| La Méthode de Darbouka Darbouka [Sheet music + CD] - Easy Editions J.J. Rébillar
Percussion - easy SKU: BT.REBDM2006 22 Leçons Et 25 Rythmes � Con...(+)
Percussion - easy SKU: BT.REBDM2006 22 Leçons Et 25 Rythmes Ã? Connaitre. Composed by Habib Yammine. Method. Book with CD. Composed 2020. 80 pages. Editions J.J. Rebillard #REBDM2006. Published by Editions J.J. Rebillard (BT.REBDM2006). French. Une méthode unique pour aborder les nombreuses techniques de la darbouka et les divers rythmes arabes du Proche-Orient, dâ??Arabie et du Maghreb. Au sommaire : Théorie du rythme dans la musique arabe â?¢ La périodicité â?¢ Le juzâ?? (Cellule rythmique minimale) â?¢ Le temps premier ou temps de référence â?¢ La darbouka, organologie et histoire â?¢ Statut général de lâ??instrument â?¢ Origine de la darbouka dans le monde arabe â?¢ Les différents noms de la darbouka (tabla, dumbek ou doumbek , derbakkeâ?¦) â?¢ Les frappes de bases (Dum, Tak, Ka, Sak) â?¢ Les frappes de blocages et de changement de timbre â?¢ 22 Leçons pour progresser rapidement : Mesures 2 temps, 3 temps, 4 temps, 6/8 â?¢ Divisions binaire et ternaire du temps â?¢ Les accents â?¢ Roulements de triples croches â?¢ Ras des 4 doigts â?¢ Les glissements â?¢ Les 25 rythmes les plus connus du monde arabe : Rythmes 2 temps (Ayy b, Malfouf, Gubb hîâ?¦) â?¢ Rythmes 4 temps (Masm dî saghîr, Maqs m, Wahdaâ?¦) â?¢ Rythmes 3 temps (Sam °î d rijâ?¦) â?¢ Rythmes en 6/8 (Yuruk Sam °î, Berw lîâ?¦) â?¢ Rythmes 8 temps (Chobî, Masm dî kabîrâ?¦) â?¢ Rythmes impairs (Dawr hindî, Aqs q ifranjîâ?¦) â?¢ Rythmes 10 temps (Sam °î thaqîl, Jorjina) â?¢ Rythmes 12 temps (Dal° na, Hadd wî) â?¢ Et des liens internet audio et vidéo pour illustrer tous les rythmes de la méthodeâ?¦. $24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Magnificent Darbuka Rhythms Chart Darbouka [Sheet music + Audio access] - Beginner Mel Bay
A beginner's guide to learning how to play popular Middle Eastern rhyth...(+)
A beginner's guide to
learning how to play popular
Middle Eastern rhythms.
Theory and Reference, Folded.
World Music. Chart and online
audio. 4 pages. Mel Bay
Publications, Inc #21461M.
Published by Mel Bay
Publications, Inc
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Darabukka Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; st...(+)
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Score. Composed 1976. 12 pages. Duration 15'. Breitkopf and Haertel #EB 9385. Published by Breitkopf and Haertel (BR.EB-9385). ISBN 9790004188552. 12 x 9 inches. Darabukka ist eine arabische Vasentrommel - heute vorzugsweise vom fahrenden Volk gebraucht - die zwei Klange erzeugt: einen hohen und einen tiefen (+ hohen). Durch Abdecken der unteren Offnung verschwindet der tiefere Klang, und der hohere bleibt allein ubrig. Diese Eigenschaften sind auf das Klavier ubertragen: 1. Die Taste wird wie eine Trommel behandelt, und alle moglichen Finger- und Handkombinationen werden zur Rhythmus-Instrumentation herangezogen. 2. Durch subharmonische Teilschwingungen wird der Tastenton zusatzlich klanglich aufgebrochen. Ihre Klangfarben unterliegen den Rhythmusmodellen. 3. Ich habe dieses Stuck von verschiedenen Volks-Musiken gelernt, und am Ende erklingt eine Solidaritats-Klangaktion fur das Volk von Chile: ,,El pueblo unido jamas sera vencido! - ,,Das Volk wird niemals besiegt werden, wenn es einig ist. In Darabukka wird mit drei verschiedenen Struktur- und Klang-Charakteren gearbeitet. Unter den vielen Techniken der Rhythmuskomposition ist vielleicht die der rhythmischen Modulation am interessantesten: Durch Umdeutung einer Dauer kann von einem Modell x zu einem Modell y ubergeleitet werden. (Nicolaus A. Huber, 1976) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD Koch Aulos 3-1817-2 Bibliografie: Dudda , Friedrich: Nicolaus A. Hubers ,,Darabukka, in: Feedback Papers 15, Koln 1978, S. 19-21. Schick , Tobias Eduard: Weltbezuge in der Musik Mathias Spahlingers (Beihefte zum Archiv fur Musikwissenschaft, Band 80), Stuttgart; Franz Steiner 2018, dort S. 97-99
World premiere: Paris, March 14, 1977. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Etudes Miniatures A Memoriser (32) Saxophone [Score] - Intermediate Lemoine, Henry
Saxophone - Level 3 SKU: LM.27907 Composed by A. Lecapelain and N. Prost....(+)
Saxophone - Level 3 SKU: LM.27907 Composed by A. Lecapelain and N. Prost. Claude Delangle. Method, studies. Score. Editions Henry Lemoine #27907. Published by Editions Henry Lemoine (LM.27907). ISBN 9790230979078. P'tit lutin - Marionnette - Tcha-Tcha - Ressort - Pirouette - Hard'Folie - Balade - Staccato-Chinois - En fanfare - Noctambule - Rock - Pied de nez - Paso Doble - Priere - Adagio en forme de choral - Slow - Melopee - Clair de lune - Chant du soleil - Soldats de plomb - Drapeaux - Batignolles - Rouli-Roula - Valse triste - Tourbillon - En revant - Octobre - Secret - Delire clownesque - Cauchemar - Cadence - Berceuse. $26.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Romansy
Pevets, Elegiia, Sosna, Gornye vershiny, Al'bomnoe stikhotvorenie, Moia otchizna...(+)
Pevets, Elegiia, Sosna, Gornye vershiny, Al'bomnoe stikhotvorenie, Moia otchizna, Veter gor moikh, Oplachu tosku, Sviatoi ostrov, Spoi dlia menia, Na ozere, Kachaites' kachaites' kashtany, Usni, I v etu noch', Po lesu leshii krichit na sovu, Cheremukha dushistaia, Za rekoi goriat ogni, Ei dozhdik, Voz'mu dereviashku, Zdravstvuite derevo, Strelochnik, More, Moi staryi drug
$89.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Kemit. Solo De Derbouka De Nubie, Pour Percussion Percussion Ensemble [Score] Salabert
Percussion Ensemble SKU: BT.SLB-00203900 Composed by Franc-Bernard Mache....(+)
Percussion Ensemble SKU: BT.SLB-00203900 Composed by Franc-Bernard Mache. Contemporary Music. Score Only. Composed 2002. Editions Salabert #SLB 00203900. Published by Editions Salabert (BT.SLB-00203900). $14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Derbouka Magique Martin, Robert | | |
| Siedi. Concerto for solo percussion and orchestra (score) Orchestra SATB, Orchestra Fennica Gehrman
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennica Gehrman #55011-315-2. Published by Fennica Gehrman (FG.55011-315-2). ISBN 9790550113152. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone.
Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. The Sieidi concerto is in one movement but divided into several sections both faster and slower, wildly rhythmic, lyrical and more static. For the soloist it is extremely demanding because he is constantly having to switch from one technique to another - for djembe and darabuka playing with the hands differs radically from that of tom-tom or drumstick technique or the playing of pitched percussion instruments such as the marimba and vibraphone. Normally, in a percussion concerto, the soloist has to play surrounded by a huge battery of instruments, often behind the orchestra. In Sieidi he uses only nine instruments, and he is in front of the orchestra the whole time. The instruments are in a row in front of the platform, starting with the djembe on the far right (as viewed by the audience) and ending with the tam-tam on the far left. The soloist plays only one instrument at a time. The title of the concerto, Sieidi, is Sami - a language spoken in the northern region of Finland, Sweden and Norway known as Lapland. It denotes an ancient cult place such as an unusually-shaped rock, sometimes also a special rock face or even a whole mountain fell. $79.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Katalog 2 Schott
Percussion with 2 players SKU: HL.49000658 Composed by Wilfried Hiller. T...(+)
Percussion with 2 players SKU: HL.49000658 Composed by Wilfried Hiller. This edition: Saddle stitching. Sheet music. A battere. Classical. Playing score. Composed 1973. 20 pages. Duration 12'. Schott Music #BAT 18. Published by Schott Music (HL.49000658). ISBN 9790001004787. Schlagzeug I: Vibr. * Xyl. * Litophon oder Flasche * 4 Trgl. * 2 Cymb. * 2 Bong. * Darabukka * kl. Tr. * Glass Chimes * Metall-Wind-Chimes * Schuttelrohr - Schlagzeug II: Xyl. * Marimba * 4 Trgl. * 4 Beck. * Cymb. * Tamt. * 2 Bong. * Darabukka * kl. Tr. * Glass Chimes * Metall-Wind-Chimes * Mar. $19.99 - See more - Buy online | | |
| De temporum fine comoedia Choral, Orchestra [Score] Schott
Soloists, speakers, choir and orchestra (Score) SKU: HL.49007179 Das S...(+)
Soloists, speakers, choir and orchestra (Score) SKU: HL.49007179 Das Spiel vom Ende der Zeiten. Composed by Carl Orff. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Conductor's/study score. Composed 1971-1979/1981. 188 pages. Duration 65'. Schott Music #ED 7365. Published by Schott Music (HL.49007179). ISBN 9790001076814. UPC: 884088095208. 10.5x13.0x0.585 inches. Ancient Greek - Latin - German. 6 (auch 6 Picc.) * 0 * 6 Klar. in Es (auch 3 Klar. in B) * 0 * Kfg. - 6 * 8 * 6 * 1 - P. S. (3 kl. Tr. * 6 Tamb. * 3 Ruhrtr. * 2 gr. Tr. * 3 Darabukka * 3 Tomt. * 6 Cng. * tiefe Cng. * 4 Holzpk. * 5 Crot. * Beckenp. * hang. Beck. * 5 Tamt. * Gong * Dobaci * 5 Bronzegl. * 2 RohrenGlsp. * Guiro * Peitsche * Mar. * 6 Kast. * Hyoshigi * Anklung *3 Holzgl. * 5 Holzbl. * 2 Ratschen * 3 Kirchenratschen * 11 Glaser * 2 Glockchen * Steinsp. * Met. * 3 Xyl. * 2 Marimb.) - 3 Hfn. * Cel. * 3 Klav. * Org. * elektr. Org. - 8 Kb. - Tonband
6 (auch 6 Picc.) * 0 * 6 Klar. in Es (auch 3 Klar. in B) * 0 * Kfg. - 6 * 8 * 6 * 1 - P. S. (3 kl. Tr. * 6 Tamb. * 3 Ruhrtr. * 2 gr. Tr. * 3 Darabukka * 3 Tomt. * 6 Cng. * tiefe Cng. * 4 Holzpk. * 5 Crot. * Beckenp. * hang. Beck. * 5 Tamt. * Gong * Dobaci * 5 Bronzegl. * 2 RohrenGlsp. * Guiro * Peitsche * Mar. * 6 Kast. * Hyoshigi * Anklung * 3 Holzgl. * 5 Holzbl. * 2 Ratschen * 3 Kirchenratschen * 11 Glaser * 2 Glockchen * Steinsp. * Met. * 3 Xyl. * 2 Marimb.) - 3 Hfn. * Cel. * 3 Klav. * Org. * elektr. Org. - 8 Kb. - Tonband. $88.00 - See more - Buy online | | |
| Henze Orpheus(1978/86) Score Schott
(SOLI/CHOR) SKU: HL.49013001 A story in 2 acts and 6 scenes by Edward ...(+)
(SOLI/CHOR) SKU: HL.49013001 A story in 2 acts and 6 scenes by Edward Bond. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1978/1986. 400 pages. Duration 110'. Schott Music #ED 9105. Published by Schott Music (HL.49013001). ISBN 9790001125697. 2 (1. auch Picc. u. Altfl., 2. auch Picc. u. Bassfl. mit Verstarker) * 3 (1. auch Ob. d'am., 2. auch Engl. Hr., 3. auch Heckelphon) * 2 (1. auch Es-Klar., 2. auch Bassklar. u. Kb.-Klar.) * Sopransax. (auch Altsax., Tenorsax., Baritonsax. u. Bassklar.) * 2 (auch Kfg.) - 6 * 3 * 3 * 1 - S. (I: 4 P. * Crot. * gr. Tr. * kl. Tr. * Clav. * Loo-jon * Handgl. * Rohrengl.; II: 5 Trgl. * Crot. * 4 hg. Beck. * 3 Tamt. * 2 Metallplatten * Flex. * Guiro * Ratsche * Handgl.; III: Vibr. * 5 Kuhgl. * Handgl. * Tamb. * kl. Tr. * Tomt. * Boo-bams * Sistrum * Windmasch.; IV: Glsp. * Marimba * Handgl. * Tomt. * Tempelbl. * Lotosfl.) (4 Spieler) - Git. * Hfe. * Cel. * Cemb. * Klav. * Org. - Str. (9 * 0 * 4 * 4 * 3) - Auf der Buhne (von Tanzern gespielt): 3 Blfl. - S. (Crot. * Sistrum * Hyoshigi * Kast. * Sakefass [od. Darabukka] * tib. Rasseltr. * Spielzeugpfeifen * Vogellockrufe * Flex.) - Hinter der Buhne: S. (2 kl. hg. Beck. * 3 Tamt. * Ruhrtr. * 2 Kirchengl.) - Unter der Buhne: S. (3 Tamt. [mit Kontaktmikr.] * Ruhrtr. * Donnerblech * Nebelhorn)
2 (1. auch Picc. u. Altfl., 2. auch Picc. u. Bassfl. mit Verstarker) * 3 (1. auch Ob. d'am., 2. auch Engl. Hr., 3. auch Heckelphon) * 2 (1. auch Es-Klar., 2. auch Bassklar. u. Kb.-Klar.) * Sopransax. (auch Altsax., Tenorsax., Baritonsax. u. Bassklar.) * 2 (auch Kfg.) - 6 * 3 * 3 * 1 - S. (I: 4 P. * Crot. * gr. Tr. * kl. Tr. * Clav. * Loo-jon * Handgl. * Rohrengl.; II: 5 Trgl. * Crot. * 4 hg. Beck. * 3 Tamt. * 2 Metallplatten * Flex. * Guiro * Ratsche * Handgl.; III: Vibr. * 5 Kuhgl. * Handgl. * Tamb. * kl. Tr. * Tomt. * Boo-bams * Sistrum * Windmasch.; IV: Glsp. * Marimba * Handgl. * Tomt. * Tempelbl. * Lotosfl.) (4 Spieler) - Git. * Hfe. * Cel. * Cemb. * Klav. * Org. - Str. (9 * 0 * 4 * 4 * 3) - Auf der Buhne (von Tanzern gespielt): 3 Blfl. - S. (Crot. * Sistrum * Hyoshigi * Kast. * Sakefass [od. Darabukka] * tib. Rasseltr. * Spielzeugpfeifen * Vogellockrufe * Flex.) - Hinter der Buhne: S. (2 kl. hg. Beck. * 3 Tamt. * Ruhrtr. * 2 Kirchengl.) - Unter der Buhne: S. (3 Tamt. [mit Kontaktmikr.] * Ruhrtr. * Donnerblech * Nebelhorn). $133.00 - See more - Buy online | | |
| NOUR - Holy Land Rhapsody [Score] United Music Publishers
Orchestra: 1.1.1.1/1.0.0.0/Tamburin. Darbouka.Daf.Qanoun/Strin gs SKU: UM.174...(+)
Orchestra: 1.1.1.1/1.0.0.0/Tamburin.Darbouka.Daf.Qanoun/Strings SKU: UM.17432A4 Composed by Naji Hakim. Full score. United Music Publishing #17432A4. Published by United Music Publishing (UM.17432A4). A4 inches. $45.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Darabukka-Suite Zimmermann
2 Darabukkas (bongo drums, congas drums) SKU: PR.ZM23200 Composed by Sieg...(+)
2 Darabukkas (bongo drums, congas drums) SKU: PR.ZM23200 Composed by Siegfried Fink. Solo fur Percussion. With Standard notation. Zimmermann #ZM23200. Published by Zimmermann (PR.ZM23200). UPC: 680160650828. $10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Romanó Drom (Romany Caravan) for Accordion, Voice and Orchestra [Score] Ut Orpheus
Orchestra; Accordion SKU: UT.ROM-1A Composed by Alexian Santino Spinelli....(+)
Orchestra; Accordion SKU: UT.ROM-1A Composed by Alexian Santino Spinelli. Paperback (Soft Cover). Classical. Score. Ut Orpheus #ROM 1A. Published by Ut Orpheus (UT.ROM-1A). ISBN 9790215315860. 9 x 12 inches. Romanó dives; Murdevèlë Mèngre; A briglie sciolte; La danza del fuoco; Romanó bravalipé; Ave Maria romanà (musica: Paolo di Biase); Melologo (musica: Fabio Neri); Echi d’oriente; Romanó sunó; La danza del Beng; Pri ni thèm fiddèrë (Domenico Arcieri - Santino Spinelli)
Performance Material on Hire
[Solo: Voice - 2.1.2.1 - 2.2.0.0 - Timp.Perc.Glock.Darabukka - Acn.Buzuki.Gtr.Pf - Str]
Alexian website: www.alexian.it CNI Music website: www.cnimusic.it Ethnoworld website: www.ethnoworldmusic.com You can hear the pieces from this collection on iTunes at the following links:
Romanó dives Murdevèlë Mèngre Ave Maria romaní Romanó sunó Pri ni thèm fiddère
$94.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Violinist’s Daily Warm-Ups and Scale System Violin Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standard notation. 168 pages. Carl Fischer Music #BF131. Published by Carl Fischer Music (CF.BF131). ISBN 9781491153765. UPC: 680160911264. 9 x 12 inches. Inspired by Clarence Cameron White’s book The Violinist’s Daily Dozen, The Violinist’s Daily Sixteen is a collection of daily exercises compiled by Roland Vamos. Intended for student and professional violinists, the collection provides the performer with a variety of exercises for daily warm-ups. Mr. Vamos also focuses on developing dexterity and flexibility in the fingers and joints, the first and fourth fingers in particular. Each of the sixteen exercises is notated for each of the four strings, and Vamos recommends that the exercises be practiced as warm-ups, choosing a different string for each day of practice.Also included with the Daily Sixteen is a comprehensive set of studies for developing fluency with scales and arpeggios. Mr. Vamos’ unique methodology is to begin with major scales and arpeggios, followed by minor scales and arpeggios, all of which are notated in two, three and four octaves. Alternate fingers are provided, as well as a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. It is a remarkably systematic approach to performing scales and arpeggios on the violin and will surely benefit students and professionals alike. ForewordThis short hand-setting set of exercises was inspired by a book entitled The Violinist’s Daily Dozen, conceived by Clarence Cameron White, a prominent African-American violinist, composer and arranger who enjoyed the bulk of his career in the first half of the twentieth century.I have practiced this set of exercises since I was twelve years old. It has served me as a superb warm-up and hand setting tool. Over the years, I have found that there are some aspects of this warm-up routine that were not given sufficient attention or not addressed at all. Consequently, I have expanded the Daily Dozen to create a new work entitled The Violinist’s Daily Sixteen.I have also paid particular attention in this work as to how these exercises are to be practiced. In exercises one and two, I have indicated some notes to be played before the actual written exercises. This is to ensure that the fourth finger will be over the string in a position ready to strike even though it is not being used. Before playing exercises three, four, nine, ten, eleven and twelve, I have indicated silent fingers to be placed on the notes they would be playing if they were being used.I have replaced Mr. White’s grace notes with notes of specific value and have slowed down the exercises so that the first joint (the joint nearest the string) of each finger can move with flexibility and strength. At no time should the first joint buckle.In Mr. White’s version, the last exercise gave the first finger some very valuable backward extensions. In this exercise (number 14 in this book), I caution the student not to move the hand along with the first finger. The hand should remain in position while the first finger independently moves back and forth.It became obvious to me that if the first finger were given the opportunity to develop the dexterity that Mr. White’s twelfth exercise emphasizes, the fourth finger could benefit from an exercise that gives it a forward extension. Consequently, I added another exercise to create a Baker’s Dozen (thirteen).Several years later, I felt that the second and third fingers should also have an exercise to further develop their dexterity…hence exercise fourteen was added to create a “Vamos Dozen.â€Because the first finger did not have sufficient practice in the development of the first joint in the original version, I have added two exercises to precede White’s fifth exercise. After re-working and re-numbering these exercises, I have come up with a total of sixteen exercises. It is my suggestion that these be practiced as a warm-up, choosing a different string each day.—Roland VamosEvanston, Illinois 2017 PrefaceScales are a means of teaching a person the fingerboard on his or her instrument. The fingers move across the strings and are required to make shifts, all in highly organized patterns. Scales and arpeggios are the foundation upon which our repertoire is built. Many scale books have been written; each one being organized in its own specific way. The Flesch Scale System has been a standard for many decades. It is very comprehensive and systematic. From the point of view of establishing similar patterns, it has one drawback: it is organized by starting with a major key, followed by its relative minor, going through the circle of fifths. I believe that it is more profitable to do only major scales with their arpeggios first, going up chromatically, and then follow them in a similar way with the minor scales. In using this approach, the similarities in fingerings between the various scales are more apparent. It is also profitable to have alternate fingerings whenever possible. My approach to scales and arpeggios includes a variety of slurred and mixed bowings using the three parts of the bow whenever feasible. These bowings are not all-inclusive. Whenever a particularly awkward bowing pattern is encountered in the repertoire, it can be practiced as an additional bowing variation in the scales and arpeggios.   I have chosen to introduce the three and four octave scales by teaching two octave scales across the strings in one position going up chromatically through seven positions; starting on the first, second, third, and finally fourth fingers in major and melodic minor.—Roland VamosEvanston, Illinois 2017. $29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Storia Concert band [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-015 Comp...(+)
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-015 Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1990. De Haske Publications #DHP 0900239-015. Published by De Haske Publications (BT.DHP-0900239-015). Gewoonlijk wordt filmmuziek bij de in een draaiboek vastgelegde afhandeling geschreven. Dat het ook andersom kan, bewijst Jacob de Haan met La Storia. Zonder te weten welke geschiedenis erachter schuilgaat, levert de componistrond zeven minuten meeslepende muziek. Voor één keer mag u zonder gebonden te zijn aan het commentaar van een componist een eigen verhaal bij de muziek denken. Jacob de Haan heeft La Storia opgedragen aan een van de beroemdsteschrijvers van filmmuziek, de Italiaan Ennio Morricone.
Normalerweise wird Filmmusik anhand eines Drehbuchs geschrieben. Dass es auch andersherum funktioniert, beweist Jacob de Haan mit seinem Werk La Storia. Ohne eine bestimmt Geschichte zu erzählen, liefert er spannende Musik, zu der sich kreative Musiker und Zuhörer selbst etwas ausdenken können. Jacob de Haan widmete La Storia einem der berühmtesten Filmmusikkomponisten überhaupt - dem Italiener Ennio Morricone...
En général la musique de film est composée partir et en fonction des événements qui se produisent dans l’intrigue du scénario. L’inverse est plutôt rare mais Jacob de Haan parvient nous démontrer le contraire avec La Storia. Sans jamais nous livrer des éléments de l'intrigue, il nous propose environ sept minutes de musique intense. Par conséquent, l’œuvre fait appel l’imagination individuelle ; chacun d’entre nous étant libre de créer son propre scénario partir de ce qu’il entend. Avec La Storia Jacob de Haan rend hommage au maître italien de la musique de film : Ennio Morricone. $181.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Storia Accordion ensemble [Score and Parts] - Intermediate De Haske Publications
Accordion Orchestra - Grade 3.5 SKU: BT.DHP-0981308-060 Composed by Jacob...(+)
Accordion Orchestra - Grade 3.5 SKU: BT.DHP-0981308-060 Composed by Jacob De Haan. Arranged by Foppe Jacobi. Accordion. Original Light Music. Set (Score & Parts). Composed 1998. De Haske Publications #DHP 0981308-060. Published by De Haske Publications (BT.DHP-0981308-060). Film music is usually written to match the action of each scene. In Jacob de Haan’s piece La Storia however there are no scenes and no plot, yet the composer supplies us with music full of action and suspense. The performers and audience are left to create their own storyline to fit the music. Jacob de Haan has dedicated La Storia to one of the most famous composers of film music - the Italian, Ennio Morricone.
Gewoonlijk wordt filmmuziek bij de in een draaiboek vastgelegde afhandeling geschreven. Dat het ook andersom kan, bewijst Jacob de Haan met La Storia. Zonder te weten welke geschiedenis erachter schuilgaat, levert de componistrond zeven minuten meeslepende muziek. Voor één keer mag u zonder gebonden te zijn aan het commentaar van een componist een eigen verhaal bij de muziek denken. Jacob de Haan heeft La Storia opgedragen aan een van de beroemdsteschrijvers van filmmuziek, de Italiaan Ennio Morricone.
Filmmusik wird im Normalfall zu einer bereits bestehenden Handlung geschrieben. Dass es anders herum auch geht, beweist Jacob de Haan mit seiner Komposition La Storia. Ohne eine bestimmte Geschichte zum Ausdruck bringen zu wollen, erarbeitete der Komponist spannungsvolle Musik in einer Länge von rund sieben Minuten. Hier darf sich jeder ohne Beeinflussung durch den Kommentar des Komponisten seine eigene Geschichte zur Musik denken. Jacob de Haan hat La Storia einem der erfolgreichsten Komponisten der Filmmusik, dem Italiener Ennio Morricone, gewidmet.
En général, la musique de film est composée partir, et en fonction, des événements qui se produisent dans l’intrigue du scénario. L’inverse est plutôt rare, mais Jacob de Haan parvient nous démontrer le contraire avec La Storia. Sans livrer d’éléments d’histoire, il propose environ sept minutes de musique intense. Chacun d’entre nous est donc libre de créer son propre scénario partir de ce qu’il entend. Avec La Storia, Jacob de Haan rend hommage au maître italien de la musique de film : Ennio Morricone. $70.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alta trinita beata Choral SATB [Score] - Easy Carus Verlag
SATB choir - Level 2 SKU: CA.305240 Dreifach Wesen. Composed by An...(+)
SATB choir - Level 2 SKU: CA.305240 Dreifach Wesen. Composed by Anonymous. Sacred vocal music. Separate edition with choral collection. Sacred vocal music. Full score. Duration 1 minute. Carus Verlag #CV 03.052/40. Published by Carus Verlag (CA.305240). ISBN 9790007148300. Key: F major. Language: Latin. $1.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pitti Hecht's Percussion-More than 50 Instruments-Strokes and Solos [DVD] Voggenreiter
Percussion - beginning SKU: MB.3802408465 More than 50 Instruments-Str...(+)
Percussion - beginning SKU: MB.3802408465 More than 50 Instruments-Strokes and Solos. Composed by Pitti Hecht. Percussion: Hand Percussion and Bodhran, Boxed, CLEARANCE: OTHER, Pop, Technique, Theory and Reference, German Language, Percussion: Drum Set, Band & Orchestra. All styles. DVD. 62 pages. Duration 107 minutes. Voggenreiter #3802408465. Published by Voggenreiter (MB.3802408465). ISBN 9783802408465. 5.25X7.5 inches. You feel the rhythm in your blood, but can't decide which instrument to play? Your fingers are itching to play hot beats? Then this is your DVD!
Here, internationally renowned Percussionist Pitti Hecht introduces you to more than 160 percussion instruments, their playing technique and the special sound effects you can create with them. In English and German. Du hast den Rhythmus im Blut, weißt aber noch nicht, welches Percussion-Instrument es sein soll? Dich juckt es in allen Fingern, heiße Beats zu trommeln oder zu schlagen? Dann ist diese DVD genau das Richtige! Hier stellt dir der international bekannte Percussionist PiTTi Hecht über 160 Percussion-Instrumente aus aller Welt mit ihren wichtigsten Spieltechniken und Effekten vor. Zu jeder Instrumentenfamilie gibt PiTTi eine Einführung in die Schlagtechnik und zeigt dann in einem ausführlichem Solo, was man damit alles machen kann.
Hier ist eine Auswahl der gezeigten Instrumente: Afuche/Cabasa, Agogo Bells, Berimbao, Bongos, Boomwhackers, Cajon, Caxixi, Chimes, Claves, Conga, Cowbells, Wood Blocks, Cuica, Darabouka, Djembe, Vibra Slap, Ching Chok, Monk bell, Cricket, Flexatone, Kokiriko, Rattles, Ocean Drum, Rahmentrommel, Frösche, Guiro, Kalimba, Kastagnetten, Kinder-Percussion-Instrumente, Maracas, Nüsse und Samenkörner/Nuts and Seeds, Pandeiro, Rainmaker, Shaker, Shekere, Talking Drum, Tamburin, Timbales, Trash Percussion, Triangel, Udu, Vogelstimmen $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music from Tombstone Brass ensemble [Score] - Easy Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-371-130 Composed by Bruce Broughton. Arr...(+)
Brass Band - Grade 3 SKU: BT.AMP-371-130 Composed by Bruce Broughton. Arranged by Philip Sparke. Anglo Music Midway Series. TV-Film-Musical-Show. Score Only. Composed 2013. 28 pages. Anglo Music Press #AMP 371-130. Published by Anglo Music Press (BT.AMP-371-130). 9x12 inches. English-German-French-Dutch. Released in cinemas in 1993, Tombstone is an American western written by Kevin Jarre and directed by George Cosmatos. Starring Kurt Russell and Val Kilmer, it was narrated by Robert Mitchum and is based on events relating to the Gunfight at the OK Corral, and the subsequent Wyatt Earp Vendetta, both of which took place in Tombstone, Arizona.The theme is crime, political corruption and law enforcement in the American west during the 1880s. The score was by Bruce Broughton, and this selection features music from the opening and closing credits.
Tombstone ist ein amerikanischer Western aus dem Jahre 1983, der unter der Regie von Kevin Jarre nach einem Drehbuch von George Cosmatos entstand. Der Film mit Kurt Russell und Val Kilmer in den Hauptrollen sowie Robert Mitchum als Erzähler basiert auf den historischen Ereignissen rund um die Schießerei am OK Corral und dem daraus resultierenden Rachefeldzug von Wyatt Earp. Beides fand im Ort Tombstone im US-Bundesstaat Arizona statt. Themen des Films sind Verbrechen, politische Korruption und Strafverfolgung im Amerika der 1880er-Jahre.Diese Bearbeitung präsentiert eine Auswahl aus der Eröffnungs- und Abspannmusik der originalen Filmmusik von Bruce Broughton. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Comme des chansons Musical course - Solfege Martin, Robert
Formation musicale SKU: RM.AZ1682 Composed by Gilles Dervieux. Formation ...(+)
Formation musicale SKU: RM.AZ1682 Composed by Gilles Dervieux. Formation musicale. Instrumental music. Editions Robert Martin #AZ1682. Published by Editions Robert Martin (RM.AZ1682). ISBN 9790231076820. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Estudiantina [Score] Combre
Mandolin or 2 mandolins SKU: LM.AG00114 Composed by G. Derveaux. Classica...(+)
Mandolin or 2 mandolins SKU: LM.AG00114 Composed by G. Derveaux. Classical. Score. Editions Combre #AG00114. Published by Editions Combre (LM.AG00114). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| La Storia Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-140 Comp...(+)
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-140 Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1990. De Haske Publications #DHP 0900239-140. Published by De Haske Publications (BT.DHP-0900239-140). Gewoonlijk wordt filmmuziek bij de in een draaiboek vastgelegde afhandeling geschreven. Dat het ook andersom kan, bewijst Jacob de Haan met La Storia. Zonder te weten welke geschiedenis erachter schuilgaat, levert de componistrond zeven minuten meeslepende muziek. Voor één keer mag u zonder gebonden te zijn aan het commentaar van een componist een eigen verhaal bij de muziek denken. Jacob de Haan heeft La Storia opgedragen aan een van de beroemdsteschrijvers van filmmuziek, de Italiaan Ennio Morricone.
Normalerweise wird Filmmusik anhand eines Drehbuchs geschrieben. Dass es auch andersherum funktioniert, beweist Jacob de Haan mit seinem Werk La Storia. Ohne eine bestimmt Geschichte zu erzählen, liefert er spannende Musik, zu der sich kreative Musiker und Zuhörer selbst etwas ausdenken können. Jacob de Haan widmete La Storia einem der berühmtesten Filmmusikkomponisten überhaupt - dem Italiener Ennio Morricone...
En général la musique de film est composée partir et en fonction des événements qui se produisent dans l’intrigue du scénario. L’inverse est plutôt rare mais Jacob de Haan parvient nous démontrer le contraire avec La Storia. Sans jamais nous livrer des éléments de l'intrigue, il nous propose environ sept minutes de musique intense. Par conséquent, l’œuvre fait appel l’imagination individuelle ; chacun d’entre nous étant libre de créer son propre scénario partir de ce qu’il entend. Avec La Storia Jacob de Haan rend hommage au maître italien de la musique de film : Ennio Morricone. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Woods So Wilde [Score] Schott
Chamber Ensemble (Score) SKU: HL.49006428 Score. Composed by Wilhe...(+)
Chamber Ensemble (Score) SKU: HL.49006428 Score. Composed by Wilhelm Killmayer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score. Composed 1970. 12 pages. Duration 11'. Schott Music #ED 6545. Published by Schott Music (HL.49006428). ISBN 9790001069793. UPC: 884088072629. 9.0x12.0x0.057 inches. Flote (gr. Fl. * Altfl. in G * Sopranfl. * kl. Fl.) - Schlagzeug I: Darabukka (gross) * Conga * 2 Marac. * Bongo (mittelhoch) * gr. Tr. * tiefer Gong * kl. Tr. * Glsp. - Schlagzeug II: Xylomarimba * 5 Crotales * Clav. * Sandblock - Schlagzeug III:Vibraphon * Peitsche * Sandblock * Bongo (mittel) * Schuttelrohr * Holztr. * Marac. - Viola * Gitarre. $14.99 - See more - Buy online | | |
| I'm Shipping Up to Boston Concert band [Score and Parts] - Intermediate Hal Leonard
By Dropkick Murphys. By Ken Casey, Matthew Kelly, Woody Guthrie, and Alexander B...(+)
By Dropkick Murphys. By Ken Casey, Matthew Kelly, Woody Guthrie, and Alexander Barr. Arranged by Sean O'Loughlin. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard
$65.00 $61.75 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Werdin E Maerchen Tanzenden Schweinen - Beginner Schott
Choir (SMez) with Speakers, Dancers and Instruments (2 Melodic Instruments, Cari...(+)
Choir (SMez) with Speakers, Dancers and Instruments (2 Melodic Instruments, Carillons, Percussion, Piano ad libitum) (SCHLGW) - very easy SKU: HL.49021005 Ein musikalisches Stegreifspiel. Composed by Eberhard Werdin. Sheet music. Bausteine fur Musikerziehung und Musikpflege. Individual part. 8 pages. Duration 30'. Schott Music #B 158-14. Published by Schott Music (HL.49021005). ISBN 9790001119108. German. Ein junger Schweinehirt tauscht seine einzigartigen tanzenden Schweine gegen Golddukaten ein, schenkt diese dann aber den zaubermachtigen Zwergenmannchen, die ihm dafur bei drei Aufgaben helfen, die der Teufel ihm aufgetragen hat. Zum Schluss gewinnt der Schweinejunge eine schone Prinzessin, zwei Pferde und ein ganzes Konigreich...Werdin setzt in seiner Marchencollage die Musik melodramatisch ein; erzahlte Handlung, musikalischer Ablauf und pantomimische Ausgestaltung sind sehr detailliert in einer dreispaltigen Spielanleitung, einer Art Drehbuch, dargelegt. Zur Einfuhrung in das szenische Spiel und fur den theater- und spielpadagogischen Bereich bildet Das Marchen von den tanzenden Schweinen eine verstandliche, wirkungsvolle und leicht umsetzbare Anleitung. $6.95 - See more - Buy online | | |
| Te Deum, Op. 22 / H 118 [Large Vocal Score] Serenissima
Composed by Hector Berlioz (1803-1869). Arranged by Charles Ainslie Barry. Choir...(+)
Composed by Hector Berlioz (1803-1869). Arranged by Charles Ainslie Barry. Choir and piano. For tenor voice solo, STB voices, ATB choir, piano. This edition: Paperback. Liturgical, Original Works, Transcriptions, Choral. Romantic Period; Sacred/Hymns, French. Large Vocal Score. Text Language: Latin. Composed 1855. 112 pages. Duration 55 minutes. Published by Serenissima
$11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Que les drapeaux flottent Marching band - Easy Andel
Marching band - Grade 3 SKU: ND.MRCH165-CSC Composed by J. Pravecek. Marc...(+)
Marching band - Grade 3 SKU: ND.MRCH165-CSC Composed by J. Pravecek. Marches. Conductor's score. Published by Edition Andel (ND.MRCH165-CSC). $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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