SKU: BT.EMBZ14888
English-Hungarian.
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. Aulos is composed for more advanced students who have studied piano for at least three years. Aim is a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation anddiminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies withdemonstrative illustrations the polyphonic procedure he introduces. Orbáns explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - whilethey perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play.
SKU: HL.49019225
ISBN 9790001187114. UPC: 884088916497. 9.0x12.0x0.058 inches.
The title may be read as an indication of the key and genre, on the one hand, but also as an allusion to a slightly depressive mood, on the other hand. Mozart's Piano Sonata in A minor which may have been created in the Parisian street mentioned in the subtitle virtually serves as background for this little, yet somewhat tricky piano piece. There are no direct quotations, but the dissonant chord from bar 2 of the sonata in A minor hovers in the background. Mosaic-like, slightly dabbed sound elements are regularly interrupted by brief, strong beats. Ambitious performers who want to explore new playing techniques will enjoy this piece as much as the audience.
SKU: BT.EMBZ14898
Aulos to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ãgnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z. 14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures(imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition. The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. The volumes and the CD are also available separatly.
SKU: HL.48186486
UPC: 888680829018. 9x12 inches.
“AL 30 753 - MILA AND THE SHIP TREE - Version for piano For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 754 - Choral Partitur (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italian)&rdquo.
SKU: HL.132293
UPC: 884088971274.
Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form. The historical version of the score of the Concerto, based on the semi-autograph and parts from the first editions, forms volume 21 A XVe, and the concert version of the score, recreated by taking into consideration also other sources which present Chopin's intention, constitutes volume 34 B VIIIb.
SKU: GI.G-10276
ISBN 9781622775972. Text by Delores Dufner.
The songs of Taizé are short, simple, and profound, they are intended to be repeated many times, as a support for worship that opens up towards contemplation.   These newly composed accompaniments for over 100 songs of Taizé are for churches or prayer groups where the singing is normally accompanied by the piano.   This book contains the assembly parts for each song, followed by a simple accompaniment, and then one or several slightly more demanding variations.  Click here to download the recording of the accompaniments in MP3 format played by the composer: accompaniments for 13 songs played in full with repetitions as during a time of prayer, accompaniments for 100 songs simply played straight though as a demonstration. Cliquer ici pour télécharger l’enregistrement des accompagnements au format MP3 joués par le compositeur : pour 13 chants les accompagnements sont joués en entier avec reprises comme pendant une prière , et pour 100 chants ils sont joués directement sans reprises comme modèle.
SKU: HL.50565821
Born in 1950, Laurent Petitgirard studied the piano with Serge Petitgirard and composition with Alain Kremski. His catalogue includes more than twenty symphonic ad chambre music works, an opera and more than one hundred and sixty film scores. From 1989 to 1996 he was founded and musical director of the Orchestre Symphonique Francais, and, since 2005, has been the music director of the Orchestre Colonne in Paris. He has also made more than 30 records, and from 1986 to 1997 directed the Festival and the Summer Music Academy of Flaine.
SKU: BT.PWM5939140
Polish.
The ''Music Reader'' has been conceived as a kind of music magazine for junior music schools. Its aim is to provide children with a valuable music material; and the collecting together of works by various composers of different epochs in one volume will make it easier for a teacher to select a repertory which would have to be assembled from different, not always available, collections. In addition, the Music Reader, as its title suggests, might provide useful material for sight-reading practice. All the pieces in the Music Reader have been checked against urtext editions or the most recent critical editions. The editing in itself has also been modernized in order to make the text as transparent as possible. The editor's performance directions, regarding tempo, dynamics, articulation and so on, have been placed in brackets in order to differentiate them from the composer's marks, while added slurs are pecked. In this way, both teacher and student will be able to distinguish the original marks from those added by the editor, which - of course - are less binding.
SKU: GI.G-7884
UPC: 785147788430. English.
Recorded Live in Baltimore! Like the previous ?ve recordings and collections, I Heard the Voice highlights some of the ?nest selections from GIA’s African American Church Music series except this time these powerful anthems, spirituals, and gospel selections were recorded before a live audience. Featuring the incomparable Joseph Joubert on Piano and charismatic conductor James Abbington directing a powerful group of Morgan State and Oakwood University grads, this live performance engaged, thrilled, and inspired an enthusiastic crowd. Feel the excitement for yourself—add I Heard the Voice to your growing collection today! Contains a CD recording and one of each of the following octavos: Sing a New World into Being (From New Wine in Old Wineskins, Volume 2, G-7857)* - Jesus, Lay Yo' Head in de Winda' JOUBERT - Praise the Lord, All Ye Nations RANDEGGER - Sanctus SIMON - Study War No More—down by the Riverside JOUBERT - Jesus Is the King BURLEIGH - Holy, Holy, Holy, Lord God Almighty* JOUBERT - The Glorious Medley DICKENSON - I Sing the Mighty Power of God BURTON - If My People WADDLES - Just for Me HOLLAND - Even Me REID - Higest Praise JOUBERT - I Heard the Voice WOOTEN *on CD, but not included in music collection  .
SKU: BT.EMBZ15079
English-German.
Bach's Wohltemperiertes Klavier was Bartók's first instructional publication, divided into four books. Bartók became a professor of piano at the Budapest Music Academy in 1907, and it was probably in this capacity that he was entrusted with preparing a Hungarian edition of the set of pieces. His basic idea was that students learning independently without adequate guidance should receive sufficient directions from the music to perform the works. As a consequence Bartók's score is deliberately over-detailed.For pedagogical reasons the composer ignored the original order of pieces, and compiled the material according to grades of difficulty, dividing it into four books. Thepresent edition presents the Bartók Wohltemperiertes Klavier in two volumes, each containing two books. One interesting feature of the Bartók edition is that two of the fugues in both book III and book IV are written out in full score, to accustom the pupil to score-reading. For some pieces he deliberately refrained from providing performance indications, to give pianists an opportunity to exercise their creativity.The current edition is not a reprint: errors we know of have been corrected, and the layout of the score has been re-arranged keeping in mind the need to turn pages. This edition which includes Bartók's detailed comments is complemented by facsimiles of Bach's manuscript and an afterword by László Somfai.
SKU: BT.DHP-1165709-401
ISBN 9789043150231.
Jon Lord’s Sarabande was composed during 1975 and released as a solo album the following year. This new revised edition of the composer’s 2010 concert version represents the first appearance of the work in print in anyform. Lord intended it for his own use in live performance, as a companion to his celebrated Concerto for Group and Orchestra. It is a brilliant showpiece for the combined forces of rock band and orchestra, takinginspiration from the keyboard suites of J.S. Bach. This new full score is edited by Jon Lord’s long-time musical collaborator, the conductor Paul Mann, and makes use of many previously unavailable sources including themanuscriptscores of the original version and a copy of the score corrected in consultation with the composer following the 2010 premiere. It can therefore be said to represent as closely as possible Jon Lord’s final thoughts onthe work. Jon Lords Sarabande werd gecomponeerd in 1975 en het jaar daarop uitgebracht als soloalbum. Deze nieuwe, herziene uitgave van de concertversie die de componist zelf in 2010 vervaardigde, is de eerste editie op papier dieooit van het werk is verschenen. Lord gebruikte de basisversie zelf bij live optredens, wanneer hij het werk uitvoerde naast zijn gevierde Concerto for Group and Orchestra. Het is een geweldig stuk voor een combinatie vanrockband en orkest, ge nspireerd op de klavecimbelsuites van Johann Sebastian Bach. Deze nieuwe partituur is bewerkt door dirigent Paul Mann, met wie de componist op muzikaal gebied al jaren samenwerkt. Er zijn veelvoorheenontoegankelijke bronnen voor gebruikt, waaronder de handgeschreven partituren van de originele versie en een partituur die na de première in 2010 is verbeterd in overleg met de componist. Daarom kan worden gesteld datdeze bewerking de laatste gedachten van Jon Lord over dit werk zo nauwkeurig mogelijk weergeeft. Partitur und Klavierauszug der Sarabande können käuflich erworben werden. Das Einzelstimmen-Set ist ausschließlich Leihmaterial.Auskunft über Leih-Bedingungen und Preise erhalten Sie auf Nachfrage. Bitte kontaktierenSie: HalLeonard Europe BV - Rental departmentE-Mail: rental@halleonardeurope.nlJon Lords Sarabande entstand 1975 und wurde im darauffolgenden Jahr alsSoloalbum veröffentlicht. Die überarbeitete Ausgabe der Konzertversion des Komponisten aus dem Jahr 2010 erscheint hiermit zum ersten Mal in gedruckter Form. Lord hattediese Version für seine eigenen Live-Auftritte gedacht, alseine Art Ergänzung zu seinem berühmten Concerto for Group and Orchestra. Das Werk ist ein brillantes Paradebeispiel für die vereinte Kraft von Rockband und Orchester und wurde von denSuiten J. S. Bachs inspiriert. Dieseneue Ausgabe der Partitur wurde von Paul Mann, Jon Lords langjährigem musikalischem Freund, herausgegeben. Sie basiert auf zahlreichen bisher nicht zugänglichen Quellen wie dem Manuskript der Originalversion undeiner Kopie der inAbsprache mit dem Komponisten korrigierten Partitur nach der Aufführung im Jahr 2010. Es werden somit Jon Lords letzte Gedanken zu diesem Werk so genau wie möglich dargestellt. Sarabande de Jon Lord fut composé en 1975 et sorti comme disque solo l’année d’après. Cette nouvelle édition révisée, basée sur la version de concert du compositeur de 2010, est la toute première version publiée de l’œuvre.Lord l’avait conçue pour accompagner son Concerto for Group and Orchestra lors d’interprétations en direct. Un morceau virtuose qui combine les forces de groupe de rock et d’orchestre, inspiré par les suites pour clavier deJean-Sébastien Bach. Cette nouvelle édition complète est éditée par le chef d’orchestre Paul Mann, collaborateur musical de Jon Lord depuis longtemps. Elle se repose sur de nombreuses sources qui étaient indisponiblesauparavant,comme le manuscrit de la version originale, ainsi qu’une copie de la partition corrigée en consultation avec le compositeur après la première de 2010. Par conséquent, cette édition est sans doute une représentationaussi précise que possible des dernières réflexions de Jon Lord sur cette œuvre.
SKU: HL.49012015
ISBN 9783795792459. UPC: 073999726176. 11.0x15.0x0.818 inches.
The Richard Wagner Complete Edition presents the composer's entire output for the first time in a reliable form. The conductor Michael Balling, in the early years of the 20th century, attempted to make Wagner's work more accessible for research and performance, but the edition only reached 10 volumes - some with grave shortcomings - and was discontinued after Balling's death in 1925. A further attempt at a complete edition by Otto Strobel was abandoned at the preliminary stages.This third attempt at a complete edition will be the first scholarly, critical edition, based on an evaluation of all the accessible source materials and the latest findings of serious Wagner research. As the edition is also intended for practical performance, the musical text has been kept free of philological insertions; these are listed in the appendices of each volume in the Critical Commentary. Numerous, partly unpublished works - some relatively unknown - and variant versions are published here for the first time. The edition presents authentic texts for Wagner specialists and researchers and critically based performing materials. Contrary to widely held opinions, even the well-known works of Wagner are not necessarily available in reliable editions. The genesis, history and performances directed by Wagner himself are extensively documented so as to present as complete an image as possible of Wagner's compositional intentions.
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