| Eric Ewazen: Ballade for A Ceremony (A Marriage Ballade) Trumpet, Piano [Set of Parts] Southern Music Ltd
Composed by Eric Ewazen. Set of performance parts for trumpet (in C or Bb) and p...(+)
Composed by Eric Ewazen. Set of performance parts for trumpet (in C or Bb) and piano. 10 pages. Published by Southern Music Company.
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| Inside the Choral Rehearsal Choral GIA Publications
Method and Rehearsal Guide for Lux Aurumque (Eric Whitacre). Composed by ...(+)
Method and Rehearsal Guide for Lux Aurumque (Eric Whitacre). Composed by James Jordan / Jason Vodicka. Music Learning Theory (MLT). Music Education. 258 pages. Published by GIA Publications (GI.G-9063).
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| Curtain Up! Trios Flute Trio: 3 flutes [Sheet music + CD] - Easy Universal Edition
6 Easy to Intermediate Arrangements. Composed by Thomas Morley / Claude L...(+)
6 Easy to Intermediate Arrangements. Composed by Thomas Morley / Claude Le Jeune / Edvard Hagerup Grieg / Daniel Friderici / Johann Hermann Schein. Arranged by Barbara Gisler-Haase. Score, parts and CD. 28 pages. Universal Edition #UE36691. Published by Universal Edition (PR.UE036691).
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| Oramos Cantando / We Pray in Song - Pew edition GIA Publications
Guitar, keyboard SKU: GI.G-7400 This edition: Pew edition. Hymnal. Oramos...(+)
Guitar, keyboard SKU: GI.G-7400 This edition: Pew edition. Hymnal. Oramos cantando series. Sacred. Book. GIA Publications #7400. Published by GIA Publications (GI.G-7400). ISBN 9781579999698. Intended especially for the growing number of multicultural, bilingual (Latino/Anglo) parishes and communities in the United States, Oramos Cantando / We Pray in Song is a hymnal and service book that is comprehensive enough to satisfy the liturgical needs of such communities, when they are worshipping in Spanish, in English, or bilingually. Bilingual from the first page to the last. Organized to reflect the liturgical life of the Church: morning, evening and night prayer from the Liturgy of the Hours, the sacramental rites of Christian initiation of adults, baptism of children, holy communion outside Mass, eucharistic exposition and benediction, reconciliation of penitents, anointing of the sick, marriage, and funerals, the Order of Mass, service music, hymns and songs, lectionary responsorial psalms. All ritual texts are from the English- and Spanish-language liturgical books approved for use in the dioceses of the United States of America Seventy settings of psalms and biblical canticles in a variety of styles, for use in the Liturgy of the Hours, at Mass, and in other liturgical rites. Many employ Gelineau, Guimont, or Conception Abbey tones. Standards from the “Celebration-style†repertoire by Haugen, Joncas, Haas, and others. All with Spanish and English texts ICEL chants for the Order of Mass, accompanied by the complementary plainsong chants in Spanish. Five bilingual settings of the ordinary of the Mass, along with one Latin and two English-only Mass settings, plus a number of additional service music items to serve the liturgical needs of Anglo/Latino parishes for many years to come A broad and stylistically diverse collection of nearly 550 hymns, psalms, and inspired songs, containing the best and most beloved traditional and contemporary music of Latino and Anglo communities, with more than 300 items newly translated according to guidelines for preserving meaning, rhyme, and meter Music from around the world, encompassing plainsong chants, classical hymnody, contemporary scripture-based songs, Taizé chants, and world music from Asia and Africa. Settings originally with Spanish texts are from the United States, Spain, Mexico, Central and South America, and the Caribbean Lectionary psalms with USCCB-approved refrains in both English and Spanish and verses from The Revised Grail Psalms and the salterio of Spain’s Conferencia Episcopal Española (CEE). These bilingual lectionary psalms have been included in the Sacred Song missalette program of The Liturgical Press since 2005 Eleven indexes: liturgical, topical, psalms and canticles, service music, scripture references in hymns, hymn tunes, tune meters, musical settings using languages other than Spanish and English, psalm refrains set to music, common titles and first lines, and hymnal contributors (composers, authors, translators, sources) A hymnal which not only addresses the liturgical experience of today, but also opens the door to new possibilities in the future. Fulfilling the statement of the American bishops: Liturgical music today must reflect the multicultural diversity and intercultural relationships of the members of the gathered liturgical assembly. The varied use of musical forms such as ostinato refrains, call and response, song translations, and bilingual or multilingual repertoire can assist in weaving the diverse languages and ethnicities of the liturgical assembly into a tapestry of sung praise. Sing to the Lord, 60 Destinado especialmente para el creciente número de parroquias y comunidades multiculturales, bilingües (Latinas/Anglas) en los Estados Unidos, Oramos Cantando / We Pray in Song es un himnario y ceremonial lo suficientemente completo para satisfacer las necesidades litúrgicas de tales comunidades, cuando oran en español, en inglés, o de una manera bilingüe. Bilingüe desde la primera página hasta la última. Organizado para reflejar la vida litúrgica de la Iglesia: oración matutina, vespertina y nocturna tomada de la Liturgia de las Horas, los ritos sacramentales de la iniciación cristiana de adultos, del bautismo de niños, para la sagrada comunión fuera de la Misa, para la exposición y bendición eucarÃstica, para la reconciliación de varios penitentes, para la unción de los enfermos, el matrimonio, y las exequias, el Ordinario de la Misa, música para las ceremonias, himnos y cantos, salmos responsoriales del leccionario. Todos los textos de los ritos están tomados de los libros litúrgicos en inglés y en español aprobados para su uso en las diócesis de los Estados Unidos de América. Setenta arreglos de salmos y cánticos en una variedad de estilos, para usarlos en la Liturgia de las Horas, en la Misa, y en otros ritos litúrgicos. Muchos emplean los tonos de Gelineau, Guimont, o Conception Abbey. Normas del repertorio del “estilo-de-celebración†por Haugen, Joncas, Haas, y otros. Todos con el texto en español y en inglés. Cantos de ICEL para el Ordinario de la Misa, acompañados por los cantos llanos complementarios en español. Cinco arreglos bilingües para el ordinario de la Misa, junto con uno en latÃn y dos arreglos para la Misa sólo en inglés, además de un número de cantos adicionales para responder a las necesidades litúrgicas de las parroquias anglas/latinas por muchos años en el futuro Una colección amplia y de diversos estilos de casi 550 himnos, salmos y cantos inspirados, que contienen lo mejor y lo más apreciado de la música tradicional y contemporánea de las comunidades latinas y anglas, con más de 300 composiciones recientemente traducidas según las normas para la preservación del significado, del ritmo, y del metro Música de todo el mundo, incluyendo cantos llanos, himnos clásicos, cantos contemporáneos basados en la biblia, cantos de Taizé, y música mundial de Asia y Ãfrica. Arreglos originales con textos en español que vienen de los Estados Unidos, de España, de México, de Centro y Sud América, y del Caribe. Salmos del Leccionario con estribillos aprobados por la Conferencia Episcopal de Estados Unidos (USCCB) tanto en inglés como en español y versos del salterio: The Revised Grail Psalms y del salterio de la Conferencia Episcopal Española (CEE) de España. Estos salmos bilingües del leccionario se han incluido en el programa del misalito Sacred Song de la editorial: The Liturgical Press desde 2005 Once Ãndices: litúrgico, temático, salmos y cánticos, música para celebraciones, referencias bÃblicas en himnos, tonadas de himnos, metros de himnos, arreglos con idiomas además de español e inglés, antÃfonas musicalizadas para los salmos, tÃtulos comunes y primeras frases, y contribuyentes al himnario (compositores, autores, traductores, fuentes) Un himnario que no sólo responde a la experiencia litúrgica de hoy, sino también abre la puerta a nuevas posibilidades en el futuro. Cumple la declaración de los obispos americanos: “La música litúrgica de hoy debe reflejar la diversidad multicultural y las relaciones interculturales de los miembros de la asamblea litúrgica reunida. El uso variado de formas musicales como estribillos en ostinato, llamado y respuesta, traducción de cantos, y el repertorio bilingüe o multilingüe puede ayudar a entretejer los diferentes idiomas y etnias de la asamblea litúrgica en un tapiz de alabanza cantada.†Cantemos al Señor, 60 There is no doubt that the goal of singing each other's liturgical music as an expression of the catholicity of our faith embodied in this volume, does in fact allow bilingual and multicultural parishes through the United States—and beyond—to respond to the liturgical needs of today while opening the door to new possibilities. — Becca Whitla The Hymn Society Journal. Volume 66, No. 4. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Historical Performance Practice in Organ Playing Carus Verlag
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukv...(+)
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukvik. Buch-Reihen bei Carus: Historical Performance practice on keyboard instruments. Book. Carus Verlag #6001100. Published by Carus Verlag (CA.6001100). English. Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Durufle), Jeremy Filsell (Marcel Dupre), Bernhard Haas (Arnold Schonberg, Ernst Krenek, John Cage, Gyorgy Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik's organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. $115.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Requiem in D minor Choral [Vocal Score] Serenissima
By Anton Bruckner (1824-1896). Edited by Robert Maria Haas. Arranged by Ludwig B...(+)
By Anton Bruckner (1824-1896). Edited by Robert Maria Haas. Arranged by Ludwig Berberich. Choir and piano. For Soprano voice, Alto voice, Tenor voice, and Bass voice (Soli), SATB Choir, Piano. This edition: Paperback. Mass, Liturgical, Choral, Original Wo. Large Vocal Score. Romantic Period; Sacred/Hymns, German.
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| Stuttgarter Stuttg Liederbl Liedprogr Dsb Schott
Choir a cappella or with instrumentsn SKU: HL.49025754 Liedprogramm de...(+)
Choir a cappella or with instrumentsn SKU: HL.49025754 Liedprogramm des deutschen Sangerbundes. Composed by Stuttgarter. This edition: Saddle stitching. Sheet music. Schott Chorverlag (Choral Music). Choral Score. 20 pages. Schott Music #C 43566. Published by Schott Music (HL.49025754). ISBN 9790001012836. German. Zum 14. Deutschen Sangerbundesfest vom 2.-5. August 1956 in Stuttgart. $5.95 - See more - Buy online | | |
| Herbstfestival Percussion Breitkopf & Härtel
Percussion solo SKU: BR.KM-2409 Composed by Nicolaus A. Huber. Solo instr...(+)
Percussion solo SKU: BR.KM-2409 Composed by Nicolaus A. Huber. Solo instruments; Folder. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Freiburg, October 25, 1989. Music post-1945; New music (post-2000). Performance score. Composed 1989. 30 pages. Duration 19'. Breitkopf and Haertel #KM 2409. Published by Breitkopf and Haertel (BR.KM-2409). ISBN 9790004501818. 11 x 14 inches. ..., und selten larmetDer Schall durchs offne Feld, ......, die Lufte wehenDie Zweig und Aste durch ... (Friedrich Holderlin: Der Herbst)Eine insistierende herbstliche Klanglandschaft, Ausgangspunkt fur ,,Herbstfestival. Es war schwer, in die rhythmischen Verwebungen der ausserst leisen Ereignisse einzudringen, vor allem eines davon als ,,Anfang zu bestimmen. Ich versuchte mit der Stoppuhr kunstliche Zeitausschnitte zu markieren, um die enthaltene Polyphonie besser studieren zu konnen. Aber Struktur und Erlebnisart dieser Herbstklange deckten sich uberhaupt nicht mit meinen kompositorischen Wiedergabebedurfnissen. Die auf mich zukommende Klangnatur musste in eine Musiklandschaft von Fellen, Holzern, Metallen und klangerzeugenden Bewegungen transformiert werden.Das Stuck ist wie ein Gedicht in Zeilen aufgegliedert. Die Zeilenketten sind so angelegt, dass trotz logischer Folge der Farbsets sozusagen ins Unubersichtliche gezahlt wird. Aufgrund der Nichtproportionalitat von Zeilenlange und Ereignisdichte pro Zeile entsteht aus der sich steigernden Pressung eine polyphone Ineinanderschiebung, die sich auf ihrem Hohepunkt zugleich aus Poly- in Monochromie gewandelt hat. Aus solcher Fluiditat wachst die neunzehnminutige Crescendostruktur der Komposition. Sie lasst Entfernung in eigenartig erlebbare Musik-Nahe umschlagen. Die Komposition verzichtet auf aufruttelnde Reklame fur ihre Klangereignisse. Sie braucht offenes, entspannt-aufmerksames, zulassendes Horen.Die Sagen, die der Erde sich entfernen,Vom Geiste, der gewesen ist und wiederkehret,Sie kehren zu den Menschen sich, und vieles lernenWir aus der Zeit, die eilends sich verzehret.(Friedrich Holderlin: Der Herbst)(Nicolaus A. Huber, 1989)CDs:Schlagquartett KolnCD BV HAAST 9407Schlagquartett KolnPolmic 023 CD No.5Bibliography:Huber, Nicolaus A.: Die Zeit ist buchstabengenau und allbarmherzig. Zu Holderlin in meinen Kompositionen, in: Dissonanz, Heft 76, August 2002, pp. 4-13, und Heft 77, Oktober 2002, pp. 4-15.Le temps est litteral et misericordieux. La place de Friedrich Holderlin dans mes compositions, in: Dissonance, Heft 76, August 2002, S. 4-13, und Heft 77, Oktober 2002, pp. 4-15.ders.: THIRTY ARE BETTER THAN ONE (A. Warhol), in: Neue Musik und andere Kunste, hrsg. von Jorn Peter Hiekel (= Veroffentlichungen des Instituts fur Neue Musik und Musikerziehung Darmstadt, Band 50), Mainz u.a.: Schott 2010, pp. 220-235.Reinhold, Steffen: Herbstmusik. Wie die Natur durch die Musik spricht, in: Musik & Bildung 48 (2016), Heft 3, S. 50-55. $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Konzert fur Klavier und Orchester D-Dur op. 61 2 Pianos, 4 hands [Reduction] Barenreiter
(nach dem Violinkonzert). By Ludwig van Beethoven (1770-1827). Edited by Jonatha...(+)
(nach dem Violinkonzert). By Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Arranged by Martin Schelhaas. Piano and orchestra. For 2 pianos. This edition: Urtext edition. Mit Urtext-Stimme und eingerichteter Stimme von Yuriko Murakami. Solo part and piano reduction. Opus 61. 64/53/53 pages. Published by Baerenreiter Verlag
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| Skolesangbogen Piano, Vocal and Guitar Wilhelm Hansen
Piano, Vocal and Guitar SKU: HL.14030399 Music Sales America. Educational...(+)
Piano, Vocal and Guitar SKU: HL.14030399 Music Sales America. Educational Tool. Book [Binded]. 448 pages. Edition Wilhelm Hansen #WH30455. Published by Edition Wilhelm Hansen (HL.14030399). ISBN 9788759810514. Danish. The school song book - The new school song book - Tradition and innovation from ballad to rap. Over 400 songs divided into: Morning, evening, years, Denmark, life, play, rap ... Per Norgard, Alberte, Ib Norholm, Rockers By Choice, Carl Nielsen, Niels Lan Doky, Fuzzy, Pelle Gudmundsen-Holmgreen, MC Einar, Sebastian, John Hoybye, Benita Haastrup, MC Clemens, Morten Kaersa, Bent Lorentzen, Lars H.U.G., Bo Holten, Aske Bentzon, Marilyn Mazur, Mads Vinding, Kurt Larsen, Otto Mortensen, Sven Gyldmark, Pierre Dorge, Chris Minh Doky, Jan Rordam, Finn Jorgensen, Stevie Wonder, The Beatles, Paul Simon and many more. $44.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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