SKU: BR.BV-3
ISBN 9783765100031. 6 x 8.5 inches.
SKU: BR.CHB-3588-02
ISBN 9790004405109. 7.5 x 10.5 inches. Latin / German.
SKU: BR.CHB-4578-02
ISBN 9790004406656. 7.5 x 10.5 inches. German / English.
SKU: BR.OB-4062-04
ISBN 9790004303207. 9 x 12 inches.
SKU: BR.OB-5252-12
ISBN 9790004334010. 9 x 12 inches.
Ton Koopman's new edition of all 16 organ concertos by Handel has drawn to a close. The quality of this edition has been highly praised from all quarters. Source-critical responsibility goes hand in hand with a high level of performance practice when Koopman provides interpretative tips for the ad libitum passages in the organ part without restricting the creativity of the interpreter who is interested in stylistic matters and prefers to work out his own solutions. I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote. Nevertheless, there are occasional performance suggestions in small print which are elucidated in the Critical Commentary. (Ton Koopman in Concerto) Koopman offers a basically unmarked text, thus leaving the performance details up to the performer. Especially note-worthy is the clear printing, extensive preface and detailed Critical Notes. (Katholische Kirchenmusik) Whoever wishes to hear the entire Koopman edition on CD can look forward to the new recording by Christian Schmitt and the Stuttgarter Kammerorchester (Brilliant Classics). This is the first recording for which all 16 new Koopman editions were used as the basis for the performance.,I want to make an edition that is not a Koopman interpretation, but contains only that which Handel really wrote.' (Ton Koopman).
SKU: BR.CHB-3447-02
ISBN 9790004403969. 7.5 x 10.5 inches. German.
SKU: BR.SON-306
Die Messe beginnt mit einem fulminanten Kyrie und einem noch extravertierteren Gloria, in dem sich Solisten, Chor und Orchester formlich ubertrumpfen. Dies ist eine Musik, die ganz andere Ausdrucksregionen ansteuert als in barocken geistlichen Werken u. Renaissance/early Baroque; Baroque. Complete Works. 296 pages. Breitkopf and Haertel #SON 306. Published by Breitkopf and Haertel (BR.SON-306).
ISBN 9790004801147. 10 x 12.5 inches.
Ed. on behalf of Staatliches Institut fuer Deutsche Musikforschung (the series will be continued).
SKU: BR.DLV-3496
Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
ISBN 9790004801666. 9 x 12 inches. Swedish / German.
Sibelius made most of the orchestral versions of his songs for the soprano Ida Ekman (1875-1942), the incomparable Sibelius singer the composer called her in a dedication written in a score. Ida Ekman gave the first performance of the orchestral version of Se'n har jag ej fragat mera on March 30, 1914, in Turku. Idas husband Karl conducted the orchestra of the Turku Musical Society.Nearly all of the orchestral arrangements were made years after the original compositions for voice and piano. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra in all songs with equal mastery, sometimes creating dark and dramatic atmospheres (in Pa verandan vid havet), sometimes radiant, colorful impressions (in Soluppgang), or light-colored, transparent textures (in Varen flyktar hastigt), and always basing his ideas on the poetic idea of the song while discovering refined ways of supporting it.In most cases, Sibelius used a comparatively small orchestra: Varen flyktar hastigt has only two flute and four horns added to the strings.Nearly all of the orchestral arrangements were made years after the original compositions. Yet even though the arrangements were made in a very short period of time, Sibelius handled the combination of solo voice and orchestra with equal mastery.
SKU: BR.CHB-16002-00
ISBN 9790004413296. 7.5 x 10.5 inches. German.
SKU: BR.EB-9024
World premiere: Tokyo, March 27, 1986
ISBN 9790004179079. 9 x 12 inches.
Auf Flugeln der Harfe bezieht sich zum einen auf ein Liebesgedicht von Heinrich Heine mit dem ahnlichen Titel ,,Auf Flugeln des Gesanges, zum anderen auf den gedanklichen Ausgangspunkt der Komposition, zunachst nicht vom Akkordeon, sondern von der Harfe aus zu denken, um so ein Stuck zu schreiben, das zwar die Moglichkeiten des Akkordeons ausnutzt, aber gleichzeitig haufig zu horende Typisierungen meidet. Die grundlegende Denkfigur ist das Harfenbisbigliando, dessen tonrepetitive Gestalt sich bis zum ,,Ton und zur ,,Melodie horizontal verfestigt und entfaltet und bis zum Akkord vertikal ubereinanderschiebt und einebnet. Dementsprechend verfluchtigt sich das vierfache Piaono zum tonlosen Luftgerausch und treibt das dreifache Forte zum gepressten Uberdruckton, ist das zart Schwebende bis zu einer nur mit ausserster Anstrengung des Spielers erzeugbaren Balgrepetition getrieben. Die Expressivitat des lufterzeugten Tones ruhrt von einer sehr differenzierten Lautstarkekomposition her und von einer zeitlichen Trennung des Balg- und Tastenrhythmus. Die repetitiven Schwingungssysteme bewegen sich linear (1 2 3 4 5 usw.) oder in ,,organischer Fibonacci-Reihung (1 2 3 5 8 usw.), dies in horizontal additiver und in zusammengestauchter divisiver Innengliederung ubergeordneter Hull-Dauern. Auch die Form ist eine ununterbrochene Zeitreihung von 47 Achtel-Langen, die in sich in immer neuer Weise gegliedert sind: Akkordeon und Komposition als breathing box. (Nicolaus A. Huber, 1985) CDs: Teodoro Anzellotti CD plane, Edition V 88663 CD Koch 31356-2 Stefan Hussong CD Perspektives. 25 Years Gaudeamus Foundation Mie Miki CD Klavins Music KM 019 Margit Kern CD Heart, edition zeitklang ez-22024 Bibliography: Klotzke , Ernst-August: Nicolaus A. Hubers Auf Flugeln der Harfe, in: Neue Zeitschrift fur Musik 2/1994, pp. 15-16.World premiere: Tokyo, March 27, 1986.
SKU: BR.MN-12019
ISBN 9790004791448. 8.5 x 12 inches.
SKU: BR.OB-14540-30
ISBN 9790004336014. 10 x 12.5 inches.
SKU: BR.EOS-522-16
ISBN 9790004785379. 8.5 x 11.5 inches.
The Sinfonia in E-flat major was probably written by Johann Christian Bach in his first decade in London, around 1765-70. Because of its small instrumentation and ease of performance, this E-flat major symphony enjoyed great popularity even during Bach's lifetime.
SKU: BR.OB-5311-30
Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time
ISBN 9790004339886. 10 x 12.5 inches.
The new Breitkopf Urtext edition presents the music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time. Moreover, the bilingual piano-vocal score contains the first-ever correct underlay of the English vocal text which William Bartholomew worked out in close collaboration with Mendelssohn.,,Diese vorbildliche Ausgabe erscheint sicher nicht zufallig rechtzeitig vor dem Mendelsohnjahr 2009. (Rainer Goede, Kirchenkunst)Music text of the Leipziger Mendelssohn-Ausgabe, which was able to take into consideration the newly accessible autograph score for the first time.
SKU: BR.CHB-3135-02
ISBN 9790004403419. 7.5 x 10.5 inches.
SKU: BR.CHB-4672-02
ISBN 9790004407615. 7.5 x 10.5 inches.
SKU: BR.OB-4313-19
ISBN 9790004304150. 10 x 12.5 inches.
SKU: BR.PB-3468
ISBN 9790004200940. 7.5 x 10.5 inches. German.
Madrigals for three and four-part choir a cappella.
SKU: BR.EB-9084
Partial world premiere: Stuttgart (Tage fur Neue Musik), April 4, 1990
ISBN 9790004179581. 8.5 x 12 inches.
Partial world premiere: Stuttgart (Tage fur Neue Musik), April 4, 1990.
SKU: BR.PB-4594
ISBN 9790004204672. 9 x 12 inches.
SKU: BR.OB-5182-30
The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.
ISBN 9790004330074. 9 x 12 inches.
The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize. Just like the Lobgesang Cantata, which unites the symphonic form and the chorale cantata, the 98th Psalm joins the motet and cantata forms into a highly expressive unity. The work begins in eight parts a cappella and leads to a vigorous orchestral movement. The use of the harp in Romantic church music was innovative and provocative in Mendelssohn's day.The piano-vocal score made by Mendelssohn himself was completed by Michael Obst, who reduced the introductory a cappella chorus for rehearsal purposes.The 98th Psalm is one of Mendelssohn's church-music works which is hard to categorize.
SKU: BR.PB-5017
ISBN 9790004207819. 9 x 12 inches.
SKU: BR.OB-5555-24
One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.
ISBN 9790004342466. 10 x 12.5 inches.
In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.
SKU: BR.CHB-3507-02
ISBN 9790004404454. 7.5 x 10.5 inches.
SKU: BR.CHB-3485-02
ISBN 9790004404256. 7.5 x 10.5 inches.
SKU: BR.PB-5389
ISBN 9790004210963. 9 x 12 inches.
Although the organ works of Sigfrid Karg-Elert are enjoying ever greater popularity, his choral pieces are still waiting to be discovered. This, however, is now only a matter of time. During his middle creative period, Karg-Elert developed his own, unmistakable choral style. His few choral works, which stem from the years 1912 and 1913, unquestionably belong to his major works from this period.
SKU: BR.CHB-301-94
Piano vocal score by the composer
In late March 1851, Robert Schumann was sent a copy of the fairy tale Der Rose Pilgerfahrt. He was so inspired by Moritz Horn's text that he immediately composed the piano score.
ISBN 9790004400920. 6.5 x 9.5 inches.
Simultaneously, he corresponded with the poet about cuts and revisions of the libretto, and, towards the end of the year, even let himself be persuaded by friends to orchestrate it. Der Rose Pilgerfahrt was given its first performances in Dusseldorf and Leipzig in February and March 1852 in this full-scored version before being printed in late 1852.Piano vocal score by the composerIn late March 1851, Robert Schumann was sent a copy of the fairy tale Der Rose Pilgerfahrt. He was so inspired by Moritz Horn's text that he immediately composed the piano score.
SKU: BR.EB-9263
World premiere: Graz (final round of the international competition Franz Schubert und die Musik der Moderne), February 27, 2018
ISBN 9790004185636. 9 x 12 inches.
World premiere: Graz (Final Round of the International Competition Franz Schubert und die Musik der Moderne), February 27, 2018.
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