Freie Orgelwerke - BuxWV 136-153, 158. Par BUXTEHUDE DIETERICH. This edition is the result of Harald Vogel?s many years of practice as an organist and musicologist. The music text is based on a reevaluation of 17 th - and 18 th -century manuscripts containing the free organ and keyboard works by Buxtehude. They originated during a transitional phase between the traditional letter tablature and the staff notation still in use today. Since many works have survived only in transcriptions for staff notation, the editor was confronted with a high error rate, which he carefully analyzes in the ?Einzelanmerkungen?. During the preparation of the edition, the editor always kept sight of the performance practice, but still, the image of the sources is never distorted (e. g. by superfluous rests, beaming not conforming to the sources and the unhistorical adjustment of time signatures) and stays very close to the compositional notation, the letter tablature. The flexible use of three staves and the differentiated distribution of the voices on the staves allow for an approximation in reading conventions of historical notation with its resulting information about hand division. Grouping the free organ repertoire into works with obbligato pedal and works for manuals, this edition is organized in two volumes. The first subvolume (I/1, EB 9304) contains the Preface and the Preludes, whereas the second subvolume (I/2, EB 9305) contains Toccatas, Ostinato works, alternative versions and a comprehensive Critical Commentary (in German only). Volume II (EB 9306) contains Buxtehude?s free organ and keyboard works (manualiter) with the corresponding texts (Preface and Critical Commentary). Until 1971, Harald Vogel worked on a dissertation (with Georg von Dadelsen, Hamburg) on ?Die Fuge um Bach?. Besides the description of the ?inclusion? of triple measures into the C notation and the irregularities of the ?voice mutation? in the polyphonic structures, this also included a discussion about the justification of the ?inner textual criticism?. With the inner textual criticism, deviations in parallel passages are unified. The North German fugue style, reaching a peak in Buxtehude?s work, is characterized by a constant diversity of details in subject and polyphonic progressions. One of the ?indicators of the fantastic style? is the dissolution of the polyphonic structures at the ends of the fugues, evident in Buxtehude?s work. In this edition, a musical text is presented that avoids the uniformity of detail not conforming to the sources. However, there are many examples of transcription and cursory errors, which are analyzed in a methodical systematic manner. About the editor: As an organist, professor, organ expert, and scholar, Harald Vogel has rendered outstanding services to the interpretation of early music and especially to historical performance practice concerning the organ for decades. He has received numerous awards, including an ECHO Klassik as Instrumentalist of the Year (2012), honorary doctorates from Luleå University of Technology (Sweden, 2008) and Oberlin College (USA, 2014), as well as the Buxtehude Prize of the City of Lübeck (2018). Harald Vogel is the author and editor of numerous scholarly publications and editions. Through his lifelong performance practice, he can look back on an extensive discography, including the complete recording of Buxtehude?s organ works, which he recorded in various locations with historical organ instruments of the North German organ building tradition in Scandinavia, North Germany and the Netherlands. / Date parution : 2022-10-12/ Recueil / Orgue

Konzertante Orgelmusik aus vier Jahrhunderten - Concert Organ Music from four Centuries-Conceived by Martin Weyer this edition ranges in style from 17th century Portuguese Organ music to French and American works of the 19th century. It also contains a selection of German Organ music including lesser-known works by Bach and other pieces from Robert Schumann to Ernst Pepping.In addition to the original compositions Organ arrangements have also been included. A detailed Foreword offers information on the music-historical context of each work and suggestions for its performance.- Original pieces and attractive arrangements for Organ.- Easy to moderately difficult concert music for Organ.- Includes a broad rangeof styles.From the contents:Braga ?Batalha sexti toni? / Bach ?Concerto in F major after Vivaldi? (BWV 978) and six Organ chorales (transposed to keys of the Lutheran hymnal) / Hoyer ?Fughetta no. 2 in C major? from op. 62 / Arnold Mendelssohn ?Partita ?Wir Christenleut?? from op. 104 / Pepping from ?Bohemian Organ Book II: Christus der uns selig macht? / Degen two preludes from the ?Oberrheinisches Orgelbuch? / Micheelsen ?Toccata? from ?Holstein Little Organ Book? / Yon ?Humoresque? / Rogers ?Toccatina? / Parker ?Risoluto? op. 68 no. 1 / Rogers ?Carillon? (finale from ?Sonatina in D major?)

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue

Significantly remembered for his Organ works, Charles-Marie Widor 's (1844-1937) renowned Symphony 'Romane' is essential to the repertoire of all passionate organists. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. Nicknamed the 'Romane', the Symphony #10 reflects Widor 's mastery of the Organ, exploring all possibilities on the instrument, as well as deriving thematic material from plainchant. Made up of four movements, Symphony Romane is founded upon the Christmas Hymn, A Child is Born. The composer's invaluable experience, as well as his virtuosic ability of the Organ make this favourite and famous Symphony #10 by Charles-Marie Widor vital for advanced organists. / Orgue

20 Chorals Divers (L à W) 13 Chorals supplémentaires Sinfonias des 29e e 146e cantatas-As one of the most famous contributors to classical music ever to have lived Johann Sebastian Bach's (1685-1750) catalogue is extensive. Moreover being an organist himself his Organ works are significant and remain ever-popular to this day. When French organist Marcel Dupr? (1886-1971) compiled the series of Bach's Complete Organ Works it was well-received and to this day remains popular with all organists. The third volume includes a selection of Bach's favoured Chorals and Cantatas. In addition Dupr?'s annotations in Complete Organ Works comprise fingerings rules on technique and instructions on ornamentation among other aspects. This compilation of J. S. Bach's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument.

Josef Rheinberger (1839-1901) was a prolific composer in almost every field but he found in the organ the medium best fitted to his genius and temperament. This seems to be proved by the fact that his reputation as an organ composer has grown and is now firmly established whereas his position in other branches has declined.His twenty sonatas and numerous other short pieces make up one of the most important contributions to the organ repertory. It may indeed be claimed that in the maintainance of a high level of quality and interest throughout a long series of works of both large and small scale his position as an organ composer is second only to that of Bach.

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is essential for Suzuki Organ lessons. In certain pieces the authors have placed small phonetic signs above the notes to indicate differentiated non legato playing. In order to develop pedal technique pedal melodies are included between every manual piece. The included performance CD for Volume 5 is a great tool for Suzuki Organ lessons encouraging practice while featuring recordings by Lars Hagström.Titles: 'Praeludium' 'Pastorella' (Marpurg) 'Madeleine's Song' 'Preparatory Exercise' (Buxtehude) 'Postlude' (Fischer) 'Cantilena' (Knecht) 'March' (Purcell arr. Hagström) 'Organ Prelude' (Mankell) 'Prelude' (Lübeck) 'Trio' (Sorge) 'March from A Midsummer Night's Dream' (Mendelssohn arr. Hagström) 'Prelude' (Krebs). 'Madeleine's Song ' 'Pastorella ' 'Postlude ' 'Praeludium ' and 'Trio' are Federation Festivals 2016--2020 selections.

Complete Organ Works Volume 4 (Urtext edition)-Louis Vierne (1870 1937) raised the Organ symphony to its stylistic zenith. One of his pupils Marcel Dupré was the teacher of Thierry Escaich the co-editor of this complete edition.Vierne?s Symphony No.4 is one of the most important works in the Organ repertoire. Until now it was thought to have originated during the three months of summer 1914. However the editor has discovered a letter from Vierne dated 23 June 1914 that disproves any connection with events of war. As a result the work has been chronologically reclassified leading to its fresh assessment and interpretation see the detailed Foreword inthis new edition for further information.The registration of this seminal work in the Organ literature is in parts reminiscent of César Franck?s Chorale in B minor. In general terms Franck?s influence was already singled out by reviewers of the first performance.Detailed trilingual preface (Fr/Eng/Ger) with a full account of the work?s genesis and notes on performance practice.Comprehensive Critical Commentary (Fr/Eng/Ger)New source materialMany illustrations and facsimile pages

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book

Oxford Service Music for Organ: Manuals and Pedals Book 1 was winner of the Music Industries Association's Best Classical Publication 2011. This is a major collection of Organ music for students players and church musicians of all levels and abilities. Compiler and editor Anne Marsden Thomas has drawn on her long experience of teaching and playing to select the most attractive tuneful repertoire in two new sets of graded anthologies one set (3 volumes) for manuals only the second set (3 volumes) for manuals and pedals. Within each book the pieces are grouped according to service needs into Preludes Interludes Processionals andPostludes. The repertoire spans the 16th to the 21st century with some new pieces written especially for the collection. A number of pieces throughout the collection have been selected for the ABRSM organ syllabus. The result is a wonderful collection of repertoire for all players containing a wealth of attractive and varied pieces that will offer much practical support for church musicians and enrich and develop their playing. Major collection of organ music for students players and church musicians of all levels and abilities Each book groups pieces according to service needs: Preludes Interludes Processionals Postludes Tuneful attractive repertoire spanning 16th-21st cents. with some new pieces written especially for the collection Major composers for the instrument well represented Pieces edited afresh to present music clearly and practically for players with registration and tempo suggestions for each piece Strong representation in new ABRSM syllabus (from 2011) Graded collection: approx. book 1 Grades 1-4; book 2 Gr. 4-6 book 3 Gr. 6-8 High-profile editor leading teacher and concert organist

The first classical Organ method for children the Suzuki Organ School is based on Dr. Shinichi Suzuki's Mother Tongue Method. The Suzuki Method® of Talent Education is based on Suzuki's view that every child is born with ability and that people are the product of their environment. According to Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school such as the Suzuki Organ School. The student listens to therecordings and work with their Suzuki Organ teacher to develop their potential as a musician and as a person.This Suzuki Book

Complete Organ Works Volume III: Organist at the Church ?La Madeleine?: Trois Pièces pour Grand Orgue (1890) Messe de Mariage:Cinq Pièces pour Orgue (1891)During his tenure at ?La Madeleine? in Paris Théodore Dubois composed a large number of Organ works. Volume III together with the already published Volumes II and IV brings Barenreiter's first complete Urtext edition of this body of music to a close. It contains Trois Pièces (Praeludium-grave Adoratio et Vox Angelica Hosannah) and the well-known and frequently performed wedding piece Messe de Mariage (Entrée du Cortège Bénédiction nuptiale Offertoire Invocation Laus Deo [Sortie]).Like thetwo previous volumes this volume contains many facsimile pages a Critical Commentary (Fr/Eng/Ger) a catalogue of sources and a detailed Foreword that sheds light on the composer?s life instrument-specific issues and performance practice.First complete Urtext edition of Théodore Dubois? Organ worksBased on the latest research findingsSuitable for church worship and concert performanceDetailed Foreword Critical Commentary (Fr/Eng/Ger) and facsimile pagesAlready published:Théodore Dubois: Complete Organ WorksVolume I: Early Works and Works with little or facultative pedal use BA8468Volume II: Organist at the Church ?La Madeleine?: Douze Pièces pour Orgue ou Piano-Pédalier (1886) BA8469 Volume IV: Organist at the Church ?La Madeleine?: Douze Pièces nouvelles (1893) / Ascendit Deus (1902) BA8471Volume V: His Last Organ Works: Dix Pièces (nouvelles) (1921) / Fantasietta avec Variations (1922) BA9208

A scholarly-critical performing edition of George Frideric Handel's Complete Organ Works based on the Halle Handel Edition (HHA).First single-volume edition of Handel's Organ worksIncludes all variant readings from the sources which have previously only been available in the Critical Commentary of the HHADetailed Foreword (Ger/Eng) with short descriptions of each source and a Critical Commentary (Ger/Eng)With contemporary Organ dispositionsIn terms of layout and musical text this Barenreiter edition is based on the complete volumes of the composer's Keyboard music edited by TerenceBest as part of the HHA.The Halle Handel Edition's Critical Commentary forms the basis of this edition which however differs from the HHA volumes in two respects. Firstly it gathers together for the first time all of Handel's works for which it can be solidly argued that they were composed for the Organ. The centre piece is a set of twelve handwritten fugues deriving directly from the composer's immediate surroundings and published here for the first time as a unified cycle. Secondly this Barenreiter edition presents plausible alternative readings from various sources in the main body of the music. In the HHA these readings all of which definitely or presumably stem from the composer are merely listed in the critical commentary.Contents:Fuga I in C minor HWV 610Fuga II in G minor HWV 605Fuga III in B-flat major HWV 607Fuga IV in F minor HWV 433/2Fuga V in E minor HWV 429/1Fuga VI in G major HWV 606Fuga VII in D minor HWV 428/2Fuga VIII in A minor HWV 609Fuga IX in B minor HWV 608Fuga X in F-sharp minor HWV 431/3Fuga XI in F major HWV 427/4Fuga XII in F major HWV 611Fuga in E major HWV 612O the pleasure of the plains in G major HWV 474Jesu meine Freude in G minor HWV 480