SKU: LM.29169
ISBN 9790230991698.
Pwyll, prince de Dyfed - Arawn, roi d'Annwyn - La disgrace de Branwen - Bendigeit Vran, fils de Llyr - Manawydan et Rhyannon - Mat, fils de Mathonwy - Goewin, fille de Pebin - Gwyddyon, le druide - Llud et Llevelys - Kuhlch et Olwen - Le songe de Rhonabwy - Owein et la Dame de la Fontaine - Le reve de Macsen Wledig.
SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
SKU: DZ.DZ-4311
ISBN 9782898522284.
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces à Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en à Âuvre dâÂÂune manière qui sâÂÂécarte de lâÂÂintention originale de lâÂÂétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.
SKU: HL.49019316
ISBN 9790001191319. UPC: 841886019591. 9.0x12.0x0.1 inches.
The philosopher and mystic G. I. Gurdjieff, born in Caucasus at the border between Armenia and Turkey, developed a theory which is supposed to mediate between the esoteric knowledge of the East and the scientific thinking of the West. In collaboration with the Russian composer Thomas de Hartmann, he created a series of piano compositions in which melodies from Far Eastern religions are included. Now, some of these works have been arranged for two guitars for the first time since this is suggested by the relationship of the guitar to Asian plucked instruments, such as the lute or 'tar', for tonal reasons. Thus, the clarity and power of this music is expressed in a delicate and colourful way.
SKU: BT.REBA00325
ISBN 9789069111247.
SKU: HL.14031750
9.0x12.0x0.07 inches. Matthew Elgart - Author.
Three Easy Pieces arranged for Guitar Duet by Matthew Elgart.
SKU: HL.49047518
ISBN 9783795733018. UPC: 196288308546.
Discover the fascinating world of Gypsy Swing - a musical tradition that originated in France in the 1920s and was influenced by artists such as Django Reinhardt and Stéphane Grapelli. Immerse yourself in the unique rhythm of “La Pompe” and experience the art of improvised arpeggios. Joscho Stephan, one of the most outstanding gypsy swing musicians of our time, shares his knowledge and passion in an innovative workshop. In collaboration with Dieter Kreidler, the well-known classical guitarist, author and composer, the basics of this fascinating genre are made accessible to classical guitarists in didactically prepared learning steps. From acoustic guitars with plectrums to application on classical concert guitars with nylon strings - this workshop offers a unique opportunity to explore and master the world of gypsy swing. Get ready to broaden your horizons and immerse yourself in the fascinating world of gypsy swing!
SKU: BT.REBA00228
French.
SKU: BT.REBA00126
ISBN 9789069110974.
SKU: BT.REBA00320
German.
SKU: BT.REBA00676
SKU: M7.GHE-811
ISBN 9783890448114. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: M7.GHE-814
ISBN 9783890448145. English.
SKU: M7.GHE-813
ISBN 9783890448138. English.
SKU: M7.GHE-812
ISBN 9783890448121. English.
SKU: M7.DUX-894
ISBN 9783934958425.
In dieser Sammlung befindet sich neben den Klassikern dieser Zeit erstmals das Werk Variationen über Greensleeves des Hoflautenisten John Johnson. Dieses Werk spiegelt die Variationskunst der Renaissance.
SKU: CF.GT217
ISBN 9780825881510. UPC: 798408081515. 17 x 11 inches.
Two copies needed for performance.
SKU: HL.49006903
ISBN 9790001073967. UPC: 884088109240. 9.0x12.0x0.076 inches.
SKU: AP.1-ADV10001
ISBN 9783892210115. UPC: 805095100013. English.
This book and its accompanying recordings are designed to provide the guitarist with the following: A collection of contemporary music which is fun to play and equally enjoyable to listen to. Material which is challenging and exposes the guitarist to new styles and techniques. The opportunity to improvise within a variety of musical settings and styles including Latin, modal jazz, funk and New Age. Preceding each piece are performance suggestions and explanations of techniques required for that particular piece.
SKU: PR.11440785S
UPC: 680160012091.
The composition of the work began as a few improvisational thoughts on a short phrase from a Beethoven piano sonata, which eventually developed into a six-minute fantasia that ultimately bears little audible relation to the original Beethoven phrase. The work is in four sections, of which the first and last are nocturnal, prelude, and postlude respectively. The main second section grows from a simple imitative idea to a chordal climax that subsides into a chorale and soliloquy which is elegiac in nature.
SKU: DZ.DZ-745
ISBN 9782895006312.
SKU: DZ.DZ-742
ISBN 9782895006282.
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