SKU: BR.PB-4440
ISBN 9790004203507. 9 x 12 inches.
SKU: BR.CB-215
ISBN 9790001157223. 9 x 12 inches.
The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.
SKU: BA.BA07237-22
ISBN 9790006486441. 29 x 21 cm inches.
A supplement to the score gives instructions for the revision; World Premiere der Erstfassung am 28/01/1993, Linz.
SKU: HL.51481132
UPC: 840126989656. 9.0x12.0x0.35 inches.
“More than 20 years ago I was called upon by friends, artists, and aficionados to write about fingerings for the violoncello,†then-famous Berlin cellist Jean-Louis Duport thus opens his “Essai†from 1806, dedicated to “Professeurs de Violoncelle.†His methodology revolutionized cello technique, and the 21 etudes printed in its appendix are still regarded today as perhaps the most important set of studies for all budding cellists. Modelled after the volumes of etudes for violin, Henle is also issuing the Urtext here, together with all original fingerings and bowings, while also offering alternatives by the famous cellist and teacher Wolfgang Emanuel Schmidt. This edition also offers a second cello part provided by Duport for accompaniment.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: M7.BP-2724
ISBN 9790015272400.
SKU: HL.48018180
UPC: 073999689341.
Cello Solo.
SKU: BA.BA07044
ISBN 9790006484683. 27 x 21 cm inches.
SKU: HL.49014417
ISBN 9790220107627. UPC: 073999979572. 6.0x9.0x0.144 inches.
Of the 14 pieces printed herein, only 9 or 10 should be included in any one performance. The Osannas 'for M', 'for C' and 'for S' should always be played, placed respectively first, centrally and last in the work. They form a framework, inside which 6 or 7 of the remainder may be arranged in any order. Pauses between each piece should be kept as short as possible.
SKU: CA.1121511
ISBN 9790007191528.
Score and Parts available separately - see item CA.1121500.
SKU: HL.49019756
ISBN 9783795794712. 11.0x15.0x0.982 inches.
The work of Paul Hindemith is encyclopedic in nature. From the outset, he worked in all musical genres and devised several of his musical ideas and projects not as individual, self-contained works but as work cycles with different functional relationships. These contrasting pieces complement each other if experienced as part of the overall structure. Hindemith himself not only wanted a complete edition of his collected works but had begun planning it; at his death he left a detailed list of ‚Unpublished pieces for an eventual complete edition‘.The Complete Works contain all finished works in all extant versions, newly engraved for the edition. Sketches and fragments are published in appendices of the relevant volume, and are evaluated in the Introduction and Critical Commentary by the respective volume editor.Each volume contains a preface by the editorial directors and an introduction by the volume editor, delineating the genesis and performance history of the work, with authentic performance instructions, an evaluation of extant recordings by Paul Hindemith himself and a Critical Commentary.The Complete Works of Paul Hindemith are thus presented in a critical, scholarly edition which is equally appropriate for study and performance. Hindemith researchers will welcome the numerous first publications of works by the composer, and practical musicians will appreciate the newly prepared, philologically ordered performance material.
SKU: BT.SCHEE3335
Horn, 2 Violins, Viola, Cello. Krol, B.
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