SKU: HL.14026653

10.0x14.25x0.477 inches.

Richard Rodney Bennett, 'Fanfare On A Sixteenth Century Tune' arranged for two Pianos. Score format, includes two separate parts.

SKU: BT.EMBZ14606B

Dániel Csengery (b. 1974) wrote his three-movement Concertino in 2006. It is a colourful, carefree-sounding composition with lively rhythms, suitable for intermediate-level pianists and youth orchestras. The viola part may also be played by a third violin section. The music is available in two versions: 14606A - score and parts, 14606B reduction for two pianos.

Das dreisätzige Concertino von Dániel Csengery (1974) entstand 2006. Es ist eine bunte, leicht gestimmte Komposition von lebendiger Rhythmik für fortgeschrittene Pianisten (Z. 14606B) und Jugendorchester (Z. 14606A). Die Bratschenstimme kann auch von einer dritten Geige gespielt werden.

SKU: BA.BA07110

ISBN 9790006485444. 35.6 x 27.2 cm inches.

SKU: UM.9284

ISBN 9790224409284.

SKU: UM.922

ISBN 9790224400922.

SKU: HL.50600477

8.0x11.75x0.17 inches.

Ferran Cruixent's “Binary” was commissioned by the ARD International Music Competition. The work is dedicated to a 56k Modem device. The world premiere was given during the course of the competition on 8 September 2015 at the Hochschule für Musik und Theater (University of Music and Performing Arts) in Munich. “Binary” for two pianos is a one-movement work, inspired by the composer's fascination about the dangers in human dependence in technological business, such as the obsession about media in today's mechanized and computerized society. The name Binary refers to a digital representation of text and data, whose unit can take only two possible states. Binary code is a mathematical, technological language, developed by ourselves: an organic language that creates another to be described and discovered for itself. In this piece the players are asked to play in special techniques, such as “Cyber Singing” (introduced 2010 in composer's symphonic work “Cyborg”). “Cyber Singing” introduces a new musical technique: the audio file prepared by the composer himself is played by themusician from his mobile phone, a device commonly used for other purposes. So, it defines a new possibility of interaction between the composer and the musician, attaining genuine communication itself.