Choral Explorations Jazz Series. By Lambert, Hendricks and Ross. Arranged by Roger Emerson. Choral Exploration. Octavo. 12 pages. Published by Hal Leonard

Violoncello, piano

SKU: FG.55011-903-1

Composed by Victoria Yagling. Arranged by Yuriy Leonovich. Classical, contemporary. Score and part. Fennica Gehrman #55011-903-1. Published by Fennica Gehrman (FG.55011-903-1).

ISBN 9790550119031.

Victoria Yagling's Suite for Cello and String Orchestra (1967) is one of her first successes as a composer. The movement layout of the Suite is fast-slow-fast-slow. The first movement, Toccata, is a perpetual motion with a brisk tempo of 100 per dotted half. The Aria is reminiscent of Rachmaninov's Vocalise melody and Prokofiev's tonal language. This movement is the centerpiece of the Suite. The Humoresque is closely connected in style and motives to the March and Aria movements from Boris Tchaikovsky's Suite for Cello Solo. Mostly homophonic Finale plays with bitonality and contains several circle-of-fifth sequences.

This product is is the reduction for violoncello and piano by prof. Yuriy Leonovich. Orchestral material available on hire from the publisher. Stydy score with solo part is available for sale (ISMN 9790550116436).

Victoria Yagling (1946?2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition.

Yagling won the first prize in the Gaspar Cassadò Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions.

Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich.

Orchestra - Grade 3

SKU: AP.43850

From Cello Suite No. 6. Composed by Johann Sebastian Bach. Arranged by Jeffrey S. Bishop. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Form: Dance. Baroque; Masterwork Arrangement. Score and Part(s). 62 pages. Duration 4:15. Highland/Etling #00-43850. Published by Highland/Etling (AP.43850).

UPC: 038081497938. English.

This beautiful work, arranged from the original cello solo, features lush orchestrations that will showcase the sensitivity and precision of every member of your ensemble. Extensive use of vibrato, espressivo bow styles, and a limited use of shifting make this arrangement a gorgeous centerpiece for your next concert. (4:15).

(For String Orchestra, Percussion and Narrator). By Andrew H. Dabczynski. Orchestra. Part(s); Score; String Orchestra. Highland String Orchestra. Patriotic. Grade 2.5. 140 pages. Published by Alfred Music

By Mark Hayes. For SATB choir, soloist and piano (with optional rhythm and B-3 organ). Sacred Anthem: Discipleship, General, Lent. Octavo. Published by Lorenz Publishing Company

Concert Music for the Concert Choir Series. Composed by David L. Brunner. BH Secular Choral. Concert, Festival, Inspirational. Octavo. 12 pages. Boosey and Hawkes #M051485161. Published by Boosey and Hawkes

Composed by Bill Gaither. Arranged by Jay Rouse. Sacred Anthem, Christmas. Octavo. Medallion Music #10/5074MD. Published by Medallion Music

By Z. Randall Stroope. SSAA. Walton Choral. 16 pages. Walton Music #WW1452. Published by Walton Music

Arranged by Susan H. Day. For string orchestra. Grade 1. Score and set of parts. Duration 3 minutes, 5 seconds. Published by Grand Mesa Music

SATB choir - Intermediate

SKU: LO.10-2270S

Composed by Stephen Walters. Choral. Sacred Anthem, Eastertide. Octavo. Sacred Music Press #10/2270S. Published by Sacred Music Press (LO.10-2270S).

UPC: 000308053777.

Celebrate our Lord's resurrection with an exultant, festive choral and organ setting of a little-known German melody. Optional Brass instruments add splashes of vibrant color throughout. Highly recommended as a seasonal centerpiece!

Chamber Music Viola, Violin 1, Violin 2, Violoncello, baritone voice

SKU: PR.14140086S

For Baritone And String Quartet. Composed by David Leisner. Text by Rosemary Thomas. Premiere: Thomas Meglioranza, baritone, and Enso String Quartet; Symphony Space, New York, NY. Contemporary. Full score. With Standard notation. Composed 2004. 28 pages. Duration 8:30. Theodore Presser Company #141-40086S. Published by Theodore Presser Company (PR.14140086S).

UPC: 680160618392. 9 x 12 inches. Text: Rosemary Thomas. Rosemary Thomas. Text by Rosemary Thomas.

Composed in 2004 for baritone Wolfgang Holzmair, Leisner's A Timeless Procession was premiered in 2011 with Thomas Meglioranza and the ENSO String Quartet at Symphony Space (New York City). Of that premiere, Art Leonard writes, The centerpiece of the program was the world premiere of Mr. Leisner's composition for baritone and string quartet, A Timeless Procession, setting a lengthy narrative poem by Rosemary Thomas about the parade of elephants past Carngie Hall when the circus came to town. This provided a nice balance of drama and humor... Of the music, itself, Leisner says, [Rosemary Thomas'] poem, The Elephants Pass Carnegie Hall, begins with an image, maybe real, maybe surreal, of circus elephants parading by Carnegie Hall, and ends with a sharp, mystical left turn into the prehistoric times of their ancestors. My piece views the poem through the lens of time - beginning with a primordial awakening, progressing into real time (the parade of elephants), and then through slow motion, frozen time, a return to real time (but with a surreal overlay of baritone falsetto), and finally, in the canonic last section, time past. For advanced performers.