By Johann Sebastian Bach (1685-1750). Arranged by Greg Anderson. For Piano. This edition: Piano Duo (2 Pianos, 4 Hands). Book; Duet or Duo; Masterworks; Piano Duo (2 Pianos, 4 Hands). Anderson and Roe Duos and Duets. Baroque; Masterwork Arrangement; Recital. Advanced. 32 pages. Published by Alfred Music Publishing

(A Holiday Excursion for Two Pianos). Composed by Leroy Anderson (1908-1975). Arranged by Greg Anderson. For Piano. This edition: 2 copies required. Book; Duet or Duo; Piano Duo (2 Pianos, 4 Hands). Anderson and Roe Duos and Duets. Christmas; Holiday Pops; Light Concert; Recital; Secular; Standard; Winter. Advanced. 16 pages. Published by Alfred Music

2 Pianos, 4 Hands; Piano Duet - intermediate to advanced

SKU: HL.49030414

Lincolnshire Posy. Composed by Percy Aldridge Grainger. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1938. 40 pages. Duration 16'. Schott Music #ED12580. Published by Schott Music (HL.49030414).

ISBN 9790220118623. UPC: 841886031890. 9.0x12.0x0.194 inches.

2 Pianos, 4 Hands; Piano Duet - intermediate to advanced

SKU: HL.49013049

For 2 Pianos/4 Hands. Composed by Istvá, n Szelé, and nyi. Edited by Laszlo Szelenyi. This edition: Saddle stitching. Sheet music. Edition Schott. I. Szelenyi schrieb das Concertino im Jahre 1964. Das nicht allzuschwere, musikantische Stucke hat zwei Satze (Tranquillo - Vivace).Zum 100. Geburtstag von I. Szelenyi am 8. 8. 2004. Classical. 2 copies needed for performance. Composed 1964. 52 pages. Schott Music #ED 9568. Published by Schott Music (HL.49013049).

ISBN 9790001134064. UPC: 073999351798. 9.0x12.0x0.191 inches.

This work by Kodaly's pupil Szelenyi, published here for the first time, might be seen as something approaching the Romantic piano concerto without orchestra. Even the Fugato in this work seems to point to the Romantic tradition, recalling as it does Liszt's Sonata in B minor. The varied interplay between dramatic and lyrical moods is richly inventive. This Concertino offers (young) piano soloists the opportunity to mount the podium as an aspiring virtuoso, accompanying a second part that demonstrates symphonic pretensions. The two players are evenly matched in musical terms in the dialogue between the two pianos.