Pop Performance Pieces includes 10 carefully selected contemporary and classic pop songs in special arrangements for Flute with a Piano accompanimentsuitable for Grade 2-5 students as well as teachers. With a Piano score separate Flute part and performance hints and tips these fun pieces will hone your skills and develop ensemble playing.Thesepieces present a fun alternative to graded exam material and many are suitable for GCSE performance exams. The tunes will be familiar to most players with classics like Simon & Garfunkel's Bridge Over TroubledWater and Elton John's Your Song as well as contemporary pop songs like Adele's When We Were Young and Katy Perry's Firework. These 10 songs can be played in instrumentallessons in the classroom and of course on stage. The separate booklet with the Flute part features tips by professional musicians with some fingering guidance while the Pianoscore also includes the tips along with chord symbols and helpful fingering suggestions. 

Facile et Moyenne - 'Les Classiques De la Flûte'-French composers Gaubert Moyse and Caratgé compile an essential addition to the Flute repertoire. Including pieces by Lully Campra Bach Handel Gluck Haydn Boccherini and Schumann Gaubert Moyse and Caratgé ensure that a range of famous works are accessible to beginner to intermediate flautists. In the second volume of this compilation Famous Pieces for Flute and Piano Gaubert Moyse and Caratgé arrange famous works by the great preceding composers for the Flute ensuring that necessary additions and edits are made. Pieces include movements from Lully's King'sBallets and a Boccherini Menuet. The changes by Gaubert Moyse and Caratgé include phrasing breath marks tempo marks dynamics and other performance directions. Famous Pieces for Flute and Piano provides excellent expansion to the repertoire of the beginner to intermediate flautist.

French Music for Flute and Piano. This collection, compiled by Sonora Slocum, principal flutist of the Milwaukee Symphony, features some of the most popular flute repertoire by French composers. CONTENTS: BÜSSER: Prelude et Scherzo, Op. 35 · FAURÉ: Fantaisie, Op. 79 · GAUBERT: Nocturne et Allegro Scherzando · HÜE: Fantaisie · RAVEL: Pièce en forme de Habanera (transcription by Gaston Hamelin) · SAINT-SAËNS: Romance, Op. 37 · TAFFANEL: Andante pastoral et Scherzettino

Contemporary Japanese composer Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as 'gems that although they are so different they yet belong to the same world a world of vivacity dreams tenderness humour and one that is subtly contradicted by vehemence virtuosity melancholy and sorrow.' Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute andPiano is modern in style exploiting tonality rhythm and the ensemble making this a sublime addition to the advanced repertoire of the instrument.

Flute Et Piano - Cycle 1-Born in 1970 Eric Ledeuil is a versatile musician working as a flautist composer conductor and teacher. All his expertise combined have created the sublime Au Château Du Marquis for Flute and Piano accompaniment. Suitable for intermediate flautists  Au Château Du Marquis is made up of four sections which depict the life within the castle. Au Château Du Marquis is an exciting and varied addition to the young flautist's repertoire with a typical performance lasting around four minutes. Ledeuil's Au Château DuMarquis is essential to intermediate flautists seeking to improve and expand their repertoire for performances.

Description Selected Flute Solos With Piano Accompaniment A collection of the finest flute solos, selected for their diversity in style and suitability for concert and contest use. Songlist Andalouse Op.20 (Pessard) Bolero Op.28 No.2 (Pessard) Concertino Op.107 (Chaminade) Concerto No.2 K314 (Mozart) Fantasie Op.79 (Faure) Fantasie Pastorale Hongroise Op.26 (Doppler) Gavotte [Turk, Daniel Gottlob] Legende Pastorale Op.138 From Scotch Scenes (Godard) Melodie – Dance Of The Blessed Spirits (Orfeo) [Gluck, Christoph Willibald] Scherzo (A Midsummer Night's Dream) [Mendelssohn, Felix] Serenade (Hue) Sonata No.2 [Handel, George Frideric] Two Cadenzas For Mozart's Piano Concerto In G K.453

If I Were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert Chopin and Grieg. Written for upper beginners / intermediate level players these works can all be interpreted separately. - N. 10 'If I were Schubert' has a slow tempo starts Allegro Moderato and lasts 1''10 - N.11 'If I were Chopin' is slower than the first piece in Moderato and uses Chopin''s musical style . Ithas an introduction and twodistinctive parts - N.12 'If I were Grieg' is starts with the piano at atempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I Were... can also be found with pieces inspired by Offenbach Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music orchestral works for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.

Easy-to-intermediate arrangements designed to bring out the best qualities of the flute. The side range of compositions inlcude works by Beethoven, Brahms, Dvorak and Schubert, as well as folk songs, dances, jigs and reels from all over the world. Arranged for flute and piano. Includes score and part. / Flûte Traversière

14 Popular Works-14 popular works for Flute with Piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes pull-out part and performance notes by Trevor Wye.

Flute teaching material-Arrangements of Traditional Baroque and Classical pieces edited with regard to current concepts of performance practice. Some additional editorial suggestions have been made to assist performers students and examination candidates in developing their own interpretations. Four of the pieces are unaccompanied.This is a delightful collection of pieces for Flute with Piano Accompaniment.The solo flute part is also included on a separate insert.

Spiel- und Vortragsstücke parallel zu Flöte spielen Band C-A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method 'Flöte spielen' (Playing the flute) vol. C but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally and the CD contains a software which can play all the tracks at a slower tempo.

Susan Milan discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. Wilhelm Popp studied with the great Louis Drouet in the 1850s and wrote many charming works for the flute thisamong them. Susan Milan acclaimed soloist and teacher has edited this elegant edition. Susan Milan writes: 'I discovered the charming Popp Sonatinas Op. 388 while researching 19th century flute repertoire in the British Museum Library. They were first published in Hamburg in 1888. These beautifully crafted works are all without exception a delight to play and suitable for a broad level of player. They are a lovely example of Classical style and detailed in a way that makes them a joy to perform and as they are less than 10 minutes long they are a perfect addition to a short recital programme. In editing the Sonatinas I have tidied some of the articulation making the flute part consistent. Discrepancies between markings in the flute and piano part have been corrected. I have occasionally added some slurs where I feel the lyrical nature of a section might be enhanced shown as 'dotted' slurs. Where staccati appear to be missing I have added them. I have not on the whole added expression marks. I have not changed or removed original markings.'

Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Thaï s was first performed at the Opera Garnier in Paris in 1894 and continues to be one of the composer's most performed operas. The famous Meditation, isan intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequent concert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel 's adaptions include breath marks, phrasing, changing octaves for some notes and articulation, among other aspects. Massenet 's Meditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. / Opéra-opérette / Répertoire / Flûte Traversière et Piano

Wolfgang Amadeus Mozart's (1756-1791) Flute Concerto in G was written by the composer in 1778. The Concerto remains widely studied and performed on the Flute making it one of the most important Concerti in the instrument's repertoire. Concerto in G is in three movements; 1. Allegro maestoso 2. Adagio ma non troppo and 3. Rondo: Tempo di Menuetto. The first and last movements are in the tonic key whilst the second movement is in the subdominant key of D major. A Dutch flautist of the time Ferdinand de Jean commissioned Mozart for four Flute quartets and three Flute concerti. However thecomposer who famously disliked the Flute only completed three quartets and two concertos. Instead of composing a second concerto Mozart rearranged his Oboe Concerto with substantial changes for it to fit with the Flute. This edition of Mozart's Concerto in G includes cadences by virtuosos Taffanel Gaubert and Bozza making for an unmissable version of the famed work.

A collection of fiery hot and silky smooth Latin standards arranged for the Flute with Piano accompaniment. Ideal and unusual repertoire material for the Flute student with characteristic rhythms and vibrant tunes. Includes The Girl From Ipanema.