SKU: M7.GHE-912
ISBN 9783890449128. English.
Listed by Tonazzi as unfound or unpublished guitar duo repertoire, we proudly present for the first time four previously unedited and brilliant guitar transcriptions arranged by Llobet to be performed by the Llobet-Anido guitar duo. Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: M7.GHE-910
ISBN 9783890449104. English.
This volume contains three very interesting first publications: De Rogatis' Chacarera, Aguirre's Huella - dedication to Arthur Rubinstein, and finally, 93 years after he transcribed it, Llobet's transcription of Villa Lobos' Terezinha: Ciranda no. 1 (after Llobet's death to be published in a very similar arrangement by Emilio Pujol and published by Max Eschig!. Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: M7.GHE-909
ISBN 9783890449098. English.
Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: HL.49019316
ISBN 9790001191319. UPC: 841886019591. 9.0x12.0x0.1 inches.
The philosopher and mystic G. I. Gurdjieff, born in Caucasus at the border between Armenia and Turkey, developed a theory which is supposed to mediate between the esoteric knowledge of the East and the scientific thinking of the West. In collaboration with the Russian composer Thomas de Hartmann, he created a series of piano compositions in which melodies from Far Eastern religions are included. Now, some of these works have been arranged for two guitars for the first time since this is suggested by the relationship of the guitar to Asian plucked instruments, such as the lute or 'tar', for tonal reasons. Thus, the clarity and power of this music is expressed in a delicate and colourful way.
SKU: PR.UE034492
ISBN 9783702471439. UPC: 803452068549.
The editors of the New Karl Scheit Guitar Edition, guitarists all, have unearthed a rare gem in Marella's Sonata. Having made his mark as an accomplished violinist in the 18th century scene of Paris and Dublin, Marella relocated to London to continue his career, becoming also a teacher of guitar and composer of study volumes for that instrument. The Sonata in La Maggiore is taken from a second volume of pieces dating from 1762, and consists of three movements - Andantino, Largo, and Menuetto a theme and five variations). For intermediate to advanced performers.
SKU: M7.GHE-814
ISBN 9783890448145. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: M7.GHE-812
ISBN 9783890448121. English.
SKU: M7.GHE-911
ISBN 9783890449111. English.
Here we present the totality of Llobet's transcriptions from Albéniz and Granados for the Llobet-Anido guitar duo with MarÃa Luisa Anido. Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: HL.49005808
ISBN 9790001062695. UPC: 073999361544. 9.0x12.0x0.143 inches.
SKU: M7.GHE-815
ISBN 9783890448152. English.
This item is not part of the set of 14 volumes, it is an optional extra, a reduced size off-print of Volumes 13 and 14 from the collected edition in score format. Page size is approximately 76% of concert size and this is a quality offset print with laminated covers and a thread-sewn binding. All the original fingering is present, and, as in for the duo main volumes in score format (Vols 13 and 14) no editorial fingering has been added.
SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
