SKU: LM.VV078
ISBN 9790560050782.
CHARTREUX Annick : I couldn't hear somedy pray - Didn't my lord deliver Daniel - Swing low sweet chariot - Where you there - When they crucified my lord - Josuah fit the battle of Jericho - Kumbaya.
SKU: SU.21010370
Facsimile Manuscript EditionPiano Four-Hands Duration: 10’ Composed: 1940-1946 Published by: Estate of Edward T. Cone.
SKU: BT.EMBZ14704
The present collection contains the composer's Bach transcriptions for piano four hands written since the publication of his volume of 'Transcriptions from Machaut to J. S. Bach'. These were originally composed for the Kurtágs, György and his wife Márta, for their own use, and they were often played, together with the 'Játékok' [Games] pieces, at the couple's piano four hands concerts. Die vorliegende Sammlung ist der Anhang zum Band 'Übertragungen von Machaut bis J. S. Bach' von György Kurtág. Diese Stücke entstanden ursprünglich zum eigenen Gebrauch des Ehepaars Kurtág, Márta und György, und erklangen häufig neben den Stücken aus 'Játékok' [Spiele] im Rahmen der vierhändigen Klavier- und Pianinokonzerte des Ehepaars.
SKU: HL.50572429
SKU: SU.21010190
Facsimile Manuscript Edition2 Pianos Duration: 12’ Composed: 1965 Published by: Estate of Edward T. Cone.
SKU: HL.49028134
ISBN 9790204001644. 9.25x12.0x0.11 inches.
SKU: M7.AST-6111
ISBN 9790203861119.
SKU: LM.26223
ISBN 9790230962230.
SKU: HL.49003696
ISBN 9790001036856. UPC: 884088109646. 9.0x12.0x0.122 inches.
SKU: M7.VHR-3531
ISBN 9783920470252.
Gut geeignet für den Anfangsunterricht, da der Klavierpart des Schülers den Umfang von 5 Tönen nicht überschreitet.
SKU: HL.49028133
ISBN 9790204001637. 9.0x11.75x0.257 inches.
SKU: HL.49015503
ISBN 9783795751944. 0.14 inches.
This collection of piano duets in popular styles aims to add variety to piano lessons by providing attractive pieces in a pop idiom. The part for the first player (Primo) is kept simpler than the accompaniment, so that various combinations of players are possible: student (melody) and teacher (accompaniment) or two students of different playing standards. In this way the young keyboard 'champions' become acquainted with ensemble playing, keeping the tempo, listening to each other, the conventions of modern rhythms and syncopation, as well as being at ease with pop harmonies.
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