SKU: BT.MUSM570203925
English.
For Flute, Tuba, Piano, Percussion. Published 1985. Commissioned by Bowery Ensemble, New York. First performance: New York, 1986, Bowery Ensemble.
SKU: BT.MUSM570208425
For 11 solo strings. Published 2004. Commissioned by the Goldberg Ensemble. First performance: Goldberg Ensemble, conducted by Malcolm Layfield, Huddersfield, UK, 14th February 2005. Score.
SKU: BT.MUSM570208937
For Soprano and six instruments. Published in 2001. Texts: Plath, Rilke, Rossetti and Lewis. First performance: Olga Ostergaard and Ensemble C, the Basement, Copenhagen, 2001. Score.
SKU: BT.MUSM570206469
For Voice and Piano. Published in 1942. First performed by Hedli Anderson, Norman Franklin, Wigmore Hall, 17th November 1945. Score.
SKU: BT.MUSM570367320
Sadie Harrison's Ha llristningsomra det for solo Double Bass. Composed and published 2016. Duration c. 10 minutes The area of Tanumshede is situated on the south western coast of Sweden. Archaeologically, it is renowned for its unique series of Bronze Age rock carvings dating from between c. 1800 to 500 BCE. Incised into over 600 panels, the petroglyphs were originally situated along a 25 mile stretch of fjord coastline and as such there are many depictions of Hjortspring boats and seafaring activities. There are also scenes of hunting, agricultural and livestock farming and warring, with many armoured figures carrying swords, axes and shields. Whilst it is possible tointerpret most carvings as images of quotidian life, the meaning of some panels is less clear. It is likely that several scenes depict ritual acts overseen by gods, often surrounded by abstract symbols - crosses, dots and ‘cups’, the significance of which is now unknown. As well as being a source of information about Scandinavian Bronze Age weapons, vehicles, tools, ships, even hairstyles, the carvings have also been the subject of debates about gender. The society depicted on the rocks seems overwhelmingly patriarchal, making the rare carvings of probable female figures particularly important. The most famous of these is known as The Grieving Woman, apparently weeping over a dead warrior from a ship. Her grief, ‘heavy as rocks’ is heard in the opening movement of the piece, echoing through the remaining movements and giving the work its dark, melancholy character. The Woman returns in the final movement as a ghost, her footsteps coming closer and closer as her ‘lover’s’ ship is rebuilt over and over again. Movement III is gentler in tone, a song for the Woman and her lover - depicted as a couple rolling a giant sun surrounded by farm animals. Movement II represents the enigmatic Juggler or Calendar Man who holds 29 spheres in his hand - perhaps juggling the fate of The Grieving Woman.
SKU: BT.MUSM570206445
For Soprano, Flute, Viola, and Piano (or Accordion). Published in 1953. Text by Dylan Thomas. First performed by Hedli Anderson, Globe Theatre, 30th January 1954. Score.
SKU: BT.MUSM570208449
For full Orchestra. Published 2004. 3(3rd+picc).3(3rd+ca).3(3rd+bcl).3(3rd+cbn) / 4.3.3.1 / pf.hp.cel.acc.perc(4) / str First performance: Slovenian Radio/TV Orchestra, conducted by Sian Edwards, ISCM/Zagreb Biennale Festival, 21st April 2005 Score.
SKU: BT.MUSM570202270
For 11 Solo Strings. Commissioned by Opus 20 with funds from London Arts Board. First performance: St Giles Cripplegate, Barbican, 3rd April 1997.
SKU: BT.MUSM570200368
For Solo Cello, first published in 1991. Commissioned by Tall Poppies. First performance by David Pereira, Sydney 1992.
SKU: BT.MUSM570362714
Seven scenes for Soprano, Tenor and 7 instruments. Published in 1954. First performed by Alexandra Browning, John Winfield, New Opera Company, conducted by Leon Lovett, Sadlers' Wells, 17th April 1973. Vocal Score.
SKU: BT.MUSM570209668
For two Violas.  .
SKU: BT.MUSM570201396
For Vibraphone Quartet.
SKU: BT.MUSM570205899
For dramatic soprano and ensemble (Flute/Alto Flute, Oboe, Clarinet/Bass Clarinet, Horn, Trumpet, Trombone, Harp, Percussion, Violin, Viola, Cello, Double Bass). Published 1979. Text: Ursula Vaughan Williams.
SKU: BT.MUSM570207480
First performance: Peter Sheppard Skaerved and Phillipa Mo, Leighton House, London, May 2004.
SKU: BT.MUSM570360031
SATB choir, organ. Published 2006 Words by WH Auden. Commissioned by Dr Stephen Darlington, Christ Church Oxford First performed as part of a service celebrating the centenary (2007) of WH Auden Choral and Organ score.
SKU: BT.MUSM570367252
Matthew Roddie 's Horn Concerto for solo Horn in F and Orchestra. Reduction for Horn and Piano. Composed and published 2016. Duration: c. 24 minutes.
SKU: BT.MUSM570208265
For Piano Quartet. Published 1998. Commissioned by the Acarte Department of the Calouste Gulbenkian Foundation First performance: Moscow Piano Quartet, Modern Art Centre / Calouste Gulbenkian Foundadtion, 2nd June 1998 Parts.
SKU: BT.MUSM570363766
For solo Soprano and Orchestra. First performed and recorded by Raquel Camarinha (Soprano) and the Gulbenkian Orchestra, conducted by David Alan Miller, at the Gulbenkian Auditorium in June 2012.
SKU: BT.MUSM570204014
For Clarinet quartet (3 cl, bcl). Published 1985. Commissioned by Tadaaki Takeda Clarinet Quartet. First performance: Tokyo, 1985, Tadaaki Takeda Clarinet Quartet.
SKU: BT.MUSM570202294
For Flute, Clarinet, Horn, Harp, Piano, Violin and Cello. Published 1992, rev. 1999 First performance: 22nd July 1992, Pembroke Chapel, Cambridge Festival, New Music Players, conducted by Paul Hoskins. First performance revised version: 15th May 1999, Brighton Festival, New Music Players, conducted by Patrick Bailey.
SKU: BT.MUSM570206544
Winner of Lloyds Bank National Composers' Award 1985. First performance: Bochmann Quartet, London, 1985.
SKU: BT.MUSM570209521
8'40: voice and ensemble. Published 2006. For voice, Recorder (Treble & Descant), Oboe, Clarinet, Bassoon, Trumpet, 3 Violins (or 2 vlns & vla), vc. First performance: 14th July 2006, Binham Priory, North Norfolk: Impulse, conducted by Edward Longstaff, with Daisy Chute as vocalist. Full Score.
SKU: BT.MUSM570209781
For Piano, Harpsichord and Tape. A través del granizo (2007).
SKU: BT.MUSM570207398
For String Trio. Published 1976-1990. In three parts: Cahier 1 - 17 minutes Cahier 2 - 16 minutes Cahier 3 - 18 minutes First performed at the Venice Biennale; first broadcast by members of Arditti Quartet - irvine Arditti, Levine Andrade, Rohan de Saram. Score and Parts.
SKU: BT.MUSM570361168
For String Quartet. Parts.
SKU: BT.MUSM570206216
For Counter-Tenor, 6 Sopranos and 3 Quintets. Quintet 1 - Treble Recorder, Lute, Bass-String Viol, Regal/Flute Organ, and Percussion. Quintet 2 - 2 Trumpets, 2 Trombones (1 Tenor, 1 Bass), and Double Bass. Quintet 3 - Flute, Clarinet, French Horn, Violin, and Cello. First performed by James Bowman, Early Music Consort Of London, directed by David Munrow, Sinfonietta Chorus and Orchestra, conucted by David Atherton, 3rd March 1972. Score.
SKU: BT.MUSM570202096
For solo Cello. Published in 2001.
SKU: BT.MUSM570361335
For Quartet of Male Voices - 3 Tenors and 1 Bass. Vocal Score.
SKU: HL.14043376
8.0x11.75 inches.
Ed Hughes ' Quartets For Liz for String Quartet. Score and parts. This work was composed in 2012 and comprises of 15 short movements. Quartets For Liz was recorded by Susanne Stanzeleit, Marina Gillam (Violins), Gustav Carksson (Viola) and Andrew Fuller (Cello) at St. Silas Church, Kentish Town, on 25 July 2012. See www.edhughes.org.uk for recording.
Ed Hughes' Quartets For Liz for String Quartet. Score and parts.
This work was composed in 2012 and comprises of 15 short movements.
Quartets For Liz was recorded by Susanne Stanzeleit, Marina Gillam (Violins), Gustav Carksson (Viola) and Andrew Fuller (Cello) at St. Silas Church, Kentish Town, on 25 July 2012. See www.edhughes.org.uk for recording.
SKU: HL.14043204
8.25x11.75 inches.
Columba Canticles by Laurence Roman is a 41 minute long piece for Narrator, SATB Chorus, Uillean pipes, Harp, String Orchestra (Violins I & II, Violas, Cellos, Double basses). I. Kyrie - The Choir VestryII. Gloria in ExcelsisIII. The Chapter HouseIV. The Nave - The Bell TowerV. SanctusVI. Sunday School - Agnus Dei
Columba Canticles by Laurence Roman is a 41 minute long piece for Narrator, SATB Chorus, Uillean pipes, Harp, String Orchestra (Violins I & II, Violas, Cellos, Double basses).
I. Kyrie - The Choir VestryII. Gloria in ExcelsisIII. The Chapter HouseIV. The Nave - The Bell TowerV. SanctusVI. Sunday School - Agnus Dei
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