SKU: SU.00220113

Composed by Johannes Brahms. Harp, Harp with Other Instruments, Keyboard, Piano/Harpsichord, Keyboard, Organ. The Orchestra Musician's CD-ROM Libraryâ„¢. CD (PDF Scores). CD Sheet Music #00220113. Published by CD Sheet Music (SU.00220113).

The complete Harp, Keyboard (Piano, Organ, etc.) and auxiliary parts [CD-ROM] for the 74 orchestral works included in The Orchestra Musician's CD-ROM Library™, Volume 3: Brahms, Schumann and more. If these parts were purchased separately, this collection could cost several hundred dollars. Parts are easily viewable and printable on either PC or Mac using embedded Adobe® Reader technology. Contents: BRAHMS 4 Symphonies, 4 Concertos, 18 Hungarian Dances, 2 Serenades, Overtures, Variations on a Theme by Haydn, German Requiem, more (36 works); LALO Symphonie Espagnole; LISZT Faust and Dante Symphonies, Les Préludes, 3 Piano Concertos, Hungarian Rhapsodies, Mephisto Waltzes 15 works); OFFENBACH Orpheus in the Underworld Overture; SARASATE Carmen Fantasy; SCHUMANN 4 Symphonies, 2 Concertos, 3 Overtures; CHABRIER España; CHOPIN 2 Piano Concertos; FRANCK Symphony in D Minor, Symphonic Variations, Psyche; SUPPÉ Poet and Peasant Overture, Light Cavalry Overture. Visit for more information

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

SKU: TM.02354VS

Composed by Jacques Offenbach. Vocal Score. Lucks Music Library #A3657. Published by Lucks Music Library (TM.02354VS).

Original key in G, but F is more popular. Score and parts include both F and G versions printed back to back. Chorus only available in key of F. Playable with or without harp - Cl II and Bn II to play cues if no harp. Typeset 2017.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barcarolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carillon An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Orchestra - Grade 4

SKU: AP.47449S

Composed by Jacques Offenbach. Arranged by Louis Bergonzi. Full Orchestra; Performance Music Ensemble; Single Titles. Belwin Symphonic Full Orchestra. Masterwork Arrangement. Score. 44 pages. Belwin Music #00-47449S. Published by Belwin Music (AP.47449S).

UPC: 038081547749. English.

The quintessential Can-Can provides a rousing finish, yet this entire piece offers excitement, lyricism, and opportunities for impressive, yet manageable, solos and cadenzas. For strings alone or with any combination of winds, harp, and percussion---up to full symphonic orchestra. Optional cuts included.

73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 272 pages. Published by Hal Leonard.

2 harps

SKU: NR.43797

Da I racconti di Hoffmann : per due arpe. Composed by Jacques Offenbach. Edited by Andrea Borgatti Schirinzi. Plucked instrumental music. Score. Noten Roehr #43797. Published by Noten Roehr (NR.43797).

Hoffmanns Erzählungen.

For Studio and Recital, Thirty Songs for High Voice. By Alexander Gretchaninoff; Anton Rubinstein; Charles Huerter; Charles W. Cadman; Clara Edwards; Earl Cranston Sharp; Edvard Grieg; Frank Laforge; Gustav Klemm; Harvey B. Gaul; Jacques Offenbach; James H. Rogers; Johannes Brahms; John A. Carpenter. Edited by Heinrich Kiehl; Martin Mason. Text: Charles O. Roos; Dorothy Dickinson; H.J. Pearl; Hans Christian Andersen; Heinrich Heine; Helen Oushman Mitchell; Helge Rode; Hermann Hagedorn; Jessica Hawley Lowell; Karl Simrock; Katherine Howard; Lermontoff; Paul Verlaine; Pearl G. Curran; Shega Obata. For high voice, piano. Piano/Vocal Score. 94 pages. Published by Theodore Presser Company.