SKU: HL.49016761
ISBN 9790001145459. UPC: 841886006850. 12.0x8.75x0.161 inches.
SKU: HL.49045437
ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.
On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
SKU: HL.49044829
ISBN 9790001136006. UPC: 888680750596. 12.0x8.75x0.33 inches.
111 four-part chorale settings for organ or keyboard.
SKU: HL.48184607
UPC: 888680854096. 9.0x12.0x0.204 inches.
As one of the most prolific composers ever to have lived G.F. Handel's (1683-1759) catalogue is extensive. Moreover, being an organist himself, his Organ works are significant and remain ever-popular to this day. Handel's Organ Concertos remain some of his most popular and best loved works and so, when French organist, Marcel Dupre (1886-1971) compiled the series of Handel's Organ Concertos, it was well-received, and to this day remains popular with all organists. The second volume includes the seventh-twelfth concertos. In addition, Dupre's annotations in the Organ Concertos comprise fingerings, and a detailed preface in French, English and German. This compilation of Handel's most loved compositions for the Organ cannot be missed by aspiring performers of the instrument..
SKU: CA.2005012
ISBN 9790007033880. Key: D dorian. Language: German/English.
Score available separately - see item CA.2005000.
SKU: M7.DOHR-18937
ISBN 9790202039373. German.
SKU: CA.2708349
ISBN 9790007164195. Language: Latin.
Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the Berliner Sing-Akademie, and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials (two choral scores, separate organ part) facilitate the rehearsal of this challenging work. Score and part available separately - see item CA.2708300.
SKU: HL.49009234
ISBN 9790001092357. UPC: 884088048273. 12.0x9.0x0.055 inches.
SKU: BA.BA10166-67
ISBN 9790006491353. 24 x 32.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CA.2039205
ISBN 9790007035068. Key: A minor. Language: German. Text: von Preussen, Albrecht. Text: Albrecht von Preussen.
Score available separately - see item CA.2039200.
SKU: HL.48184599
UPC: 888680907464. 9.0x12.0x0.216 inches.
Part of the Organ collection by J. S. Bach, this 7th Volume The Little Organ Book - Forty-five Organ Chorals is an edition of the Orgelbuchlein, composed from 1708 to 1717. First published in 1940, this volume is translated in English and French and features the annotation of Marcel Dupre, a French organist, to help the performer get the most of this sheet music. These Forty-five Organ Chorals were all written with a religious theme (Advent, Nativity, New Year?s day, Purification of the Virgin, Passion, Good Friday, Passion, Easter, Whitsuntide). This volume can be used by intermediate players and above..
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