SKU: BR.MR-1868B
ISBN 9790004484609. 9 x 12 inches.
Arrangement for 2 oboes and piano by the editor The present edition is based on the original nineteenth-century edition which has required very little correction.
SKU: AP.B21102V
ISBN 9780769219080. UPC: 029156269376. English.
Each Belwin 21st Century Band Method video is introduced by Wynton Marsalis, and a motivational talk to students and families is given by Jack Bullock. For each instrument, there are demonstrations by Anthony Maiello of breathing and forming an embouchure, assembling, holding and caring for the instrument and producing a sound. First notes and instrument workouts with helpful techniques by various artists/clinicians are presented, along with rhythmic training by Jack Bullock. Unique to the video are play-along duets and performance pieces (videotaped from the student's perspective) with Anthony Maiello and a middle school band. This tape is an incredible motivational tool to keep students involved.
SKU: HL.50510362
ISBN 9790080034903. UPC: 073999935622. 8.0x11.0x0.083 inches.
Oboe and piano.
SKU: HL.49045129
ISBN 9790001203579. 9.0x12.0x0.075 inches.
Hummel's Vocalise is available in different editions (each with piano accompaniment) and, following 19th-century tradition, is conducive to breath phrasing, confidence in intonation and the methodological development of vocal and instrumental style.
SKU: HL.50510437
ISBN 9790080131015. UPC: 073999054682. A/4 inches. Ferenc Farkas.
The Concertino IV for oboe and string orchestra was composed in 1982-83 and dedicated to the renowned Swiss oboist Jean-Paul Goy. Its three short movements, following the traditional tempo order, mirror Farkas's attraction to Classical order and harmony. The musical language is modern and personal, however, and allows the soloist to exhibit his virtuosity.
SKU: HH.HH288-SOL
ISBN 9790708092322.
Solo keyboard adaptations of Handel's orchestral music were common during the 18th century, although few have matched the idiomatic command and interest achieved by the present text. Dating from the mid- 1780s, the unnamed arranger has shown enterprise and imagination when producing these highly effective keyboard versions. Organists, harpsichordists and fortepianists will here find substantial, rewarding and attractive repertoire additions, fully attuned to late 18th-century English keyboard practice.
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