SKU: HL.14034532
6.75x9.75x0.019 inches.
Canzonet for four voices.
SKU: CR.984299
ISBN 9780758661807. 7 x 10.25 inches.
This familiar Christmas carol is given an ethereal setting by Brian L. Hanson. Supported by a gentle, lilting accompaniment, the strains of 'Still, Still, Still' interweave in both the accompaniment and choral parts. Soaring vocal lines, rich harmonies, and imaginative text painting point to the wonder and mystery of Christmas.
In the bleak midwinter, Frosty wind made moan,Earth stood hard as iron,Water like a stone;Snow had fallen, snow on snow,Snow on snow,In the bleak midwinter, Long ago.
Heaven cannot hold Him,Nor earth sustain;Heav'n and earth shall flee awayWhen He comes to reign;In the bleak midwinter, A stable place sufficedThe Lord God Almighty,Jesus Christ.
Still, still, still,One can hear the falling snow.For all is hushed, the world is sleeping,Holy star its vigil keeping.Still, still, still,One can hear the falling snow.
What can I give Him,Poor as I am?If I were a shepherd,I would bring a lamb;If I were a Wise Man,I would do my part;Yet what I can I give Him—What can I give Him?Give my heart.
SKU: ST.EM27
ISBN 9790220203428.
A minor canon of Norwich Cathedral, Carlton belonged also to the older generation of madrigal composers, particularly fond of the 'Byrd' or English cadence of flat versus sharp leading-notes. Although he claims to have laboured 'somewhat to imitate the Italian style', he admitted in his preface, 'I cannot forget that I am an English man.' CONTENTS All creatures then (SSATB) Calm was the air (SSAT (or A) B) Content thyself with thy estate (SAATB) Even as the flowers do wither (SSATB) From stately tower (SSATB) If women can be courteous (SSATB) Let every sharp (SSATB) Like as the gentle heart (SSATB) Nought is on earth (SSATB) Nought under heaven (SSATB) O vain desire (SSATB) Sound saddest notes (SSATB) So whilom learned (SSATB) The heathen Gods for love (SA (or T) A (or T) BB) The love of change (SSATB) The self-same things (SS (or A) ATB) The witless boy (SSATB) When Flora fair (SSATB) Who seeks to captivate (SAATB) Who vows devotion (SSATB) With her sweet locks (SSATB) Ye gentle ladies (SSATB).
SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: GI.G-10062
UPC: 785147006213. English, Spanish. Text Source: Salmo 40(39):7&ndash,8a, 8b&ndash,9, 10, 11, Leccionario Edición Hispanoamericana, Psalm 40:7&ndash,8a, 8b&ndash,9, 10, 11, The Abbey Psalms and Canticles Scripture: Psalm 40:7–8a, 8b–9, 10, 11.
SKU: CA.3110805
ISBN 9790007047924. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score available separately - see item CA.3110800.
SKU: WD.080689705021
UPC: 080689705021.
Introducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-along music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!
SKU: WD.080689505676
UPC: 080689505676.
SKU: WD.080689801723
UPC: 080689801723.
SKU: LP.OR-9223
UPC: 765762088900.
What a collection! Compiled by Gospel Music Hall of Fame songwriter Mosie Lister who has a real heart both for gospel music and for the choir with limited resources. The format is Easy 2 Excel flexible so choirs can either sing easy SATB or adapt the voicing to their own needs. Each arrangement is easy to learn yet fun to sing. Titles include I Should Have Been Crucified; I Bowed on My Knees and Cried 'Holy!'; Peace in the Midst of the Storm; Beyond the Cross; Canaanland Is Just in Sight; Do You Know My Jesus?; Faith Unlocks the Door; I Thirst; I Will Serve Thee; I'm Not Giving Up; Your First Day in Heaven; The Unclouded Day; Love Is Why; Keep on the Firing Line; Joy Comes in the Morning ; more. See Table of Contents (below) for additional titles.
SKU: CA.3110814
ISBN 9790007047986. Key: A major / b minor. Language: German/English. Text: von Ziegler, Christiane Mariane. Text: Christiane Mariane von Ziegler.
The cantata Es ist euch gut, dass ich hingehe [It is well that I go forth] BWV 108 for Cantate Sunday is one of the cantatas composed on texts by the Leipzig poetess Christiane Mariane von Ziegler with which Bach concluded his second annual cycle of cantatas after he had abandoned the annual cycle of chorale cantatas at Easter 1725. The text contains two sayings by Jesus which are taken directly from the Sunday gospel reading (John 16:5-15). The quotation opening the cantata was set by Bach as a bass aria with solo oboe d'amore; it breathes tranquility and assurance. The second quotation, however, is set as an extended choral fugue in three sections; it forms the center of the cantata. The free text surrounding the biblical quotations is divided into two arias in which the emphasis is on melodic lines; there is only one single recitative, the original text of which was substantially abridged by Bach. A four-part chorale concludes the cantata. Score and part available separately - see item CA.3110800.
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