Woodwinds (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 108 pages. Duration 60'. Breitkopf and Haertel #OB 5589-30. Published by Breitkopf and Haertel (BR.OB-5589-30).

ISBN 9790004344248. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin solo, orchestra

SKU: BR.SON-433

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Birgit Muller and Salome Reiser. Linen. Complete Works. Romantic period. Complete Works. 184 pages. Breitkopf and Haertel #SON 433. Published by Breitkopf and Haertel (BR.SON-433).

ISBN 9790004802892. 10 x 12.5 inches.

Felix Mendelssohn Bartholdy's violin concerto op. 64 had - like many of his other works - a lengthy genesis: it is in the summer of 1838 that surviving documents first mention the promise made to his friend Ferdinand David, concert master of the Leipzig Gewandhaus, to write, besides a sonata, a grand solo concerto for him. Ultimately, work on this opus continued - with some longer interruptions - until September 1844. Even then, it owed its preliminary completion in no small measure to the constant urging of the prospective solo violinist. But after the ,,official handing-over of the parts to David and a first joint rehearsal of the concert in Leipzig Mendelssohn continued working on the score. There subsequently began an intensive correspondence with David between Leipzig and Frankfurt am Main, where Mendelssohn resided with his family, in particular concerning issues of the principal part and the reworking of the solo cadence. In March 1845 the then current version of the work was premiered in a subscribers' concert in Leipzig.This volume deals with Mendelssohn's first complete manuscript of the score with the corrections contained therein, including all surviving drafts and sketches; also included is the epistolary evidence of the correspondence with Ferdinand David prior to the premiere. The further developments up to the printing of the main version of op. 64 by Breitkopf & Hartel are dealt with in Series II, Vol. 7 of the edition.

Continuo (figured) (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-12

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 40 pages. Duration 60'. Breitkopf and Haertel #OB 5578-12. Published by Breitkopf and Haertel (BR.OB-5578-12).

ISBN 9790004343470. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violin 1 (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-15

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5578-15. Published by Breitkopf and Haertel (BR.OB-5578-15).

ISBN 9790004343487. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

By Cornelius Boots. For Bass Clarinet Duet. Chamber music, 20th century. Published by Potenza Music

Violoncello (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-23. Published by Breitkopf and Haertel (BR.OB-5589-23).

ISBN 9790004344224. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Violoncello (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-23

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 28 pages. Duration 60'. Breitkopf and Haertel #OB 5578-23. Published by Breitkopf and Haertel (BR.OB-5578-23).

ISBN 9790004343517. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Woodwinds (solos: SATB - choir: SATB - 0.2.0.1. - 0.0.0.0. - str - bc)

SKU: BR.OB-5578-30

Urtext. Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Folder. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Set of parts. 72 pages. Duration 60'. Breitkopf and Haertel #OB 5578-30. Published by Breitkopf and Haertel (BR.OB-5578-30).

ISBN 9790004343531. 10 x 12.5 inches.

The Missa Omnium Sanctorum ZWV 21 is Zelenka's last mass setting. It contains three extended arias (one each for soprano, alto and tenor), concertante choruses and unusually expressive choral fugues. Especially powerful in effect is the through-composed Credo in this mass, with a ritornello that is one of Zelenka's most beautiful inspirations. The score and parts material of this new edition are based on the corresponding volume of the Das Erbe deutscher Musik series, from which Breitkopf & Hartel also took over both its informative preface as well as the critical report.Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Modal Improvisation and Melodic Construction in the Flamenco Environment. Composed by Enrique Vargas. 387 pages. Published by Sher Music Company

Choral (SATB)

SKU: HL.35007834

Eartraining. Composed by Tomá and s Luis de Victoria. Arranged by James McKelvy. Mark Foster. Advent, Christmas Sacred, Christmas/Advent Sacred, Classical, Concert. Octavo. 8 pages. Shawnee Press #MF0404. Published by Shawnee Press (HL.35007834).

UPC: 747510051954. 7.0x10.5x0.016 inches. French.

Avoir une bonne oreille musicale fait indéniablement partie des éléments requis pour être ou devenir un bon pianiste. C’est bien simple... tout part de là ! Et tout passe par là !Mais à l’instar des doigts qui sont au contact du clavier, l’oreille doit aussi être formée et entraînée pour devenir performante. Et cela passe inévitablement par des exercicesspécifiques, tels que ceux qui vous sont proposés dans cette méthode. Savoir reconnaître les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C’estpourquoi un premier grand chapitre est consacré ici à leur étude approfondie. Dans les suivants, vous serez alors en mesure d’aborder, pas à pas, les arpèges et accords de 3 et 4 sons,ainsi que les gammes... qui sont autant d’outils indispensables pour identifier à l’oreille les mélodies et accompagnements joués par le piano. Chaque étape de l’apprentissage estponctuée d’un quiz musical, permettant d’évaluer vos acquis, vos progrès... mais aussi votre aptitude à passer à la suite. Vous trouverez sur le disque MP3 joint tous lesenregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la méthode.

Avoir une bonne oreille musicale fait indeniablement partie des elements requis pour etre ou devenir un bon pianiste. C'est bien simple... tout part de la ! Et tout passe par la ! Mais a l'instar des doigts qui sont au contact du clavier, l'oreille doit aussi etre formee et entrainee pour devenir performante. Et cela passe inevitablement par des exercices specifiques, tels que ceux qui vous sont proposes dans cette methode. Savoir reconnaitre les intervalles entre les notes est la base de la formation auditive (ear training, en anglais). C'est pourquoi un premier grand chapitre est consacre ici a leur etude approfondie. Dans les suivants, vous serez alors en mesured'aborder, pas a pas, les arpeges et accords de 3 et 4 sons, ainsi que les gammes... qui sont autant d'outils indispensables pour identifier a l'oreille les melodies et accompagnements joues par le piano. Chaque etape de l'apprentissage est ponctuee d'un quiz musical, permettant d'evaluer vos acquis, vos progres... mais aussi votre aptitude a passer a la suite. Vous trouverez sur le disque MP3 joint tous les enregistrements audios (au format mp3) correspondant aux multiples exercices et autres quiz de la methode.

Viola (solos: SATB - choir: SATB - 2.2.0.0. - 0.0.0.0. - str - bc)

SKU: BR.OB-5589-19

Urtext. Composed by Jan Dismas Zelenka. Edited by Thomas Kohlhase. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Mass; Baroque. Part. 32 pages. Duration 60'. Breitkopf and Haertel #OB 5589-19. Published by Breitkopf and Haertel (BR.OB-5589-19).

ISBN 9790004344217. 10 x 12.5 inches.

Prelude to Mastery The Missa Sanctissimae Trinitatis was probably composed within a few weeks in the late fall of 1736, an occasion for the composition is not recorded. With this mass, the first in a series of five late masses, Jan Dismas Zelenka entered upon the phase of his masterful late works. Its spacious conception abundant in numbers, stylistic and compositional wealth, as well as its vehement, musical expressive power clearly differentiate this work from Zelenka's previous masses. This new edition is based on the corresponding volume of the series Das Erbe deutscher Musik, from which the preface and critical report also derive.Have a look into the piano vocal score. Zelenka's artistic personality, his biography and his compositional style are utterly distinctive. His style is highly experimental. Was Zelenka really one of the greatest composers of the 18th century, or only one of the most interesting? I think that he still has several surprises for us. (Schweizerische Musikzeitung)Zelenka's Masses - fine specimens of Baroque choral literature, some parts of which are set even more colorfully than in the corresponding compositions by Bach. (Die Welt).

Composed by Richard Wagner (1813-1883). For Voice, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 478 pages. Schott Music #ED20550. Published by Schott Music

Piano

SKU: HL.14003432

Composed by Carol Barratt. Music Sales America. Theory. Puzzle book. Composed 1997. 24 pages. Chester Music #CH55831. Published by Chester Music (HL.14003432).

ISBN 9780711919310. 8.5x12.0x0.094 inches.

Chester's Music Puzzles is an entertaining series of clear and structured puzzles and questions, by Carol Barratt, designed to help young instrumentalists master the basics of musical theory. Each illustrated set of contains ten question papers, information for teacher and parents and a certificate of achievement for the pupil. These puzzles also take into account limited reading and writing skills of younger children. Each book corresponds with the matching Chester Piano Book. This is Set 1 which covers: clefs, staves, lines and spaces, musical alphabet, bars and bar lines, stems, note and rest values, tied notes, chords, flats and sharps, phrase marks and dynamics. Each book corresponds with the matching Chester Piano Book.

SKU: HL.49046901

Book 2, 1879-1881 Hardcover. Edited by Thomas Kohlhase. Edition Schott. Classical, German Edition. Hardcover. Schott Music #ED22750-20. Published by Schott Music (HL.49046901).

UPC: 196288075271.

This complete edition, which is the first outside Russia, of the almost fourteen-year correspondence between P. I. Tchaikovsky and the music-loving patron (and wealthy widow of a Baltic railway entrepreneur) N. F. von Meck represents for German-speaking readers and music historians an indispensable primary source on the life and work of the greatest Russian composer as well as on his environment, while, at the same time, reflecting the political, cultural and social situation of the Russian Empire from the perspective of two privileged, educated and regime-loving subjects. The life of the large families Tchaikovsky-Davydov and von Meck, the unpleasant consequences of the composer's unhappy marriage, faith and religion, literature, philosophy, the reception of earlier and contemporary Russian and European music, fine arts, foreigntravel, political, economic and social conditions - even farming (in Brailov and Kamenka/Verbovka, the Ukrainian estates of the von Meck and Davydov families) and many more are the topics of this correspondence between two related and yet so different personalities who, as agreed, never met in personal conversation and yet talked to each other in lively, often confessional speech. The texts of the letters in the present edition (whose planning dates back to the 1950s), with the added contrasting excerpts from letters of Tchaikovsky to other persons, such as his trusted brothers Anatoly and Modest, have been revised according to the new Russian Complete Edition by Polina Vajdman (Celjabinsk 2007 ff.). Various introductions, accompanying texts and overviews as well ascomprehensive indices (one of them systematically by subjects), together with numerous explanations and notes at the bottom of the pages, make it easier for the reader to find his/her way through the all in all more than 1,200 documents. The three volumes are also available for subscription.