SKU: MN.56-0101
UPC: 688670221163. Latin. John 1:14.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:31
SKU: CF.YAS197F
ISBN 9781491155004. UPC: 680160913558. 9 x 12 inches. Key: D minor.
Perpetuum is a lively and contemporary addition to any concert performance with its memorable melodic lines and relentless driving rhythms. The piece begins with a powerful introduction to the main theme which is ingeniously augmented as the piece powers forward. The middle section provides a warm, lyrical contrast performed by the lower strings. The main theme returns with a wall of sound heading to a dramatic close. This beautifully expressive and contemporary work is a nice change of pace for orchestra students. Using the optional percussion parts are highly recommended for optimal effect.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: HL.49034732
ISBN 9790001118453.
SKU: GI.G-007946
UPC: 641151079462. English. Text by William Wallace.
SKU: GI.G-007221
UPC: 641151072210.
SKU: CF.CM9742
ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the  years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!
SKU: CF.FAS94F
ISBN 9781491142998. UPC: 680160900497.
This piece features percussive techniques utilizing: tapping, strumming, rubbing, and brushing on string instruments. The piece's title may be tongue-in-cheek, but it asks the student to focus on their rhythmic skills. It is a creative and interesting way to break up your concert and to improve the counting and rhythmic reading skills of players.
SKU: HL.49034720
ISBN 9790001118767.
SKU: HL.14031712
ISBN 9780711947443.
Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In C. Edited by Nicholas Hare.
SKU: CA.2923200
ISBN 9790007109011. Language: German.
SKU: HL.14035123
ISBN 9780711926769. 9.0x12.0x0.328 inches.
Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites? In G and D minor. Edited by Nicholas Hare.
SKU: HL.14023360
Work for Solo Soprano, Flute, Piano, Guitar, Violin, Cello and Percussion. Text: Walt Whitman. Full Score available: WH30008.
SKU: CF.FAS134
ISBN 9781491164778. UPC: 680160923687. Key: D major.
George Frideric Handel (1685–1759) is a German composer whose musical legacy has lasted over three hundred years. While most people know his Hallelujah Chorus from the oratorio Messiah, many of his other compositions are still performed around the world, including La Rejouissance from the Royal Fireworks Suite. The suite was commissioned by King George of England to celebrate the Treaty of Aix-La-Chapel. King George said he wanted only wind and percussion instruments, specifically requesting “no fiddles.†12,000 people attended the dress rehearsal of the concert. In contrast, the actual performance happened in the rain, which meant many of the fireworks did light, but managed to set the immense pavilion on fire. Handel later added strings to the Royal Fireworks Suite for a charity performance for The Foundling Hospital of London.For young students, the character of Handel’s music is defined by the types of bow strokes. Quarter notes should be played with a detached bow stroke with a hint of an accent. Eighth notes may be played more connected but will sound best with a slight détaché stroke. If more advanced students join the performance, a minimized vibrato is typical of music from the Baroque era. Terraced dynamics may be practiced by stopping just before the dynamic change and adjusting the weight of the bow arm, then proceeding in the new dynamic such as in mm. 37–39.
SKU: FJ.ST6521
UPC: 241444430118. English.
Take on the spirit of the ancient Vikings in this dynamic and energetic piece! Open string double stops, pizzicato, and optional percussion create a dramatic sound that will transport you into a legendary seafaring adventure. Each section gets a chance to shine while working on differing bow styles and dynamics. Violins also utilize low 2nd finger while basses have limited low 1s.
SKU: HL.44012981
English-German-French-Dutch.
Sahara takes you on a journey to the largest desert in the world. Located in the north of the African continent, it covers eight million square kilometres and spreads across ten nations. The work describes the various landscapes that the Sahara has to offer, using different instrumental groups to underline different characteristics. Both an intense rhythmic passage with lots of percussion, as well as a chorale part with beautiful brass segments, make this a wonderful yet challenging piece. It also allows you to work on different technical aspects with your band and is suitable for a concert or a contest.
SKU: HL.49034746
ISBN 9790001118590.
SKU: PR.144401070
ISBN 9781491132982. UPC: 680160025657.
SKU: KJ.WB531F
UPC: 084027053119.
Hymns of Freedom, by Quincy Hilliard, is based upon two Negro spirituals, Nobody Knows the Trouble Iâ??ve Seen and Swing Low, Sweet Chariot. These two hymns are used in fragments throughout the composition. Contrasting sections of serenity and aggression create an emotional and majestic tapestry. Correlates with Tradition of Excellence Book 3, page 20.
About Tradition of Excellence: Excellence in Performance
Excellence in performance is a concert band repertoire series correlated with the Tradition of Excellence Comprehensive Band Method by Bruce Pearson and Ryan Nowlin. The compositions in the series correlate to a specific page in Tradition of Excellence Books 1, 2, or 3 and reinforce and expand on skills and concepts introduced in the method./Selections include exciting parts for every player, grade-appropriate cross-cueing, accessible ranges and rhythms, creative percussion writing, electric bass and rehearsal piano parts, and full conductor scores with rehearsal suggestions, program notes and composer biographies. In addition, the Grade 1 works provide an Advanced Snare Drum part for percussionists who have achieved a higher level of ability, playable simultaneously with the more basic Snare Drum part to facilitate differentiated learning.
SKU: CF.SPS63
ISBN 9781491140444. UPC: 680160628506. 9 x 12 inches. Key: D minor.
So Wondrous Bright is a fresh, unique take on a Puerto Rican carol. Composer Carol Brittin Chambers' setting is full of Latin infused rhythms and percussion, and is sure to make a strong statement at your next holiday concert.
SKU: CF.CM9763
ISBN 9781491162514. UPC: 680160921263. Key: E major. English. English Carol.
From the soft beginning to the rollicking final climax, this arrangement of I Saw Three Ships should be sung with an excited intensity that gradually builds as the piece progresses. The choir’s tone should remain light and bouncy to mimic the playfulness of the dance-like melody found in the piano and optional flute parts. Feel free to play with the dynamic level of the held notes based on your choir’s ability level to add contrast and interest.
SKU: HL.14032004
ISBN 9780711947474. UPC: 884088433901. 9x12 inches.
Kaleidoscope will save you time! Do you spend hours arranging music for odd assortments of instruments? Kaleidoscope is specially arranged to suit almost any instrumental combination and these varied ensembles are easy and enjoyable too. So much scope for virtually any combination of instruments! The series is successful with recorders, guitars, percussion and keyboard as well as with orchestral groupings. Whether there are five or fifty players, every Kaleidoscope title will work! Just make sure that melody and keyboard parts are included - all other parts are optional. Kaleidoscope is superb value for money - each set contains a score plus around 50 parts, each one carefully written to suit the needs of each instrument. For example, easy string parts are in first position only whilst easy clarinet parts take care to avoid the break. There are more demanding parts too, for experienced players. To help you choose the right pieces for your players we have given the key of each Kaleidoscope in brackets. The complete performance option! These super-flexible arrangements of well-known titles are a must for every school. Why not choose a theme for your concert and perform a selection of Kaleidoscope show titles and film themes or have an evening of classical favourites. Edited by Nicholas Hare. In C.
SKU: KJ.JB59
UPC: 8402701190.
This powerful concert overture about the Greek god of war makes extensive use of the Lydian mode and bi tonality. The low register of the clarinet is featured in the opening Adagio section while dotted rhythms and percussive outbursts comprise the closing moments of the piece.
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