SKU: CA.4018714
ISBN 9790007064501. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018700.
SKU: BA.BA06422
ISBN 9790006479399. 26.7 x 18.3 cm inches.
SKU: CA.2731116
ISBN 9790007201586. Language: Latin.
The Requiem of Gabriel Faure is now available in two versions: in the symphonic version which was completed in 1900 and in a version with small orchestra of 1889. The symphonic version of Gabriel Faure's Requiem, published in 1901, was the product of a 13-year compositional process. Starting from the original five-movement form for strings, harp and organ, the composer wrote two additional movements, one after the other, and expanded the instrumentation in various stages for later performances. The present reconstruction of a version with small orchestra differs from other such attempts in that for the first time it presents the work not in a mixed version, but rather in the unified form from 1889. This is distinguished from the final version both in musical terms, as well as through the fact that it forgoes the use of flutes, clarinets and bassoons, while employing only two horns instead of four. With a critical Report with information about the source situation and the edition, and containing the individual readings (alternative readings, etc.). Since in 1889 the Offertoire was still without the choral section the present edition contains the Offertoire of the final version as appendix. Now available in carus music, the choir app. Score and part available separately - see item CA.2731100.
SKU: CA.9193314
ISBN 9790007236168. Key: F major. Language: Latin/German.
The Mass with Christmas hymns, Missa carminum is available from Carus in a orchestra version and in a version for choir and organ. The unique feature of this work is that each movement of the Ordinary employs a well-known Christmas hymn as an instrumental cantus firmus. In the score the text of each hymn has been included in the appropriate passage, so that the Christmas signature tune may be performed vocally, for example, by a one-part children's choir. Score and part available separately - see item CA.9193300.
SKU: CA.4065315
ISBN 9790007075866. Key: D major. Language: Latin.
With its traditional forms and proven compositional models, its original ideas, which are sometimes marked by a folk- or folksong-like melodic character, and with its harmonic richness, Dvorak's D major Mass serves in its liturgical context to express the worship of God. The Mass is characterized by lyrical meditation rather than by dramatic immediacy. Score and part available separately - see item CA.4065300.
SKU: CA.5017211
ISBN 9790007080549. Key: B flat major. Language: Latin.
The Mass in B flat, op. 172, dates from 1892 and was published in two authentic versions. The instrumental accompaniment can be played either by an ensemble of wind instruments or by organ. Between Gloria and Credo Rheinberger placed a powerfully expressive a cappella Ave Maria, probably due to the fact that the Mass was first performed on a major feast day of the Virgin Mary: on the feast of Purification (Candlemas) in Breslau Cathedral. Score and part available separately - see item CA.5017200.
SKU: GH.N10256
ISBN 9790070034494. 185 x 262 mm inches. Text: Biblical.
For mixed chorus, children's/youth chorus, organ, flute, 2-3 guitars, celli and double bass. Lyrics from Matt. 5:3-10. Parts available on hire from the publisher.
SKU: GH.N10255
Text: Matteus 5:3-10.
SKU: CA.4019715
ISBN 9790007065027. Language: German.
There are two main innovations: firstly the inclusion of the congregation through communal songs, and secondly, the frequent use of the main organ - as accompaniment to the congregational hymns as well as during the important preludes and postludes of the two parts 'Maundy Thursday' and 'Good Friday,' of which the Passion consists. (Kirchenmusik im Bistum Limburg 1/1990). Score and part available separately - see item CA.4019700.
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