Vocal Collection. Vocal Standards and Play Along. Softcover Audio Online. With vocal melody, lyrics, piano accompaniment and introductory text. 72 pages. Published by G. Schirmer

Compiled by Joan Frey Boytim. Collection for mezzo soprano voice solo, alto voice solo and piano accompaniment. Text language English, German, French, Italian, Spanish. 128 pages. Published by G. Schirmer, Inc.

(Celebrated Arias Selected From Operas By Old And Modern Composers In Five Volumes) Compiled by Kurt Adler. For voice (Mezzo-Soprano, Alto) and piano. Format: piano/vocal songbook (two copies needed for performance). With vocal melody, lyrics and piano reduction. Vocal standards. Text language English, Cyrilic*, Russian (Phonetic)*, French*, Italian*, German*. 277 pages. 7.5x10.7 inches. Published by G. Schirmer, Inc..

Composed by Various. Edited by Joan Frey Boytim. Vocal Collection. Instruction, Collection, Classical. Softcover Audio Online. 64 pages. Published by G. Schirmer

The New Imperial Edition. By Various. Arranged by Sydney Northcote. Boosey and Hawkes Voice. Book only. Size 9x12 inches. 104 pages. Published by Boosey and Hawkes.

Book/Online Audio. Vocal Collection. Vocal Standards, Classical and Play Along. Softcover Audio Online. With vocal melody, lyrics, piano accompaniment and introductory text. 128 pages. Published by G. Schirmer

By Various. Edited by Nicholas. For mezzo-soprano, piano. Published by C.F. Peters.

By Various. Edited by David Fanning. For mezzo-soprano, piano. Published by C.F. Peters.

For School and Studio, Medium High Voice. By Franz Schubert; Hugo Wolf; Johannes Brahms; Robert Schumann. Edited by Bernard Taylor. Text: Anonymous; Eduard Morike; Ferd. Schumann; Friedrich Ruckert; George Filipp Schmidt; Heinrich Heine; J.W. Von Goethe; Joseph Von Eichendorff; Justinus Kerner; Klaus Groth; Matthias Claudius; Wilhelm Muller. For Mezzo-Soprano, Piano. Piano/Vocal Score. 64 pages. Published by Theodore Presser Company.

With Diction Coach and Accompaniment Audio Online G. Schirmer Opera Anthology. Edited by Robert L. Larsen. Vocal Collection. Opera, Classical. Softcover Audio Online. 288 pages. Published by G. Schirmer

(Mezzo Soprano and Piano Reduction). By Kaija Saariaho (1952-). Arranged by Christopher Brown. For Mezzo-Soprano, Piano Accompaniment (Mezzo-Soprano). Music Sales America. Book only. 42 pages. Chester Music #CH7165401. Published by Chester Music

For Mezzo-Soprano (Alto) and Piano. Composed by Various. Arranged by Joan Frey Boytim. Vocal Collection. Play Along. Softcover Audio Online. 96 pages. Published by Hal Leonard

Mezzo-Soprano and Piano Mezzo-Soprano; Piano Accompaniment (Mezzo-Soprano)

SKU: HL.48024675

15 Old Songs About 'Orlando Furioso' by Ariost Mezzo-Soprano and Piano. Composed by Detlev Glanert. Boosey & Hawkes Voice. Classical. Softcover. 52 pages. Bote & Bock #M202532010. Published by Bote & Bock (HL.48024675).

ISBN 9781540058515. UPC: 888680952495.

Created in 2004 for the radio production Orlando furioso of the WDR, 'Orlando-Lieder' tries to give new and colourful form to the old narrative style of an invented time of troubadours. Tenderness is juxtaposed to passion, harmony to brusqueness. The voice of the countertenor symbolizes the objective observation of what is happening in the novel by one of the balladeers travelling the courts of the world and informing us about the adventures of people, their strange encounters and their great emotions.Mezzo-Soprano and Piano. Contents: Lied der Sehnsucht * Lied der Wehmut * Der Hippogryph * Hexensabbat * Orlandos Traum * Logistillas Schloss * Amors Pfeil * Insel der Dufte * Lied der Augen * Eis * Liebesschmerz * Lied vom Meer * Lied vom Mond * Untrostlich * Erwachen.

Mezzo-Soprano and Piano

SKU: HL.14027822

Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. 21 pages. Music Sales #KP01105. Published by Music Sales (HL.14027822).

ISBN 9788759877579. English.

Roses Are Falling - 5 songs for Mezzo-Soprano and Piano by Bent Sorensen (1998) with lyrics by Selima Hill. Programme note: Roses are Falling had its origin in a small opera sketch I created with the English poet Selima Hill in just under a week during an opera workshop in the south of England in the autumn of 1998. After the workshop I was asked to make a song cycle out of the material. The opera sketch begins with a woman and a man sitting alone in a room. They have drawn aside from the rest of a large party and they have just decided to finish their love affair. The other guests at the party come into the room, and amidst the crowd the man leaves the room. The women is leftthere alone among all these inconsequential people: alone, singing her own thoughts and torment. The first three songs were all taken from this part. In the fourth song, which was written late, the text is taken from one of Selima Hill's poetry collections. The fifth and last song comes partly from the beginning of the opera, where the man and the women sit alone (she knows what is coming), partly from the end of the story, where despite the gab in time and space they touch each other with their dreams. His voice is heard as a whisper that merges with hers: He takes me in his arms like the moon that turns and take the evening from the sun. Roses are Falling was premiered in 2000 in London by Lore Lixenberg and Domenic Saunders.