Men's Choir and Piano

SKU: M7.DOHR-23017

Composed by Johann Andreas Amon. Sheet music. Choral score. Op. 103. MDS (Music Distribution Services) #DOHR 23017. Published by MDS (Music Distribution Services) (M7.DOHR-23017).

ISBN 9790202010174.

By Johann Andreas Amon. Edited by Bernhard Pauler. For Violin and Viola. Various Agencies. Published by Amadeus Verlag

Männerchor, Klavier (Hörner (3)) - Level 2

SKU: VD.ED23017

Composed by Johann Andreas Amon. Classical. Choral score. Composed 1823. Verlag Dohr #ED23017. Published by Verlag Dohr (VD.ED23017).

ISBN 9790202010174. 11.69 x 8.26 inches.

By Johann Andreas Amon. For bassoon (cello) and piano. Various Agencies. Published by Amadeus Verlag

Composed by Johannes Brahms (1833-1897). Edited by Andreas Boyde and Katrin Eich. Henle Music Folios. Softcover. 36 pages. G. Henle #HN1289. Published by G. Henle

(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min

(after the copy from J. S. Bach). Composed by George Frideric Handel (1685-1759). Edited by Andreas Traub. For STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo. This edition: Paperbound. Stuttgart Urtext Edition. Score available separately - see item CA.5504800. Oratorios, Passions, Lent and Passiontide, Holy Week. Study score. Language: German. HWV 48. Duration 150 minutes. Published by Carus Verlag

Books and Journals

SKU: UT.APS-9

Edited by Christian Speck. Paperback (Soft Cover). Ad Parnassum Studies. Classical. Books and Journals. Ut Orpheus #APS 9. Published by Ut Orpheus (UT.APS-9).

ISBN 9788881095001. 6.5 x 9.5 inches.

Saggi di Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Wilhelm Seidel, Bernhold Schmid, Christian Speck, Glenn Stanley, Andreas Traub, Reinhard Wiesend


Musical composition is always related to the work's realisation in sound. A written form is required in order to give shape to the compositional intention. Consequently it is text, the musical text, which mediates between the act of composition and the performance. The object of the musical edition is to prepare the text so that the will of the composer is presented to the musicians in a way that allows the composition to become realised musically. The edition thus inevitably establishes a conflict between divergent orientations, such as between science and practice, preservation and actualization, as well as textual criticism and hermeneutics. Because his editorial decisions are fundamentally interpretive the editor must know and understand the historical and hermeneutical problems of his subject, especially when it comes to determining what stage of the work is to be presented. The editing of music is not always restricted to mediation; it may also represent a translation.
The present collection of essays -- all but one, in German -- is a Festschrift for Petra Weber's 60th birthday. It combines contributions on music and music editing by Robert Abels, Fabian Brinkmann, Bernd Edelmann, Thomas Emmerig, Vincent Grau, Hartmuth Kinzler, Michael Klaper, Beate Angelika Kraus, Heinz von Loesch, Albrecht von Massow, Gerhard Poppe, Michael Raab, Bernhold Schmid, Wilhelm Seidel, Glenn Stanley, Andreas Traub, and Reinhard Wiesend. Among the composers treated, Ludwig van Beethoven will occupy a prominent place. Special consideration will also given to Didier Lupi, Francesco Cavalli, Johann Sebastian Bach, Johann Adolf Hasse, Franz Schubert, Giovanni Simone Mayr, Ferruccio Busoni, Carl Orff, and Sandor Veress.

STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo

SKU: CA.5504819

Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Complete orchestral parts. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Set of Orchestra Parts. HWV 48. Duration 150 minutes. Carus Verlag #CV 55.048/19. Published by Carus Verlag (CA.5504819).

ISBN 9790007133702. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and parts available separately - see item CA.5504800.

STB vocal soli, solo vocal quintet, SATB choir, 2 oboes, taille (english horn), 2 violins, viola, basso continuo

SKU: CA.5504849

Based on the copy by J. S. Bach. Composed by George Frideric Handel. Edited by Andreas Traub. This edition: urtext. Stuttgart Urtext Edition: Handel. Organ. Innovative practice aids, Sacred vocal music, Oratorios, Passions, Lent and Passiontide, Holy Week. Single Part, Organ. Composed 1828/29. HWV 48. 120 pages. Duration 150 minutes. Carus Verlag #CV 55.048/49. Published by Carus Verlag (CA.5504849).

ISBN 9790007132620. Language: German.

The extraordinarily high reputation among Handel's contemporaries of his Passion Oratorio to words by Brockes is indicated by the fact that no less eminent a musician than Johann Sebastian Bach himself made a copy of this work. Although Bach copied it without making substantial changes in it, our edition of the work brings together two of the greatest baroque composers. The Brockes Passion was - not only for the Leipzig Thomaskantor - an alternative to the betterknown Bach Passions. Score and part available separately - see item CA.5504800.