SKU: LM.P1362
ISBN 9790230916462.
COTTRAU : Santa Lucia (Chant national napolitain) - DIABELLI : Piece melodique Op.149 - GRETRY : Une fievre brulante (Richard Coeur de Lion) - LACK : Le bapteme de la poupee Op.61 bis - LANDRY : Valse espagnole op.77 - LAVIGNAC : Priere et Choral - SOR : Galopade - THOME : Alsacienne Op.58 bis - En chasse Op.58 bis - WOHLFART : L'Ami des enfants Op.87.
SKU: SU.50001450
Published by: Seesaw Music.
SKU: BR.EB-6735
ISBN 9790004169377. 9 x 12 inches.
This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in compass, since it is more stimulating for children if the literature used for instruction is changed frequently. Amongst the numerous piano works of the composer, pianist and music publisher Anton Diabelli there are some instructional works for piano duet (four hands at one piano) that have retained their freshness and value to this day as the Melodie Studies, op. 149. These attractive short pieces will still appeal to today's piano-playing young people. In the original version, the secondo part is designed for the teacher. In the present edition, this part has been rearranged in such a manner that it, too, lies within the capacities of the student. Heinz Walter, Salzburg, Fall 1974.
SKU: HL.285230
UPC: 888680908737. 9.0x12.0x0.264 inches.
'Flee the storms.' Reynaldo Hahn (1874-1947) put this motto of classical artists at the heart of his music for piano four hands, preferring the balance of proportions to the roar of passions, the eclecticism of good taste, charm and delicacy. Berceuses falls within the French tradition of children's music such as illustrated by Faure's Dolly and Ravel's Ma mere lOye. These seven pieces evoke with refinement the happiness of a cloudless day, the effervescence that reigns on Christmas Eve, or the gentle syncopated rocking of a young Creole, Selfiana. The Variations pueriles sur une melodie de Carl Reinecke manifest a free, whimsical vein, whereas the Trois preludes sur des airs irlandais drink at the pure sources of folk music, borrowing their thematic material from the famous collection Songs of Old Ireland which Stanford had brought out in 1882. Published for the first time from ahandwritten score, the Variations sur un theme de Charles Levade end with a wild quadrille that takes the heroes of the celebration to the nearest inn. The Piece en forme daria et Bergerie from 1896, finely polished, takes up with the ambiance of the pastorale, popular in the 17th century.
SKU: YM.GTP01097934
ISBN 9784636979404.
YAMAHA proudly presents a music sheet collection for piano duet (1 piano 4 hands). Using high-quality paper, it is designed to open in a double gatefolding. The Primo plays the main melody line, and the Secondo adds to the overall performance! The songs from Studio Ghibli, nursery rhymes and children's songs, classical music, and more are available in a lineup. - Offers easy-to-use design with a double gatefold so that it can be used immediately after opening the music sheet - Features part score layout to easy to play together for piano duet. The right 2 pages are for the Primo part; The left 2 pages are for the Secondo part! - Uses high-quality, thick music sheet paper to ensure long-lasting use Enjoy playing together with your family and your friends!
SKU: HL.14018852
ISBN 9780853609308.
Piano duet score. 1st performance Ellesmere College, January 1986 by Richard Markham and David Nettle. Duration c.24 minutes. The work is in three movements and the musical thought is symphonic. The first movement (based entirely on the opening motive) goes through a series of paragraphs which eventually culminate in an extended melodic line played entirely by the treble player. The middle movement is a playful Scherzo with a rather sardonic waltz for its Trio. The slow movement (which comes last) is much more relaxed and concentrates on a D major motive with sharpened fourths, but the more intense moods of the first movement return in a suddenly impassioned middle section.
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