Composed by Judy Nishimura. Alry Publications #F35. Published by Alry Publications

Jazz ensemble - Grade 2

SKU: CL.032-4126-01

Composed by P. Clark. Jazz Ensemble. Audio recording available separately (item CL.991-2012-00). Extra full score. Composed 2012. Duration 2 minutes, 57 seconds. C.L. Barnhouse #032-4126-01. Published by C.L. Barnhouse (CL.032-4126-01).

Introduce your band and audiences to a little 2-beat and some jazz history with this easy to prepare arrangement of this great jazz standard. Originally a ragtime piano piece, That's-A-Plenty is most commonly associated with Dixieland music. This arrangement now makes it available to jazz bands at the medium-easy level. There's lots of fun for all the sections, including some smeared notes for the bones and some short solis for the saxes. The drummer gets some tom-tom work a la Gene Krupa, and while there are no improvised solos, one (or all) of the trumpets gets to do a written out call and response solo back and forth with the rest of the band. This one is a guaranteed crowd pleaser!

SATB choir, optional congregation, organ, brass quartet or brass quintet, timpani, handbells - Early Intermediate

SKU: MN.60-7003A

Composed by Hal H. Hopson. Year A Proper 23 (28). 21st Century. Choral score. MorningStar Music Publishers #60-7003A. Published by MorningStar Music Publishers (MN.60-7003A).

UPC: 688670700378.

This unique setting makes primary use of the traditional hymntune MARION, commonly associated with this text. One SATB stanza is creatively set to the hymntune ST. MICHAEL. This setting may be sung by choir alone or choir and congregation. Optional instrumental parts are available for brass quartet (quintet), timpani, and 7 handbells. Choral Score includes reproducible page for congregation. Organist may play from either the Full Score or the Choral Score.

Piano, SSA choir

SKU: LO.15-4085H

Composed by Bryan Sharpe. Choral. Christmas, General. Octavo. Heritage Music Press #15/4085H. Published by Heritage Music Press (LO.15-4085H).

ISBN 9780787789817.

This delicate setting incorporates and blends together two different tunes commonly associated with this carol text, Mueller and Cradle Song along with a verse in Spanish. The two tunes and languages are woven together seamlessly and creatively for a unique approach on this Christmas tradition. String ensemble parts are available to enhance this intimate and expressive offering.

By Janet Van Valey; Susan Berry. For text. Learning to Ring. Text. Published by Lorenz Publishing Company.

(for percussion octet). By David Reeves. Percussion Ensemble. For glockenspiel, chimes, xylophone, 2 vibraphones, 2 marimbas (low A), 4 timpani, 2 bongos, 2 congas, 4 log drums, 4 cowbells, 4 brake drums, temple blocks, 4 concert toms, 3 double-headed tom

Guitar. Softcover Audio Online. With guitar tablature. 52 pages. Published by Centerstream Publications

Guidelines For Jazz Articulation And Style. Composed by Jerry Tolson. Jazz improvisation method. Book with digital audio. Published by Kendor Music Inc

By Dave and Jean Perry. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Multicultural; World. Choral Octavo. 12 pages

By Ted Huggens. For Concert Band. Original Works Light Music Repertoire / Light Pieces / Slow Movements and Solemn Works / Novelties. Original Pieces. Grade 2. Score. Duration 5 minutes, 20 seconds. Published by Molenaar Edition . Score.

By Jeremiah Clarke (1674-1707). Arranged by Bob Phillips. Orchestra. For full (timpani, Snare drum, bass drum, triangle, vln3). Full Orchestra; Masterworks; Part(s); Score. Beginning Full Orchestra. Form: March; Transcription. Baroque; Masterwork Arrangement. Grade 1.5. 118 pages. Published by Alfred Music Publishing

Bass Clarinet and Orchestra

SKU: HL.14001122

Composed by Asbjorn Schaathun. Music Sales America. Classical. Score. Music Sales #KP00663. Published by Music Sales (HL.14001122).

ISBN 9788759855669. Danish.

ACTIONS, INTERPOLATIONS AND ANALYSES, symphonies for bass-clarinet and large ensemble (1987-90), is what is commonly termed a work in progress. So far Schaathun has completed three of five parts. The is the composer's first large-scale attempt to investigate possible connections between ostensibly unrelated material. Explained in simple terms, it involves taking two of Schaathun's own type of texture (composed by means of different techniques) and letting them rotate around a familiar musical object (in this case a short excerpt from Stravinskij's Symphonies of Wind instruments in which he employs the famous frozen chords). In the course of the piece the elements takes over various characteristics from one another and the form progresses from fairly clear-cut textures to a situation where the various textures are superimposed, creating a dramatic flow. On a more advanced level, the piece is about trying to mediate between different musical textures as metaphors for the different levels of the sound itself. One of the main questions in this context is; What is size in music? Is it possible to take a small chord(i.e. narrow register, few instruments, simple tone colours) and then blow it up (wide register, many instruments, advanced mixtures) in such a way that the listener still perceives it as the same chord? You have simply moved closer to the sound. At any rate, when Schaathun composed the piece, he himself travellig into the sound, as if were viewing a texture from a distance. He then recomposed the same situation and drew closer, and then recompose it a third time and simply get close enough to discover the world of sounds that thus emerged. A world of sounds capable of travelling at a tremendous speed... However, like all concertos, the piece is of course about the individual and his relationship to his surroundings (society). Schaathun has often pondered on the reason for this preoccupation wih solo concertos. The answer derives from his firm conviction that nothing would ever happen if it weren't for the initiative, the Action, of the individual.

(A Totally Different, Fun Way to Learn). By Joe Bouchard. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The New Basics. Rock. Beginner. 48 pages. Published by Alfred Music Publishing