SKU: CY.CC2952
ISBN 9790530057711.
Ron Babcock has composed and edited 50 amazing duets in alto clef for Trombones. These duets can be performed on Tenor or Alto Trombones and are a great way to ease into alto clef being that they are progressive. The goal of this book is to provide an enjoyable vehicle for learning and practicing in a new clef. Some of the duets are original compositions by Babcock and some are arrangements of Baroque and Classical composers.Duets 1-30 are all one-page or less in length and duets 31-50 are all two pages in length. As the book progresses, there are more difficult key and time signatures, more challenging technique and in the later duets some cadenzas.There is a wide variety of styles and forms throughout the book. The final six duets are arrangements of concertos and sonatas originally written for the Alto Trombone (the top part containing the original part), including works by Albrechtsberger, Fux, Wagenseil and Michael Haydn.
SKU: MA.EMR-24515
It's Time / Julito Mio / Just One / Key West / La Zorra.
SKU: CY.CC3181
ISBN 9790530119099. 8.5 x 11 in inches.
The Four Duets, BWV 802-805 are part of a larger collection, the Clavier-ubung III sometimes called the German Organ Mass. They were first published in 1739, mostly likely intended to be performed on the organ, as they have a range from C2 to C6; playable on almost any organ from that era. However, they could have been performed on any keyboard of the time. Musically they are more complex than the Two Part Inventions, and their purpose was most likely to take two-part counterpoint to the max. * Fugue 1 is a double fugue in E minor * Fugue 2 is a fugue in F major written as a da capo aria (ABA) * Fugue 3 in G major is light and dance-like * Fugue 4 in A minor is a fugue in strict counterpoint Ralph Sauer has once again done an extraordinary job of finding great music for our instrument and transcribing it in the most beautiful way possible. Appropriate for advanced performers. Each player has their own part as well as a study score. The 2nd part may be performed on a tenor with f-attachment or a bass trombone.
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