The composer Rudolf Kelterborn about his work: ?I call the ten compositions for female voice and piano ?DUOS? because the voice and instrument parts are treated musically with absolute equality and indeed often go their own independent ways.

In the vocal part there are several variants, and this makes them accessible for different types of voice.

The 10 duos do not form a complete cycle that can be heard only as an entire work. Smaller groups can be put together and presented according to text-related or musical aspects.

The texts are by authors who have continued to inspire me for years.? / [10 Duos Pour Voix de Femme et Piano] / Classique / Partition / Agrafé /

Easy Arrangements for Voice and Piano especially created for Young Singers-This collection features 25 folksongs that have been specially arranged for a child's solo voice (including a unchanged boy's treble voice) with a limited range designed to encourage lyric singing and easy Piano accompaniments. 25 Folksong Solos For Children features the folk favourites: All the Pretty Little Horses Animal Fair Annabel Lee The Ash Grove Bill Grogan's Goat Cradle Song Every Night When the Sun Goes In Father's Whiskers The Generous Fiddler How Can I Keep from Singing and more.

This collection includes all 61 of Benjamin Britten's arrangements of folk songs combining the contents of the seven published books in editions for High and Low Voice. Included are the well-loved traditional tunes Bonny At Morn The Ash Grove The Salley Gardens Greensleeves The Holly And The Ivy and many more. Some of the songs featured in this volume for Medium/Low Voice have never before been transposed. The songs of Volume 6 for Voice and Guitar have been transcribed for Voice and Piano for this edition.

For Voice and Piano - Pour chant et piano - tiré à part de l'édition critique de Claude Debussy-Claude Debussy's Pelleas Et Melisande for Voice with Piano accompaniment.

16 Vocalizzi Per Voce Media-Gathered in a unique volume all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice medium voice high voice) have been composed by very important composers of theNineteenth century like Alfano Malipiero Respighi Casella Pizzetti. - With piano accompaniment for each vocalise.

Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. The Opera Ottone was written in 1723 for the Royal Academy of Music. The aria La Speranza e Guinta waschosen from it by Arthur Somervell as one of ten arias he arranged for Piano and Voice. It was re-titled Spring with new English lyrics that bear no resemblance to the translation.It is printed here in twodifferent keys: in D for Low Voice and E for High Voice.

Humphrey Clucas is known for a wide range of choral and vocal music alongside a growing body of instrumental music and this beautiful and evocative song is set to words by A.E. Housman. Originally for voice and lute Evenfall also works well with piano accompaniment and the edition includes versions for high voice (A minor) and low voice (E minor). The accompaniment is simple and supportive allowing the flowing melody to soar above with a tonal and accessible style which should appeal to singers of all ages and abilities.Humphrey Clucas was born in 1941 and read English at King's College Cambridge where he was also a Choral Scholar. Having taught Englishfor twenty-seven years he subsequently became a Lay Vicar at Westminster Abbey but is now retired. As a composer he is self taught and although he is well-known for a set of Anglican Responses written as an undergraduate almost all his serious music has been written over the last twenty-five years. He has a growing reputation as a choral composer and has produced an impressive and steady stream of choral works both sacred and secular alongside much instrumental music. He has written works for Cathedrals in Chichester Guildford Salisbury and Winchester as well as for King's College Cambridge Southwell Minster and Westminster Abbey.

Songs II for High Voice and PianoFollowing the publication of Dvorák’s early set of love songs “Cypresses” (BA9569) all his other songs with piano accompaniment are now appearing in Urtext editions.“Songs II” includes the mature works from Dvorák’s late period. Besides the well-known cycle “Love Songs” and the less well-known cycle “Three Modern Greek Songs” the volume also contains some entirely unknown and previously unpublished pieces: “Lullaby” and the posthumously published “Song from The Smith of Lešetín” completedby Josef Suk.The songs are presented in chronological order in volumes for high and low voice. Each volume contains the vocal text underlaid in three languages (Cz/Eng/Ger). For the most part the translations have been taken from the first edition.- Second volume of the new five-volume Urtext edition of the complete songs- First Urtext edition with detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor- Some songs appear for the first time in print- Vocal texts in three languages (Cz/Eng/Ger)

Pleading is a song for solo voice with Piano accompaniment written in 1908. It was composed for and dedicated to the composer's great friend Lady Maud Warrender. It was published as the composer's opus 41 in three arrangements: No. 1 is for medium voice and is set in the Key of G major. Versions for low and high voices are also available. The text is from a poem by Arthur L. Salmon.Edward Elgar (1857-1934) is one of England’s best-known and most-loved composers. He was self-taught as composer coming from outside the musical and social establishment which allowed his music to be fresh and unencumbered.

for Voice and Piano-Aaron Jay Kernis' Two Songs - Love And Spirit for Voice and Piano.

John Tavener's Schuon Lieder is a work of 6 songs arranged for Voice and Piano by the composer with words by Frithjof Schuon. This version was first performed at the Wigmore Hall in London on 28thSeptember 2007. A full performance of this Score lasts around 17 minutes. The original version of this work for Voice Percussion Piano and String Quartet was performed at the Cheltenham Festival on 16th July 2004.The 6 songs in this score are settings of poems by Frithjof Schuon translated by Catherine Schuon. Schuon was a foremost a metaphysician but also a gifted painter and poet. Please note the lyrics are in German.