SKU: M7.DOHR-13829
ISBN 9790202028292.
Nach mehreren Misserfolgen mit neuen Opern konzentrierte sich Marschner vermehrt auf Kammermusik. So entstanden zwischen 1840 und 1855 sechs seiner insgesamt sieben Klaviertrios. Das hier vorgelegte Grand Trio g-Moll op. 111 ist das erste dieser reifen Klaviertrios. Das Werk erschien erstmals 1841 bei Friedrich Hofmeister in Leipzig und ist Sophie Cohen née Gleisdorffer (Sophie Sara Cohen, geboren am 20. November 1810 in Regensburg, gestorben am 8. Februar 1862 in Hannover) gewidmet. Marschner war offenbar um zyklische Geschlossenheit bemüht, weisen doch alle vier Sätze thematische Querbezüge und Verwandtschaften auf. Es handelt sich um ein Werk, das auch heute seine Wirkung nicht verfehlen sollte! (Christian Vitalis) Der Stimmensatz enthält neben Violin- und Cellostimme auch eine Klavierstimme.
SKU: AP.36-60783002
ISBN 9798888528655. UPC: 659359997112. English.
The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as a conversation between the two instruments instead of a debate between two virtuosos.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.14029992
ISBN 9788759851036. 8.25x11.75x0.095 inches. English.
Jean Sibelius' Opus 78 is characterised by its sheer musicality and design for home study. The set closes with an agile study called Rigaudon, a lively and testing piece which is a real challenge for an amateur violinist but one which they will enjoy immensely! The title mirrors an eighteenth-century Gavotte-like French dance and with rapid arpeggios and stuttering pizzicato creates this powerful sense of urgency and rhythm.
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