| The Baltic Way Brass ensemble - Intermediate/advanced De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4 SKU: BT.DHP-1206253-130 Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Score Only. Composed 2019. 48 pages. De Haske Publications #DHP 1206253-130. Published by De Haske Publications (BT.DHP-1206253-130). English-German-French-Dutch. In 1989, the demonstration named the Baltic Way also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, ‘Struggle for Independence’, is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and—in rhythmic terms—contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, ‘Tautiška giesm ’ (Lithuania, our homeland). The second movement, ‘Decades of Suffering’, echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This ‘Chain of Freedom’ is depicted in the final movement of the work.
De Baltische Weg (The Baltic Way) was een demonstratie van de bevolking van de Baltische staten die in 1989 plaatsvond als een roep om onafhankelijkheid van de Sovjet-Unie. Deze historische gebeurtenis vormde de inspiratiebron voor deze compositie. Van Vilnius via Riga naar Tallinn werd een zeshonderd kilometer lange keten van naar schatting twee miljoen mensen gevormd. Op 23 augustus 1989 gaven al die mensen elkaar de hand en werd De Baltische Weg de langste menselijke keten ooit. Het bleek de uiteindelijke opmaat tot de zo gewenste onafhankelijkheid. De inleiding van het eerste deel, ‘Struggle for Independence’, is gebaseerd op een nocturne voor piano van devooraanstaande Litouwse componist en kunstschilder Mikalojus Konstantinas iurlionis (1875-1911). Het thematische materiaal van deze nocturne is door de hele compositie heen verwerkt. Na het melancholische begin volgt een krachtig thema, waarmee de strijdbaarheid van de Baltische bevolking wordt uitgebeeld. De plotselinge agressieve dissonante akkoorden en een dominante en ritmisch gezien tegendraadse grote trom laten horen dat het verzet niet eenvoudig verloopt. Even klinkt het begin van het volkslied van de Sovjet-Unie in het lage koper, maar dat wordt door de rest van de band onverbiddelijk naar de achtergrond verwezen door het Litouwse nationale volkslied ‘Tautiška giesm ’ (Litouwen, ons vaderland). In deel twee, ‘Decades of Suffering’, wordt het leven onder het juk van de Sovjet-Unie verklankt. In het streven naar onafhankelijkheid worden plannen gemaakt om als vreedzaam protest tegen de onderdrukking een menselijke keten te vormen over de wegen van de Baltische staten Litouwen, Letland en Estland. Deze ‘Chain of Freedom’ wordt in het laatste deel van het werk muzikaal weergegeven.
Der sogenannte Baltischer Weg (The Baltic Way) auch unter dem Namen Baltische Kette bekannt war 1989 eine Demonstration von Bürgern in den baltischen Staaten Estland, Lettland und Litauen mit dem Aufruf zur Unabhängigkeit von der Sowjetunion. Am 23. August 1989 bildeten rund zwei Millionen Teilnehmer eine sechshundert Kilometer lange Menschenkette, die von der estnischen Hauptstadt Tallinn über das lettische Riga bis zur litauischen Hauptstadt Vilnius reichte. Die längste Menschenkette, die jemals geschaffen wurde, erwies sich als der letzte Schritt, der zur lang ersehnten Unabhängigkeit führte. Dieses historische Ereignis diente der Komposition alsInspirationsquelle. Die Einleitung des ersten Satzes, Struggle for Independence“, basiert auf einem Nocturne für Klavier des bekannten litauischen Komponisten und Malers Mikalojus Konstantinas iurlionis (1875 1911), dessen thematisches Material in der gesamten Komposition verwendet wird. Dem melancholischen Anfang folgt ein mitreißendes Thema, das die Entschlossenheit der baltischen Bevölkerung widerspiegelt. Die plötzlichen aggressiven, dissonanten Akkorde und eine dominante und rhythmisch gegenläufige Bewegung in der Basstrommel kündigen an, dass der Widerstand nicht reibungslos verläuft. Für einen kurzen Moment erklingt die Hymne der Sowjetunion in den tiefen Blechbläsern, aber diese wird unerbittlich vom restlichen Orchester in den Hintergrund gedrängt, welches die litauische Nationalhymne Tautiška giesm “ (Litauen, unser Heimatland“) spielt. Der zweite Satz, Decades of Suffering“, spiegelt das Leben unter dem Joch der Sowjetunion wider. Für das Streben nach Unabhängigkeit war ein friedlicher Protest geplant, bei dem eine Menschenkette durch die baltischen Staaten Estland, Lettland und Litauen gebildet wurde. Diese Chain of Freedom“ wird im letzten Satz des Werkes beschrieben.
En 1989, la manifestation nommée « La Voie balte » (The Baltic Way) s’est tenue en Estonie, en Lettonie et en Lituanie, les pays baltes dont les citoyens demandaient être indépendants de l’Union soviétique. Le 23 ao t 1989, quelque deux millions de personnes se tenant par la main ont formé une chaîne humaine de 600 km de long reliant les trois capitales Tallinn (Estonie), Riga (Lettonie) et Vilnius (Lituanie). Cette chaîne humaine, la plus longue ce jour, donna une impulsion décisive au rétablissement d’une indépendance vivement souhaitée. Cet événement historique est devenu source d’inspiration pour cette composition. L’introduction du premier mouvement,« Struggle for Independence », est fondée sur un nocturne pour piano du célèbre compositeur et peintre letton Mikalojus Konstantinas iurlionis (1875-1911). Du matériel thématique emprunté ce nocturne est parsemé travers la présente composition. Un début mélancolique est suivi d’un thème puissant qui reflète la détermination des peuples baltes. La présence soudaine d’accords agressifs et dissonants, associés une grosse caisse dont le décalage rythmique domine, indiquent que la résistance rencontre des obstacles. Nous entendons momentanément l’hymne soviétique dans les cuivres graves, mais cet air est inexorablement repoussé l’arrière-plan par le reste de l’orchestre interprétant l’hymne national de Lettonie, « Tautiška giesm » (Lettonie, notre patrie). Le deuxième mouvement, « Decades of Suffering », dépeint la vie sous le joug de l’Union soviétique. la recherche de l’indépendance, une manifestation pacifique est organisée sous la forme d’une chaîne humaine traversant les trois pays baltes l ’Estonie, la Lettonie et la Lituanie. Le dernier mouvement de la pièce, « Chain of Freedom », exprime cet appel la liberté. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Baltic Way Brass ensemble - Intermediate/advanced De Haske Publications
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Con...(+)
Brass Band - Grade 4 SKU: BT.DHP-1206253-030 Composed by Jan de Haan. Concert and Contest Collection Brass Band en Fanfare. Concert Piece. Set (Score & Parts). Composed 2019. De Haske Publications #DHP 1206253-030. Published by De Haske Publications (BT.DHP-1206253-030). English-German-French-Dutch. In 1989, the demonstration named the Baltic Way also known as the Baltic Chain— was held in the Baltic states of Estonia, Latvia and Lithuania by its citizens in a call for independence from the Soviet Union. On 23rd August 1989, some two million participants formed a human chain, hand-in-hand all the way from the Estonian capital of Tallinn its Latvian counterpart, Riga, through to the Lithuanian capital of Vilnius - six hundred kilometres long. It became the longest human chain ever created and turned out to be the final push needed for much sought-after independence. This historic event became the source of inspiration for this composition. The introduction of thefirst movement, ‘Struggle for Independence’, is based on a nocturne for piano by the renowned Lithuanian composer and painter Mikalojus Konstantinas iurlionis (1875-1911), thematic material from which has been incorporated throughout the whole composition. The melancholic beginning is followed by a powerful theme which reflects the resolve of the Baltic people. The sudden aggressive, dissonant chords and a dominant and—in rhythmic terms—contrary bass drum announce that the resistance is not going smoothly. Just for a moment, we hear the anthem of the Soviet Union in the lower brass, but this is relentlessly pushed to the background by the rest of the band playing the Lithuanian national anthem, ‘Tautiška giesm ’ (Lithuania, our homeland). The second movement, ‘Decades of Suffering’, echoes life under the Soviet Union's thumb. In the pursuit of independence, a peaceful protest is planned in which a human chain is formed across the Baltic states of Estonia, Latvia and Lithuania. This ‘Chain of Freedom’ is depicted in the final movement of the work.
De Baltische Weg (The Baltic Way) was een demonstratie van de bevolking van de Baltische staten die in 1989 plaatsvond als een roep om onafhankelijkheid van de Sovjet-Unie. Deze historische gebeurtenis vormde de inspiratiebron voor deze compositie. Van Vilnius via Riga naar Tallinn werd een zeshonderd kilometer lange keten van naar schatting twee miljoen mensen gevormd. Op 23 augustus 1989 gaven al die mensen elkaar de hand en werd De Baltische Weg de langste menselijke keten ooit. Het bleek de uiteindelijke opmaat tot de zo gewenste onafhankelijkheid. De inleiding van het eerste deel, ‘Struggle for Independence’, is gebaseerd op een nocturne voor piano van devooraanstaande Litouwse componist en kunstschilder Mikalojus Konstantinas iurlionis (1875-1911). Het thematische materiaal van deze nocturne is door de hele compositie heen verwerkt. Na het melancholische begin volgt een krachtig thema, waarmee de strijdbaarheid van de Baltische bevolking wordt uitgebeeld. De plotselinge agressieve dissonante akkoorden en een dominante en ritmisch gezien tegendraadse grote trom laten horen dat het verzet niet eenvoudig verloopt. Even klinkt het begin van het volkslied van de Sovjet-Unie in het lage koper, maar dat wordt door de rest van de band onverbiddelijk naar de achtergrond verwezen door het Litouwse nationale volkslied ‘Tautiška giesm ’ (Litouwen, ons vaderland). In deel twee, ‘Decades of Suffering’, wordt het leven onder het juk van de Sovjet-Unie verklankt. In het streven naar onafhankelijkheid worden plannen gemaakt om als vreedzaam protest tegen de onderdrukking een menselijke keten te vormen over de wegen van de Baltische staten Litouwen, Letland en Estland. Deze ‘Chain of Freedom’ wordt in het laatste deel van het werk muzikaal weergegeven.
Der sogenannte Baltischer Weg (The Baltic Way) auch unter dem Namen Baltische Kette bekannt war 1989 eine Demonstration von Bürgern in den baltischen Staaten Estland, Lettland und Litauen mit dem Aufruf zur Unabhängigkeit von der Sowjetunion. Am 23. August 1989 bildeten rund zwei Millionen Teilnehmer eine sechshundert Kilometer lange Menschenkette, die von der estnischen Hauptstadt Tallinn über das lettische Riga bis zur litauischen Hauptstadt Vilnius reichte. Die längste Menschenkette, die jemals geschaffen wurde, erwies sich als der letzte Schritt, der zur lang ersehnten Unabhängigkeit führte. Dieses historische Ereignis diente der Komposition alsInspirationsquelle. Die Einleitung des ersten Satzes, Struggle for Independence“, basiert auf einem Nocturne für Klavier des bekannten litauischen Komponisten und Malers Mikalojus Konstantinas iurlionis (1875 1911), dessen thematisches Material in der gesamten Komposition verwendet wird. Dem melancholischen Anfang folgt ein mitreißendes Thema, das die Entschlossenheit der baltischen Bevölkerung widerspiegelt. Die plötzlichen aggressiven, dissonanten Akkorde und eine dominante und rhythmisch gegenläufige Bewegung in der Basstrommel kündigen an, dass der Widerstand nicht reibungslos verläuft. Für einen kurzen Moment erklingt die Hymne der Sowjetunion in den tiefen Blechbläsern, aber diese wird unerbittlich vom restlichen Orchester in den Hintergrund gedrängt, welches die litauische Nationalhymne Tautiška giesm “ (Litauen, unser Heimatland“) spielt. Der zweite Satz, Decades of Suffering“, spiegelt das Leben unter dem Joch der Sowjetunion wider. Für das Streben nach Unabhängigkeit war ein friedlicher Protest geplant, bei dem eine Menschenkette durch die baltischen Staaten Estland, Lettland und Litauen gebildet wurde. Diese Chain of Freedom“ wird im letzten Satz des Werkes beschrieben.
En 1989, la manifestation nommée « La Voie balte » (The Baltic Way) s’est tenue en Estonie, en Lettonie et en Lituanie, les pays baltes dont les citoyens demandaient être indépendants de l’Union soviétique. Le 23 ao t 1989, quelque deux millions de personnes se tenant par la main ont formé une chaîne humaine de 600 km de long reliant les trois capitales Tallinn (Estonie), Riga (Lettonie) et Vilnius (Lituanie). Cette chaîne humaine, la plus longue ce jour, donna une impulsion décisive au rétablissement d’une indépendance vivement souhaitée. Cet événement historique est devenu source d’inspiration pour cette composition. L’introduction du premier mouvement,« Struggle for Independence », est fondée sur un nocturne pour piano du célèbre compositeur et peintre letton Mikalojus Konstantinas iurlionis (1875-1911). Du matériel thématique emprunté ce nocturne est parsemé travers la présente composition. Un début mélancolique est suivi d’un thème puissant qui reflète la détermination des peuples baltes. La présence soudaine d’accords agressifs et dissonants, associés une grosse caisse dont le décalage rythmique domine, indiquent que la résistance rencontre des obstacles. Nous entendons momentanément l’hymne soviétique dans les cuivres graves, mais cet air est inexorablement repoussé l’arrière-plan par le reste de l’orchestre interprétant l’hymne national de Lettonie, « Tautiška giesm » (Lettonie, notre patrie). Le deuxième mouvement, « Decades of Suffering », dépeint la vie sous le joug de l’Union soviétique. la recherche de l’indépendance, une manifestation pacifique est organisée sous la forme d’une chaîne humaine traversant les trois pays baltes l ’Estonie, la Lettonie et la Lituanie. Le dernier mouvement de la pièce, « Chain of Freedom », exprime cet appel la liberté. $137.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rituals Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabas...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion, Trombone 1, Trombone 2, Trumpet 1, Trumpet 2, Tuba, Viola, Violin 1, Violin 2, Violoncello SKU: PR.44641192L For 5 Percussionists and Orchestra. Composed by Ellen Taaffe Zwilich. Contemporary. Large Score. With Standard notation. Composed 2003. 72 pages. Duration 30 minutes. Theodore Presser Company #446-41192L. Published by Theodore Presser Company (PR.44641192L). UPC: 680160610860. 11 x 14 inches. One of my greatest pleasures in writing a concerto is exploring the new world that opens for me each time I enter the sometimes alien, but always fascinating, world of a solo instrument or instruments. For me, the challenge is to discover the deepest nature of the solo instrument (its karma, if you will) and to allow that essential character to guide the shape and form of the work and the nature of the interaction between soloists and orchestra. In recent years, many of us have become more aware of the musical world outside the Western tradition of musics that follow different procedures and spring from other aesthetics. And contemporary percussionists have opened many of these worlds to us, as they have ventured around the globe, participating in Brazilian Samba schools, studying Gamelan and African drumming with local experts, collecting instruments from Asia and Africa and South America and the South Pacific, widening our horizons in the process. I will never forget our first meeting in Toronto when Nexus invited me into their world of hundreds of exciting percussion instruments. The vast array of instruments in the collection of the Nexus ensemble is truly global in scope as well as offering a thrilling sound-universe. I was inspired by the incredible range of sound and moved by the fact that so many of these instruments were musical reflections of a spiritual dimension. After long consideration, I decided that it would not only be impossible, but even undesirable for this Western-tradition-steeped composer to attempt to use these instruments in a culturally authentic way. My goal was an existential kind of authenticity: searching instead for universal ideas that would be true to both myself and the performers while acknowledging the traditional uses of the instruments. Since many percussion instruments are associated with various kinds of ritual, I decided that I would allow that concept to shape my piece. Rituals is in four movements, each issuing from a ritual associated with percussion, but with the orchestral interaction providing an essential element in the musical form. I. Invocation alludes to the traditions of invoking the spirit of the instruments, or the gods, or the ancestors before performing. II. Ambulation moves from a processional, through march and dance to fantasy based on all three. III. Remembrances alludes to traditions of memorializing. IV. Contests progresses from friendly competition games, contests to a suggestion of a battle of big band drummers, to warlike exchanges. In the 2nd and 4th movements, another percussion tradition, improvisation, is employed. Written into these movements are a number of seeds for improvisation. Indications in the score call for the soloists to improvise in three different ways, marked A for percussion alone; marked B for percussion with and in response to the orchestra; and C where the percussionists are free to add and embellish the written parts. These improvisations should grow out of and embellish previous motives and gestures in the movement. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Solos for the Bassoon Player Bassoon [Sheet music + Audio access] Music Minus One
Book/Online Audio Bassoon SKU: HL.400103 Music Minus One Bassoon. ...(+)
Book/Online Audio Bassoon SKU: HL.400103 Music Minus One Bassoon. Composed by Various. Sheet music. Music Minus One. Classical, Contest. Softcover Audio Online. 24 pages. Music Minus One #MMO4601. Published by Music Minus One (HL.400103). ISBN 9781596156463. UPC: 884088161101. 9.0x12.0x0.098 inches. Performed by Janet Grice, bassoon Accompaniment: Harriet Wingreen, piano This collection of classic pieces, scored for solo bassoon with piano accompaniment, covers a huge span of time and musical styles, from Bach (Bourrée I and II) to Dukas's Sorcerer's Apprentice. Includes selections from Carmen, L'Elisir d'amore, Pictures at an Exhibition, and many, many more! Includes the printed solo part and audio recordings of complete performances presented in split-channel format, with the piano accompaniment on the left channel and bassoon soloist on the right channel. This affords the player the ability to easily dial in or out the reference solo part. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. (3)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Album VIII Flute and Piano - Easy Dowani
Flute and Piano - early intermediate SKU: BT.DOW-05528-400 4 Easy/Inte...(+)
Flute and Piano - early intermediate SKU: BT.DOW-05528-400 4 Easy/Intermediate Pieces for Flute and Piano. Dowani 3 Tempi Play Along. Classical. Book with Part and Audio-Online. Composed 2021. 24 pages. Dowani #DOW 05528-400. Published by Dowani (BT.DOW-05528-400). ISBN 9789043160643. English-German-French. This edition presents you with an array of musical highlights from two centuries of music history. It offers approachable yet musically challenging arrangements for flute and piano, and enables you to learn the piecessystematically and at three different tempi with professional accompaniments. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to helpyou practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.
Mit dieser Ausgabe stellen wir Ihnen eine Sammlung musikalischer Highlights aus verschiedenen Ländern vor. Unsere Ausgabe mit spieltechnisch eher leichten, aber musikalisch anspruchsvollen Bearbeitungen für Flöte und Klavierermöglicht es Ihnen, die Werke systematisch und in drei verschiedenen Tempi mit professioneller Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Üben folgt nun imlangsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.
Cette édition présente une collection de morceaux célèbres de deux siècles d’histoire de la musique. Bien que techniquement très accessibles, ces arrangements pour fl te traversière et piano sont musicalement exigeants. Lesplaybacks vous permettent de les travailler systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vousy trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutesles versions ont été enregistrées en live. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Festival March Concert band - Advanced Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78 Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+6+8+8+6+6+9+18+18+27+8+8+8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78). ISBN 9781491152553. UPC: 680160910052. Key: Bb major. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie Nr. 4 e-moll op. 98 Orchestra [Study Score / Miniature] Breitkopf & Härtel
(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra...(+)
(study score). By Johannes Brahms (1833-1897). Edited by Hans Gal. For orchestra. Breitkopf Full Scores. Parts, Urtext. 104 pages
$20.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A Guide Along the Pathway Concert band - Intermediate/advanced Hal Leonard
Concert Band (Score) - Grade 4 SKU: HL.4003060 Composed by Richard L. Sau...(+)
Concert Band (Score) - Grade 4 SKU: HL.4003060 Composed by Richard L. Saucedo. MusicWorks Grade 4. Contest, Festival. Score. 20 pages. Published by Hal Leonard (HL.4003060). UPC: 884088574796. 10.5x14 inches. This intense and emotional work was commissioned by the Indiana Music Educators Association and was premiered at the 2011 IMEA Convention with the composer conducting. Written as a gift to longtime friend of music education, Dr. Tim Lautzenheiser, the piece is basically lyrical in nature with beautiful lines and colors. A brief faster section, in the words of the composer, “describes that uncomfortable time when we are desperately trying to find ourselves.” The piece ends on a solemn yet reaffirming note, reminding us of the importance of guides and mentors along life's pathway. Duration: 5:00. $10.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Legend of Celobrium Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-010 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-010 Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Set (Score & Parts). Composed 2007. Anglo Music Press #AMP 202-010. Published by Anglo Music Press (BT.AMP-202-010). 9x12 inches. English-German-French-Dutch. This piece is about a medieval legend, The Treasure of Zolverknapp, thatis associated with the region around the village Zolver in Luxembourg.It tells the tale of hidden treasure, brave knights, fierce battles, silverand jewels and a devil?s curse! All of these combine to make The Legendof Celobrium a legendary concert work.
The Legend of Celobrium is geschreven in opdracht van de Harmonie de Soleuvre uit Luxemburg, ter gelegenheid van het honderdjarig bestaan in 2007. Celobrium was de Romeinse naam voor Soleuvre (Zolwer in het Luxemburgs, Zolverin het Duits). Het werk beschrijft een beroemde sage die al eeuwen bekend is in de regio. Een muzikaal verhaal boordevol avontuur!
Dieses Stück handelt von einer mittelalterlichen Sage aus der Region um das Dorf Zolver (lateinisch Celobrium) in Luxemburg. Sie erzählt von einem Silberschatz in einer alten Burg. Raubritter, Krieg, Flucht, Silber und Juwelen, der Teufel und ein Fluch, der heute noch jene trifft, die versuchen, den Schatz zu heben, machen The Legend of Celobrium zu einem spannenden Konzertwerk.
The Legend of Celobrium (“La légende de Celobriumâ€) est une œuvre de commande pour l’Orchestre d’Harmonie de Soleuvre au Luxembourg l’occasion de la célébration de son centenaire, en 2007.Celobrium est le nom donné par les Romains la ville de Soleuvre (Zolwer en luxembourgeois ou Zolver en allemand). La composition raconte une célèbre légende liée la région depuis des siècles : la légende du Trésor du Zolwerknapp.Le Zolwerknapp (signifiant littéralement « bouton de Soleuvre ») est un des points les plus élevés du Luxembourg. Jadis, il abritait le ch teau d’Alexandre, un noble chevalier descendant du prestigieux Ordre médiéval des Templiers, qui y vivaitavec sa famille et son armée. Non loin du Zolwerknapp, près de Belvaux, vivait au sommet d’une colline boisée, un puissant voleur du nom de Tara. Les deux hommes étaient constamment en conflit, chacun voulant régner sur les terres alentours. Tara finit par remporter le conflit et consentit une seule concession. Il autorisa l’épouse d’Alexandre quitter les lieux avec son ne et emporter avec elle tous les biens précieux que l’ ne pouvait porter. Il lui accorda le droit de s’installer en lieu s r aussi loin que l’ ne pouvait la mener. Magnanime, elle choisit d’emmener son mari avec elle, consciente que sa fuite serait ainsi ralentie. Avant de partir, elle jeta son or et ses précieux joyaux dans un puits profond du ch teau.Le voyage fut long et difficile. force de ténacité, ils réussirent se mettre en sécurité au sommet d’une colline avoisinante. Ils s’y installèrent et érigèrent un nouveau ch teau, le ch teau de Differdange.Les siècles passèrent et le ch teau du Zolwerknapp n’était plus qu’un amas de ruines. Jamais personne n’avait osé y chercher le trésor qui sommeillait dans les profondeurs du puits. Mais un jour, le prêtre local réussit persuader sept hommes braves de descendre au fond de l’obscur goulot pour récupérer l’or. Pour ce faire, il leur donna une corde et leur conseilla de garder le silence une fois le fond atteint. Les sept. $221.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Legend of Celobrium Concert band - Intermediate/advanced Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-202-140 Composed by Philip Sparke. Anglo Music Midway Series. Concert Piece. Score Only. Composed 2007. 60 pages. Anglo Music Press #AMP 202-140. Published by Anglo Music Press (BT.AMP-202-140). 9x12 inches. English-German-French-Dutch. This piece is about a medieval legend, The Treasure of Zolverknapp, thatis associated with the region around the village Zolver in Luxembourg.It tells the tale of hidden treasure, brave knights, fierce battles, silverand jewels and a devil?s curse! All of these combine to make The Legendof Celobrium a legendary concert work.
The Legend of Celobrium is geschreven in opdracht van de Harmonie de Soleuvre uit Luxemburg, ter gelegenheid van het honderdjarig bestaan in 2007. Celobrium was de Romeinse naam voor Soleuvre (Zolwer in het Luxemburgs, Zolverin het Duits). Het werk beschrijft een beroemde sage die al eeuwen bekend is in de regio. Een muzikaal verhaal boordevol avontuur!
Dieses Stück handelt von einer mittelalterlichen Sage aus der Region um das Dorf Zolver (lateinisch Celobrium) in Luxemburg. Sie erzählt von einem Silberschatz in einer alten Burg. Raubritter, Krieg, Flucht, Silber und Juwelen, der Teufel und ein Fluch, der heute noch jene trifft, die versuchen, den Schatz zu heben, machen The Legend of Celobrium zu einem spannenden Konzertwerk.
The Legend of Celobrium (“La légende de Celobriumâ€) est une œuvre de commande pour l’Orchestre d’Harmonie de Soleuvre au Luxembourg l’occasion de la célébration de son centenaire, en 2007.Celobrium est le nom donné par les Romains la ville de Soleuvre (Zolwer en luxembourgeois ou Zolver en allemand). La composition raconte une célèbre légende liée la région depuis des siècles : la légende du Trésor du Zolwerknapp.Le Zolwerknapp (signifiant littéralement « bouton de Soleuvre ») est un des points les plus élevés du Luxembourg. Jadis, il abritait le ch teau d’Alexandre, un noble chevalier descendant du prestigieux Ordre médiéval des Templiers, qui y vivaitavec sa famille et son armée. Non loin du Zolwerknapp, près de Belvaux, vivait au sommet d’une colline boisée, un puissant voleur du nom de Tara. Les deux hommes étaient constamment en conflit, chacun voulant régner sur les terres alentours. Tara finit par remporter le conflit et consentit une seule concession. Il autorisa l’épouse d’Alexandre quitter les lieux avec son ne et emporter avec elle tous les biens précieux que l’ ne pouvait porter. Il lui accorda le droit de s’installer en lieu s r aussi loin que l’ ne pouvait la mener. Magnanime, elle choisit d’emmener son mari avec elle, consciente que sa fuite serait ainsi ralentie. Avant de partir, elle jeta son or et ses précieux joyaux dans un puits profond du ch teau.Le voyage fut long et difficile. force de ténacité, ils réussirent se mettre en sécurité au sommet d’une colline avoisinante. Ils s’y installèrent et érigèrent un nouveau ch teau, le ch teau de Differdange.Les siècles passèrent et le ch teau du Zolwerknapp n’était plus qu’un amas de ruines. Jamais personne n’avait osé y chercher le trésor qui sommeillait dans les profondeurs du puits. Mais un jour, le prêtre local réussit persuader sept hommes braves de descendre au fond de l’obscur goulot pour récupérer l’or. Pour ce faire, il leur donna une corde et leur conseilla de garder le silence une fois le fond atteint. Les sept. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suzuki Violin School (Asian Edition) Violin SATB, Orchestra Alfred Publishing
Violin SKU: AP.49292 Volume 1. Violin Part. Composed by Dr....(+)
Violin SKU: AP.49292 Volume 1. Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International/Asian. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 28 pages. Alfred Music #00-49292. Published by Alfred Music (AP.49292). ISBN 9781470644666. UPC: 038081563367. English. Authorized Asian Edition - Available ONLY in Asia.
Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.
This Suzuki Book & CD (Asian Edition) is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 1 features: * Engravings in a 9 x 12 format * New editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.
Titles: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (Bayly) * Allegro (Suzuki) * Perpetual Motion (Suzuki) * Allegretto (Suzuki) * Andantino (Suzuki) * Etude (Suzuki) * Minuet. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Violin School, Volume 1 Violin (band part) Alfred Publishing
Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki....(+)
Violin SKU: AP.48722 Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 48 pages. Alfred Music #00-48722. Published by Alfred Music (AP.48722). ISBN 9781470644130. UPC: 038081560342. English. Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.
This Suzuki Book and CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 1 features: * Engravings in a 9 x 12 format * New editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.
Titles: Principles of Study and Guidance * Twinkle, Twinkle, Little Star Variations (Suzuki) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Long, Long Ago (Bayly) * Allegro (Suzuki) * Perpetual Motion (Suzuki) * Allegretto (Suzuki) * Andantino (Suzuki) * Etude (Suzuki) * Minuet 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (Bach) * M. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cosmic Expedition Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3 SKU: CF.CPS216 Composed by Michael J. Miller. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+2+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+6+2+2+4+10+36+4 pages. Duration 3 minutes, 3 seconds. Carl Fischer Music #CPS216. Published by Carl Fischer Music (CF.CPS216). ISBN 9781491152423. UPC: 680160909926. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts. Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 4 Pieces for Violin and Piano Op. 115 Violin and Piano Breitkopf & Härtel
Urtext based on the Complete Edition Jean Sibelius Works (JSW). Composed by Je...(+)
Urtext based on the Complete
Edition Jean Sibelius Works
(JSW). Composed by Jean
Sibelius (1865-1957). Edited
by Anna Pulkkis. Breitkopf
and Haertel #EB-9340.
Published by Breitkopf and
Haertel
$27.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto for Small Hands for Piano & Orchestra Op. 53 2 Pianos, 4 hands [Reduction] - Easy PWM (Polskie Wydawnictwo Muzyczne)
Piano Reduction for 2 Pianos, 4 Hands. Composed by Feliks Rybicki. PWM. Clas...(+)
Piano Reduction for 2 Pianos,
4 Hands. Composed by Feliks
Rybicki. PWM. Classical.
Softcover. 116 pages. Polskie
Wydawnictwo Muzyczne
#4930030. Published by
Polskie Wydawnictwo Muzyczne
$37.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hispaniola Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074238-140 Composed by Jan d...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1074238-140 Composed by Jan de Haan. Inspiration Series. Concert Piece. Score Only. Composed 2007. 46 pages. De Haske Publications #DHP 1074238-140. Published by De Haske Publications (BT.DHP-1074238-140). 230 X 300 inches. English-German-French-Dutch. This colourful work is based on the adventures of Christopher Columbus and his voyages to discover Africa and other new territories around the World. The theory that the earth was round urged Columbus to try and reach Asia by sailing west. A truly exotic work that grasps the drive and excitement of the world’s greatest explorer.
Jan de Haan schreef Hispaniola ter gelegenheid van het vijfhonderdste sterfjaar van Christoffel Columbus (1451-1506), die in 1492 Amerika ontdekte. Een van de eerste eilanden die hij aantrof in de Caribische zee noemde hijLa Española - in het Latijn ‘Hispaniola’. Het werk bestaat uit drie aaneengesloten delen. In deel een wordt de voorbereiding van de reis weerspiegeld, steeds afgewisseld door een ontspannen Spaanse sfeer. Het snelle tweede deel beschrijftmet vele ritmische verrassingen de onvoorspelbare zeereis. Als de scheepsbel heeft geklonken, begint het derde deel. Tijdens het breed uitgesponnen thema lijkt de kust uit zee te rijzen, waarna de euforie vanwege de ontdekkingvan het nieuwe land uitmondt in een muzikale climax.
La Espagnola - lateinisch Hispaniola - nannte der große Entdecker Kolumbus eine karibische Insel, die seine Flotte auf dem Weg zur neuen Welt“ nach zwei Monaten auf See erreichte. Die drei Sätze von Jan de Haans Komposition beschreiben zunächst die Reisevorbereitungen, dann - temporeich und voll rhythmischer Überraschungen - die gefährliche Seereise und schließlich aufkeimende Freude und Euphorie, als es endlich Land in Sicht“ heißt. Spannung und Abenteuer bis zum letzten Ton!
Jan de Haan a composé Hispaniola pour célébrer le 500e anniversaire de la mort de Christophe Colomb (1451-1506). Né en Italie, le jeune Christophe Colomb s’installa Lisbonne. De l , il entreprit ses voyages découverte vers l’Afrique et ailleurs. Adhérent la thèse que la Terre est ronde, il décida de rejoindre l’Asie (Les Indes orientales) en navigant par l’Ouest. En 1492, il embarqua avec une petite flotte battant pavillon espagnol. Après deux mois de navigation, il découvrit les premières îles dans la mer des Cara bes. Persuadé d'avoir atteint l'Asie, Colomb baptisa ces nouvelles terres « Les Indes » et les hommes qui les peuplent « les Indiens ». Étonné par laressemblance de certains paysages avec l'Espagne, il donna le nom d'Española (Petite Espagne) l’une des îles (aujourd’hui Ha ti et la République dominicaine). Ce nom fut ensuite latinisé en Hispaniola.Hispaniola est une œuvre en trois mouvements sans interruption. Le premier mouvement illustre la préparation du voyage. La précision qui caractérise la musique alterne de manière répétitive avec la décontraction d’une atmosphère typiquement espagnole. Le deuxième mouvement d’allure vive est rempli de surprises rythmiques. Nous suivons Colomb dans son long, imprévisible et dangereux périple en mer. Terre en vue !, la cloche du bateau s’ébranle. Nous entrons dans le troisième mouvement. Durant la longue exposition du thème, les côtes semblent s’élever lentement de la mer. Puis vient l’euphorie de la découverte de la nouvelle terre. Finalement, la musique rayonne dans une intensité lumineuse. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dance of the Tumblers Percussion Ensemble [Sheet music + CD-ROM] - Advanced Tapspace Publications
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-19...(+)
(from The Snow Maiden). Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Arranged by Lewis Norfleet. Percussion Ensemble. For glockenspiel, xylophone, chimes, 2 vibraphones, two 4.3-octave (low A) marimbas, two smaller 4-octave marimbas, 4 timpani, snare drum, small and large crash cymbals (pairs), bass drum, triangle, gong, tambourine. Note for larger ensembles: If there is a f (13 players). Medium-Advanced. Score and parts on CD-ROM. 18 pages. Duration 3'00 . Published by Tapspace Publications
$36.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Audition Piano solo Alfred Publishing
Composed by Tom Gerou. Piano Solo; Solo; Solo Small Ensembles. Signature Series....(+)
Composed by Tom Gerou. Piano Solo; Solo; Solo Small Ensembles. Signature Series. Sheet. 4 pages. Alfred Music #00-5443. Published by Alfred Music
$3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Violin School (Asian Edition) Violin SATB, Orchestra Alfred Publishing
Violin SKU: AP.49294 Volume 3. Violin Part. Composed by Dr....(+)
Violin SKU: AP.49294 Volume 3. Violin Part. Composed by Dr. Shinichi Suzuki. This edition: International/Asian. MakeMusic Cloud; Method/Instruction; String - Violin (Suzuki); Suzuki. Suzuki Violin School. Book and CD. 28 pages. Alfred Music #00-49294. Published by Alfred Music (AP.49294). ISBN 9781470644680. UPC: 038081563381. English. Authorized Asian Edition - Available ONLY in Asia.
Teach violin with the popular Suzuki Violin School! The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and work with their Suzuki violin teacher to develop their potential as a musician and as a person.
This Suzuki Book & CD (Asian Edition) is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 3 features: * Engravings in a 9 x 12 format * Revised editing of pieces, including bowings and fingerings * 16 additional pages * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Glossary of terms in English, French, German, and Spanish * Musical notation guide * Fingerboard position * CD features new recordings by Hilary Hahn in collaboration with pianist Natalie Zhu, as well as piano accompaniment only tracks for play-along purposes.
Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach).
This title is available in MakeMusic Cloud. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Trumpet School, Volume 1 Trumpet Alfred Publishing
Trumpet SKU: AP.47779 International Edition. This edition: Interna...(+)
Trumpet SKU: AP.47779 International Edition. This edition: International. Brass - B-flat Cornet (Trumpet) Method or Collection (Suzuki); MakeMusic Cloud; Method/Instruction; Suzuki. Suzuki Trumpet School. Book. 28 pages. Alfred Music #00-47779. Published by Alfred Music (AP.47779). ISBN 9781470641580. UPC: 038081547756. English. Teach trumpet with the Suzuki Trumpet School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Trumpet School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki teacher to develop their potential as a musician and as a person.
This book is integral for Suzuki trumpet lessons. Volume 1 features: Engravings in a 9 x 12 format * Introduction and general information regarding the trumpet * First exercises on the trumpet * Pieces and tonalizations * Glossary of terms and signs * Musical notation guide * Fingering chart * Photos.
Titles: Let's Begin (Traditional) * French Tune (Traditional) * Stroll Along (Traditional) * Come and Play (Traditional) * Mary Had a Little Lamb (Traditional) * Twinkle, Twinkle, Little Star (Folk Song / Suzuki) * Lightly Row (Folk Song) * Old MacDonald (Traditional) * Go Tell Aunt Rhody (Folk Song) * Are You Sleeping, Brother John? (Traditional) * Long, Long, Ago (Bayly) * May Song (Folk Song) * French Folk Song (Folk Song) * Ode to Joy (Beethoven) * Amazing Grace (Traditional) * Allegretto (Diabelli) * It Jingles So Softly (Mozart) * Minuet (Roman) * O Come, Little Children (Folk Song) * Perpetual Motion (Suzuki) * Prelude (Charpentier) * Clog Dance (Traditional) * Song of the Wind (Folk Song) * Allegro (Suzuki). This title is available in MakeMusic Cloud. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Choirmaster's Burial Choral SSATBB SSATBB A Cappella Barenreiter
(Choral Works a cappella). Composed by Marten Jansson. For SSATBB choir. Stapled...(+)
(Choral Works a cappella). Composed by Marten Jansson. For SSATBB choir. Stapled. Level 4. Choral score. Published by Baerenreiter Verlag
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suzuki Trumpet School, Volume 1 Trumpet Alfred Publishing
Trumpet SKU: AP.47778 International Edition. Composed by Caleb Hud...(+)
Trumpet SKU: AP.47778 International Edition. Composed by Caleb Hudson. This edition: International. Brass - B-flat Trumpet Method or Collection; Method/Instruction; Suzuki. Suzuki Method; Suzuki Trumpet School. Book and CD. 28 pages. Alfred Music #00-47778. Published by Alfred Music (AP.47778). ISBN 9781470641573. UPC: 038081547770. English. Teach trumpet with the Suzuki Trumpet School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Trumpet School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.
This Book & Performance/Accompaniment CD is integral for Suzuki trumpet lessons. Volume 1 features: Engravings in a 9 x 12 format * Introduction and general information regarding the trumpet * Preparatory exercises * Tonalizations * Pieces * Musical terms and signs * Musical notation guide * Fingering chart * Photos * CD with recordings by Caleb Hudson accompanied by Michael Schneider, as well as piano accompaniments recorded without the trumpet part.
Titles: Let's Begin (Traditional) * French Tune (Traditional) * Stroll Along (Traditional) * Come and Play (Traditional) * Mary Had a Little Lamb (Traditional) * Twinkle, Twinkle, Little Star (Folk Song / Suzuki) * Lightly Row (Folk Song) * Old MacDonald (Traditional) * Go Tell Aunt Rhody (Folk Song) * Are You Sleeping, Brother John? (Traditional) * Long, Long, Ago (Bayly) * May Song (Folk Song) * French Folk Song (Folk Song) * Ode to Joy (Beethoven) * Amazing Grace (Traditional) * Allegretto (Diabelli) * It Jingles So Softly (Mozart) * Minuet (Roman) * O Come, Little Children (Folk Song) * Perpetual Motion (Suzuki) * Prelude (Charpentier) * Clog Da. About Suzuki Method The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tanzsuite mit Deutschlandlied Breitkopf & Härtel
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar. 3.dble bsn - 4.3.3.1 - perc(4) - h...(+)
(solos: 2vl.va.vc - 4(4picc.A-fl).3.3.B-clar.3.dble bsn - 4.3.3.1 - perc(4) - hp - pno - str: 10.10.8.8.6) SKU: BR.PB-5714 Music for Orchestra with String Quartet. Composed by Helmut Lachenmann. Softcover. Partitur-Bibliothek (Score Library). Solo concerto; Dances/marches; Music post-1945. Sheet Music. Composed 1979/80. 176 pages. Duration 36'. Breitkopf and Haertel #PB 5714. Published by Breitkopf and Haertel (BR.PB-5714). ISBN 9790004216514. 10.5 x 14 inches. More than my earlier works, this one is interspersed with metrically bound rhythms and musicianly characters that constantly recrystallize and drift towards or away from familiar situations.The familiar: These are dance-like figures and music-making formulas, but also songs and, in two cases fragments of Bach's music - playfully collected memories of impressions in which - consciously and unconsciously - I am embodied with that collective comfort in whose protection bourgeois thinking and feeling, magically protected, grow up and emerge apart.(It is well known that such security has its fetishes from the childlike to the adult stage: Home, religious bond, holidays, tradition, longing for childhood - the superficiality may have little idea of the depth that opens up underneath. There is also no question that we are still marked by such security even when the contradictions and alienation of existence force us to step out of their protection, to recognize and act upon reality, and to oppose the domination of such inner bonds where their original truth has become the fatal untruth of comfortable illusion, stubbornly and fearfully conjured idyll and reactionary narrow-mindedness.My music feeds on figures in which such memories are encapsulated. It deals with them not much differently than in other pieces with the elements of the traditional musical concept of material, having already always reflected compositionally as a product of sociality and anticipation of musical expression, i.e. it moved into a structurally expanded context and expressively redefined from there.Such an approach aims at overcoming lack of freedom: grasping as part of conceiving, i.e. not philosophical reflection, but rather an artistically gripping reflex by intervening in the physical immediacy of such predetermined elements. These penetrate and infect the structural events, inducing a musicianship that cannot be relied upon; the music jumps onto rhythms like onto moving vehicles, allows for being carried by them until they deform or disintegrate. This creates an incline of rhythmically shaped situations: sequence and interweaving of dances and structures.The role of the solo string quartet is versatile, obbligato and concertante, leading and accompanying in a changing sense. Set as a chamber music apparatus in an orchestral landscape, it repeatedly forces its own sound dimensions onto the orchestra, it must accept being drowned out at times, it nests in the holes of tutti fields, it acts as a louse in the fur, forcing one to listen in and out.The Tanzsuite with Deutschlandlied is structured as follows:I. Section. 1. Introduction - 2. Waltz - 3. March - 4. Bridge -II. Section. 5. Siciliano - 6. Capriccio - 7. Valse lente -III. Section. 8. Bridge - 9. Gigue - 10. Tarantelle - 11. Bridge -IV. Section. 12 Aria I - 13 Polka - 14 Aria IIV. Section. 15. Introduction - 16 Gallop - 17 Coda (Aria III)All 17 parts merge into one another.(Helmut Lachenmann, 1980)CDs/LP/DVD:Arditti-Quartett, Deutsches Symphonie-Orchester Berlin, cond. Olaf HenzoldCD Montaigne Auvidis MO 782019Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain Cambreling (Excerpt)CD BMG/RCA 74321 73510 2 (Musik in Deutschland 1950-2000)Berner Streichquartett, Sinfonieorchester des SWF, cond. Sylvain CambrelingLP DMR 1028-30Arditti Quartet, SWR Sinfonieorchester Baden-Baden und Freiburg, cond. Hans Zender Excerpt on CD ,,Auswahl von zehn Urauffuhrungen aus 70 Jahren, SWR Sinfonieorchester Baden-Baden und Freiburg Arditti Quartet, Staatsorchester Stuttgart, cond. Sylvain Cambreling DVD ,,Lachenmann-Perspektiven 6 (Breitkopf & Hartel, BHM 7816) Bibliography:Cavalotti, Pietro: Differenzen. Poststrukturalistische Aspekte in der Musik der 1980er Jahre am Beispiel von Helmut Lachenmann, Brian Ferneyhough und Gerard Grisey (= Sonus. Schriften zur Musik, hrsg. von Andreas Ballsteadt, Band 8), Schliengen: Argus 2006, pp. 79-128.Das sind doch alles Deutschlandlieder! Helmut Lachenmann im Gesprach mit Michael Rebhahn, in: Der Taktgeber. Das Magazin der Jungen Deutschen Philharmonie, Heft 40 (Sommer 2019), S. 6f.Stawowy, Milena: Fluchtversuche in die Hohle des Lowen. Helmut Lachenmanns Tanzsuite mit Deutschlandlied, in: MusikTexte 67/68 (1997), pp. 77-90.Toop, Richard: Concept and Context: A Historiographic Consideration of Lachenmanns Orchestral Works, in: Helmut Lachenmann Inward Beauty, hrsg. von Dan Albertson, Contemporary Music Review 23 (2004), Heft 3/4, pp. 125-144.
World premiere: Donaueschingen (Donaueschinger Musiktage), October 18, 1980. $160.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Best of Bruno Mars Orchestra [Score] Alfred Publishing
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full...(+)
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk. Full Orchestra; Score. Pop Concert Full Orchestra. Pop. 32 pages. Published by Alfred Music (AP.45853S).
$10.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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