Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410).
UPC:
680160687015.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.11442041L
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Large Score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041L.
Published by Theodore
Presser Company
(PR.11442041L).
UPC:
680160687039.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello
SKU:
PR.11442041S
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Full score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041S.
Published by Theodore
Presser Company
(PR.11442041S).
UPC:
680160687022.
In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch.
Grade 4 SKU: CL.012-3418-75 Composed by Neeck. Concert Band. Heritage of ...(+)
Grade 4
SKU:
CL.012-3418-75
Composed by Neeck.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (items
CL.WFR334 & CL.WFR353).
Oversized, spiral-bound
score. Composed 2005.
Duration 6 minutes, 44
seconds. Opus III Wind
Orchestra Publications
#012-3418-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-3418-75).
An exciting and
impressive composition
that portrays an epic
struggle in the distant
past between the forces
of good and evil. A
wizard, a beautiful
exotic maiden, a battle,
and our hero are woven in
the fabric of this
musical tale. Sprightly
melodies, lively rhythms
and tasty writing for a
whole battalion of
percussionists produce an
opening section which is
full of energy and
vitality. The flowing
adagio section features a
nice oboe solo (cued in
clarinet) and a horn
section soli (cued in
saxes) that really make
this piece special. A
superior choice for any
concert or contest
performance.
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Encyclopedia of Music Knowledge composed by Dr. William Lee. This edition: Paper...(+)
Encyclopedia of Music
Knowledge composed by Dr.
William Lee. This
edition: Paperback.
Reference. Educational.
Book. Text Language:
English. 140 pages.
Published by Santorella
Publications
Flexible Arrangements for Multiple Combinations of Wind Instruments. Arrange...(+)
Flexible Arrangements for
Multiple Combinations of
Wind
Instruments. Arranged by
Various and ed. Bill
Galliford. Duet or Duo;
Instrumental Series;
Solo;
Trio. Solos, Duets and
Trios
for Winds. Movie; Pop.
Book
and CD. 84 pages. Alfred
Music #00-47834.
Published by
Alfred Music
Flexible Arrangements for Multiple Combinations of Wind Instruments. Arrange...(+)
Flexible Arrangements for
Multiple Combinations of
Wind
Instruments. Arranged by
Various and ed. Bill
Galliford. Duet or Duo;
Instrumental Series;
Solo;
Trio. Solos, Duets and
Trios
for Winds. Movie; Pop.
Book
and CD. 68 pages. Alfred
Music #00-47828.
Published by
Alfred Music
Flexible Arrangements for Multiple Combinations of Wind Instruments. Arrange...(+)
Flexible Arrangements for
Multiple Combinations of
Wind
Instruments. Arranged by
Various and ed. Bill
Galliford. Duet or Duo;
Instrumental Series;
Solo;
Trio. Solos, Duets and
Trios
for Winds. Movie; Pop.
Book
and CD. 68 pages. Alfred
Music #00-47826.
Published by
Alfred Music
Flexible Arrangements for Multiple Combinations of Wind Instruments. Arrange...(+)
Flexible Arrangements for
Multiple Combinations of
Wind
Instruments. Arranged by
Various and ed. Bill
Galliford. Duet or Duo;
Instrumental Series;
Solo;
Trio. Solos, Duets and
Trios
for Winds. Movie; Pop.
Book
and CD. 68 pages. Alfred
Music #00-47830.
Published by
Alfred Music
The Irish Songbook Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
The Clancy Brothers and Tommy Makem. Book. Published by Music Sales. Includes 75...(+)
The Clancy Brothers and
Tommy Makem. Book.
Published by Music Sales.
Includes 75 all-time
favorites, best-selling
hits, old traditional
songs - many in Gaelic
and not to be found
anywhere else - lavishly
ilustrated with Irish
art, design and
anecdotes. Lyrics, full
piano scores and guitar
chords.
Choral (10 listening CDs) SKU: HL.35029961 A Cantata of Hope and Peace...(+)
Choral (10 listening CDs)
SKU: HL.35029961
A Cantata of Hope and
Peace. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, General
Worship, Holy Week, Lent.
CD only. Published by
Shawnee Press
(HL.35029961).
ISBN
9781495001369. UPC:
888680028930. 5x5
inches.
This
service in song is a
contemplation of the hope
we find in Christ.
Incorporating new
original anthems and
fresh treatments of
time-honored hymns and
traditional sacred songs,
this work reflects upon
the ministry and passion
of Christ's last days.
The narration includes
scriptures of assurance
and words of comfort and
peace. The music is
written in an expressive
melodic style, bringing a
gentle beauty that will
touch all who experience
it. Supported by two
orchestration choices and
other helpful companion
products, this 40 minute
work is ideal for Lenten
or Holy Week worship
gatherings. Consider this
musical journey of faith
and discover a place of
refuge in God's unfailing
love and His sanctuary of
grace.
Moving!
Songs
include: Prelude of
Peace; Sanctuary of
Grace; Shelter of Hope;
Hosanna! A Procession of
Promise; In the Shadow of
Your Wing; Give to the
Winds Your Fears; Flee as
a Bird; Sanctuary of the
Soul; Postlude of
Peace.
Orchestra (CD-ROM) Choral (ORCH CDROM) SKU: HL.35029955 A Cantata of H...(+)
Orchestra (CD-ROM) Choral
(ORCH CDROM)
SKU:
HL.35029955
A
Cantata of Hope and
Peace. Composed by
Joseph M. Martin. Shawnee
Sacred. Cantata, Easter,
General Worship, Holy
Week, Lent. CD-ROM.
Duration 2400 seconds.
Published by Shawnee
Press (HL.35029955).
ISBN 9781495018374.
UPC: 888680028879.
5.0x5.0x0.2
inches.
This
service in song is a
contemplation of the hope
we find in Christ.
Incorporating new
original anthems and
fresh treatments of
time-honored hymns and
traditional sacred songs,
this work reflects upon
the ministry and passion
of Christ's last days.
The narration includes
scriptures of assurance
and words of comfort and
peace. The music is
written in an expressive
melodic style, bringing a
gentle beauty that will
touch all who experience
it. Supported by two
orchestration choices and
other helpful companion
products, this 40 minute
work is ideal for Lenten
or Holy Week worship
gatherings. Consider this
musical journey of faith
and discover a place of
refuge in God's unfailing
love and His sanctuary of
grace. Moving! Songs
include: Prelude of
Peace; Sanctuary of
Grace; Shelter of Hope;
Hosanna! A Procession of
Promise; In the Shadow of
Your Wing; Give to the
Winds Your Fears; Flee as
a Bird; Sanctuary of the
Soul; Postlude of
Peace.
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. Arranged by
Larry Clark. For Trombone
/ Euphonium B.C. /
Bassoon. Compatible Trios
for Winds. Part book. 48
pages. Published by Carl
Fischer
(32 Trios That Can Be Played by Any Combination of Wind Instruments). By Larry C...(+)
(32 Trios That Can Be
Played by Any Combination
of Wind Instruments). By
Larry Clark. Arranged by
Larry Clark. For Clarinet
/ Trumpet / Euphonium
T.C. / Tenor Saxophone in
Bb. Compatible Trios for
Winds. Part book. 48
pages. Published by Carl
Fischer