Flute and Piano - Grade 5

SKU: HL.14015939

Composed by Erik Norby. Music Sales America. Classical. Book and Part(s). Composed 2005. 44 pages. Edition Wilhelm Hansen #WH30509. Published by Edition Wilhelm Hansen (HL.14015939).

ISBN 9788759888469. 9.5x14.25x0.125 inches.

Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note: The title should rightly be pronounced in French (same spelling), as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal, who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978. The title reflects my endeavour to create different illuminative effects in sound, for which the flute is an excellent medium, with its apparent ability to transform light phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glittering reflections, sometimes like a roaring bonfire. The absence of ordinaryflutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way, and the music progresses in kaleidoscopic pattems of prismatic refractions. Erik Norby.

Composed by Robert W. Smith. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR356). Score and set of parts. Composed 2008. Duration 8 minutes, 6 seconds. Published by Opus III Wind Orchestra Publications

Flute and Orchestra - Grade 4

SKU: HL.14023200

Composed by Erik Norby. Music Sales America. Classical. Score. 48 pages. Edition Wilhelm Hansen #WH29478. Published by Edition Wilhelm Hansen (HL.14023200).

ISBN 9788759869086. English.

Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977.

Programme Note:

The title should rightly be pronounced in French (same spelling), as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal, who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978.
The title reflects my endeavour to create different illuminative effects in sound, for which the flute is an excellent medium, with its apparent ability to transform light
phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glitteringreflections, sometimes like a roaring bonfire. The absence of ordinary flutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way, and the music progresses
in kaleidoscopic pattems of prismatic refractions.
Erik Norby.

Solo Alto Sax with Band. By Jay Bocook. (Score and Parts). Score and full set of parts. Young Band (Concert Band). Grade 3. Size 9x12 inches. Published by Hal Leonard.

Full Score Alto Saxophone; Concert Band (Score) - Grade 3

SKU: HL.4000971

Solo Alto Sax with Band. Composed by Jay Bocook. Young Concert Band. Saxophone Feature. Published by Hal Leonard (HL.4000971).

UPC: 073999633764. 9.0x12.0x0.033 inches.

Here is a terrific way to feature your alto sax soloist with band on a “non-pop” piece of music that is not too difficult. Jay Bocook's original features band parts that are easy to learn and a soloist part that sounds flashy but lays well under the fingers. Great for adding variety to any program. (4:15).

(Orchestration by Colin Matthews for High Voice and Strings). By Benjamin Britten (1913-1976). Edited by Colin Matthews. For Strings, High Voice (Full Score). Boosey and Hawkes Scores/Books. Softcover. 32 pages. Boosey and Hawkes #M060120305. Published by Boo

Composed by Wynn-Anne Rossi. Piano Suite; Piano Supplemental. Recital Suite Series. Form: Suite. Recital. Sheet. 12 pages. Alfred Music #00-47927. Published by Alfred Music

Orchestra

SKU: PR.41641572L

For Orchestra. Composed by Narong Prangcharoen. Large Score. 24 pages. Duration 5:30. Theodore Presser Company #416-41572L. Published by Theodore Presser Company (PR.41641572L).

UPC: 680160636167.

Illuminating Journey is composed to celebrate Maestro Carl St. Clair's 25th Anniversary season with Pacific Symphony. Maestro St. Clair is one of the few conductors who has dedicated his time to new music and support for living composers. I first encountered Maestro St. Clair in 2004 when I was one of the finalists for the Young Composers Competition. After I won that competition, I had an opportunity to work with Maestro St. Clair on the piece that he commissioned for the Pacific Symphony in 2005. That's the beginning of the journey of our friendship. Illuminating Journey is inspired by Maestro St. Clair's personality and the music he loved. The piece is mainly based on the pitch material from Maestro St. Clair's name CARL which can be translated as C = C, A = A, R = Re, and L = La. That pitch material already has the character of Illuminating sound for the open 5th and octave. The piece also incorporates some musical references that have some meaning for Maestro St. Clair, such as the hopefulness of the melodic intervals from West Side Story, There's a Place for Us, composed by Leonard Bernstein, who was also Maestro St. Clair's mentor. Illuminating Journey starts with the rhythmic motion of the pitch C and moves on to create a set of pitches. The note C functions as a center for the endless energy of this piece and creates a triumphant ending. I would personally like to thank Maestro St. Clair for his dedication on my music and his friendship throughout the past 10 years. The work with Maestro St. Clair and the Pacific Symphony was an early step in my career as a composer. I often mentioned that I may not be able to come this far without that part of my life. Thank you very much, Maestro St. Clair and the Pacific Symphony. Let's celebrate our Illuminating Journey together.

A special melody illuminates this favorite poem by Irish poet William Butler Yeats. The flute obbligato adds to the beauty of the piece.

Grade 3

SKU: CL.RWS-1913-01

Composed by Ban. Concert Band. Extra full score. Composed 2019. RWS Music Company #RWS-1913-01. Published by RWS Music Company (CL.RWS-1913-01).

Across Illuminated Skies, by Oscar Ban, is a vibrant combination of tonal colors and textures. The exciting opening and dramatic finish give this work great flexibility as opener, closer, or anywhere else on your program. Oscar Ban’s first published work shows the promise of many great things to come from his creative pen!

Handbells 4-5 octave handbell choir - Level 5

SKU: HP.1642

Composed by William Payn. Education, General Worship, Sacred. Handbell score. Hope Publishing Company #1642. Published by Hope Publishing Company (HP.1642).

UPC: 763628116422.

Original composition An extended work written for the advanced group.

Violin 2 (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.OB-5329-16

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Classical. Part. Composed 1780. 12 pages. Duration 20'. Breitkopf and Haertel #OB 5329-16. Published by Breitkopf and Haertel (BR.OB-5329-16).

ISBN 9790004333549. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.