SKU: HL.371968
ISBN 9781705148556. UPC: 196288014621. 6.75x10.5x0.036 inches.
In 2012, Jimmy Fallon started a recurring segment on “The Tonight Show†in which The Roots use classroom instruments to play pop songs with celebrity guests. These skilled musicians pull off engaging performances using instruments many people don't take seriously beyond the elementary music room. Nathan Howe has continued his musical genius in a cappella writing with this pop tune sung a cappella with classroom percussion. It's amazing and fun and suitable for all ages with the variety of voicings available. The choral also includes notes on different ways to teach, learn, and perform the piece and all the percussion parts are included as a free download.
SKU: GI.G-8316
English, Latin, Others. Text Source: Trad., the word peace in a variety of languages.
Combining the traditional Dona nobis pacem with a new text and melody by Chris de Silva, this piece—written as a closing blessing for an evening prayer service at the Los Angeles Religious Education Congress—is ideal for retreats, contemplative prayer, reconciliation services, Liturgy of the Hours, and the Rite of Sending. It includes the word “peace†in 18 languages. (Don’t worry, there’s a pronunciation guide included!).
SKU: HL.1328264
UPC: 196288183570. 6.75x10.5x0.07 inches.
Commissioned in honor of that fateful day in 1959, here's a medley that combines some of the most iconic songs from Ritchie Valens, Buddy Holly and The Big Bopper. This musical tribute fittingly concludes with Don McLean's â??American Pie.â?.
SKU: LP.765762172425
UPC: 765762172425.
Toes will be tapping and hearts will be singing when you introduce your choir and congregation to this joy-filled collection of 10 Southern Gospel old school classics. Created by Dave Clark and Steve W. Mauldin and arranged and orchestrated by Mauldin Songs of Victory is part of the Lillenas Large Print No Repeats series and is perfect for a memorable program or for special numbers all year round. Your congregation will love the delightful mix of both upbeat and contemplative songs and your basses will appreciate that this collection has parts written especially for them. Add Songs of Victory to your music library today!
SKU: CA.3106005
ISBN 9790007043391. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score available separately - see item CA.3106000.
SKU: CA.3106014
ISBN 9790007043452. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and part available separately - see item CA.3106000.
SKU: CA.3106019
ISBN 9790007134044. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist.. Score and parts available separately - see item CA.3106000.
SKU: CA.3106013
ISBN 9790007043445. Key: D major / a major. Language: German/English.
SKU: CA.3106011
ISBN 9790007043421. Key: D major / a major. Language: German/English.
SKU: CA.3106009
ISBN 9790007043414. Key: D major / a major. Language: German/English.
SKU: HL.424964
UPC: 196288062042. 6.75x10.5x0.029 inches. I Corinthians 4:2, Luke 16:10, Matthew 25:23.
A well known affirmation to a dedicated disciple gives wings to this anthem. Set as a powerful ballad of praise, the themes are memorable and the vocal writing accessible. Score and Parts (fl 1-2, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tbn3/tba, perc 1-3, timp, pno, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: CA.3106000
ISBN 9790007043377. Key: D major / a major. Language: German/English.
The cantata Eternity, O awesome word BWV 60, which belongs to Bach's first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bach's few dialog cantatas. It deals with the conflict between Dread (contralto) and Hope (tenor) in the face of death, which is already the topic of the expansive opening chorale arrangement . Using a device which was surprisingly dramatic for a Baroque church cantata, the bass joins in as a third vocal part (functioning as Vox Christi) in the penultimate movement - the recitative Der Tod bleibt doch der menschlichen Natur verhasst (Dread) - with the Bible quote Blessed are the dead which die in the Lord. This also convinces Dread and leads into the concluding chorale Es ist genug, so nimm Herr meinen Geist..
SKU: BA.BA05032-01
ISBN 9790006462049. 33 x 26 cm inches. Language: German. Preface: Dürr, Alfred.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version