Trombone and Piano - early intermediate

SKU: BT.DHP-1125294-400

Composed by Ed Wennink and Nettie Vening. Two is a team. Book with CD. Composed 2013. 52 pages. De Haske Publications #DHP 1125294-400. Published by De Haske Publications (BT.DHP-1125294-400).

ISBN 9789043141802. 9x12 inches. English-German-French-Dutch.

Performance pieces for piano and trombone in which the level of difficulty for both players is similar are always in demand. The 20 pieces in this book ? arrangements of well-known tunes as well as original compositions ? are aimed at pupils who have been playing for approximately three years. Both players will learn a great deal and will have double the playing fun. Two is a Team ? after all playing together is almost always at the heart of music!

Er blijkt steeds weer behoefte te zijn aan samenspeelstukken voor piano en trombone waarin beide partijen een vergelijkbare moeilijkheidsgraad hebben. De 20 stukken in dit boek ? zowel bewerkingen van bekende liedjes als originele composities ? zijn bedoeld voor leerlingen die ongeveer drie jaar spelen. Beiden zullen er veel van leren en er dubbel plezier aan beleven. Two is a Team ? in de muziek draait het immers vrijwel altijd om samenspel!

Es gibt immer Bedarf an Stu?cken fu?r Klavier und Posaune, in denen die Stimmen fu?r beide Spieler ähnlich schwer sind. Die 20 Stu?cke in diesem Buch ? die sowohl bekannte Melodien als auch originale Kompositionen umfassen ? richten sich an Instrumentalschu?ler, die bereits etwa drei Jahre Unterricht hatten. So können beide etwas lernen und haben doppelt Spa�. Two is a Team ? denn schlie�lich geht es beim Musizieren doch fast immer um das gemeinsame Musikerlebnis!

La littérature musicale semblerait être dénuée de morceaux de concert pour piano et trombone dont le degré de difficulté soit peu près le même pour les deux musiciens. Les 20 morceaux de ce recueil ? arrangements dâ??airs connus et compositions originales ? sont destinés aux élèves qui jouent depuis environ trois ans. Ils profiteront tous deux de ce travail et prendront doublement plaisir interpréter ces morceaux. Après tout, jouer avec dâ??autres est un des grands plaisirs quâ??apporte la pratique de la musique !

Two is a Team raccoglie composizioni originali e brani del repertorio classico noto al pubblico, indirizzati agli strumentisti con circa tre anni di studio alle spalle. Il livello di difficolt dei brani contenuti nella pubblicazione è molto simile per entrambi gli strumentisti, rendendo così più facile unâ??esecuzione con lâ??accompagnamento del piano.

Trombone - easy

SKU: HL.49018958

5 Easy Pieces. Composed by Hermann Regner. This edition: Saddle stitching. Sheet music. Edition Schott. Das fangt ja gut an ist eine kleine Sammlung von leichten Stucken fur Posaune mit Klavierbegleitung. Die funf kurzen Stucke eignen sich hervorragend als Erganzung zum Unterricht und fur Jugend musiziert. Die Stucke sind sehr melodisch und verwenden einfac. Classical. Softcover. Composed 2008. 12 pages. Schott Music #ED20689. Published by Schott Music (HL.49018958).

ISBN 9790001169127.

Apart from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.

Trombone

SKU: HL.48185728

Composed by Michel Defaye Jean. Leduc. Classical. Softcover. 10 pages. Alphonse Leduc #AL29436. Published by Alphonse Leduc (HL.48185728).

UPC: 888680832025. 9x12 inches.

“French pianist, arranger, composer and conductor, Jean-Michel Defaye (b. 1932) entered the Paris Conservatoire at the mere age of ten years old. His successful compositions and arrangements were mainly for brass, In the Style of Vivaldi, composed in 2002 for Trombone and Piano, being no exception. With a typical performance lasting about four minutes, Defaye's In the Style of Vivaldi reflects the compositional techniques of Antonio Vivaldi by use of contrapuntal textures, modulations to related keys, long and even quaver and semiquaver melodic passages, syncopation and contrasts in dynamics. Defaye's passion to explore a variety of preceding composers is clear with In the Style of Vivaldi being a part of a series which explores the music of many great composers. For all aspiring trombonists wishing to vary and expand their repertoire, In the Style of Vivaldi by Jean-Michel Defaye is essential.&rdquo.

(Sonata per a trombo i piano). By Salvador Brotons. For trombone, piano. Chamber Music. Duration 15 minutes. Published by Brotons and Mercadal

Trombone and Piano - moderately advanced

SKU: CY.CC2654

Composed by Ludwig van Beethoven. Arranged by Ralph Sauer. German Romantic. Solo and Piano accompaniment. Published by Cherry Classics (CY.CC2654).

--This work is the third from a collection of five short pieces Beethoven wrote for Flotenuhr or mechanical clock, discovered a number of years after his death.

--Their true origin was uncovered by Professor Albert Kopfermann, a German musician/librarian, who solved the mystery about their instrumentation.

--This delightful Allegro movement has been transposed into the key of D from G and arranged for moderately advanced performers by Ralph Sauer.

--Your audience will love this little gem as the clock slows down and stops before the final cadence. It will make a great encore piece.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 2

SKU: FL.FX073754

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 4 (score); 1 (parts) pages. Duration 2 minutes, 15 seconds. FLEX Editions #FX073754. Published by FLEX Editions (FL.FX073754).

This piece is a tribute to a small island off the west coast of Finistere, in front Ouessant Island. The beginning of the piece depicts a landscape of Breton moor. It then presents typical dances from this region. - Jerome NAULAIS ;

A piece that can be played from 3 years of instrument practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 2.

Trombone Solo with Piano Accompaniment - 2-3

SKU: KN.12395

Composed by Various. Arranged by Andrew Balent. Solo or Ensemble. Kendor Solo Series. Kendor Music Inc #12395. Published by Kendor Music Inc (KN.12395).

UPC: 822795123951.

These eleven grade 2-3 trombone solos featured in this collection present a variety of styles and tempi. They are enjoyable performance pieces for players at all levels, and the piano part is very accessible.

Contents:
Runabout (Balent), Rosemunde (Schubert),aEUR^Easy Does It! (Balent), Autumn Mist (Balent), Spring Dreams (Balent), Summer Nights (Balent), Jasmine (Balent), To A Wild Rose (MacDowell), Whirlwind (Balent), Saturday Morning (Balent), and Polovetzian Dance (Borodin).

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 3

SKU: FL.FX072988

Composed by Olivier Lachurie. Original Composition. Classical, Educational. Score and Set of Parts. Duration 3 minutes, 30 seconds. FLEX Editions #FX072988. Published by FLEX Editions (FL.FX072988).

A perfect Piece for exams or auditions - from 5 years of Trombone practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 3.

Chamber Music & Piano Accompaniment 1 Trombone 1 Piano - Grade 1

SKU: FL.FX073816

Composed by Olivier Lachurie. Original Composition. Classical, Educational. Score and Set of Parts. 3 (score); 1 (parts) pages. Duration 1 minute, 10 seconds. FLEX Editions #FX073816. Published by FLEX Editions (FL.FX073816).

A perfect Piece for exams or auditions - from 1 year of Trombone practice ; Instruments: 1 Trombone 1 Piano; Difficuly Level: Grade 1.

Trombone (Baritone B.C.) Solo with Piano - Grade 2. Composed by H.A. VanderCook. Rubank Solo/Ensemble Sheet. Contest, Festival. Softcover. 8 pages. Rubank Publications #RUBX151. Published by Rubank Publications

Trombone (Baritone B.C.) Solo with Piano - Grade 1. Composed by H.A. VanderCook. Rubank Solo/Ensemble Sheet. Contest, Festival. 8 pages. Rubank Publications #RUBX149. Published by Rubank Publications

Trombone and Piano - easy

SKU: BT.AMP-413-400

Arranged by Philip Sparke. Anglo Music Play-Along Series. Book with CD. Composed 2015. 40 pages. Anglo Music Press #AMP 413-400. Published by Anglo Music Press (BT.AMP-413-400).

ISBN 9789043148559. English-German-French-Dutch.

Part of the Anglo Music Play-Along Series, Philip Sparke’s 15 Easy Christmas Carols is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introducesthe beginning player to the world’s most popular Christmas tunes by selecting simple yet attractive melodies that fit their limited range. This book will provide invaluable additional material to complement any teaching method and includes both pianoaccompaniment and a demo/play-along CD.

Philip Sparkes 15 Easy Christmas Carols sind Teil der Anglo Music Play-Along Reihe und richten sich an junge Instrumentalisten, die den Tonumfang von einer Oktave beherrschen. Auf jedes Instrument zugeschnitten, führen diese Ausgaben,für die einfache und zugleich ansprechende Melodien ausgewählt wurden die sich für diesen begrenzten Tonumfang eignen, den Anfänger an die weltweit beliebtesten Weihnachtslieder heran. Dieser Band bietet wertvolles Ergänzungsmaterial, das zu jederInstrumentalschule passt und sowohl eine Klavierbegleitung als auch eine Play-Along-CD enthält.

Faisant partie de l’Anglo Music Play-Along Series, les 15 Easy Christmas Carols(15 chants de Noël faciles) de Philip Sparke visent les jeunes instrumentistes qui arrivent jouer un peu plus d’une octave. Adapté pourconvenir chaque instrument spécifique, ce recueil introduit le joueur débutant aux chants de Noël les plus populaires en sélectionnant des mélodies simples les plus intéressantes qui correspondent leur registre limité. Ce recueil fournit dumatériel supplémentaire indispensable qui complète n’importe quelle méthode pédagogique et inclut un accompagnement pour piano ainsi qu’une version sur CD avec démos.

Trombone, Piano - Grade 2

SKU: FL.FX071925

Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions #FX071925. Published by FLEX Editions (FL.FX071925).

The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...

Trombone and Piano - Advanced

SKU: CY.CC3136

Composed by John W. Ware. Classical. Score and Parts. Cherry Classics #CC3136. Published by Cherry Classics (CY.CC3136).

ISBN 9790530111055. 8.5 x 11 in inches.

This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.

Chamber Music Trombone, Piano

SKU: PR.114414450

Man vs. Machine. Composed by Adolphus Hailstork. Sws. Folk. Set of Score and Parts. With Standard notation. Composed 2009. 24+8 pages. Duration 12 minutes. Theodore Presser Company #114-41445. Published by Theodore Presser Company (PR.114414450).

ISBN 9781598064087. UPC: 680160597635. 9x12 inches.

Inspired by the tale of a legendary folk hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine. This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry. For advanced players. Duration: 13’__________________________________________Text on the scanned back cover:JOHN HENRY'S BIG(MAN vs. MACHINE)FOR TROMBONE AND PIANOInspired by the tale of the legendary hero, Adolphus Hailstork’s tour-de-force for trombone and piano is a riveting portrayal of the steely strength and stamina of John Henry, a former slave who helped build the American railroads and ultimately outperformed a steam engine.
PROGRAM NOTES by the ComposerJohn Henry was born a slave in the 1840’s or 1850’s. It is important to remember that no one knows for sure if John Henry existed or is a tall tale created by writers. That is one of the things that makes the legend so intriguing.According to the legend, he grew to stand 6 feet tall, 200 pounds – a giant in that day.Though the story of John Henry sounds like the quintessential tall tale, it is certainly based, at least in part, on historical circumstance. There are disputes as to where the legend originates. Some place John Henry in West Virginia, while recent research suggests Alabama. Still, all share a similar back-story.In order to construct the railroads, companies hired thousands of men to smooth out terrain and cut through obstacles that stood in the way of the proposed tracks. One such chore that figures heavily into some of the earliest John Henry ballads is the blasting of the Big Bend Tunnel, more than a mile straight through a mountain in West Virginia.Steel-drivin’ men like John Henry used large hammers and stakes to pound holes into the rock, which were were then filled with explosives that would blast a cavity deeper and deeper into the mountain. In the folk ballads, the central event took place under such conditions. Eager to reduce costs and speed up progress, some tunnel engineers were using steam drills to power their way into the rock. According to the great American tall tales, on hearing of the machine, John Henry challenged the steam drill to a contest. He won, but died of exhaustion, his life cut short by his own superhuman effort.This composition uses quotes from the spiritual Every Time I Feel the Spirit and the folk song The Ballad of John Henry.JOHN HENRY’S BIG was composed for trombonist David Jackson.