SKU: HL.49045284
ISBN 9790001161268. UPC: 841886029767. 9.0x12.0x0.232 inches.
Suite No. 1 is a hymn to the divinity of the dance. The piece explores all possibilities of extreme rhythm, harmony and orchestration in order to place special emphasis on the piano as a solo instrument with all its possibilities: from percussion instrument to lyric simplicity. At the end, the composer quotes the style of his scores together with the ancient tragedies in an epilogue with prominent signals from the wind section.
SKU: HL.49045267
ISBN 9790001160278. UPC: 841886029927. 9.0x12.0x0.115 inches.
Black Earth was inspired by Kara Toprak, a popular song in Turkey. The composer of the song, Asik Veysel, was the last great Turkish balladeer. Fazil Say imitates the sound of the sax, a Turkish lute, through his selection of a muted effect in the Introduction and Epilogue. In contrast, folklore, Romantic piano style and jazz are entwined in the central sections to form a large-scale outburst. Now also available in an arrangement for two pianos.
SKU: SU.24010130
A romantic work, inspired by the waltzes of Johannes Brahms and by the influence of Clara Schumann on his styleTwo Pianos Duration: 7' Composed: 2015 Published by: Mossgrove Music (BMI).
SKU: HL.132231
UPC: 884088970659.
Chopin wrote works for piano and orchestra between 1827 and 1832. They were written successively therefore there are traces of the gradual crystallisation and maturation of the composer's style. Their form and nature are dominated by the rules of the stile brillant, as well as the tendency to accent the national aspect. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form.
SKU: PR.440400180
UPC: 680160094554.
This impressive concert work is a frank dialogue between the players. The four movements are of contrasting character, but always in a conversational style. Jaffe was one of four finalists in the 1991 Friedheim competition. For colleges, conservatories, professionals. Difficult.
SKU: HL.48188491
UPC: 888680870034. 9.0x12.0x0.089 inches.
Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Figures of Resonance is an excellent duet for Two Pianos. This Dutilleux piece was first published in 1980 and is made up of four movements. Figures of Resonance is a group of sequences which forms a variety of sounds within an acoustic. It is a virtuosic and modern work, with pedalling included throughout. Dutilleux's Figures of Resonance remains popular to this day and is a sublime, highly complex piece for performers and audiences alike..
SKU: FG.55011-893-5
ISBN 9790550118935.
Lauri Kilpiö's (b. 1974) Six Winter Scenes for two pianos (2022) was commissioned by Joensuu Conservatory. The nostalgic memories and different impressions of winter take the technical abilities of the performers into consideration. The short, hazy movement I Blue Dusk Descends brings the winter. The other move-ments include the bright movement II Echoes in a Snowy Forest, the toccata-style movement III Ride through a Blizzard, the glitteringly impressionistic movement IV Ice Skating on the River, the enigmatic movement V Birds on the Snowdrift, and the energetic movement VI Woken Bear Rock, which brings the spring.The suite can be performed in its entirety at a time, or it is also possible to perform only individual movements of it. The same piano duo may perform the whole work, or the performers may also change between the movements.Duration: 14'Osat / MovementsI Sininen hämärä laskeutuu | Blue Dusk DescendsII Kaiut lumisessa metsässä |Echoes in a Snowy ForestIII Ratsastus läpi pyryn | Ride through a BlizzardIV Luistelu joella | Ice Skating on the RiverV Linnut hangella | Birds on the SnowdriftVI Heränneen karhun rock | Woken Bear RockThis product includes one performance score (both piano parts in the same score).
SKU: CA.5161300
ISBN 9790007110178. Key: F major. Language: all languages.
Here Rheinberger drew on his two-piano arrangement of the Goldberg Variations not only for the choice of instruments, but also for his arrangement technique. At times Mozart's piano part alternates between the two pianos, though usually new parts are added to flesh out the texture harmonically in various ways. Occasionally Rheinberger also adds motivic parts, though never with the same skill or density as in the Goldberg Variations. In this, however, he demonstrates a consummate sense of style precisely by adhering to the compositional fabric of his original models.
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