SKU: BT.DHP-0981377-216
Salzburg, die bezaubernde österreichische Stadt an der Salzach verdankt ihre Berühmtheit vor allem den jährlich stattfindenden Salzburger Festspielen. Charming Salzburg basiert auf einem Thema aus der Zauberflöte, der letzten Oper von Mozart, die von vielen auch für seine beste gehalten wird. Henk Hogesteins Bearbeitung ist somit eine charmante Huldigung an die Stadt und an die unvergessliche Musik eines ihrer berühmtesten Söhne.
SKU: BT.DHP-0981377-020
SKU: CA.2415200
Language: German.
This study fills significant gaps in our knowledge of the promotion and study of Mozart in Salzburg in the first half of the 19th century. In producing it, numerous sources have been evaluated in detail for the first time. At its heart stands the history of the Dommusikverein und Mozarteum, the institution for fostering Mozart's work in the composer's birthplace, which over the course of the following years established an authoritative status both in Salzburg and further afield. In the research particular emphasis was placed on the relationship between the Verein (Society) and members of the Mozart family, in particular the role of the two Mozart sons in fostering appreciation of Mozart and the development of the Society's unique collection of Mozartiana. In the process new findings have been presented, including information about questionable provenances of original Mozartiana. With its wide-ranging approach, the study fulfils the demands of a valuable reference work for both specialist scholars and for admirers of Mozart.
SKU: HF.FH-2995
ISBN 9790203429951. 9 x 12 inches.
1. Leise rieselt der Schnee (Ed. Ebel); 2. Ach, bittrer Winter (17. Jhd.); 3. Nikolauslied (Rheinland); 4. Morgen, Kinder, wird's was geben (Berliner Volksweise, 1800); 5. Ihr Kinderlein, kommet (J.A.P. Schulz, 1747-1800); 6. Alle Jahre wieder (F. Silcher, 1789-1860); 7. Vom Himmel hoch da komm' ich her (M. Luther); 8. Frohlich soll mein Herze springen (J. Cruger, 1598-1662); 9. Uns ist geboren (Altflamisch); 10. Es ist ein Ros entsprungen (Speiersches Gesangsbuch, 1599); 11. O du frohliche (sizilianische Volksweise); 12. Nun singet und seid froh (Klug's Gesangbuch, 1535); 13. Vom Himmel hoch ihr Englein (Kolner Gesangbuch, 1632); 14. Kommet, iht Hirten (Volksweise); 15. Auf, auf, ihr Hirten (Niederosterreich); 16. Spielt auf (Volksweise); 17. Lieb' Nachtigall, wach auf (1670); 18. Kindlein mein (Volkslied); 19. Kindlein zart (Volksweise); 20. Joseph, lieber Joseph mein (nach Handschrift 1305 der Universitats-Bibliothek Leipzig); 21. Still, still, weil's Kindlein schlafen will (Volkslied aus Salzburg, 1819); 22. O Tannebaum (Alte Volksweise); 23. O Tannebaum (Volkslied aus Westfalen); 24. Ach Tannenbaum (M. Franck, 1573-1639); 25. Am Weihnachtsbaum die Lichter brennen (Volksweise); 26. Frohliche Weihnacht uberall (aus dem Englischen); 27. Stille Nacht (F. Gruber, 1787-1863).
SKU: BT.DHP-0900159-216
Das Andante in G-Dur KV 501 wurde von Wolfgang Amadeus Mozart ursprünglich für Klavier zu vier Händen geschrieben. Dizzy Stratford nahm die bezaubernde, leichte Melodie und setzte sie in ein etwas moderneres, aber ebenso leichtes und reizvolles Stück für Blasorchester um, in dem tiefe und hohe Register gleichermaßen zum Zug kommen. C’est de Salzbourg l’enchanteresse, ville natale du grand Mozart, que Dizzy Stratford s’est laissé inspirer pour rendre hommage au génie musical autrichien. La courbe mélodique basée sur le célèbre Andante en Sol Majeur de Mozart est superbe, et fl ne travers plusieurs pupitres de la formation. Le fond orchestral est éthéré et délicat.
SKU: BT.DHP-0900159-030
In this composition, Dizzy Stratford gives a musical impression of Wolfgang Amadeus Mozart’s beautiful hometown. The theme of the work has been derived from the middle movement of one of Mozart’s piano sonatas and provides the concert band with a glimpse into the creative genius of this great composer. Das Andante in G-Dur KV 501 wurde von Wolfgang Amadeus Mozart ursprünglich für Klavier zu vier Händen geschrieben. Dizzy Stratford nahm die bezaubernde, leichte Melodie und setzte sie in ein etwas moderneres, aber ebenso leichtes und reizvolles Stück für Brass Band um, in dem tiefe und hohe Register gleichermaßen zum Zug kommen. C’est de Salzbourg l’enchanteresse, ville natale du grand Mozart, que Dizzy Stratford s’est laissé inspirer pour rendre hommage au génie musical autrichien. La courbe mélodique basée sur le célèbre Andante en Sol Majeur de Mozart est superbe, et fl ne travers plusieurs pupitres de la formation. Le fond orchestral est éthéré et délicat.
SKU: BT.DHP-0900159-015
SKU: GH.GE-11841
ISBN 978-91-7748-317-5. A4 inches.
Congas, bongos, timbale, guiro och clave ar instrument som alla slagverkare forr eller senare stoter pa och maste beharska. I denna bok far du veta allt om instrumenten och rytmerna - en komplett receptsamling for att fa till det dar speciella svanget! Boken innehaller ocksa en historisk bakgrund till den kubanska musiken och en uppslagsdel med afrokubanska musikstilar, slagverkstermer och lyssningstips.
SKU: HL.49018070
ISBN 9783254083098. UPC: 884088538781. 4.75x7.5x1.09 inches. German.
Als Fritz Wunderlich 1930 im nordpfalzischen Kusel geboren wurde, konnte niemand ahnen, dass einer der grossten Sanger des 20. Jahrhunderts das Licht der Welt erblickt hatte. Seine ungewohnliche musikalische Begabung, die schon fruh von seinen Eltern gefordert wurde, liess kaum einen Zweifel an seiner spateren Berufung aufkommen. Nach dem Gesangsstudium eroberte er innerhalb weniger Jahre die Opernhauser und Konzertsale Europas und wurde der bedeutendste deutschsprachige lyrische Tenor seiner Zeit. Zum 80. Geburtstag dieses viel zu fruh verstorbenen Sangers wird die erfolgreiche Biografie von Werner Pfister in Uberarbeitung neu als Taschenbuch aufgelegt. Es ist dank der objektiven, engagierten und kritischen Schilderungen noch immer das massgebende Werk zu Wunderlichs Leben.
SKU: BT.DHP-1125069-140
9x12 inches. English-German-French-Dutch.
When the song Silent Night was fi_x001F_rst heard, at Christmas 1818 in the village church of Oberndorf, near Salzburg in Austria, no one could have dreamt of the success this Christmas carol would enjoy the world over. The village schoolteacher and organist Franz Gruber - the 150th anniversary of whose death is marked in 2013 - composed the melody for a poem by Franz Mohr shortly before Christmas. Today, Silent Night is sung in over 300 languages worldwide.Oberdorf-Salzburg, Kerstmis 1818. Het lied Stille Nacht van de dorpsleraar en organist Franz Gruber klinkt voor de allereerste keer. Toen zal niemand gedacht hebben dat dit lied, dat gebaseerd is op een gedicht Franz Mohr, een van de bekendste kerstliedjes ter wereld zou worden, vertaald in meer dan 300 talen. Lorenzo Bocci maakte een mooie, pure bewerking van dit lied, dat speelbaar is voor elk orkest. Als an Weihnachten 1818 in der Dorfkirche zu Oberndorf bei Salzburg (Österreich) das Lied Stille Nacht erstmals erklang, ahnte wohl niemand, dass dieses festliche Lied einmal buchstäblich weltberühmt werden würde. Der Dorfschullehrer und Organist Franz Gruber, dessen Todestag sich 2013 zum 150. Mal jährt, hatte die Melodie kurz vor Weihnachten zu einem Gedicht von Franz Mohr komponiert. Heute wird Stille Nacht in mehr als 300 Sprachen weltweit gesungen.C’est en 1818, l’église du village d’Oberndorf près de Salzbourg, que retentit pour la première fois Douce Nuit. Le maître d’école du village et organiste Franz Gruber, dont nous commémorons en 2013 le 150e anniversaire de sa mort, en composa la mélodie juste avant Noël, sur un poème de Franz Mohr. Nul ne pouvait alors imaginer le triomphe qu’allait remporter cette poignante mélodie. Douce Nuit est chanté aujourd’hui dans plus de 300 langues, et ce dans le monde entier. L’arrangement particulièrement réussi de Lorenzo Bocci ne saura que contribuer cet incroyable succès.Quando le inconfondibili note di Stille Nacht risuonarono la prima volta nel 1818 nella chiesa di Oberndorf nei pressi di Salisburgo, nessuno immaginava l’enorme successo che questo canto natalizio avrebbe avuto in tutto il mondo. Franz Gruber, insegnante in un villaggio, scrisse la melodia poco prima di Natale per accompagnare una poesia di Franz Mohr. Da allora Stille Nacht è cantata in oltre 300 idiomi nel mondo intero.
SKU: BT.DHP-1125069-010
SKU: CA.2705305
ISBN 9790007113520. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.
SKU: CA.2705314
ISBN 9790007199593. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
SKU: CA.2705319
ISBN 9790007133887. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.
SKU: CA.2705349
ISBN 9790007199616. Key: A major. Language: Latin.
SKU: BR.OB-5295-26
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
ISBN 9790004338438. 10 x 12.5 inches.
When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden? Henrik Wiese sheds new light into the confusion wrought by Mozart himself. Wiese, solo flutist of the Bavarian State Orchestra, has made an outstanding name for himself as soloist and editor, and is viewed in professional circles as one of the best specialists of Mozart's wind works. He has focused on the work's genesis, but especially on the music text, having consulted all known scribal copies of the work and all available copies of the first edition. The version for flute and piano also contains a facsimile of the solo part from the first edition as well as cadenzas which stem from the earliest hand-written sources or which were composed by the editor in Mozart's style.When and where did Mozart write his Flute Concerto, and for whom? Was it in 1777 or 1778? In Salzburg or in Mannheim? And how much did Ferdinand Dejean actually pay for it: 96 gulden or the promised 200 gulden?
SKU: BA.BA09188-91
ISBN 9790006565139. 27 x 19 cm inches. Key: C minor. Text Language: Latin.
Mozart's magnificent unfinishedGreat Mass in C minor K. 427is impressive not only for its monumentality and musical beauty but for its fragmentary state which has fascinated scholars and performers for decades.Working together with the International Mozarteum Foundation in Salzburg, Barenreiter now presents a new edition of this work, reflecting the cutting edge of scholarship while doing justice to the needs of performers.High scholarly standards, the completion and reconstruction of movements: this pioneering publication incorporates all this in order to come as close as possible to the work itself:- TheKyrieandGloria, both of which survive complete in Mozart's hand, are edited in accordance with scholarly standards.- The first two sections of theCredohave been meticulously completed by the editor Ulrich Leisinger, drawing on original Mozart compositions e.g. the ariaDeh vieni non tardarfromThe Marriage of Figaroand paying attention to a stylistically appropriate and transparent sound.- TheSanctusandBenedictus(with theHosanna), which are either incomplete or survive only in secondary sources, have been reconstructed by the editor.Sections without any known sources are left out in this edition. Rounding off the publication is an extensive Foreword (Ger/Eng).The first performance of Ulrich Leisinger's new edition was given in April 2019 in the Elbphilharmonie Hamburg by the Hamburg State Philharmonic Orchestra and the ChorWerk Ruhr under the baton of Kent Nagano. The first Austrian premiere took place in Salzburg on August 2019 in the Great Hall of the Mozarteum, with Andrew Manze conducting the Salzburg Camerata to rousing applause from audience and critics alike.The C-minor Mass reconstruction by Helmut Eder on the basis of the New Mozart Edition (BA 4846) is still available: the score and performance material are on hire, the vocal score is on sale.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.OB-5295-19
ISBN 9790004338421. 10 x 12.5 inches.
SKU: CA.2728919
ISBN 9790007201074. Key: C major. Language: Latin.
In the 17th and 18th centuries, Salzburg, where Leopold Mozart was Assistant Court Music Director, was a center for polyphonic Offertory settings and multimovement offertory concerti, which developed into a main genre of Catholic liturgical music in the south German region.The Salzburg Cathedral seems an obvious choice, which the solemn orchestration with trumpets and timpani would support. Score and parts available separately - see item CA.2728900.
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