SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
SKU: HL.50606652
ISBN 9781705199893. UPC: 196288154228.
Béla Bartók composed the series of forty-four violin duos in 1931, prompted by the German violin teacher Erich Doflein. With the exception of numbers 35 and 36, all the pieces are based on original folk melodies, and the majority were collected by the composer himself during his numerous field trips in the Carpathian Basin. The melody for No. 42 was collected by Bartók in Algeria. Universal Edition (Vienna) published the violin duos in 1933 in four volumes, arranged in order of difficulty. The present transcription faithfully follows the original. Fingerings are by the editor.
SKU: PR.UE034493
ISBN 9783702472160. UPC: 803452069270.
Having previously issued Sor's L'Encouragement for two guitars (PR.UE034491), the New Karl Scheit Edition now tackles another challenging guitar duo, the famous Souvenir de Russie. Composed of an introduction, theme and variations, and an allegretto finale, the Souvenir de Russie is justly a favorite of better guitar duos. For advanced performers.
SKU: BO.B.3649
Padre Antonio Soler is the most important Spanish composer of keyboard instruments of the XVIII century. Born in Olot he was baptized in 1729 and died in El Escorial in 1787. As a young boy he entered the Escolania of Montserrat, where he studied composition and organ, coinciding at the same monastery with the also Spanish composer of that time, Fernando Sor. Padre Soler spent great part of his life in El Escorial as chapel master and organist and met in Madrid Italian composer Domenico Scarlatti with whom he developped a deep friendship inspired on mutual admiration.In spite of the similar styles of both composers the fluid inspiration of Padre Soler excels for his own personality, definitely influenced by Spanish roots. Furthermore, I ask myself if the fact of being at the same monastery of Montserrat with guitarist composer Fernando Sor didn't play an important role in the future development of Padre Soler's style.I have transcribed for two guitars these three sonatas in the hope that also the guitarists can enjoy playing these little jewels, truly musical delights, that Padre Antonio Soler left for us.
SKU: MB.WBM03
ISBN 9780985922702. 8.5 X 11 inches.
Acoustic Guitar Portraits is a collection of scores from my recording of the same name. The music reflects a rich variety of musical styles and is original. The rhythms are contemporary and the harmonies are lush. The duos feature an intricate dialog between the two acoustic guitars. It has been my goal to present performance or concert material for the plectrum flatpick guitar. These compositions were written with that in mind.
SKU: PR.114418800
UPC: 680160667673. 9 x 12 inches.
Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.Nian Hua (Chinese New Year's Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements: 1. Spring Ox and Cowherd 2. Five Boys Snatch Lotus Seed Pods 3. Prosperity in the New Year.Nian Hua (Chinese New Year’s Paintings) for two guitars is inspired by the colorful folk paintings presented in Yangliuqing Town in Tianjin, China. The work is 13 minutes in duration, and composed in three movements:1. Spring Ox and Cowherd2. Five Boys Snatch Lotus Seed Pods3. Prosperity in the New Year.
SKU: SU.27110010
Ranging from hypnotic to virtuosic, the six duets explore the limits of interdependence, in which the stereophonic whole of the sound is an intricately woven sum of its parts.2 Guitars Duration: 35’ Composed: 2011 Published by: Raymond J. Lustig Music.
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