SKU: PR.114418800
UPC: 680160667673. 9 x 12 inches.
Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements: 1. Spring Ox and Cowherd 2. Five Boys Snatch Lotus Seed Pods 3. Prosperity in the New Year.Nian Hua (Chinese New Year’s Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.
SKU: PR.11441880S
UPC: 680160684694. 9 x 12 inches.
SKU: DZ.DZ-742
ISBN 9782895006282.
SKU: AP.1-ADV10305
ISBN 9783892212614. UPC: 805095103052. English.
The main body of this piece stays as close to the original composition as possible, considering that is has been adapted for the guitar. With this arrangement comes a set of performance notes which offer conceptual and technical insights.
SKU: HL.50606652
ISBN 9781705199893. UPC: 196288154228.
Béla Bartók composed the series of forty-four violin duos in 1931, prompted by the German violin teacher Erich Doflein. With the exception of numbers 35 and 36, all the pieces are based on original folk melodies, and the majority were collected by the composer himself during his numerous field trips in the Carpathian Basin. The melody for No. 42 was collected by Bartók in Algeria. Universal Edition (Vienna) published the violin duos in 1933 in four volumes, arranged in order of difficulty. The present transcription faithfully follows the original. Fingerings are by the editor.
SKU: MB.11143CD
UPC: 796279112673. 5.5X5 inches.
Acoustic Guitar Portraits is a collection of 15 original compositions for two acoustic guitars written and recorded by William Bay. The recording features an eclectic array of musical genres and was recorded on 4 different hand made acoustic steel string guitars. Three of the guitars are 7 string acoustic models and one is a 6 string. The recording features a complex interplay between the two guitars and frequent lush harmonic chordal structures.
SKU: HL.14031770
ISBN 9780711978874. 9.0x12.0x0.1 inches.
Five pieces by Igor Stravinsky, arranged for guitar duet by Arthur Levering. Includes two copies.
SKU: DZ.DZ-2809
ISBN 9782897377267.
SKU: DZ.DZ-3400
ISBN 9782897953171.
SKU: VT.VT-362
SKU: DZ.DZ-4311
ISBN 9782898522284.
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces à Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en à Âuvre dâÂÂune manière qui sâÂÂécarte de lâÂÂintention originale de lâÂÂétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.
SKU: UM.15032
ISBN 9790224415032.
SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
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