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CHARANGO
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CLOCHES
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COR ANGLAIS
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DOBRO - GUI…
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FANFARE - B…
FLUTE
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FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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AFRICAIN
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ASIE
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CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
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JEUX VIDEOS
KLEZMER - JUIVE
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MEDIEVAL - RENAISSAN…
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PIANO & CLAVIERS
Piano Quatuor: piano, violon, alto, violoncelle
52
Piano seul
31
Piano Trio: piano, violon, violoncelle
28
Orgue
23
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Piano Facile
4
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GUITARES
Piano, Guitare (duo)
7
Guitare notes et tablatures
2
Guitare
2
VOIX
Chorale SATB
6
VENTS
Flûte traversière et Piano
297
Clarinette et Piano
189
2 Saxophones (duo)
186
Hautbois, Piano (duo)
183
Saxophone Alto et Piano
157
Saxophone Soprano et Piano
147
2 Flûtes traversières (duo)
145
Saxophone Tenor et Piano
145
Saxophone Baryton, Piano
143
2 Clarinettes (duo)
117
Clarinette Basse, Piano
117
Cor anglais, Piano
99
Clarinette
88
2 Hautbois (duo)
58
Quatuor de Saxophones: 4 saxophones
35
3 Clarinettes (trio)
26
3 Saxophones (trio)
20
Ensemble de Flûtes
15
2 Cors Anglais Et Pianoforte
14
Trio de Flûtes: 3 flûtes
14
Hautbois, Basson (duo)
13
Piccolo, Piano
12
Flûte, Violoncelle
12
Clarinette, Violoncelle (duo)
12
Quatuor de Clarinettes: 4 clarinettes
9
Clarinette, Harpe (duo)
8
Hautbois, Harpe
8
Ensemble de Clarinettes
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
7
Hautbois, Violoncelle
6
Quatuor de Flûtes : 4 flûtes
6
Flûte traversière
4
Flûte, Alto (duo)
4
Flûte, Hautbois (duo)
4
Saxophone et violoncelle
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte à Bec, Piano
3
Ensemble de saxophones
3
Flûte à bec Alto, Piano
3
Flûte, Clarinette (duo)
3
Saxophone Baryton
2
Saxophone, Basson (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Saxophone Alto
2
Cor anglais et Harpe (duo)
2
Clarinette Basse
2
Saxophone et Harpe
2
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Hautbois et alto (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Basson et Piano
1
Saxophone Soprano
1
Hautbois
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
2 Hautbois et Basson
1
Saxophone et Piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Clarinette, Piano (trio)
1
Saxophone Tenor
1
2 Hautbois, Piano
1
Flûte et Trio à cordes
1
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CUIVRES
Euphonium, Piano (duo)
135
Trombone et Piano
115
Cor et Piano
115
Cor anglais, Piano
99
Trompette, Piano
83
2 Cors (duo)
60
Tuba et Piano
56
Trompette
44
2 Trombones (duo)
41
2 Euphoniums (duo)
36
2 Trompettes (duo)
36
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
2 Tubas (duo)
15
2 Cors Anglais Et Pianoforte
14
Trio de Cuivres
5
Cor
5
3 Trombones (trio)
5
Trompette, Trombone (duo)
5
Cor, Violoncelle (duo)
5
Ensemble de Trombones
4
Euphonium, Tuba (duo)
4
Tuba et Orgue
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de cuivres: 4 trombones
3
Trombone, Tuba (duo)
2
Tuba
2
Trombone basse et Piano
2
Cor anglais et Harpe (duo)
2
Euphonium
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette, Tuba (duo)
1
Trompette, Violoncelle (duo)
1
Trombone basse
1
Quatuor de cuivres: 4 cors
1
3 Cors (trio)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
275
Violon et Piano
180
Violoncelle, Piano
163
Alto, Piano
155
Trio à Cordes: violon, alto, violoncelle
96
2 Violoncelles (duo)
66
2 Violons (duo)
62
2 Altos (duo)
61
Violon, Violoncelle (duo)
22
2 Contrebasses (duo)
16
Alto, Violoncelle (duo)
15
Harpe, Flûte (duo)
14
Violon, Alto (duo)
14
Harpe
13
Violoncelle (partie séparée)
12
Harpe, Violon (duo)
8
Violoncelle
8
Violon
7
Trio à cordes
5
Trio à Cordes: 3 violoncelles
4
4 Violoncelles
4
Harpe, Violoncelle (duo)
3
Violoncelle, Contrebasse (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
2
Alto seul
2
Alto et Harpe
2
Violon, Orgue
1
Violoncelle, Orgue
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
97
Ensemble de cuivres
23
Orchestre d'harmonie
13
Orchestre de chambre
9
Orchestre
8
Cloches
4
Vibraphone
1
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AUTRES
Vous avez sélectionné:
jmsgu3
Violoncelle (partie séparée)
Partitions à imprimer
12 partitions trouvées
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St. Thomas Aquinas: Pange, Lingua, Gloriosi for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 2 - Digital Download SKU: A0.1280451 Composed by St. Thomas Aqui…
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Cello Solo - Level 2 - Digital Download SKU: A0.1280451 Composed by St. Thomas Aquinas, 13th Century. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 2 pages. Jmsgu3 #871859. Published by jmsgu3 (A0.1280451). A solo accompaniment for the procession of the Transfer of the Most Blessed Sacrament on Good Friday. Designed to accompany congregational singing.Pange lingua gloriosi corporis mysterium is a Medieval Latin hymn attributed to Saint Thomas Aquinas (1225â1274) for the Feast of Corpus Christi. It is also sung on Maundy Thursday during the procession from the church to the place where the Blessed Sacrament is kept until Good Friday. The last two stanzas (called, separately, Tantum ergo) are sung at Benediction of the Blessed Sacrament. The hymn expresses the doctrine that the bread and wine are changed into the body and blood of Christ during the celebration of the Eucharist. It is often sung in English as the hymn Of the Glorious Body Telling to the same tune as the Latin. The hymn is a significant part of the Christian liturgy and is traditionally sung at Vespers and during processions on Corpus Christi and Holy Thursday.
$24.95
23.27 €
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Violoncelle (partie séparée)
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St
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James M
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St. Thomas Aquinas: Pange, Lingua, Gloriosi for Solo Cello
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jmsgu3
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SheetMusicPlus
Farnaby: Rosasolis for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549264 Composed by Giles Farnaby. A…
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Cello Solo - Level 3 - Digital Download SKU: A0.549264 Composed by Giles Farnaby. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Individual part. 2 pages. Jmsgu3 #3479747. Published by jmsgu3 (A0.549264). Duration: ca. 4:10, Score 2 pages, 49 measures.
$27.95
26.07 €
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Violoncelle (partie séparée)
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Giles Farnaby
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James M
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Farnaby: Rosasolis for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Sonata No. 2 for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.549260 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.549260 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 9 pages. Jmsgu3 #3479679. Published by jmsgu3 (A0.549260). Duration: ca. 20 minutes. Score: 9 pages, 375 measures. Sonata in three movements:I. Moderato, II. Air, III. Loure/Musette.
$32.95
30.74 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Sonata No. 2 for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Sonata No. 1 for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.549259 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional,Standards. Individual part. 9 pages. Jmsgu3 #3479669. Published by jmsgu3 (A0.549259). I. Moderato, II. Lento misterioso, III. Rondo Spirito The Moderato unfolds in the standard sonata-allegro form. It explores some divergent elements: a lyrical Dorian principal theme, a terse Phrygian subordinate theme subjected to extreme compression in an asymmetrical meter, and a brief closing theme - again in Dorian. The development section presents fragmented variations of the themes and a new theme essentially extracted from the transition. The recapitulation proceeds as usual, with the secondary theme appearing in tonic - in this case, G Dorian. The principal theme's final statements appear in the closing theme's rhythm. A coda based on a fragment of the closing theme ends the movement. The Lento misterioso is an elegiac ternary construction that introduces quartal/quintal harmony and modal exploration. The contrasting B section involves an agitato passage that investigates Phrygian relations. The Rondo Spirito is a simple Rondo: ABACABA. The impetus of the movement derives from elements of the previous two movements: quartal/quintal harmony from the Lento and asymmetrical meter from the Moderato. Other elements appearing in this piece are cycles of thirds, modal explorations, and extended range. Â
$32.95
30.74 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Sonata No. 1 for Solo Cello
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jmsgu3
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SheetMusicPlus
Yesterday
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.505643 By Adam Levine & Tony Lucca.…
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Cello Solo - Level 3 - Digital Download SKU: A0.505643 By Adam Levine & Tony Lucca. By John Lennon and Paul McCartney. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Pop,Rock. Individual part. 2 pages. Jmsgu3 #117299. Published by jmsgu3 (A0.505643). Yesterday by John Lennon & Paul McCartney arranged for Solo Cello by James M. Guthrie.This 1965 melancholy rock ballad by Paul McCartney was inducted into the Grammy Hall of Fame in 1997, voted best song of the 20th century in a 1999 BBC Radio poll, and voted No. 1 pop song of all time by MTV and Rolling Stone magazine in 2000. This arrangement, featuring advanced harmony and sensitive counterpoint, is suitable for performance in church, nightclub, or recital stage, and due to its ubiquitous recognizability, it makes a great recital encore - particularly after an up-tempo virtuosic piece.
$53.95
50.33 €
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Violoncelle (partie séparée)
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Adam Levine & Tony Lucca
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James M
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Yesterday
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jmsgu3
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SheetMusicPlus
Guthrie: Toccata Agitato for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 4 - Digital Download SKU: A0.552637 Composed by James M. Guthrie…
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Cello Solo - Level 4 - Digital Download SKU: A0.552637 Composed by James M. Guthrie. Contemporary,Instructional,Standards. Individual part. 5 pages. Jmsgu3 #6422389. Published by jmsgu3 (A0.552637). A concert piece or encore for solo cello. Duration: 3:30 Score: 5 pages.
$27.95
26.07 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Toccata Agitato for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Spiccato Etude for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.1286949 Composed by James M. Guthri…
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Cello Solo - Level 3 - Digital Download SKU: A0.1286949 Composed by James M. Guthrie. Arranged by James M. Guthrie. 21st Century,Classical,Contemporary,Instructional,Wedding. Individual part. 2 pages. Jmsgu3 #877953. Published by jmsgu3 (A0.1286949). It's a good piece for exercising the spiccato technique on all four strings.
$24.95
23.27 €
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Violoncelle (partie séparée)
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James M
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James M
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Guthrie: Spiccato Etude for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Fantasia on Veni, Veni, Emmanuel for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549262 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549262 Composed by James M. Guthrie. Contemporary,Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3479705. Published by jmsgu3 (A0.549262). Veni, Veni, Emmanuel, also known as O Come, O Come, Emmanuel, is a Christian hymn for Advent. Here are some interesting facts about it:Ancient Origins: The hymn synthesizes the great, ancient O Antiphons sung for Vespers during Advent.Tune and Translation: The familiar tune, Veni Emmanuel, was first linked with this hymn in 1851, when Thomas Helmore published it in the Hymnal Noted, paired with an early revision of Neale's English translation.Variations: While the Veni Emmanuel tune predominates in the English-speaking world, several others have been closely associated with the hymn.Significance: The hymn is significant for its ancient origins, association with the Advent season and musical adaptations.
$32.95
30.74 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Fantasia on Veni, Veni, Emmanuel for Solo Cello
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jmsgu3
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SheetMusicPlus
Caccini: Amarilli mia bella for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549263 Composed by Caccini. Arrange…
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Cello Solo - Level 3 - Digital Download SKU: A0.549263 Composed by Caccini. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Renaissance,Standards. Individual part. 2 pages. Jmsgu3 #3479727. Published by jmsgu3 (A0.549263). Duration ca. 4:00, Score: 2 pages.
$27.95
26.07 €
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Violoncelle (partie séparée)
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Caccini
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James M
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Caccini: Amarilli mia bella for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Concert Fantasia for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bachâs Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
26.07 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Concert Fantasia for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Rosasolis Variations for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549918 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549918 Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914647. Published by jmsgu3 (A0.549918). Twelve variations on Farnaby's Rosasolis from the Fitzwilliam Virginal Book CXLIII for solo cello.
$24.95
23.27 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Rosasolis Variations for Solo Cello
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jmsgu3
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SheetMusicPlus
Guthrie: Amarilli Variations for Solo Cello
Violoncelle (partie séparée)
Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie…
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Cello Solo - Level 3 - Digital Download SKU: A0.549917 Composed by James M. Guthrie. Instructional,Standards. Individual part. 3 pages. Jmsgu3 #3914671. Published by jmsgu3 (A0.549917). A set of variations for solo cello based upon the madrigal Amarilli mia bella from La Nuove Musiche, 1602, by Giulio Caccini.Amarilli, mia bella is a well-known solo madrigal composed by Giulio Caccini. Included in his collection Le nuove musiche from 1602, It is considered one of the most popular solo madrigals of the 17th century and has remained a prominent piece in vocal pedagogy. Alessandro Guarini wrote the text of the madrigal. The song is distinguished by its leggiadria and dolcezza, and it was one of the first of Caccini's songs to be widely disseminated through Italy and Europe. Amarilli, mia bella is the oldest song in the 24 Italian Songs and Arias. Various composers have reworked it, and it has appeared in vocal anthologies up to the present day.Le nuove musiche is a significant collection of monodies and songs for solo voice and basso continuo by the composer Giulio Caccini, published in Florence in July 1602. It is one of the earliest and most significant examples of music written in the early baroque style of the seconda pratica. The volume contains 12 madrigals and ten arias and is dedicated to Lorenzo Salviati. It is known for its essential introduction, which clearly describes the purpose, intent, and correct performance of monody from the time. The preface also includes musical examples of ornaments and expresses Caccini's disappointment at inappropriate ornamentation by the singers of his day. Le nuove musiche was highly influential and inspired many similar collections in the seventeenth century. It is regularly anthologized in modern collections, and its success changed the course of music history.
$24.95
23.27 €
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Violoncelle (partie séparée)
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James M
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Guthrie: Amarilli Variations for Solo Cello
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jmsgu3
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SheetMusicPlus
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