Mozart wrote this Serenade for wind ensemble. Adagio is the 3rd movement, which features the oboe, clarinet, and basset horn as alternating soloists throughout the movement.

The beginning of this movement was played in the movie, Amadeus, which is where I heard it for the first time. After years of having this on my "to arrange" list, I can finally tick it off.

This arrangement for clarinet choir has the melody parts in Clarinets 1, 2 and 3. These can be played as solos, or not. The contrabass part is optional.

This would be a great piece for any occasion.

The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick

Book 3

We?re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.

These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.

Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus? Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George?s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).

The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.

A Song of Winter?Snowmen & Icicles
PhyllisAvidan Louke
Length: 6:45
Difficulty: 3 to 3+

Evocative of a cold and windy dayin winter, A Song of Winter explores the contrasts between thesmoothness and roundness of a snowman and the hardness and jaggedness oficicles.

Beginning with a winter stormwith wind and swirling snow, the wind calms, and the building of a snowmanbegins with the rolling of a snowball. The rolling forms the biggest ball of the snowman (represented by thebass and alto flutes), which is briefly interrupted by a playful snowballfight. The flutes continue the melodyfor the rolling of the second ball of the snowman, followed by the piccolorepresenting the rolling of the smallest ball (the head of the snowman). The melody is smooth and round in a lilting I time.

With the snowman complete, thewind and swirling snow return to lead into the Icicles section. The jaggedness of the icicles is representedby the jaggedness of syncopation in a marcato style with the melody skippinglarger intervals than the Snowmen melody. Visually, the score shows the jagged shape ofthe icicles. Double-tongued ascendingand descending lines, add to hard and brittle feeling of the icicles, as wellas to the shape of the melody. Thepiccolo adds the glistening, shimmering effect of sunlight reflecting off the icicles. Eventually, fragments of the Snowmenmelody are interspersed with the Icicles, followed by a final windstorm, which calms at the end of the piece.

Christmas
Winter
Winter Holidays
Stormy
Concert
Original Composition

The legendary Legend of Zelda Theme is a composition by Koji Kondo and is one of the most iconic video game themes of all time. Power Publishing presents Joshua Capri's arrangement for young band. This arrangement is graded at a 2.75 level which makes it accessible yet appropriately challenging for students in their second to third year of playing.


This piece employs mode mixture between Bb major and Bb minor so warming up with Bb major, Bb harmonic minor, and Bb natural minor can greatly help with the accidentals in this piece. It primarily stays within the one octave range of Bb major/minor, making it ideal for a young band. The melody is featured in the flute, alto saxophone, and trumpet parts while clarinets play a counter melody that is friendly to the break. Low brass and woodwinds also get in on the melody at measure 26. There is a four bar solo at measure 38 that is written into all wind parts so any member of the band can take on the solo if they feel like shining.