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but no daughters
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Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.87 €
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Chorale SATB
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Todd Marchand
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Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
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Con Spirito Music
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SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.78 €
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Orchestre d'harmonie
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: March from the Civil War
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Stephen R Dalrymple
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SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
56.14 €
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Ensemble de cuivres
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Tutte dormono sulla collina
Violon et Piano
Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976…
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Small Ensemble,Strings Cello,Organ,Pan Pipe,Piano,Violin - Digital Download SKU: A0.976835 Composed by Monica Bergo. Spiritual. Score and parts. 35 pages. Monica Bergo #3235427. Published by Monica Bergo (A0.976835). 2017 Holiday Contest EntryALL SLEEPING ON THE HILL While it flowing words and pictures All are sleeping on the hill They are so many, so beautiful and pale They are waiting on the hill Princesses looking frail That pose themselves unnecessary questions They are died and now are free but they wonder why If I Had been more yielding, if I had been a little 'more docile He is always so unstable, maybe it was my fault If I Had known take him, and learned not to respond If I always said yes, I would be alive and still there They are women of all nationalities And girls who never bloom While the seasons and the years pass Their face is ageless And they are mothers, daughters or lovers Prostitutes, holy or wives No heaven or hell They are waiting for you Tonight the sky is brighter They will be shining Shooting stars now that you do not have a sky Tell me where you flee Do you feel guilty But you're not you that you have sinned Hide the signs And the secret inside you Everybody knows but it is more comfortable silence As long as you lie to yourself I had a dream, a nightmare, but I was awake On the hill expecting me Princess, sleeps in the trash Your Prince control no longer has And a tear remains motionless Witness of this' atrocities You Follow the avenue of pain and tears And walking on the hill and reach the motionless companions Waiting for you on the hill unites them by horrible fate Different stories with the same ending And as avenging goddesses expect The man who defiled And it is a black angels army their choir is high is unstoppable resonates loud, an echo that is relentless haunt your sleep and a thousand ways to beat you know; Hide the world what you really are the last image behind those eyes the blind fury inside you while in the sky it appears lightning I launch myself on the hill I put a flower and remain motionless And and I fall asleep here , on the hill ......... .. Monica Bergo
$3.99
3.73 €
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Violon et Piano
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Monica Bergo
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it
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Tutte dormono sulla collina
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Monica Bergo
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SheetMusicPlus
She Stands For Me
Chorale 3 parties
Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1435064 Compose…
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Choral Choir,Choral,SAB Chorus - Level 2 - Digital Download SKU: A0.1435064 Composed by Clyde Moreland. Arranged by Jon Arterton. Historic,Holiday,Multicultural,Patriotic,World. 9 pages. Moreland Publishing Company #1015165. Published by Moreland Publishing Company (A0.1435064). This wonderfully patriotic song about the Statue of Liberty will have your audiences on their feet. It embraces the contributions immigrants have made to this country. It’s perfect for Americana/Fourth of July-themed concerts. It features a major solo. The lyrics tell the story.SOLO: Set sail across these waters over a wide and open seaWith my wife and my son and daughters to this land of OpportunityDisembarking at Ellis Island feelings of pride came over meAs the veil of the mist that shrouded her lifted up I could clearly seeStanding tall she lifted my heart, revealing all I’d come to beShe holds the light for my rights, for my life, for my child, for my landCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me SOLO: Two hundred years we now flash forward at the dawn of this brave new worldAs I stand with my eyes gazing upward she still stands with the light in her handIt still shines as bright as it can be for those still longing to breathe freeThough by the waves we are tossed as we weather the storms she still shows us who we can beStanding tall she lifted my heart, showing all we’d come to beStands for the lonely and lost and those tempest tossed she still standsCHORUS: She stands for me. Lady Liberty lifted me up. She stands for me VARIOUS SOLOS: I am the farmer standing by my plowThe small business owner makes a go of it nowI am the dreamer through no fault of mineBut still wanting a life and a future that’s bright/ We are the couple blessed by eyes aboveBut stripped of our rights because of who we love We are the tired, the oppressed and the poorThe huddled masses at the golden doorCHORUS: We are a people of all colors and creedsTogether we’re strong in our diversityLady Liberty lifted me up. She stands for me.
$2.35
2.2 €
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Chorale 3 parties
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Clyde Moreland
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Jon Arterton
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She Stands For Me
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Moreland Publishing Company
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SheetMusicPlus
Orange
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Chil…
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Easy Piano - Level 2 - Digital Download SKU: A0.1033577 Composed by Lynne Cox. Children,Contest,Festival,Instructional. Score. 4 pages. Lynne Coc Publications #638885. Published by Lynne Coc Publications (A0.1033577). 'ORANGE'! Oh, my! SWINGING!!! 'This one is for late elementary or medium difficulty. One of the most fun-to play solos I've ever created. Inspired by my granddaughters' love of the knock-knock jokes based on the phrases; 'Knock-knock, who's there? Orange-orange who? orange you glad you're...' This is a rollicking piece with a swinging intro (repeated as bridge going into second A section) but segueing into a B section at a slower tempo and comprised completely of major sevenths! (all in broken chords and/or rolled chords with help for small hands by the use of damper pedal). Structure of a major 7th chord being: maj 3rd, m3rd, maj 3rd requires many accidentals in the B section. The mood surprises with a dramatic shift into this dreamy sequence created by these major sevenths which LH breaks up and RH answers with rolled same chord. Intro is sassy and attention-grabbing. With hands in unison, this familiar rhythmic pattern beginning with a very quick note (16th) with emphasis on the second note, introduces the first A section consisting of melody of broken chords with fun, fun lyrics that are tossed around between the hands in an antiphonal question/answer style. Interspersed are 5-finger position descending motifs as well as accompanying chords (or pieces of chords) placed on predictable beats for continuity and ease of learning. Chord progressions are unexpected and surprising, as are the 5-finger position motifs. Coda creates excitement by building D major full chord with hands in unison with much crescendo. Great for analyzing chords and 5-finger position melodies. Did you know the word 'orange' has no English rhyming word? I took that as a challenge and had FUN with the lyrics! Form: intro A interlude/bridge A coda Key of G harmonic minor w/lots of exploration into other majors and minors. Time signature 4/4. When singing the lyrics, I envision the first phrase being sung in a normal voice, the 2nd in an operatic voice, 3rd in a voice much like the 'Cookie Monster', and the 4th in a very childish voice. Tempo indication moderato, quarter note at 108 Lots of dynamic contrast. I also perform just the instrumental version of this piece on you tube entitled, 'Orange Instrumental' and the you tube link is: https://youtu.be/A1moEpClsYI.
$3.40
3.18 €
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Piano Facile
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Lynne Cox
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Orange
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Lynne Coc Publications
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SheetMusicPlus
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