quickly gained popularity within the electronic dance music (EDM) culture, propelling Martin Garrix to become the youngest producer to ever have a song reach number one on Beatport, a prominent electronic music store.The track's infectious beats and energetic melodies captivated listeners, leading it to achieve remarkable success on various music charts. It climbed into the top ten and secured the number one spot on numerous electronic music charts, as well as some mainstream ones. Notably, Animals topped the singles charts in the United Kingdom, French-speaking Switzerland, and Belgium. In the United States, it reached number 21 on the Billboard Hot 100 and claimed the number one position on the Dance chart.Before its official release, Animals generated significant buzz as it was played anonymously, causing speculation to grow about the artist behind the track. Dutch record label Spinnin' Records fueled the anticipation by sharing a teaser clip of the song online, titled Animals (Teaser). This led to increased speculation, with a Vine video featuring Agnes from the animated film Despicable Me further stoking curiosity. The track was mistakenly attributed to other artists such as Hardwell, GTA, Sidney Samson, and Bassjackers before Martin Garrix's true identity as the producer was revealed.Martin Garrix shared insights into the composition of Animals, explaining that the melody was based on a previous track he had composed two years prior but never released. The drop, characterized by its ruthlessly minimalist and rhythmic sound, is inspired by Busta Rhymes' What It Is. Additionally, the opening section of the song draws inspiration from a track called D.A.T.A. by Aura Qualic. While Animals is predominantly instrumental, it features a spoken verse by a friend of Martin Garrix with the lyrics We're the fucking animals, delivered in a low pitch and repeated twice throughout the song.Now, Scaver Music has taken up the exciting challenge of arranging Animals for a concert band, bringing a fresh interpretation of this electronic dance anthem to a new musical realm. With their expertise in creating captivating arrangements, Scaver Music aims to capture the essence of the original track while adding the rich harmonies, dynamic textures, and powerful brass and woodwind sections that define the concert band sound.Fans of Animals and concert band enthusiasts alike can look forward to experiencing this new rendition, which promises to be a thrilling and unforgettable musical journey. Scaver Music's concert band version of Animals will undoubtedly provide a unique and exhilarating performance, blending the infectious energy of electronic dance music with the grandeur and depth of a full concert band. Instrument list: PiccoloFlute 1,2OboeBassoonClarinet Bb 1,2,3Bass ClarinetAlto Saxophone 1,2Tenor SaxophoneBaritone SaxophoneTrumpet Bb 1,2,3Horn F 1-2,3-4Trombone 1,2,3Euphonium BbTuba BbTuba EbDouble BassTimpaniXylophoneDrumsetPercussion 1,2
$49.99
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Trombone Insights
